Miss Match (Orca Currents)

Written by Susan Hughes

Orca Book Publishers

978-1-459842069

144 pp.

Ages 9–12

RL 2.8 

April 2025 

With Grade 8 almost finished and summer just weeks away, thirteen-year-old Polly, along with her friends Dev, Zoey, Roger and Matt, starts thinking about how to make a little money for summertime fun like going to the movies and baseball games, enjoying fast food, and shopping. Polly, ever the entrepreneur, comes up with the idea of a matchmaking service for all the Grade 7 and 8 students attending the end-of-year dance.

When they advertise their service and get students to submit applications with a $20 fee–money-back guarantee–they are overwhelmed with responses. They pull in over $2000 and Polly is tasked with setting up a dedicated bank account for the money. When she is unable to do so, Polly lies. It becomes the first of several lies she makes to her friends and her mother to cover up her embarrassment and fears of how they will judge her. Readers will wonder what her classmates would think about the accuracy of the nickname they've given her, i.e., Miss Match, if they knew the discrepancy between what she promises and what she actually does.

Susan Hughes has dazzled this reader with the breadth of her writing. I have reviewed her picture books (e.g., What Happens Next), her middle-grade novels (e.g., Four Seasons of Patrick), her YA (e.g., Virginia), and her non-fiction (e.g., Off to Class: Incredible and Unusual Schools Around the World). Each time, Susan Hughes writes with sensitivity and understanding. In Miss Match, she reminds us that everyone comes up with ideas some time, and some of them will be fantastic and some will be ludicrous. How we deal with our successes or our failures will speak more to our natures and strengths than the accolades or the judgements. Susan Hughes knows this and ensures that Polly comes across as a real person, who actually has a great idea but can't always deliver on it because she is shy, she is nervous about being judged, and she is young. Fortunately, she hangs around with a great bunch of people whose understanding of what it's like to be 13 is evident. They don't just forgive, they empathize.

 

While Miss Match is part of the Orca Currents series of high-interest novels for middle-grade students reading below grade level (reading level here is 2.8), Susan Hughes does not take short-cuts by giving readers a simple plot with little substance. She packs in issues of dishonesty, first crushes, inclusion–her friends are diverse in their abilities and disabilities, in their nationalities, and even in their gender-loving nature—and more. She tells the story with sensitivity and understanding but gives readers an ending that is satisfying without being contrived. Perhaps after celebrating a few more birthdays and with a little more experience, Miss Match could see herself in business again, providing a valuable service and growing her entrepreneur skills, one match at a time.

No Purchase Necessary

Written by Maria Marianayagam

HarperCollins

978-1-4434-7261-6

256 pp.

Ages 9–12

January 2025 

 

Ajay Anthonipillai and his parents and sister Aarthi recently moved to Bridge Creek to be closer to some family and save money. It's now a three-hour commute for Appa to the city where he is studying for his master's in civil engineering, but the Tamil Sri Lankan family understands the sacrifices that must be made to succeed. While understanding that money is tight and that his parents have very high expectations for him, Ajay really wants to fit in. And so, when taunted by alpha classmate Jacob Underson to steal a Mercury chocolate bar in Scary Al's convenience store, Ajay does it. This one mistake changes everything for Ajay.

 

Jacob refuses the chocolate bar since Ajay hid it in his pants, so Ajay eats the chocolate himself. "It tasted like bliss and guilt." (p. 25) But there's more than candy in the package. There's also the message on the wrapper that tells him he's won Mercury's $1 million Grand Prize. He knows all the good that money would do his family, including helping his aunt's family in Sri Lanka but Ajay knows he doesn't deserve it. In fact, if he hadn't taken it, his classmate Mindy Yu would've won it, grabbing the next bar after him. 

What to do? He has learned much from karate about integrity and respect, as he had from attending Catholic Church with Father Freddie, so Ajay is torn about what to do. Return the wrapper to Scary Al? Give it to Mindy? Confess to his parents? Cash in the ticket? Even as Ajay vacillates between all his options–not unlike Robert Frost's poem "The Road Not Taken" for an assignment with which Ajay is struggling–he ends up working for Scary Al at the store, becoming friendly with Mindy who helps him with his English assignment, and fighting and then collaborating with his tormentor Jacob. 

But lies have a life of their own. Some lies beget other lies. Or the lies morph into something completely different. And they can always be exposed. Whether it's because someone lets something slip or the liar is overcome with guilt or because the truth was known all along, lies do unravel, and for Ajay, it's just a question of when and how, not if.

 

Maria Marianayagam, herself a Sri Lankan-Canadian, undoubtedly drew from her own cultural experiences to give life to Ajay and his family. The high regard for education and family and hard work are evident, all solid foundations for Ajay and Aarthi. But these same values are challenged when they intersect with the culture of their new home, in which kids defend themselves when bullied, do extracurricular activities, and try to fit in with their peers. The balancing act of being different people, one at home and both a peer and your parents' child at school is a precarious one and one that challenges Ajay. Maria Marianayagam does not make Ajay a perfect kid who handles it all. She makes him real, struggling with himself and others, trying to do what's right though it might make life harder, and wishing for a break occasionally to just be himself. When Ajay and Aarthi can finally unmask themselves to their parents, it's both refreshing for all and illuminating.

 

Winning a million dollars seems like a dream but for Ajay it becomes a nightmare of conflict between honour and want. Thankfully, the rules of his family and those of the dojo and his faith help guide him to make the best choice and ultimately to enrich his life in unforeseen ways.

An Unbalanced Force

Written by Valerie Sherrard

DCB 

978-1-77086-764-2

200 pp.

Ages 12+

November 2024

 

When your family gives you everything, from a comfortable lifestyle and money to support and love, it's not unusual to feel beholding to them, even if they don't make you feel like it's a transactional relationship. (Sadly, there are families that do this.) But imagine if you owe your life to a dad who saved you when you'd snuck into an abandoned house and were bleeding out from an injury? Would you feel indebted forever? Or would there be a point where doing the right thing would feel like the wrong thing?

Seventeen-year-old Ethan Granger has a pretty nice life. He and his parents live in a gated community in Ottawa near enough to the Gatineau that he can take his trail bike there regularly. He just got a new bike, and his parents are talking about taking him to do the Inca Trail in Peru. His dad who became rich with his company, The Granger Group, is generous with his cash, especially whenever he goes on a business trip, which is frequently. Part of Ethan's circle include his best friend, Owen, who enjoys getting away from his alcoholic mother by hanging at Ethan's, and Ethan's girlfriend Nora with whom he often has an on-again-off-again relationship.

When he sees his dad in a parking lot near a strip mall in town when he's supposed to be on a trip, Ethan has questions, even more so when he texts his dad and his dad claims he's just getting off his flight. Recalling an earlier incident in which Mom claims to have seen someone driving Dad's car when he was out of town, Ethan decides to hire a private investigator to check things out. Ethan knows his dad is a smooth talker and a great storyteller but is he really a liar? Ms. Abboud, the investigator, reminds Ethan that, "It's important to realize that whatever you find out, it's going to be something you'll carry for the rest of your days." (p. 36)

 

Working with Ms. Abboud and his friends, Ethan discovers where Dad is spending time during his supposed business trips, and what Ethan learns puts him in an uncomfortable position. Does he stand by his father, a man who'd saved his life, or does he go to the police? Does he jeopardize all he and his family have or consider the needs of others?

Being a teen is often a balancing act of following the rules of the adults in your life–parents, teachers, coaches, guardians–and your own inclinations, whether for interests, friends, ambitions or just independence. And even though Ethan is fortunate that he comes from a wealthy family in which his wants are rarely limited, Valerie Sherrard gives us a typical teen who looks for support in his peer group, and who wants to have a good relationship with his family and girlfriend. He's also honest with himself, seeing things he doesn't like, whether in the way Nora treats him, in his father's lies, or in his own responses to disappointment and confusion. He's a teen and he's an insightful one.

Valerie Sherrard, who was recently named the 2024 Literary Arts Laureate of the New Brunswick Lieutenant Governor’s Award for High Achievement in the Arts, is an accomplished writer of all genres, from picture books and middle grade novels to YA and non-fiction. (See a few of my reviews of some of her books, including A Bend in the Breeze, Counting Back from Nine, Standing on Neptune, Driftwood, Random Acts, and Rain Shadow, to see the range of her writing.) While she can write everything from funny to angsty, novels in free verse to information texts, I think Valerie Sherrard excels at realistic YA in which young people are challenged by ordinary feelings in perhaps uncommon circumstances. In An Unbalanced Force, Ethan is challenged with doing what's right which may be at odds with what his family might want. His choice could also impact others around him. Perhaps the circumstances are exceptional but his reactions, from confusion to disappointment and even rage, are all legit, as are the means by which he decides upon his response.

With the overload of decisions which young people must make before reaching adulthood, with respect to their careers, their relationships, and even the risks they take, it's reassuring to know that, even when given circumstances beyond their control, like Owen's alcoholic mother and Ethan's deceitful father, they can see different perspectives and make good choices for themselves. Best of all, they can remain open to possibilities and stay confident in their choices, regardless of what others may toss at them.

Faker

Written by Gordon Korman

Scholastic

978-1-338826753

224 pp.

Ages 8–12

July 2024

 

As Dad always says, the intersection of too much money and too little know-how is the sweet spot of our family business. (p. 2)

That family business is conning rich people out of their money and Trey and Arianna's father is a master. The con always changes, just like their names and locations, but the kids, Trey who is now 12 and Arianna who is 10, have always been part of the operation. It's often Trey who makes the connections with worthy marks when he is sent to exclusive boarding schools, but Arianna is desperate to prove her worth too. Although Dad and the kids are a strong unit–Mom left when they were very young–Trey is always sorry when they must do a "Houdini" and disappear. He likes having friends and being part of something other than a family scam.

After returning from their latest Caribbean holiday after a necessary Houdini, Dad takes them to Boxelder, Tennessee where they become Davis Kirkwood II (Dad who is known as Junior), Trey is Davis Kirkwood III (get it? - Trey for three), and Arianna is Aryana Kirkwood (same first name, different spelling). They have a house in the exclusive The Pointe neighbourhood and the kids will be going to regular school. Before Dad has even devised a scam, Trey is making a connection with Logan Romano, a neighbourhood kid whose parents are art dealers. Never to be outdone, Arianna brings home Micah Zabrachian whose parents own the largest home around. Finally, Dad comes up with a scam that may be the Big Kahuna: an amazing electric vehicle that can go 1000 miles on a single charge. He calls it El Capitan and gets a guy he knows–Dad knows a guy for everything–to create El Capitan from parts of a Tesla and other cars. It may not do what he's telling everyone it can, but it's gorgeous and attention-grabbing and people want in on the investment.

Meanwhile, Trey is fitting in nicely at Boxelder Middle School and has even joined YAAP, the Youth Alliance for Albion Pond, an environmental group headed by Kaylee Novak who lives in the less-affluent community of Albion. He's a little smitten with Kaylee, whose father is Trey's social studies teacher, so he's happy to help support the remediation of Albion Pond.

But then things go awry when Dad has incidentally selected the location of Albion Pond as the future home of El Capitan's first, and fictional, factory. Trey may know the company isn't real, but Kaylee certainly doesn't and YAAP's fight suddenly moves in a different direction.

How does Trey support "the family business" and still have a cohort of friends, albeit one that will be abandoned when Dad calls the next Houdini? And what of Arianna whose petulance at not being considered a full partner is becoming exasperating? And then there's the emails from I.C. All that suggest the scam has been discovered. 

What a story! Trey is an average kid who wants to have friends and be liked, play sports and be appreciated by his family. He's often torn by the ethics of what his Dad does but he's not exactly in a position to challenge it. The cons are what feed them and provide for them. But Trey is starting to question things more, mostly courtesy of Mr. Novak's lessons on ethics and Trey liking Kaylee, but he knows no other life than that of the scam. Gordon Korman, the master of middle-grade novels with heart and humour, never makes us judge Trey's family though. The reader knows theft by con artists is wrong, but Faker is less about the criminality and more about the ethics of balancing family and what's right and wrong. Gordon Korman makes us empathize with Trey's dilemma–personally I found his younger sister more of a problem than the con–recognizing the familiar need to fit in. Trey may not realize he's becoming popular in his own right but he's a nice guy and fitting in might just become a problem for a kid who's not supposed to make real connections with people, only fake ones.

Faker is a fabulously real story of a middle-grade kid caught between a rock and a hard place who finds out that things aren't always as they appear. His dad may be responsible for much of the deception but, when you're loyal to a person whose vocation is to rip-off people, it's hard to know what's right or wrong. Fortunately, even at age 12, Trey finds a way to see past the fakery and come out from that uncomfortable position and ascend to a place of decency.

Salma Writes a Book

Written by Danny Ramadan

Illustrated by Anna Bron

Annick Press

978-1-77321-803-8

120 pp.

Ages 6-9

 September 2023

 

Young Salma, whom we first met in Danny Ramadan and Anna Bron's first picture book Salma the Syrian Chef, is pretty excited to finally meet her uncle, Khalou Dawood, who'd left Syria before her own family to attend university in Toronto before moving to Vancouver. Now he's come to visit, and she is thrilled. But when Salma asks why he has never visited before, things get very tense, and Mama says they will not talk about it.

From Salma Writes a Book, written by Danny Ramadan, illus. by Anna Bron

Though he does not stay with them, her khalou takes her for outings and plays with her, and when her mother has a dizzy spell and Salma is worried, she calls Dawood who comes to help. He is a supportive younger brother, and Salma hopes she'll be a good sibling too when she learns her mother is expecting a baby.

Salma is determined to learn the right way to be a big sister and so she decides to do her research and write her own book titled, "Salma's Guide to Being The Best Older Sibling Ever." Not only does she need to learn how to write a book, but she must also find out from her classmates what is important about being a sibling. But Salma is confused when she sees her mother and her uncle interact. They seem to be close, but Salma wants to know why they have not visited before. Then Mama gets angry when Dawood brings his husband Michael to Salma's apartment for Eid al-Adha dinner. Michael choses to leave, as does Dawood, and Salma is perplexed. 

After a fiasco with her friend Riya's mother's shawl, which the girls cover up, Salma is convinced she doesn't know anything about being a sibling.

She has to learn how to make the right decisions, and how to teach her sibling the same. She has to learn how to guide her sibling, and how to be a role model. And worse of all, she still doesn't know when it is okay to be mad at your sibling, or how to fix things after a fight. (pg. 69)

It's only by understanding their mistakes, that Salma, and even her mother, can move forward and become the siblings they want to be.

While I don't know how many bits of writer Danny Ramadan's own story are the basis of Salma Writes a Book, I do know that there are lessons here that we all need to learn. From understanding "how confusion and fear can lead to mistakes" (pg. 81) and that sometimes it takes time to resolve them. It can mean reconciling confusion between what we've always been told and a new perspective. It could mean taking responsibility and fixing things. It could mean apologizing. Danny Ramadan makes us realize that mistakes can be little things or big things but fixing them is always worthwhile. And by helping Salma see the breadth of mistakes that can be made, from damaging someone else's property, to lying, or to being rude and intolerant, Danny Ramadan has given her opportunities to learn about correcting mistakes and hopefully help her become a more compassionate and supportive older sibling.

Though an early reader with fewer illustrations than Salma's first book, Salma Writes a Book still has more than two dozen black-and-white illustrations by Anna Bron that show us the extent of Salma's experiences, with meeting her khalou and his husband, interviewing her peers, struggling to write, and being part of her family. Young readers will appreciate seeing Salma in all her joys and frustrations, knowing how she might feel as she struggles trying to learn and understand through her own confusion and fears. Fortunately, with a fourth Salma book slated for 2024–Salma Joins the Team–we won't need to wait too long to learn the lessons Danny Ramadan has had Salma learn so that she might be a fabulous big sister to baby Nora.

• • • • • • •

Salma the Syrian Chef (2020)

Salma Makes a Home (2023)

Salma Writes a Book (2023)

Salma Joins the Team (coming in 2024)

The Silence of Bones

Written by June Hur

Feiwel and Friends

978-1-250229557

336 pp.

Ages 13+

April 2020

The eyes that stare out from the cover of The Silence of Bones are haunted. They are the eyes of sixteen-year-old Seol, a girl indentured to the Capital Police Bureau, who has lost her parents, wants to find her brother or his grave, and is far too curious about those she serves and the investigations in which she must assist. In 1800s Korea, time of the Joseon dynasty, Seol knows her place and, like all servants, knows to "Be cautious. Cross no one. Obey always." (pg. 14)

As a police damo, Seol goes where she is needed to help with female criminals and victims whom the male police are forbidden from touching, according to Confucian tradition. When Lady O, daughter of Cabinet Minister O of Southerner faction, is stabbed and her nose cut off, Seol finds herself talking to her maid, Soyi, and learning about a man and a letter that took the young woman to her death. When Inspector Han discovers Seol eavesdropping and trying to learn more about the murder, he informally mentors her about motives for murder, how to tell if someone is lying, etc. After she saves the inspector's life from a tiger and the two share stories of their families, Seol becomes devoted to Inspector Han. So when evidence is revealed that a man in the blue robe of the inspector was seen near the scene of the crime, Seol tries to help. But the mystery is complicated and Seol begins to wonder if the man she has grown to respect is guilty after all.

Sometimes my reviews cannot do justice to the complexity of the story and such is the case for the extraordinary historical mystery of The Silence of Bones. June Hur has woven countless characters, each with their own motivations revolving around class structure, religion, and family, into an intricate story in which the honourable may not be and the lowly may be of the highest integrity, and vice versa. Amidst the class hierarchy, largely based on birth, in which there are aristocrats, palchŏn (low class), and even baekjeongs (outcasts), June Hur's characters are real but flawed, looking for family and acknowledgement for their efforts, humble and otherwise. But among those characters is evil and...

"...evil comes from the unfulfilled need for significance." (pg. 192)

This is June Hur's debut novel and it is an accomplishment of plot and writing, taking readers into the Korean dynastic kingdom of Joseon at the turn of the 19th c., a time of Confucian traditions, prohibition of Western teachings, and the persecution of Catholics. From behind the covers of the book, you will cheer for those who looked beyond their station, ignoring censure–"This is what happens when a foolish girl thinks she can be someone of consequence. She creates chaos, utter chaos." (pg. 131)–and search for truths, to honour the dead and the living, while you suspect character after character of murder and misdeeds, never guessing where June Hur will take her story. The Silence of Bones has given us a new voice in YA CanLit for which I'll be listening from now on.

A Box of Bones

Written by Marina Cohen

Roaring Brook Press

978-1-250-17221-1

288 pp.

Ages 8-12

May 2019

Sometimes people need lies. Little lies to help them deal with truths that are too huge and too difficult to face. (pg. 273)

Twelve-year-old Kallie is only interested in facts and the organized and logical world that she and her father, who works in risk management for an insurance company, live in. She has no appreciation for the arts, turning her nose up at music and seeing stories as "ugly little lies wrapped in pretty packages" (pg. 59), going so far as to refer to her dead mother only with disdain as "The Writer." Unfortunately, the world seems to want something different for her than she expects.

While at the buskers' Festival of Fools with her Grandpa Jess, Kallie is handed a small puzzle box seemingly made of bone. After much work to open it, nine smaller cubes fall out of the box, each with its own unique image. Strangely, no matter how she drops these cubes, they always land in the same order: an animal, a goblet, an oval with holes, a castle, a cylinder with flames, a coffin, a skull, a long pointed object, and a blank. Soon, Kallie's life, thrown off kilter by a new imaginative student named Anna and by secrets she is learning regarding her mother's death, is following a path based on those bone images, starting with a strange animal with amethyst eyes that appears to her.

Interspersed with Kallie's story is one of Liah, a bone carver's apprentice. In her story, distinguished to the reader by its italics font, Liah and the bone carver are heading to the evil Empress's palace to sell his carvings, travelling through an ancient forest haunted by those whose bones were buried without ancestral care. Heedless of the bone carver's warnings, Liah removes a skull, hopeful of carving something special from it. But their foray into the palace becomes something dangerous for the bone carver and Liah after a Lie-peddler they meet confronts the Empress with his stories.

There is such a thing as too much truth. (pg. 272)

How Kallie's and Liah's journeys are related is only revealed at the end of Marina Cohen's latest middle grade novel but they are entwined, both learning that

...a good story never really ends. It lives on inside you forever (pg. 222)

and that truths and lies are not very different, both necessary and still tenuous.

While Marina Cohen does creepy middle-grade really, really well–do check out several of her earlier novels such as The Inn Between (2016) and The Doll's Eye (2017)–A Box of Bones tells a great mystery without worries of keeping young readers up at night. There are eerie bits, both in Kallie's and Liah's stories, but they add to the mysteriousness, demonstrating that not everything is straightforward, logical or expected, just like life, and that stories give life as well as honour it.

Sadie

Written by Courtney Summers

Wednesday Books

978-1-250-10571-4

308 pp.

Ages 14+

September 2018

If you notice that the book cover is larger than I usually post, it's because Sadie, the book and the girl, should not be relegated to the back or to a corner to be forgotten. In her life, Sadie was neglected and abused and she may have felt insignificant, but she is courageous and responsible, and she deserves to be noticed–and not because of her stuttering–and her extraordinary efforts appreciated.

Sadie begins with the murder of Sadie's thirteen-year-old sister, Mattie Southern, after she'd left their home in Cold Creek, Colorado, ostensibly to search out their mother Claire, who'd left 3 years earlier. Mattie had never given up hope on her mother, an addict who'd showered her meagre love and limited attention on her youngest daughter and essentially ignored or was hostile to her eldest.

I can't even put into words what it's like to swallow down a moment like that, but I can tell you exactly how bitter it tastes. (pg. 55-6)

Sadie had given all of herself to her baby sister and mothered Mattie even more, when at 16, it was just the two of them, abandoned and living in a trailer park run by their surrogate grandmother, May Beth Foster.  When Sadie disappears eight months after her sister's murder and her car found abandoned the next month, May Beth contacts WNRK New York to get some media attention and help. So begins a serialized podcast, The Girls, by producer West McCray, who pursues Sadie's story and consequently Mattie's as well.

The Girls explores what happens when a devastating crime reveals a deeply unsettling mystery. It's a story about family, about sisters, and the untold lives lived in small-town America. It's about the lengths we go to protect the ones we love. . . and the high price we pay when we can't. (pg. 1)

Sadie alternates between The Girls podcast and Sadie's telling of her pursuit of justice for her sister. West's podcast includes narration and interviews with persons of interest as he tries to locate Sadie, all the while unravelling her story. There's May Beth Foster who acts as his home base for information and clarification, and then the people Sadie meets along her journey. The chapters based on Sadie's pursuit of Mattie's murderer begin at an out-of-town diner where Sadie suggests she's looking for her father, always showing a photo of her family with Claire's ex, Keith. From that starting point, she gets one lead after another, desperate to locate the man she is convinced is responsible for Mattie's death. Mixed with reminiscences, many unsettling, as triggered by those she meets, Sadie must uncover Keith's story, told from the points of view of those who considered him a good guy and those who won't reveal much from the cloak of shame and trauma. Regardless, she pursues and inevitably helps in ways she might never know.

Courtney Summers always tells bold stories, whether based on zombies (This is Not a Test, 2012; Please Remain Calm, 2014), on sexual assault and shame (All the Rage, 2015), on bullying (Some Girls Are, 2010) or self-destruction (Cracked Up to Be, 2008). They immerse the reader in tense situations of agonizing brutality, emotional and physical, that rarely have happy endings. But that's reality. Life is not neat and it's not fair. It's raw and real and not for the faint of heart. Courtney Summers sugarcoats nothing. Nothing at all. Even as West McCray speaks to witnesses or persons of interest, they spin Sadie's story with an effort to make themselves look better. It's not honest but it's real. Take Claire, for instance. This woman cared more for the child who looked like her than the one who didn't (and blames that on her youth, her mother's death and May Beth); neglected her children in favour of her addiction; sends an abuser packing only when she suspects he might have attacked her favourite; abandons her children for years; and blames West McCray when he can't find Sadie. Yikes. Sadie's story is gut-wrenching in itself: bullied for her stuttering, neglected by her mother, abused by her mother's boyfriend, abandoned, becoming a surrogate parent to a resentful child, and grief-stricken for her beloved sister. Her story is almost too much to take.

Don't look for a happy ending in Sadie, and it's not because Courtney Summers ends Sadie with another tragedy. It's just hard to tell what kind of an ending Courtney Summers has given readers. While there is justice, Courtney Summers also leaves a gaping hole in Sadie's story that readers will need to fill, either with hope for a new story for Sadie or with another tragedy to complete her original one. Read Sadie and let me know what you think happened to this fierce young woman because her story is far too important to let her be forgotten.

The Hanging Girl

Written by Eileen Cook

Houghton Mifflin Harcourt

978-0-544-82982-4

308 pp.

Ages 13+

October 2017

Skye Thorn is a tarot card reader, helping her peers with their questions about love, school and more.  But, though she cultivates an image of having psychic powers, Skye is just an astute observer of human nature and a sneak at private files and conversations.  Her mother might purport to have the gift but Skye knows she herself does not.

Still Skye is a teen who has always wanted a certain life and had a willingness to make it happen. 

Destiny is like a boulder.  Bulky and hard to move.  It's easier to leave it alone than to try to change it.  But that never kept anyone from trying.  Trust me: I'm a professional. (pg. 1)

She hates her name, Candi, the one she was given by her 15-year-old mother, and has managed to get her friends and school to use her middle name, Skye.  She had woven a story about her father, whom she has never known, being a military hero.  That story ended badly, though, and had her labelled a liar and headed for counselling.  Now, she’s telling her best friend Drew that she’s saving her money so that they’ll be able to get an apartment in New York City when Drew heads to art school next year.  But she hasn’t. 

When she is approached to use her psychic flair in a scheme to kidnap popular and wealthy Paige Bonnet, Skye convinces herself that it would be alright.  Paige would not be hurt and Skye would get some of the ransom money.  Her role would be negligible: all she had to do was convince the police that she was having visions of Paige’s disappearance and to help direct their investigation.  Ah, the best laid plans…

Like the tarot card called the Hanged Man, which suggests someone at the crossroads, Skye is balancing who she really is with what she wants people to see and what they actually do see in her.  From her mother to Drew and classmates and then the police and others, Skye's self is hanging, perhaps precariously as she makes choices.  She truly is The Hanging Girl. But the mystery that is Skye extends beyond her, embedding readers in a young adult thriller with a myriad of twists and reversals and red herrings.  Never, never can the reader tell what will happen next or whom to believe.  The tagline "Trust no one. Deceive everyone" is especially apt.  The plot is intricate and multilayered and, even when Skye figures things out in a climactic graduation ceremony setting, I was never convinced I knew the truth. That just tells you how convincing Eileen Cook's writing is.  It is tight but complex, and she never lets the plot lag or the storyline get caught on ineffectual plot twists.

Eileen Cook, whose books Unraveling Isobel (Simon Pulse, 2012), The Almost Truth (Simon Pulse, 2012), Remember (Simon Pulse, 2015), and With Malice (Houghton Mifflin Harcourt, 2016) have been reviewed on CanLit for LittleCanadians, always has some mystery amidst the teen drama but she is particularly adroit at relationship dramas.  Her characterizations and dialogue between characters and inside Skye's head are especially compelling in The Hanging Girl.  Except for several chapters conveyed as Paige's written account of her ordeal, most of Eileen Cook’s text is in the first-person narrative of the young tarot card reader trying to assess her situation prior to Paige's disappearance and then while the teen's family and police investigate.  She's gotten herself involved in something desperate and is in far too deep to get out cleanly.  Still, though she lies and manipulates, it's surprising how sympathetic Skye is as a character.  She always believed that she was destined for a nothing life, so the readers will cheer for the girl who tries to see herself beyond a life at Burger Barn.  As such, the ending will floor you.

See beyond the mess that is Skye and the situation in which she finds herself and discover a thrilling plot of truths and lies and shadows in The Hanging Girl. It's a little dark but more angsty than criminal and definitely an accurate take on the desperate measures people will take to achieve the lives they feel are warranted.

The Secrets We Keep

by Deb Loughead

Dundurn

978-1-459737297

184 pp.

Ages 12-15

December 2016

Not all secrets are bad; in fact, The Secrets We Keep ends on a very sweet one.  But the secrets being kept in Deb Loughead's newest young adult novel are the destructive kind, the kind that destroy relationships and souls, the kind that erode slowly the edges of what is good until it becomes a slippery slope with a pit at the bottom.

Ever since that field party at the quarry last June when challenged teen Kit Stitski disappeared and was later found dead, drowned in the water, fifteen-year-old Clementine has been tortured with guilt, convinced that she played a role in his death.

It’s like his ghost will not go away and leave me alone.  And now that I know his mother’s still hunting for answers, my secrets are spooking me even more. (pg. 15) 

Worse than her own guilt, Clem’s supposed best friend, Ellie Denton, who had also been secretly at the quarry, partying with Mac, a boy on whom she’d been crushing, is manipulating Clem with the threat of exposure.  With excessive demands on Clem to always be available to cover for her and Mac, Ellie becomes a menace that Clem can’t seem to shake.  Though Clem wishes she could speak to her family about this, she finds some relief when she convinces her tech-addicted parents and younger brother to agree to put aside their devices regularly for some quality family time, including at night when Ellie regularly texts Clem.

That might get Ellie somewhat off her back but Clem is still plagued by a guilty conscience and a crush on Grade 10 student, Jake Harcourt, with whom she’d once been part of a Circle of Friends support group for Kit in middle school.  When the two finally reconnect as friends who've both taken on blame for Kit’s death and recognized how the circumstances have changed them, Clem and Jake look for ways to be something positive in the lives of Kit’s mother and younger brother, as well as expose a lot more secrets concerning the young man’s death.

Though The Secrets We Keep is not a mystery, there is a problem to be solved and secrets to be exposed and Deb Loughead never lets the reader’s adrenalin levels subside.  The tension that Clem suffers at the hands of her friend drives the story and her to find some resolution, one with which she can live.  And though it is never obvious, Jake, the boy who defends another teen rumoured to have fought with Kit that night, is the means to that resolution, as well as a sweet respite from the strain of keeping secrets and harbouring guilt.  The Secrets We Keep has both the strong plot and character development to hook teen readers but its strong message about connecting and disconnecting, both personally and digitally, makes the story one worth reading and heeding.

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Reviewed just in time, The Secrets We Keep launches this Wednesday, December 14, 2016 at Harbourfront's Lakeside Terrace in Toronto.  Details here.

The Secrets We Keep: Book launch (Toronto)

Deb Loughead

author of 

numerous young adult CanLit

will be launching her newest title

The Secrets We Keep

by Deb Loughead

Dundurn

978-1-459737297

184 pp.

Ages 12-15

December 2016

on

Wednesday December 14th, 2016

7:00 p.m.

at

Harbourfront Centre

Lakeside Terrace

The book is described as follows, on Dundurn's website:

First she blamed herself. Now she doesn’t know who to trust. 

When Kit disappeared at a party and was found drowned in the quarry the next day, Clem knew who to point the finger at: herself. She was the last person to see him alive, the last person who could have helped. If she had just kept a closer eye on him instead of her crush, Jake, maybe Kit would still be here. She knows she made a mistake, and wishes she could just forget about it — but Clem’s friend Ellie says she’ll expose Clem’s secret if she doesn’t play along with Ellie’s lies. 

Jake seems to have his own difficult secrets, and when he and Clem start to talk, they make a plan to help themselves move on. But when an unexpected discovery at the quarry makes everyone question what they thought they knew, Clem and Jake decide it’s up to them to uncover the truth.

Retrieved from https://www.dundurn.com/books/Secrets-We-Keep on November 29, 2016. 

Beware That Girl

by Teresa Toten

Delacorte Press

978-0-553-50790-4

336 pp.

Ages 14+

May 2016

Kate and Olivia.  Two eighteen-year-old seniors at a private school known as Waverly in New York City.  It’s hard to tell which girl is “that girl” mentioned in the title Beware That Girl.  Kate, the brilliant, manipulative liar who plans out every step she takes to ensure she gets the “big life she wants” or Olivia, rich and beautiful but emotionally fragile “just messed up enough” (pg. 4) for Kate to befriend.  The two secretive girls are “Two unlikely peas in a pod” (pg. 47) in more ways than one.

Kate O’Brian, a high-achieving Waverly scholar, is determined to get to Yale regardless of her current status as a basement boarder and employee at Chen’s Chinese Market and Apothecary.  Also working mornings at the school office, Kate searches for her ticket out of her miserable situation and targets Olivia Sumner whose record indicates missed school due to psychological issues.  The two girls become acquainted and, when charmed by the new director of fundraising, the charismatic Mark Redkin, to start a Student Advancement Committee, Kate gets Olivia, as well as classmates Serena, Morgan and Claire on board.  Soon Olivia has asked Kate to move in to the penthouse she shares with her globe-trotting lawyer father and their housekeeper Anka.

“Becoming friends was a kind of courtship.  A ritual of presenting your best self to the other.  Each knew not to push too much, too fast.  In their conversations, the girls reached for all their similarities willfully ignoring the differences.” (pg. 38)

It’s the differences and secrets that still separate the girls, neither being completely honest about their pasts and fears and desires.  They each have an agenda for their friendship, which becomes all the more complicated when Olivia becomes involved in an intimate relationship with Mark Redkin.  Recognizing him as a “player of biblical proportions” (pg. 120), Kate sees Redkin as more than a threat to their friendship, realizing that “Redkin was going for power, information and amusement.  What a trifecta.” (pg. 155)

Beware That Girl is a suspense-laden, surprise-ending story that provides a glimpse of a friendship based on the instability of secrets and schemes.  And even though there are moments of affability and benevolence–usually involving the irascible Mrs. Chen, the girls’ shared mutt Bruce, and the thoughtful Johnny who is crushing on Kate–Teresa Toten’s intimate portrayal of a friendship initiated in manipulation will disquiet the reader.  From the onset of the book, a scene in which one girl sits at the hospital bed of another while the police wait to question them, Beware That Girl is dominated by uncertainty and foreboding.  Teresa Toten may tease the reader with storylines that intimate which character should be heeded but you’ll never know for certain.  That is, until her crushing ending that reveals the strength of Teresa Toten’s plotting, story-telling and characterizations.  Don’t be alarmed if you have to reread the final four-page chapter–I did–just to assure yourself that this masterful writer has truly reconciled all those secrets and agendas in a bombshell of an ending.  She does and it is.

Gerbil, Uncurled

A Tell-Me-More Storybook

Written by Alison Hughes

Illustrated by Suzanne Del Rizzo

Fitzhenry & Whiteside

978-1-554-55332-7

32 pp.

Ages 4-7

September 2015

Fitzhenry & Whiteside have a new addition to their Tell-Me-More Storybook collection and young readers have a delightful story that will tell teach them about gerbils and working together to formulate the best rules for all.

All the gerbils know the Gerbil Mottos in Gerbil, Uncurled.  They are:

• The Night is Short: Keep Busy
• Always Keep Your Whiskers Clean
• Celery Tops Come To Those Who Wait
• Many Paws Make Quick Work
• Curl Up Nose To Toes

Important rules to follow to live to a good long life like Grandpa Gerbil who is a five whole years old!

But Little Gerbil, try as she might, is not a curl-up-like-a-ball sleeper.  And though she promises Grandpa Gerbil to try, she panics, desperate for fresh air and to stretch out in the sunshine. So when day ends, she scrambles back to her family’s bedding to wake up with the rest, huddled as she should be.  However, Little Gerbil can’t handle the guilt of accepting congratulations while she “was living a gerbil lie.” (pg. 12)  Nonetheless making some careful observations helps Little Gerbil guide her elders and family to rethink the Gerbil Mottos so that all may be successful.

Alison Hughes shares important lessons about cooperation, family and being true to oneself in Gerbil, Uncurled but young readers will be just as charmed by Suzanne Del Rizzo’s polymer art of the little rodents and their environs.  Following in the artistic steps of Canada’s Grande Dame of plasticine, Barbara Reid, Suzanne Del Rizzo fashions warm hues of oranges and beiges, with touches of blue and turquoise as complementary colours, into gerbil life and details.  Her creatures are adorable and jump off the page with their curls and cedar shavings and braided textures.  I can’t possibly enumerate all the details in which children will delight–a teddy bear, a banana, celery, knitting, alphabet blocks–but they’ll be delighted that Suzanne Del Rizzo shares with them how to mold the dough into their own gerbils.  And everyone, teachers and parents included, will appreciate the additional information about different rodents and gerbil behaviour included in this Tell-Me-More Storybook appendix.

Gerbil, Uncurled will amuse and inform while providing a sweet vehicle for teaching about rules and coming together to make better ones that work for all.

Remember

by Eileen Cook

Simon Pulse

978-1-4814-1696-2

320 pp.

Ages 12+

February 2015

People need to ball up.  Life isn't all sunshine and unicorns.  Now they're selling it to people our age?  What, because not getting into the college of our choice is crushing?  No date for prom causing premature PTSD?  It's not trauma; it's real life.  Life is hard sometimes.  It doesn't mean you don't face it. (pg. 12)

That's best friend Win's assessment of the Memtex treatment that teen Harper Bryne's father's company NeuroTech is now offering, with FDA approval, for the "softening" of painful memories that get in the way of living.  But when Harper's beloved horse, Harry, dies unexpectedly of colic, she is devastated and weeks later still unable to sleep or eat.  Though her parents refuse to allow her to receive treatment, Harper easily convinces her boyfriend, Josh, an part-time intern at NeuroTech–and a protegé of her father's– to sneak her in.  In recovery, Harper is thrilled to know she can still visualize Harry but without the devastating sadness and guilt, feeling like herself again.

That is, until she blacks out over memories of a woman falling and the smell of burning meat, and begins dreams of this woman.  Josh is convinced they are just false memories (he is so pro-NeuroTech).  But, having witnessed her blackout, Neil O’Malley, a college student involved in protests objecting to Memtex’s use, approaches her about the possible side effects of the treatment that he is convinced had a role in his older brother’s suicide.

Now Harper is delving into her past, doing some sleuthing around anomalous information about her horse and her mother, and getting Neil to help her with this research, while her relationship with Josh is put on hold and her friendship with Win takes a tailspin.  And then there’s her dad whom she’d always trusted to do everything and anything for her and now whom she is convinced is harbouring secrets and acting only in the best interests of his company.

Remember is a romance with a cautionary spin on the hazards of expecting lives filled only with lightness and good memories, devoid of the painful ones that help sculpt us into the persons we are.  Win is always remarking about Harper’s Mary Poppins’ positive attitude and is disappointed, almost angry, when Harper begins to be less so.  This is surprising considering she acknowledges that life isn’t all “sunshine and unicorns” (pg. 12). But, Win is not atypical, recognizing that sometimes life sucks while still preferring effusive busyness and happy demeanours at all costs.  Not surprising a lot of work related to PTSD and depression is done quietly and discreetly on the side.

Eileen Cook writes captivating realistic fiction with a hint of romance so well, ensuring some sweetness is always enmeshed in the conflict of keeping secrets and telling of lies.  Unraveling Isobel (SimonPulse, 2012)  and The Almost Truth (SimonPulse, 2012) are two more examples of her gripping YA that I’ve been pleased to review here on CanLit for LittleCanadians.  I know my young readers are as enthusiastic by Eileen Cook’s writing as I am, gripped by complex plotlines beyond their own lives and by romantic, friend and family relationships that reassure them that they are normal.  And Remember is one more YACanLit to add to that collection, albeit with a nuance of science fiction that makes us remember that the speculative may not always been that fantastic after all.

Random Acts

Written by Valerie Sherrard

Puffin/Penguin Canada

978-0-14-319104-9

264 pp.

Ages 8-12

March, 2015

Doing random acts of kindness sounds like a noble endeavour, doesn't it? But, as we know, the best of intentions can often lead us astray, and for  Zoey, Jenna and Bean in Random Acts that’s just what happens, to hilarious results.

Of course, the reason things start to go awry is because popular Destiny Desotto decides to start a club called "Lend a Hand" but doesn’t invite Zoey and Jenna’s friend Bean because he “isn’t someone wh\e’d want in the group even if he did want in” (pg. 11) So they choose to start their own secret group called "The Random Acts".  But then hottie Dennis Fuller invites Zoey to join "Lend a Hand" and she’s convinced she can do it without the two clubs knowing about her involvement with the other.  Ultimately it’s all in aid of doing good deeds, so that’s OK, right? Not for Zoey, though.

She can’t help out her neighbours, the Kimuras, with their newspaper or their leaves without it escalating to a threat of charges being laid against her!  And Jenna’s good deed of donating old magazines to the student lounge has Zoey scrambling when a quiz she did as Destiny puts Destiny on the war path.  Even Jenna's cookies-for-the-teachers'-lounge good deed goes amok, resulting in detentions and the hospitalization of a teacher! And don’t even get me started on all the lying Zoey feels she has to do to cover her mistakes and to dampen the amorous intentions of Glenda, a client, to Zoey's dad, a psychologist.

In her efforts to contrive random acts of kindness—yes, that is an oxymoron—Zoey ends up being a liar, a stalker, a vandal, an eavesdropper, a gossip and a thief!  Some people just don’t know when you’re being kind. By making the kids’ random acts of kindness random, i.e., twisted, in both the funny sense and in the completely unpredictable way, Valerie Sherrard ensures hilarity without the malevolence that can come with manipulation.  Well played.  I always knew keeping secrets and misusing power—even if purportedly for good—were never good ideas. But they are funny ones, at least they are in Random Acts. 

The Death of Us

Written by Alice Kuipers

HarperTrophy Canada

978-1-44342-410-3

216 pp.

Ages 13+

2014

Be prepared for heartbreak. 

Before you’ve finished two full pages, a girl will be showing Kurt and his friends a social media image of Ivy’s car being pulled out from the river below the broken rail of the bridge.  And he knows that Callie would have been in that car.

Rewind two weeks, and Ivy Foulds and her alcoholic mom are returning after 3 years away to live next door to Callie Carraway and her family again, now that Mom has reunited with former boyfriend, Kevin.  But there’s something suspicious about the way that they left and about some secret between Callie and Ivy that cools their reunion.  However, with Callie’s best friends away for the summer and her preachy and inattentive mom distracted with new baby Cosmo, Callie is drawn to reconnect with Ivy who is determined to give "shiny-penny Callie in the bank account of my life" (pg. 5) a great summer.  But when Ivy is introduced to Kurt Hartnett, the school zine editor, on whom Callie is secretly crushing, she decides that, "He's so going to help me get over everything." (pg. 35)

So that great summer is off to an odd start and there are so many obstacles to it: Ivy’s flirtatious ways, secrets being held back and lies being told.  Sadly the book’s opening foreshadows a friendship that will be the death of them somehow.

Alternating between the voices of Ivy and Callie in the weeks prior to the accident and Kurt at the time of the accident, The Death of Us  examines the friendship between the two girls, both from the past and in the current summer, as they navigate their family issues and own explorations with love.  Their story told from the pen of Alice Kuipers is never predictable.  Not. Ever.

The girls are complex, juggling what they know, what they need and whom they trust, within each’s precarious family dynamics.  Most of all, Callie and Ivy are trying to figure out who they are and put forward those personas.  But try as they might, they still don't have a handle on the people they are growing into.  Ivy likes to rely on self-help podcasts ("the best way to grow as a person is to step outside your comfort zone"; pg. 122) to navigate this learning while Callie tends to look externally to others, including books, to direct her ideas about self.  But Callie and Ivy are the products of their families–as is Kurt, in a different way–and they are so affected by their mothers, that I weep for mother-daughter relationships that can be so disheartening, even destructive.  But I cheer for those like Kurt and his friend Xander and Callie’s Granny who provide real and unconditional support and affection, even if only discreetly.

Even without the twists and turns of highly-plotted stories, there’s no way the reader will see the ending coming, just as author Alice Kuipers did in her book 40 Things I Want to Tell You  from HarperTrophy Canada, 2012.  You see, there is no need for Alice Kuipers to embellish truths and reality when the drama of real life is so captivating and she can write it so well.  The Death of Us will take you into that reality and walk you along that cliff edge, back and forth, wondering when the jump or the fall is coming, because you know it will. That's life.  And it will be The Death of Us, one way or another, predictably or not.

The Truth Commission

by Susan Juby

Razorbill Canada

978-067-006759-6

272 pp.

Ages 14+

For release April 2015

The truth really doesn't need any embellishments, does it?  It is as it should be. Nothing more, nothing less.  But sixteen-year-old Normandy Pale, the narrator and writer behind The Truth Commission, a piece of creative non-fiction for her Spring Special Project at Green Pastures Academy of Art and Applied Design in Nanaimo, does recognize that,

"When you tell a story, you shape the truth." (pg. 293)

And she and her best friends, Dusk (actually Dawn) Weintraub-Lee and Neil Sutton attempt to bring some much needed truth into a world overflowing with lies.  From Aimee Danes, whose new nose and chest scream to share her new truths with the world, and the snarly office secretary Mrs. Dekker to fellow students Tyler Jones, Zinnia McFarland, and Brian Forbes, the unofficial Truth Commission trio attempt to learn the truths about everything from motivations, love interests, heritage and substance abuse. But attempts to shed light on the truth are not always easy and rarely straightforward, often with unforeseen consequences.

But Normandy is having her own crisis of truths, dealing with the return home of her astoundingly successful older sister, Keira, from the California Institute of Art and Design. While still at Green Pastures, Keira had created a massively popular graphic novel series called the Diana Chronicles, about a girl who lives with her painfully average family on Earth and travels to an alternate universe, Vermeer, where she is queen.  Except for Diana, the family resembles Normandy's family in the worst possible way, exaggerating their attributes to humiliating proportions. But something is amiss with Keira and Normandy is looking to help by getting at the truth, though the family's head-in-the-sand attitude is problematic.

The truth may be out there but it may not always be ideal to seek it out.  Susan Juby's characters, both main and secondary, demonstrate the precarious nature of the truth, though some recognize that truth sooner than later.  But their interactions with regards to the truth are what makes the story so lively, particularly with Normandy bridging the extreme differences between her friends and family when seeking the truth. What to do?
 
To be honest, Susan Juby's writing is like a Disney bandage on your heart.  It has delightful colour and humour that can hide something as simple as a paper cut (still very painful!) or a deep, festering wound.  It's not until you look under the bandage that the true depth of the story is evident.  The reader is glad for the amusing cover-up because it helps manage the pain beneath.  Even though removing the bandage can be agonizing, it must be done. Not unlike the truth.  And, in my opinion, Susan Juby's truth is the quality she attributes to some authors:

"There are the truths...when some writer puts exactly the right words together and it's like their pen turned sword and pierced you right through the heart." (pg. 10)

Susan Juby's pen is both honest and piercing in The Truth Commission, and I relished it wholeheartedly.

***********************************

Two Truths and a Lie (from yesterday's post)

If you haven't guessed yet, #3 is the lie.  Norm is short for Normandy and is all girl.  Ask Neil.

The Truth Commission: coming!

To celebrate the release this month of  

Susan Juby's newest young adult novel, 

The Truth Commission

Razorbill Canada

978-067-006759-6

272 pp.

Ages 14+

let's play a little game.

Two Truths and a Lie.  Want to play?

This is the story about easy truths, hard truths, and those things best left unsaid. (pg. 11)

I'll make 3 statements, 

two of which are true and one of which is a lie.  

Can you guess which is the lie?

1. The Truth Commission includes a character called Dusk, though her name is actually Dawn.
2. Neil, in The Truth Commission, dresses in the seedy costumes of gritty 1960s and 1970s movies.
3. Norm, the main character in The Truth Commission, is a boy who dresses and acts like a girl.

Which do you think is the lie? 

Check back tomorrow when I post my review of The Truth Commission and reveal which statement is the lie.

Running Scared

by Beverley Terrell-Deutsch

Red Deer Press

978-0-88995-503-5

176 pp.

Ages 9-12

October, 2013

How far would you go out of your way to avoid walking past  a point that held traumatic memories?  Twice as far?  Three times as far? Grade six student Gregory is willing to take a route between school and home that is four times longer than the direct route past the Jiffy Mart to avoid where his father was killed in a car accident last winter.  He might have to deal with the big yellow dog that barks at him when he runs (to save some time) but it's his choice to take this route, a secret he only shares with his best friend, Matt.  But everything is set to change.  It has been announced that their school will be closing January 1st and the bus that Gregory and others will be taking to their new school will be picking them up in front of the Jiffy Mart. 

So what are Gregory's options?  He has tried, with and without Matt's help, to overcome this fear and continues to try, now with the help of new student Teisha too.  But, he's convinced that they must stop the school from closing, joining the Save Our School campaign.  The only saving grace in his school life (especially since his grades have definitely been slipping in the past year) is participating in the Math Club.  Gregory loves numbers and patterns, as does Teisha, and Gregory doesn't find it difficult to concentrate on the problems the club works on. 

Ultimately, the big yellow dog becomes an important focal point by which Gregory helps Teisha (who has her own issues), by which Gregory helps the dog, its owner and an elderly woman who also cares for the dog, and perhaps sets the scene for making things better for Gregory and his mother.  By helping others, Gregory is ready to find the means (or the math) to help himself. 

Running Scared may seem to follow a straightforward storyline.  You know: boy has fear/dilemma, boy conquers fear/dilemma.  But the inclusion of Teisha who has her own issues with which to deal, Sam Briggs, whose bravado only masks her own needs, and Miss Sunny Marshall who searches for the means to stay independent and successfully navigate her way to and from the Jiffy Mart suggest that everyone needs some help some time and is not always willing to ask for it.  Beverley Terrell-Deutsch creates an assortment of characters who become a community of allies, helping and taking help as given, all without looking fragile or debilitated.  Problem-solving, whether with numbers or issues, is the means why which fear can be alleviated or at least by-passed. Gregory had the right idea all along.  He just forgot that, as in math, reciprocity can lead to balance and progress.