How to Make a Friend

Written by Stephen W. Martin

Illustrated by Olivia Aserr

Clarion Books/Houghton Mifflin Harcourt

978-1-328-63184-8

32 pp.

Ages 4-7

July 2021

Most kids would love to know an easy and sure-fire way to make a friend. If only it was as easy as following a set of instructions. Then again, maybe it is.

From How to Make a Friend by Stephen W. Martin, illus. by Olivia Aserr

Where to start? How about the library? That's where our earnest young girl finds a book that she's sure "with the right power tools and a basic understanding of Advanced Robotics" will help her face the challenge of making a friend. She's very meticulous, wearing her lab coat and safety goggles, and even asking her parents before handling plutonium (!). And she knows to make important decisions about the type of friend she wants i.e., what will they be able to do with her, before she gets started. That, and always measuring twice and cutting once, seems like wise advice.

From How to Make a Friend by Stephen W. Martin, illus. by Olivia Aserr

Of course, her friend is not exactly as she envisions. The tea parties, hide-and-seek, and water fights don't exactly come off as planned. (How can a friend bigger than a car really hide?) And sometimes a friend doesn't want to play or wants to play with others, and that's OK. What's not OK is when your friend starts doing the wrong stuff and you need to cut them loose (or switch them off).

Don't feel bad. Some friendships just don't work out...

From How to Make a Friend by Stephen W. Martin, illus. by Olivia Aserr

But trying to "make" a friend may be just the stepping stone this little girl needs to make a human friend that works out a little better.

Canadian-born Stephen W. Martin, now a resident of California (why, oh why?) may couch his tale of making a friend in the premise of a child building a robotic one, but all his advice, from acceptance of their differences, the possibility of them making other friends, and even abandoning them when the friendship goes awry, is all valuable and highly valid. Friendships are not easy. They are a lot of work and sometimes the work doesn't pay off. But there's always an opportunity to learn what you like or don't like in a friend and How to Make a Friend will give kids a chuckle while teaching them important lessons about friendship.

Olivia Aserr, an LA artist of books and animation, gives How to Make a Friend fabulous digital artwork that is bold in colour and shape and daring in its approach. This little girl is fierce. She doesn't just create a life-size friend; she goes big, really big. Even her lab is sophisticated. And she takes every step as a learning moment about what she wants and doesn't need in a friend. Not only is she intelligent, she's astute, and Olivia Aserr asserts this about the child time after time.

While your children may not have the capabilities of making their own robotic friend at home, Stephen W. Martin guides them through a process that will help them make one smartly but in the old-fashioned way.

Rescue at Lake Wild: Guest review

 

This review was written by teacher Elizabeth Cook.

 

 

Written by Terry Lynn Johnson

Houghton Mifflin Harcourt

978-0-358334859

208 pp.

Ages 8-12

April 2021

I am a big animal lover.  My friends know to send me cute animal videos from the internet, my trips are often centered around animal experiences (e.g., diving with sharks, trekking with gorillas), and I volunteer for a local cat rescue organization. When I was young, our house was the stray cat and dog sanctuary of the neighbourhood.  It seemed that all local cats knew we couldn’t say no to helping them find forever homes (which usually was our own).  So, it should be no surprise that I was immediately taken in by Terry Lynn Johnson’s Rescue at Lake Wild. Between the cover image of a girl on a paddle board alongside two beavers and a boat with two boys and a dog, and the first page alluding to an animal whisperer, I was captivated. 

Twelve-year-old Madison Lewis and her friends Aaron and Jack, accompanied by Jack's tracking dog Lid, have been watching a beaver house where they'd earlier heard kits crying. Having found the adult beavers shot, the kids are worried that the adults may have been the kits' only family and are trying to decide if they should rescue the little ones. Madison, well known as an animal whisperer, knows it's best for wild animals to remain in the wild but, as night draws near, Madison follows her personal motto: "If you see something, do something.”  So she ends up diving down into the depths of the darkened beaver dam to save two orphaned beaver kits she affectionately names Cooler and Phragmites (Phrag). Together the trio of young people work to secretly save the beaver kits and discover those responsible for killing the adult beavers and for flooding the roadways in town, knowing the beavers weren't responsible for the damage seen around town. 

Using the knowledge she learned from her grandmother on raising and caring for beaver kits, Madison sets up a secret habitat in her clubhouse, determined to safely release the kits later into the wild. But Madison has to keep this secret from her older sister and mother, especially as her mother has told her that Madison could go and see her hero, Jane Goodall, speak only if she can resist rescuing more animals. Madison may dream of being the next Jane Goodall but she's already too dedicated to Cooler and Phrag to give up on them, and she's willing to risk it all to save them. Meanwhile, Aaron, Jack and Lid work to solve the mystery of the flooding around town, which is harder than expected because most adults won’t listen to a couple of kids who are sure that humans are responsible for the destruction, not the beavers.  

Terry Lynn Johnson’s Rescue at Lake Wild is a great novel for middle grade readers. The story focuses on how children learn to do what is right and help others while solving a town mystery. Because the theme of animal stewardship permeates the whole story, Rescue at Lake Wild is a great book for any animal lover you might know.  I especially liked the “Dos of Wildlife” at the back of the book which will help guide animal champions to properly care for wildlife and where to go for more reliable information on the topic.  This will be a great book to read during the upcoming cottage season!   

~ Reviewer Elizabeth Cook is a teacher in the Halton District School Board. She is an avid reader and fan of Canadian literature.

Oh My Gods!

Written by Stephanie Cooke and Insha Fitzpatrick

Illustrated by Juliana Moon

Houghton Mifflin Harcourt

978-0-358-299523

208 pp.

Ages 8-12

January 2021

 

When her mother has to relocate to curate a gallery show, thirteen-year-old Karen is sent to stay with her father, Zed, a man she barely knows, in Mt. Olympus.

From Oh My Gods! by Stephanie Cooke and Insha Fitzpatrick, illus. by Juliana Moon

She's surprised by his extravagance, from the carriage drawn by horses in winged costumes at the airport, to her multiple rooms at his mansion, at ordering every type of pizza imaginable since he doesn't know what she likes, and even the wrist corsage he gets her for her first day at Mt. Olympus Junior High. Not only is her dad the mayor of Mt. Olympus, he's the dean of her school. The man is ubiquitous, as well as charming and wealthy.

From Oh My Gods! by Stephanie Cooke and Insha Fitzpatrick, illus. by Juliana Moon

Karen is shown around the school by a really fast guy, Hermes, who introduces her to the different groups, from the Titans football team, to the Fates, random Jeff and the kids of the Mythbusters group who take Karen under their wing. There's the bright Tina who offers to catch her up; the kindly Dita; the guitar-playing Pol; and his sister Art who is wicked with a bow and arrow. 

From Oh My Gods! by Stephanie Cooke and Insha Fitzpatrick, illus. by Juliana Moon

When a boy is turned to stone in the library where Karen and Tina are studying, the group meet at a local diner and peruse a book on Monsters and Mythological Creatures, suggesting that a Gorgon might be at work. Karen is flummoxed by their earnestness, convinced they must be part of a LARPing group, that is, until they reveal themselves to be the gods and goddesses Apollo (Pol), Athena (Tina), Aphrodite (Dita), and Artemis. Learning that her father is a god as well, and that Karen may be a demigoddess whose powers could come in at puberty, all the weirdness of her new situation makes some sense.

From Oh My Gods! by Stephanie Cooke and Insha Fitzpatrick, illus. by Juliana Moon

But, there's still the mystery of the boy turned to stone which escalates when Pol is similarly transformed and there is a worry that Karen's arrival may be related to these bizarre crimes.

While fitting in to a new school, making new friends, and establishing a relationship with a previously-absentee father may be familiar circumstances for some young people, Karen's new life is anything but. By telling Karen's coming-of-age story in a world based on the immortals of Greek mythology, Toronto author Stephanie Cooke and American author Insha Fitzpatrick have added a playful dimension to this graphic novel.  Everything is a little more fantastic, from the characters and their abilities–details are provided in "Karen's Mythology Notes!!!" at the book's conclusion–to Karen's naive accounting for the weirdness she perceives–like centaurs as drama students really committed to their craft–and the inclusion of so many elements of Greek mythology. Every new reveal, like the diner called Ambrosia and the Fates literally bumping into Karen and her friends and saying "We didn't see this coming" (pg. 123), is cheeky and entertaining. While the illustrations by Brazilian digital artist Juliana Moon have given Karen and her friends the normalcy of young teens with their backpacks, clothes and hair, she also embeds it in the mythological Mt. Olympus and makes it realistic.  

I've just learned that this is a series–yay!–and Oh My Gods! is just OMGs #1. The next book, titled The Forgotten Maze, is due out in January 2022, and this is particularly welcome as Stephanie Cooke and Insha Fitzpatrick have left us with an impending adventure starring Jeff and a maze, as well as with wanting to know if and how Karen discovers her powers as a demigoddess.

You Owe Me a Murder

Written by Eileen Cook

Houghton Mifflin Harcourt

978-1-328-51902-3

359 pp.

Ages 13+

March 2019

Travel provides opportunities for new experiences, for meeting new people, and for personal growth.  But for seventeen-year-old Kim, her summer trip to London with Student Scholars for Change seems doomed from the beginning. Not only is she no longer in a relationship with Connor for whom she'd initially signed up for the trip, he is travelling with new girlfriend Miriam, and Kim has to watch it all from the sidelines of their small group of eight Vancouver high schoolers. But after meeting English girl Nicki, who challenges her to steal a bottle of duty-free vodka and lets her vent about Connor all the way to London, Kim is ready to find "a new me" (pg. 41), one that could be daring and isn't a quitter.

Being good at something doesn't mean that it isn't hard or scary–it just means that you keep moving forward when other people quit. (pg.25)

But in that vodka-infused venting session, Kim prepares a list titled "WHY I HATE CONNOR O'REILLY AND WHY HE DESERVES TO DIE" and Nicki suggests that she will kill Connor and Kim could kill Nicki's mom whose alcoholism is making her life miserable. Of course, Kim barely remembers their laughable discussion until Connor is killed in a Tube station and she gets a message that reads "You're welcome" along with the news story about his death.

Panicking, Kim doesn't know to whom she can turn. Worse still, the police begin investigating and Kim realizes her silence about her relationship with Connor is going to make her look suspicious. Worst of all, Nicki still has the incriminating document and is using it to blackmail Kim into murdering her mother.

So while sightseeing in London and relishing a budding romance, Kim tries to evade a drunken commitment to homicide, investigate the mysterious Nicki, and keep herself and others safe from a girl who purports to be owed a murder.

I would call You Owe Me a Murder a roller-coaster except that ride suggests highs and lows and twists and turns and this young adult novel has no lows. From start to finish, it's more like a high-wire act: tense, dangerous, and unrelenting. With Eileen Cook's exceptional plotting, You Owe Me a Murder becomes a magnificent melding of relationship angst with psychological thriller. It's a waiting game for the reader who is compelled to read through to learn whether Kim will go with through the murder pact or become victim to Nicki's vengeance. With characters like Kim and Nicki, and even secondary ones like Connor, Miriam and Alex, You Owe Me a Murder becomes a complex study in human behaviour as young people fall in and out of love or lust, seek revenge and fulfilment, and try to discover who they really are and what they are capable of being and doing.

Like Hitchcock's movie Strangers on a Train, Eileen Cook's You Owe Me a Murder demonstrates that meeting the right or wrong person can turn your life upside-down, and finding the way to right things may require courage and recognition that the truth hides in the details. (pg. 324)

The Little Book of Big What-Ifs

Written and illustrated by Renata Liwska

Houghton Mifflin Harcourt

978-1-32876-701-1

32 pp.

Ages 4-7

May 2019

I like to think of Renata Liwska's new picture book as a consequential book of big ideas and hopeful opportunities. It's an opening to look at the world from different perspectives. In a world rife with dissension, isolation and fear-mongering, The Little Book of Big What-Ifs provides an opportunity for little ones to see the possibilities for turning that world inside out in a positive way.

Renata Liwska sees common worries that might plague children like What if you slept through your birthday? or What if you make a mistake? and turns them around into What if you're surprised? and What if we all work together? It would seem that, for every uncertainty, there is a possibility for goodness and hope and community.

From The Little Book of Big What-Ifs by Renata Liwska

Sometimes Renata Liwska presents the different perspectives in a double spread as in the example below in which What if you can't think of anything? could also be What if your imagination runs wild? Other times she addresses the two disparate perspectives separately, starting the book with more of the worries but ending it with the positives of What if everyone shared? and What if it spreads? before deviating from the questions and asserting What a difference it would make!

From The Little Book of Big What-Ifs by Renata Liwska

These big ideas, though, come through subtly and intimately, never preachy nor scarily. Renata Liwska's words pack meaning and consideration but at the right level for her audience. Similarly, her illustrations are profound in their quiet resolution of feeling. Perhaps it's because her pencil drawings, coloured via Photoshop, seem touchably soft, like pages of stuffies that include bears, lynx, elephant and mouse. Perhaps it's the emotion with which she infuses her characters, through expression and action. The reassurance the lynx feels from another after spilling milk, or the pleasure of the elephant sharing a radish sandwich with a mouse. Every illustration gives depth of feeling and sensitivity to children's unease about their world and daily events.  Fortunately, Renata Liwska's The Little Book of Big What-Ifs reassures, soothes and uplifts while still acknowledging those qualms as familiar and honest.

From The Little Book of Big What-Ifs by Renata Liwska

Mary Poppins

Based on the novel by P. L. Travers

Adapted by Amy Novesky

Illustrated by Geneviève Godbout

Houghton Mifflin Harcourt

978-1-328-91677-8

32 pp.

Ages 5-8

October 2018

With the upcoming release of the movie Mary Poppins Returns, there will be much renewed interest in P. L. Travers's character who was introduced in her 1934 novel, Mary Poppins. Fortunately, a new picture book adaptation with a Canadian illustrator, Geneviève Godbout, will be a perfect introduction for young children to this magical nanny and her story.

From Mary Poppins illustrated by Geneviève Godbout

American Amy Novesky's adaptation of the original story is lovely yet condensed, as is necessary when taking a detailed work such as a novel and filtering it down to the text of a picture book. Still Amy Novesky ensures that the important details of the house at Number Seventeen Cherry Tree Lane, the East Wind bringing a hat-clad woman with parrot-headed umbrella and magically voluminous carpetbag, and the household of the Banks children–Jane, Michael and the twins–and their parents remain, as do key events and dialogue. There's Mary Poppins sliding up the banister; the floating Uncle Albert; Mrs. Corry and daughters Annie and Fannie adorning the night sky with stars; and a nighttime visit to the zoo, as well as Mary's familiar declarations of "Spit-spot to bed" and "I'll stay till the wind changes."

From Mary Poppins illustrated by Geneviève Godbout

But it's Geneviève Godbout's artwork that breathes life into Mary Poppins. The lovely young woman exudes grace and control, though always tempered with affection, charm and fairness. Geneviève Godbout makes Mary both attracting and disciplined, the perfect combination for caregiver, whether parent or nanny. From her easy topknot to her billowing black skirt and plain hose and shoes, she is the picture of efficiency. But her face, with rosy cheeks and bright eyes and delicate nose, Mary Poppins is beautiful and proper. Geneviève Godbout even gets her posture correct: strong but not overpowering, competent, and determined. It's such a shame that we all had to save "Au revoir!"

"Strike me pink," as Mary Poppins might say when pleased, because this new illustrated adaptation of her story flies above the rest and will charm all children, adults and animals and adorn the world with starry wonder.

From Mary Poppins illustrated by Geneviève Godbout

The Hanging Girl

Written by Eileen Cook

Houghton Mifflin Harcourt

978-0-544-82982-4

308 pp.

Ages 13+

October 2017

Skye Thorn is a tarot card reader, helping her peers with their questions about love, school and more.  But, though she cultivates an image of having psychic powers, Skye is just an astute observer of human nature and a sneak at private files and conversations.  Her mother might purport to have the gift but Skye knows she herself does not.

Still Skye is a teen who has always wanted a certain life and had a willingness to make it happen. 

Destiny is like a boulder.  Bulky and hard to move.  It's easier to leave it alone than to try to change it.  But that never kept anyone from trying.  Trust me: I'm a professional. (pg. 1)

She hates her name, Candi, the one she was given by her 15-year-old mother, and has managed to get her friends and school to use her middle name, Skye.  She had woven a story about her father, whom she has never known, being a military hero.  That story ended badly, though, and had her labelled a liar and headed for counselling.  Now, she’s telling her best friend Drew that she’s saving her money so that they’ll be able to get an apartment in New York City when Drew heads to art school next year.  But she hasn’t. 

When she is approached to use her psychic flair in a scheme to kidnap popular and wealthy Paige Bonnet, Skye convinces herself that it would be alright.  Paige would not be hurt and Skye would get some of the ransom money.  Her role would be negligible: all she had to do was convince the police that she was having visions of Paige’s disappearance and to help direct their investigation.  Ah, the best laid plans…

Like the tarot card called the Hanged Man, which suggests someone at the crossroads, Skye is balancing who she really is with what she wants people to see and what they actually do see in her.  From her mother to Drew and classmates and then the police and others, Skye's self is hanging, perhaps precariously as she makes choices.  She truly is The Hanging Girl. But the mystery that is Skye extends beyond her, embedding readers in a young adult thriller with a myriad of twists and reversals and red herrings.  Never, never can the reader tell what will happen next or whom to believe.  The tagline "Trust no one. Deceive everyone" is especially apt.  The plot is intricate and multilayered and, even when Skye figures things out in a climactic graduation ceremony setting, I was never convinced I knew the truth. That just tells you how convincing Eileen Cook's writing is.  It is tight but complex, and she never lets the plot lag or the storyline get caught on ineffectual plot twists.

Eileen Cook, whose books Unraveling Isobel (Simon Pulse, 2012), The Almost Truth (Simon Pulse, 2012), Remember (Simon Pulse, 2015), and With Malice (Houghton Mifflin Harcourt, 2016) have been reviewed on CanLit for LittleCanadians, always has some mystery amidst the teen drama but she is particularly adroit at relationship dramas.  Her characterizations and dialogue between characters and inside Skye's head are especially compelling in The Hanging Girl.  Except for several chapters conveyed as Paige's written account of her ordeal, most of Eileen Cook’s text is in the first-person narrative of the young tarot card reader trying to assess her situation prior to Paige's disappearance and then while the teen's family and police investigate.  She's gotten herself involved in something desperate and is in far too deep to get out cleanly.  Still, though she lies and manipulates, it's surprising how sympathetic Skye is as a character.  She always believed that she was destined for a nothing life, so the readers will cheer for the girl who tries to see herself beyond a life at Burger Barn.  As such, the ending will floor you.

See beyond the mess that is Skye and the situation in which she finds herself and discover a thrilling plot of truths and lies and shadows in The Hanging Girl. It's a little dark but more angsty than criminal and definitely an accurate take on the desperate measures people will take to achieve the lives they feel are warranted.

Waiting for Snow

by Marsha Diane Arnold

Illustrated by Renata Liwska

Houghton Mifflin Harcourt

978-0-544-41687-1

32 pp.

Ages 3-6

November 2016

Polish-born Calgary artist Renata Liwska may be the author-illustrator of her own picture books including the Governor General Award-nominated Red Wagon (Philomel Books, 2013) and Little Panda (Houghton Mifflin Harcourt, 2008), but she is best known for providing artwork for award-winning American writers such as Deborah Underwood (The Quiet Book, The Loud Book), Doreen Cronin (Boom Snot Twitty and Boom Snot Twitty This Way That Way), and Nina Laden (Once Upon a Memory).  In Waiting for Snow, Renata Liwska again provides the distinct landscape of art that takes Marsha Diane Arnold's words from story to showpiece.

From Waiting for Snow

by Marsha Diane Arnold 

illus. by Renata Liwska

Badger is desperate for snow to come.  He studies the sky, bangs pots and pans to wake it up, and follows his friends’ advice.  Rabbit recommends punching holes in the clouds with pebbles to allow the flakes to fall.  Vole suggests a snow dance. Possum proposes Badger wear his pajamas backwards.  His friends even use sugar to simulate snow when the winter flakes don’t appear.  But, just as Hedgehog in his cryptic way advises, the snow does come when it is time.

From Waiting for Snow 

by Marsha Diane Arnold 

illus. by Renata Liwska

Renata Liwska's pencil drawings coloured digitally effuse the story of childlike desperation with a tenderness and softness that materialize the animals from two-dimensional to stuffie.  Though you know that the fur of badgers and opossums may be more coarse in reality, Renata Liwska makes all her characters appear downy.  And her landscapes from outdoors to bedrooms and classrooms, both in daytime and night, are similarly relaxed and serene.  Waiting for Snow is for anyone who has ever waited for something or someone to come and been told that it will only happen in its own time.  It’s the old saying of a “watched pot never boils” acknowledging time as the truest measure of when something will happen.  No matter how much you crave it or are determined to make it happen, with snow dances or rituals or superstitions, time will be the determinant.

With Malice

by Eileen Cook

Houghton Mifflin Harcourt

978-0-544-80509-5

316 pp.

Ages 13+

June 2016

Eighteen-year-old Jill Charron just wants the truth.  Waking up in a hospital room without any memories of how she got there and struggling to find words because of a brain injury means that getting at the truth is not going to be easy.  As the byline to the book states, "The truth is how you tell it" and it seems the truths are multitudinous and varied.

Jill's divorced parents seem to want to keep a lot of truths from her, especially the key one that Simone McIvory, Jill’s best friend, was killed in the car being driven by Jill while on a school trip in Italy.  The police, both American and Italian, as well as Evan Stanley, her high-priced lawyer, are badgering her for the truths she can’t remember.  And everybody else, from other students on the trip, to newspaper reports, crime drama series, and subscribers to the “Justice for Simone” blog are more than willing to share their opinions as to the truth.  But what is the truth and is there only one?

While Jill, whisked back to the States by her rich and demanding father, endures rehab and counselling to help heal her body and six weeks of memory loss, the police interview Simone’s parents who portray their daughter as a confident and popular teen with old-fashioned values, and Jill as a less well-liked girl from a broken home and desperate for attention.  Though the strength of their friendship is recognized by many who knew them, different stories arise with regards to the two girls-chilly or friendly, studious or popular, jealous or self-centered–by those who knew them well or just marginally and even by those who’d never met them but nastily weigh in on the news story.

“It doesn’t matter what’s true–what matters is what people believe.” (pg. 102)

Eileen Cook brilliantly layers the multifaceted truths recounted in blog posts, transcripts of police interviews, newspaper articles, yearbooks, and other media as she intricately develops the subplots of With Malice, all with the purpose of revealing what actually happened to Simone and Jill in that car in Italy.  Below the very concrete mess of a mangled car lies a substantial mess of romance, anger, pettiness, jealously, hurt and misplaced affection.  The ultimate truth is both expected and surprising and Eileen Cook reveals it with breath-taking patience, taking YA readers on a suspenseful read all the way to the end before exposing a friendship admittedly more fragile than honest.

An Inheritance of Ashes

by Leah Bobet
Houghton Mifflin Harcourt Books for Young Readers
978-0544281110
388 pp.
Ages 12+
October 2015
Reviewed from advance reading copy

An Inheritance of Ashes is a dark tale.  A dark, dark tale. And, though it has supernatural elements, An Inheritance of Ashes is a familiar tale of fears and love and heroes and isolation and pride, and family.  And it has a force within.  A force that good may come from evil.

The emptiness grew, and split, and ate the whole world in its wake.  It was never going to be all right again. (pg. 126)

Hallie, 16, and her sister, Marthe, 26, both inherited Roadstead Farm from their abusive father, and now run it–raising barley, goats, poultry, etc.–with Marthe’s husband, Thom Clarlund, or they did until Thom went to war against the Wicked God and his general and prophet Asphodel Jones and army of irregulars, and their creatures, nay monsters, everyone calls Twisted Things.  Though the two young women are cautiously hopeful of Thom’s return, now that a man named John Balsam who “by magic, skill or cunning killed the Wicked God” (pg. 23), Hallie and Marthe take on a vet named Heron for whom “No one’s waiting for me to turn life normal again” (pg. 13) to help with the harvest and running the farm.  

But things are far from normal at the farm. Twisted Things begin to appear, one here, another there, killing the air, burning whatever they touch, contaminating the remnants of their lives.  And Hallie worries that the Great Army, desperately searching for John Balsam, will quarantine the farm, if not take it away from them.  Though Hallie is reluctant to ask for help, Heron and their neighbours, the Blakeley’s, come to their assistance.  Moreover, even though Hallie recognizes that, because of the abuse of their father, “We were ruined for loving people.  We were ruined for being loved” (pg. 244), Tyler Blakely who has his own war ghosts begins to court her and, with his sister Nat and Heron, help her recognize that she doesn’t have to take on the evil alone, or hide or run from that which seems too much. “We made each other less alone.” (pg. 272)

There are things not of our world in An Inheritance of Ashes, and there are things that were never of their world either, including a Wicked God that is more storm than substance and bird- and lizard-like creatures that burn and kill that which they touch, and a violent purple and green world that is evident only through a hole in the air.  But fighting evil and finding strength with others and holding onto that which is everything–a home, family, friends–are our world, and Leah Bobet easily supplants readers from their comforts into the darkness of Hallie’s world.  Rife with atmosphere and Hallie’s longing for rightness, An Inheritance of Ashes demonstrates that what we get from family is not always what is expected.  If might be an inheritance of a family farm, or of fear, or isolation, but it can be the fortitude to continue on, when all expect failure to reverberate.  And, with powerfully evocative text, Leah Bobet allows Hallie and others in An Inheritance of Ashes to sift through the cinders and residue after a horror and find something worth keeping.

Stained

by Cheryl Rainfield

Harcourt Children's Books/Houghton Mifflin Harcourt

978-0-547-94208-7

304 pp.

Ages 14+

Release date October 1, 2013

Reviewed from advance reading copy

Sixteen-year-old Sarah Meadows has always focused on the port-wine stain that covers the right-side of her face, determined to get the surgical treatments so that she might become "normal".  The debilitating impact she has experienced because of it has compelled her to live vicariously through her comic character, Diamond, to hide behind a curtain of hair, and to only hang out with other social outcasts. But the very day she is to start treatment, her father learns that someone has embezzled so much money from his graphic design company that there isn't enough to pay a bank loan and her surgery.

At school, Sarah has to share this unexpected news with her group of friends: Charlene who is overweight and the brunt of her father's verbal abuse; Gemma, a lesbian; and Nick, who is considered a geeky "doughboy" by others, though Sarah considers that,

"They don't care that he's kind, smart, and good natured, and sort of cute in a soft, chubby way, with messy, sandy hair that's always falling into his eyes and a quick smile. All they see is his weight and his social awkwardness." (pg. 15)

When Nick narrates a chapter, he emulates the same sentiments about Sarah, calling her beautiful and wishing she could see how amazing she is.

On the way home, a bullying incident has Brian Gormley, her dad's cute assistant, coming to her rescue, offering to help and drive her home.  Though she declines, feeling that "Something isn't right" (pg. 35), Brian grabs her, drugs her and locks her away, with a padlocked leather blindfold on.  He claims that he will help her and her parents by giving them "freedom from the pain in their lives" (pg. 84) as he has done for others.  Thus begins a tortuous imprisonment of months in which Sarah endures physical, sexual and psychological abuse at Brian's hands.  Worse is Sarah's ignorance of the efforts being made to find her, especially by Nick and her parents, with the duplicitous Brian even offering assistance.  Nick becomes relentless in pursuing every lead possible, outdoing the seemingly ineffective efforts of the police.

Throughout Sarah's imprisonment, she attempts to understand Brian's motivations, determined that she would not "let Brian's lies become my reality." (pg. 154) As she attempts to appease him, Sarah is actually becoming emotionally stronger, learning how to handle him and manipulate situations as she can. It's ironic that the very manipulation Brian accuses Sarah of instigating to derive guilt from her parents is a skill she develops courtesy of his abuse. Though he may see her as becoming weaker and submissive, Sarah continues to look for any means to save herself, recognizing that she "has to get herself out, not wait for someone to save her." (pg. 179)

Cheryl Rainfield has courageously admitted that she has drawn on her personal experiences to write Stained (see original Stained release announcement ), emphasizing the positive attributes of courage, perseverance, and self-reliance rather than on the trauma.  This becomes self-evident from the tag line for the book,

Sometimes YOU have to be your own hero.

But just as important is self-acceptance, as Sarah, Nick and her friends learn.  They might all see the "better side" of life for those who are beautiful or slender or popular, but a crash course in introspection makes them realize the superficiality of those attributes and the absence of any relationship with goodness.  The beautiful Brian Gormley is a prime example of a revolting inside to an oft admired exterior.  Sadly for Sarah, this lesson must come at the cost of her freedom.

Not an easy read, Stained will have young adult readers both cringing for the physical, sexual and emotional abuse Sarah must endure and cheering for her efforts and determination to survive, recognizing that her Stained face has only been masking, temporarily, the hero within.

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Look for posts shortly regarding Cheryl Rainfield's book launch for Stained and her take on improving body image.  In the meanwhile, check out Cheryl Rainfield's video explaining why she wrote Stained  here on YouTube.

New Cover Reveal: STAINED

On October 1, 2013, 

  STAINED 

the newest young adult novel

 from author Cheryl Rainfield 

and Houghton Mifflin Harcourt

will be released.  

Cheryl Rainfield,

author of the Scars, Hunted and Parallel Visions

brings readers another compelling read

STAINED

Sometimes you have to be your own hero

The book's tag-line should be the mantra for Sarah, who is targeted for abduction because of her facial port-wine stain and must find a way to rescue herself.

  
EXCERPT
With a new book cover and a new release date, I thought it would be a great idea to share a bit more about Cheryl Rainfield's upcoming YA book, STAINED, including this excerpt (p. 2):

Today is the day I’ve been waiting for my entire life—the beginning of normal.

I reach for the latest Seventeen and flip through its glossy pages until I find the perfect face. The girl is pretty, with wide green eyes, hollow cheekbones, and full, pouty lips. But what I notice most is her smooth, unblemished skin. It’s perfect. I cut the photo out and stick it above my bed, in the last of the space. Now I can’t even see the sunlight yellow of my walls—but the confidence that shines in these faces is even brighter. And today I’m going to get so much closer to that. I don’t care how much the treatments hurt; it’ll be worth it. It can’t hurt as much as the stares and rude comments I get every day.

I know I shouldn’t let people’s ignorance get to me. Mom’s always telling me I’m beautiful; that it’s what’s inside that counts. But she’s not living in the real world. Sure, whether you’re kind or good matters. But pretty people automatically get better treatment. Ugly people get ignored ... if they’re lucky. And me, I get stares, taunts, or people going out of their way to pretend they don’t see me.

I try to think of it as fuel for my comic scripts. All heroes have to go through personal trauma before they find their true strength—and most of them feel like outsiders even after they do.

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Here's what others are saying about STAINED:

"Powerful. I raced through it, wanting to know if Sarah would find a way to escape both her captor and her self-doubts. A real nail-biter!"

- April Henry, NY Times-best selling author of The Girl Who Was Supposed to Die

"A compelling, gutting, and ultimately triumphant read. You won't want to stop turning pages -- Or blink. Or breathe. -- until you reach the very last one."

-Jennifer Brown, award-winning author of Hate List

"STAINED is dark, tense and gripping; a triumph of one girl's heart, soul and will to survive. Sarah's strength during her descent into terror kept me reading way past bedtime!"

-Laura Wiess, critically acclaimed author of Such a Pretty Girl

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VIDEOS

Today, Cheryl Rainfield uploaded a YouTube video about writing STAINED. It is a thoughtful sharing about her own experiences and the courage and strength she found to help her survive and escape abuse.

Uploaded on June 18, 2013 by Cheryl Rainfield on YouTube 

at http://www.youtube.com/watch?v=miLDs9HfBcI 

And, if you missed it in January, this is the book trailer that she uploaded before the cover and release date had been change.

Uploaded on January 21, 2013 by Cheryl Rainfield on YouTube 
at  http://www.youtube.com/watch?v=sr0a8pw-csQ

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FREEBIES and CONTEST

To celebrate this cover reveal, Cheryl will be giving away her YA paranormal fantasy, Parallel Visions, as a free Kindle ebook on Amazon, today only.

And she'll be holding a contest on her website http://cherylrainfield.com/blog/ for a signed advanced reading copy of STAINED (old cover), gift card and great book swag (including purple wristbands with the tagline for the book).

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So time to mark your calendar:

 October 1, 2013

 for

STAINED

by Cheryl Rainfield

Young adult suspense is just a few months away

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Stained: Upcoming release from Cheryl Rainfield

On November 19, 2013, 

  STAINED 

the newest young adult novel

 from author Cheryl Rainfield 

and Houghton Mifflin Harcourt

will be released.  

Cheryl Rainfield,

author of the heart-wrenching, trauma-ridden YA fiction

Scars

 Westside Books

248 pp.

Ages 14+

2010

Hunted

Fitzhenry & Whiteside

316 pp.

Ages 13+

2012 

 

Parallel Visions

A Teen Psychic Novel Book 1

Rain and Sun Press

146 pp.

Ages 13+

2012  

brings readers another compelling read

STAINED

In this heart-wrenching and suspenseful teen thriller, sixteen-year-old Sarah Meadows longs for "normal." Born with a port-wine stain covering half her face, all her life she’s been plagued by stares, giggles, bullying, and disgust. But when she’s abducted on the way home from school, Sarah is forced to uncover the courage she never knew she had, become a hero rather than a victim, and learn to look beyond her face to find the beauty and strength she has inside. It’s that—or succumb to a killer.

Sometimes you have to be your own hero

(cover tag line)

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Cheryl Rainfield writes about her upcoming book:

Like I did with SCARS and HUNTED, I drew on some of my own experiences of bullying, abuse, and trauma to write STAINED and to give it greater emotional depth. Like Sarah in STAINED, I experienced abduction, imprisonment, periods of forced starvation, mind control, and having my life threatened. And like Sarah, I tried hard to fight against my abuser, keep my own sense of self, and escape. I hope readers will see Sarah's strength and courage, and appreciate her emotional growth as she reclaims herself.

- Cheryl Rainfield -

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On January 21, 2013, Cheryl Rainfield uploaded the following book trailer for STAINED 

Published on January 21, 2013 by Cheryl Rainfield on YouTube 

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So time to mark your calendar:
 November 19, 2013
 for
STAINED
by Cheryl Rainfield

Young adult suspense is just a few months away

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