The Rez Doctor

Written by Gitz Crazyboy

Illustrated by Veronika Barinova

Coloured by Azby Whitecalf

Lettered by Toben Racicot

HighWater Press

978-1-55379-924-5

64 pp.

Ages 12+

September 2024

Though this is Ryan Fox's story, it is also the story of any Indigenous person who has been disregarded in their health care, undervalued in their education, and an heir to a history of social injustice. It's also the story of those who endure, persevere, challenge, and succeed.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

Ryan recalls what it was like going to the walk-in clinic as a child with his mom. From his experiences and those of the other patients seeking medical help, the non-Indigenous doctor finds it easier to condemn their lifestyles and push painkillers on them rather than really try to help. At school, his classmates dream of careers like lawyers and doctors but with teachers who criticize his work, either telling him he isn't working hard enough or not to become conceited because he'd done well, Ryan couldn't imagine himself achieving much.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

Thankfully, Ryan finds much comfort in his family and their traditions. Even with an uncle who struggles with alcoholism, Ryan values the support and encouragement he receives. Still, it's a school visit from Dr. Esther Tailfeathers, a former student, who recalled the words of her grandfather that "You always have to prove yourself to your community" that helps Ryan focus on medicine.

Through hard work, Ryan graduates from high school and is admitted to the University of Lethbridge. With new responsibilities come new challenges. He's living away from family, he wants to fit in with his peers, and he's responsible for motivating himself. And while there's good that happens to him, like meeting Charm, Ryan is convinced he's messing everything up. Only his uncle, now at a remand centre, reminds him to not let his chance at a good life slip away. Ryan heeds his sage advice.

The Rez Doctor is an inspiring story of self-empowerment. For Indigenous youth who are faced with prejudice at school and outside of their community, The Rez Doctor reminds them that regardless of their circumstances, like having family with addictions, studying far from home, struggling with finances, and clashing with those who diminish their capabilities–Ryan is encouraged to switch from medicine to geology so he can get a job in the oil fields–they can work hard and try their best to reach their goals. As with all of us, they may not get what they want but they may, as does Ryan, who is able to return to his community and work in a Tribal Clinic making things better for the health of his Indigenous community.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

Gitz Crazyboy is a Siksikaitsitapi (Blackfoot) and Dene writer who works as a youth facilitator in Calgary. The story he tells in The Rez Doctor is a literary exemplar to Indigenous youth about what can be. Though Ryan's family shows him wonderful support, encouraging his culture and traditions and his aspirations, he still is responsible for his choices. He has big ones to make, but Gitz Crazyboy has Ryan demonstrate that, even when distracted by good and bad, he steps up.

From The Rez Doctor, written by Gitz Crazyboy, illustrated by Veronika Barinova, coloured by Azby Whitecalf, lettered by Toben Racicot

The realism of Ryan's story is unmistakable, though I don't know if Gitz Crazyboy is telling someone's story. It reads like a creative biography, and the artwork by Veronika Barinova, now also of Calgary, reflects that. Her artwork, coloured by Azby Whitecalf and lettered by Toben Racicot, manifests that realism in the stark clinic examination room, the austere classroom, and the grimness of the remand centre. She also brings joy through Charm and Ryan's relationship, the connections Ryan experiences with family, and the heart that he demonstrates when he returns to serve his community.

It's not necessarily easy or possible to break away from a legacy of prejudice and discrimination. However, Ryan of The Rez Doctor was able to do so, and in doing so he did good for more than himself. He brought compassion and understanding and true service to his community that could only bring more goodness and success for all.

Everyone is Welcome

Written by Phuong Truong

Illustrated by Christine Wei

Second Story Press

978-1-77260-343-9

24 pp.

Ages 6-8

September 2023

The rise in hate messaging on social media and around the world, particularly against Asian community members during the pandemic, has been concerning and disheartening. Racism and prejudice against those who are seen as different–aren't we all different and unique?–is reprehensible and sadly growing. Phuong Truong and Christine Wei's picture book Everyone is Welcome speaks specifically to anti-Asian violence and how a child might be impacted by it. 

From Everyone is Welcome, written by Phuong Truong, illus. by Christine Wei

The eight-year-old narrator of Everyone is Welcome loves going to the Asian market with her family though she wishes that she were old enough to go alone to the corner store like her mother did when she was younger. Though it was a different time, when children could play on the street and go to the local store without supervision, her mother recalls being taunted for her Asian heritage with ethnic slurs and offensive gestures. Now the child hears of her grandmother's friend Mrs. Lee being pushed into the street and her brother tells her that some kids don't feel safe walking to school without support because of being targeted for being Asian. 

From Everyone is Welcome, written by Phuong Truong, illus. by Christine Wei

And then the child learns that a classmate is no longer allowed to play with her.

His dad told him that everything bad that's happened in the world is my fault. Mine and everyone who looks like me.

While there are no quick solutions, understanding and compassion from her mother and the opportunity to take a small step in helping go a long way.

From Everyone is Welcome, written by Phuong Truong, illus. by Christine Wei

All racism is abhorrent. Why are there those who target communities who may be different in their appearance, language, food and more and deem them less? It is hate, and it speaks more to ignorance than anything else. I'm sad to think that Toronto writer Phuong Truong and Vancouver illustrator Christine Wei and their families may have experienced such cruelties and felt unsafe. The message of Everyone is Welcome may be a simple one that we all belong. Period. It doesn't matter what we look like or where we come from or what languages we speak. The homes we make and the multiple communities to which we belong are ours and no less for being different than another. I know that much hatred percolates from fears and, for children, from familial directives but those offer no excuses. Christine Wei's dedication reminds us that there is still much work to do.

To that day we can all rewrite our fears of differences and celebrate them. – C.W.

While the premise of Everyone is Welcome–increasing violence against Asian communities–is a dark and sobering one, Phuong Truong and Christine Wei bring out the vibrancy of the child's communities at home, neighbourhood and school in their words and art. With her words, Phuong Truong shows us that there will always be compassion that will override the nastiness, and, with her art, Christine Wei brings us to the vivacity of that goodness of people.

For lessons in empathy, especially when needed to combat anti-Asian hate, Everyone is Welcome brings us to a place of both reality and promise. Hate has always been around, often just changing targets, but awareness and grace are universal, and they have and will overcome the worst when everyone is made to feel welcome.

The Good Fight

Written by Ted Staunton

Illustrated by Josh Rosen

Scholastic Canada

978-1-4431-6383-5

224 pp.

Ages 10-13

June 2021 

The 1930s were a difficult time. It was the Great Depression, Nazism was growing in Germany and elsewhere, and people were looking to blame others for their hardships. With antisemitism on the rise and prejudice against immigrants a perennial vocation for many, the city of Toronto was primed for a fiasco in the heat of the summer of 1933. It got one.

From The Good Fight by Ted Staunton, illus. by Josh Rosen

Sid Klein and his friend Plug Venditelli have been recruited by Tommy Ryan to be part of his whiz mob, a pickpocket gang. Tommy, who'd been taught by his uncle, would chose their mark and steal from him while Plug, as the stall man, distracted him, before Tommy passed the money on to Sid, the duke man. Though he was full of bravado about his Irish heritage, Tommy was actually Tadeusz Lepofsky and scoffed at Sid and Plug whose heritages–Jewish and Italian– might mark them on the streets of Toronto. Still, with the desperate times, the boys are willing to do what they could to provide extra coins for their families, including selling newspapers, running errands, collecting cockroaches, or stealing.

From The Good Fight by Ted Staunton, illus. by Josh Rosen

But when Sid pockets a swastika pin and learns more about efforts by the Swastika Club and local Nazi sympathizers to stop Jews from using the boardwalk on Balmy Beach, Sid is warned to watch himself. Still Christie Pits, a popular place to watch the city's ball teams play, including the championship games between the Harbord Playground and St. Peter's Church teams, is too inviting to avoid as a location to pick a pocket or two. When the trio of boys is picked up and threatened with jail unless they help the Red Squad–police tasked with putting away union agitators, anarchists and communists whom they believe are all immigrants and Jews–Sid and Plug find themselves caught up in trying to save themselves and protect their families on the night of the infamous Christie Pits riot of August 16, 1933.

From The Good Fight by Ted Staunton, illus. by Josh Rosen

Ted Staunton has penned a number of picture books, early readers, and middle grade and young adult novels including those as part of The Almost Epic Squad and Seven series, but I believe this is his first venture into historical fiction. Still, with his familial connection–his grandfather was the mayor of Toronto at the time of the Christie Pits riot–he ably links a story of the past to issues of prejudice and discrimination and helps us see how those injustices have been perpetrated. From the vile name-calling, violent skirmishes and exclusionary tactics, Toronto was not unconditionally welcoming to all its communities and not the mosaic it was purported to be. And during the Depression, desperation fuelled those prejudices, sparking abominable behaviour and attitudes throughout. But communities like Sid and Plug's overcame and even thrived, making opportunities for themselves, as the epilogue to the main story shares. 

 

By focusing on Sid's story with Plug and their families, Ted Staunton gives us multiple perspectives: that of children, those of immigrant families, and those struggling financially. And, of course, those targeted by hatred. The Good Fight tells us how they felt, how they managed, how they fought. Illustrated by Toronto's Josh Rosen, the story is gritty and distressing, and I suspect young readers will be hopeful that Sid and Plug don't go to jail, that their families aren't thrown out on the streets, that their Jewish and Italian friends will not be attacked, and that those responsible for the Christie Pits riot are brought to justice. From newspaper stories, accurate depictions of the clothing and speech of the day, and social conditions, The Good Fight gives parents and teachers a wonderful opportunity to talk about the past and the need to ensure atrocities such as the Christie Pits riot aren't repeated.

For a time, Toronto was known as Toronto the Good but, like anything, Toronto is neither all good nor all bad. It has moments in history of which is should be immensely proud and others, like the Christie Pits riot, which are a stain on the city's reputation. Making it right begins with telling those stories so that learning might happen and social justice prevail.

Torch (The Flight and Flame Trilogy, Book 3)

Written by R. J. Anderson

Enclave Publishing

978-1-62184-160-9

239 pp.

Ages 11+

February 2021

 

 

When we first met the piskey Ivy in Swift, the first book in R. J. Anderson's The Flight and Flame Trilogy, she'd been determined to look out for her family and friends of the Delve, worried about poisonous air and long-held conflicts with spriggans, faeries and even humans. But, because of her unique wingless nature, Ivy has always had to prove herself. In the second book, Nomad, while looking to help the piskeys of the Delve escape the tyranny of her Aunt Betony, the Joan i.e., the queen of the Delve, Ivy becomes romantically involved with the spriggan-faery Martin whose own story needed telling. Then, after a violent confrontation with the Joan, a handful of piskeys, including Ivy's little sister Cicely, brother Mica and his fellow hunter Maddock, follow Ivy above-ground.

Now, Ivy is challenged to providing a safe home for the piskeys who've followed her, but worries that she could never become the Joan they need, as she lacks the skill of making fire at will. Things become worse when a deception is perpetrated to make her appear to make fire, and she is compelled into a betrothal with Maddock who offers to act as her Jack, the consort to the Joan. But Ivy and the piskeys know that Betony will not stand to lose her people to Ivy and an attack is sure to come. Fortunately for Ivy, she can rely on the help of faeries Thorn and Broch, and especially Martin who comes to her aid time and time again. Unfortunately, Martin is a spriggan and hated by the piskeys for being so, and Ivy must hide her love for Martin from her people.

But Martin, who had always believed himself to be the last of the spriggans who'd been killed off in conflicts with the piskeys, discovers a barrow of chambers with spriggan treasure, arms and stores. Most surprising are the egg-like shells harbouring young spriggans. While Martin nurtures the awakened young spriggans, about thirty boys and girls, becoming a true leader to his people, Ivy is torn between being with Martin, doing what's right for her own people, and contending with their distrust of all spriggans and faeries. Though Ivy knows that Martin has had his own issues with her people, she has come to trust him and he repeatedly shows himself to be worthy of that trust. But can Ivy find a way to save the piskeys, from the poison in the Delve and the tyranny of Betony and her Jack Gossan, bring peace between those who distrust and discriminate, and still be with Martin?

 

R. J. Anderson may be writing about fantastical creatures like piskeys, spriggans and faeries but the hostility between these groups and Ivy's need to balance her own wishes with the obligations she feels to her people are as human as anything we might experience. Mica's infuriating knows-better attitude and Cicely's petulance when she doesn't get what she wants are all too human, as is Ivy's unhappiness with being pressured to do what everyone else decides is the right thing to do. When she leads with her heart, driven by her love for Martin and her people, she leads well as a true Joan would.

But Torch is also a book of fantasy, of incredible people who inhabit Cornwall and beyond. Some are tasked with digging while others protect treasure. They can shape-shift and cast glamours and spells and wards of protection.  The worlds of Torch, as in Swift and Nomad, are both imaginative and real, and R. J. Anderson has excelled at making the reader feel everything from the gentleness of love to the anger of frustration with her characters. Thankfully through all that emotion and otherworldliness, R. J. Anderson has resolved her tale of the Cornish piskeys and their neighbours with much heart, happiness and hope, demonstrating that it's possible to find the way through conflict and prejudice to understanding and love.

Sadia: Blog Tour Guest Post by author Colleen Nelson

Yesterday I reviewed Colleen Nelson's newest novel, Sadia, from Dundurn Press. I adore Colleen Nelson's novels for their variety of themes and strong characters with voices that resonate with all.  Today Colleen Nelson shares a few things you need to know about Sadia, so please join me in welcoming her.

🏀🏀🏀🏀🏀🏀🏀🏀

Colleen Nelson

Hello CanLit for LittleCanadians!

My newest book, 

Sadia

launches this month 

and 

 I thought I’d share

  5 Things you didn’t know about Sadia.

1. I hear voices. Yep, that’s how all my books start. The character talks to me when I’m doing random things, like washing dishes or driving to work, and all of a sudden a whole story is spinning in my head. I liked Sadia as soon as I heard her talking in my head and even more once I made her into a basketball player.

2. I don’t play basketball. I’m not good at any sports except yoga (and I don’t think that counts as a sport). But my husband went to Gonzaga University and I’ve been forced to watch many of their games. My boys both like basketball, so I asked them for help when it came to the basketball scenes in the book.

3. I would love to do a project like ‘If You Give a Kid a Camera’. I’ve done versions of photography projects with my elementary students. If any teachers want to try it, reach out to me. I’d love to see what your students come up with. Photography is such a powerful way to communicate ideas. A picture is worth a thousand words, after all.

4. The original manuscript was called ‘The Brilliance of Bees’ (The old cover is still floating around in cyber space), but had to be changed because it didn’t really capture what the story was about. Mr. Letner used to be an entomophile, which is a lover of insects. I sprinkled facts about bees throughout the book, but ended up deleting them. There are a lot of similarities between bee hives and classrooms: bees are hard-working and cooperate, everyone has a job and no job is more or less important than another’s. I now have a lot of bee facts ‘buzzing’ in my head so maybe they will appear in another book.

5. Sadia was written because a student of mine requested books with Muslim characters. I couldn’t find any in our library except Deborah Ellis’ ‘Breadwinner’ series, which she’d read. I asked other Teacher-Librarians and our local book seller, but no one had any suggestions. About the same time, I came across an article about a team of Muslim girls who sewed their own basketball uniforms so they could play games. From that point on, the plot came quickly and Sadia was written in six weeks over summer holidays.

I hope you enjoyed discovering more about Sadia.

Thanks for having me on your blog!

~ author Colleen Nelson

🏀🏀🏀🏀🏀🏀🏀🏀

It is always my pleasure to welcome Colleen Nelson
to CanLit for LittleCanadians
and to continue reviewing her stellar YA novels.

Support Canadian authors and #youngCanLit
by checking out Sadia and Colleen Nelson's other books

Sadia (Dundurn, 2018)

Blood Brothers (Dundurn, 2017)

Finding Hope (Dundurn, 2016)

250 Hours (Coteau, 2015)

The Fall (Great Plains Teen Fiction, 2013)

Tori By Design (Great Plains Teen Fiction, 2011)

Pandas on the Eastside

by Gabrielle Prendergast

Orca Book Publishers

978-1-4598-1143-0

192 pp

Ages 9-12

October, 2016

Reviewed from advance reading copy 

Never underestimate the power of goodness to overcome that which others consider weaknesses: youth, poverty, lack of education, dysfunctional families.  Ten-year-old Journey Song doesn’t.  She sees beyond the slummy side of the 1970s Eastside of Vancouver and sees a community of friends, that includes classmates, school staff, street people and local merchants.

Some people call the Eastside a slum.  That’s because they are describing buildings and roads instead of people.  To them, people on the Eastside probably look poor, sad, uneducated, sick and worthless.  But I don’t care what they think.  To me, the people around here are friends. (pg. 1)

And she’s going to need all of them in her mission to help the pandas housed in limbo at a local warehouse while the governments of China and the United States engage in a bureaucratic kerfuffle regarding action during the Vietnam War.

Though Pandas on the Eastside is narrated by the youthfully buoyant voice of Journey, each chapter brings another Eastside community member to the forefront, from homeless Kentucky Jack and mentally ill Contrary Gary, to teacher Miss Bickerstaff and her black boyfriend Ben Wallace, and Officer Pete Baker, and grocer Mr. Huang. Everyone adds to Journey’s story, not the least of which is her father whom she meets for the first time, finally answering some of her questions about her heritage.  But, just like everyone else on the Eastside, it doesn’t matter where you come from but who you are now. For Journey, her now involves helping the pandas and hopefully spreading some happiness in a world filled with war and sadness and conflict.

Gabrielle Prendergast, who made her literary mark with young adult novels in verse Audacious (Orca, 2013) and Capricious (Orca, 2014), demonstrates a formidable skill for writing an intricately-plotted, character-filled middle-grade novel that confronts prejudice without preachiness.  Yet it’s Gabrielle Prendergast's rich setting that truly drives the story, providing the impetus for action and consequently acceptance.  Pandas on the Eastside is an uplifting story from a time long-gone but a place ever-present in heart and geography.


(A version of this review was originally written for and published in Quill & Quire, as noted in the citation below.)

Kubiw, H. (2016, September). [Review of the book Pandas on the Eastside, by Gabrielle Prendergast]. Quill & Quire, 82 (7): 37.

Upside-Down Magic

by Sarah Mlynowski, Lauren Myracle and Emily Jenkins

Scholastic Press

978-0-545-80045-7

208 pp.

Ages 8-12

October, 2015

Self-acceptance has always been an important theme in picture books, middle grade and YA, as it is an issue so many of us grapple with, no matter what age.  But, while Upside-Down Magic does take on this common issue, the book’s quirky take on it is wholly uncommon and delightfully light-hearted.  

Elinor Boxwood Horace, called Nory, is ready for Grade 5 but not sure whether she is quite ready for Sage Academy where her father is headmaster and her older siblings, Hawthorn (16) and Dalia (13), study magic.  She attends the compulsory Big Test, the entrance exam, in which she is tested for being a Flare (those gifted with fire magic), a Flicker (those who control invisibility), a Flyer (as you might expect) and a Fuzzy (those conversant with animals), gifts she knows she does not have, as well as for a Fluxer.  Nory knows she is a Fluxer, one who can transform herself, but her magic often goes wonky.  Sadly but not surprising, Nory’s black kitten transformation actually becomes a dragon-kitten, or dritten as she calls it, and she is denied admission to Sage.

Without her knowledge, her father makes arrangements for her to go and live with her Aunt Margo, a Flyer who works as a taxi (!), and attend the Dunwiddle Magic School, a public magic school with a new program for kids who struggle with magic.  Special education for magic?  It’s called the Upside-Down Magic class or UDM, and it is sneered at by the other students in the school.  Her classmates include Elliott, a neighbourhood Flare whose fire often turns into freezing ice; Andres, a Flyer who would just float away if not tethered or held back by a ceiling; Pepper, an Upside-Down Fuzzy known as a Fierce who terrifies animals rather than communing with them; Sebastian, a Flicker who can’t become invisible but can see invisible sound waves; Willa who can make it rain inside; Marigold who shrinks things; and Bax who Fluxes but only into a rock from which he cannot change back.  Under the tutelage of the inspiring Ms. Starr, who encourages them to understand their feelings, not control them–“Helping you be normal isn’t my job” (pg. 129)–Nory tries to be positive about learning, but the prejudice she and the others endure because of their UDM has her determined to get control of her animal selves and get tested out of the UDM class.

Though her father refuses to contact her and her siblings are convinced she just needs to work harder, Nory is determined to become the child they want her to be, regardless of the warm welcome and acceptance she feels from her aunt, her aunt’s boyfriend and her UDM classmates.  It takes a bit of effort and some unusual situations to help Nory release the notion that she is imperfect and recognize her own giftedness as it is.

Montreal-born Sarah Mlynowski, whose Whatever After and Magic in Manhattan series are wildly popular, has collaborated with Americans Lauren Myracle and Emily Jenkins (a.k.a. E. Lockhart) to produce another series that is sure to enchant and humour young readers.  It’s delightful escapism for middle-grade readers who want to enjoy a very visual (see Nory’s dritten as imagined on the book cover) story with a completely impossible (improbable?) plot that can still teach about enduring the day-to-day challenges of being different and of family expectations, as well as of prejudice, and learning to accept oneself.  Upside-Down Magic is like a pretty package of life lessons wrapped up in a sparkly plot and decorated with bright characters of magical personalities. 

Nomad

Written by R. J. Anderson

Orchard Books

978-1408326480

352 pp.

Ages 12+

2014

Reviewed from audiobook
Oakhill Publishing Ltd.
 978-1784331016
Narrated by Lucy Scott
2014

When R. J. Anderson ended Swift (Orchard Books, 2012), Ivy had helped save her piskey family and friends of the Delve from the evil faery Gillian, but had been banished by her aunt Betony, the Joan, as a traitor.  Since then she has been looking for a place where the piskeys might live in safety away from the poison infiltrating th Delve –their below-ground tunnels home–and colluding with her brother Mica’s hunting partner, Mattock, who obviously has feelings for her and with her best friend Jenny to convince the piskeys that they are unsafe.

Meanwhile, Ivy is dreaming of a spriggan boy who is the son of a chief and a faery and Martin (formerly known as Richard), the faery-raised spriggan with whom she has been traveling, believes that Ivy must be having visions of memories of what actually happened, and perhaps these will help them find other spriggans.

But poor Ivy and Martin are trying so hard to do the right thing, for themselves and each other and the people from which they come, and there are so many others working against them.  Sadly, so much is tied up in prejudices between the different supernatural folk.  Although Ivy and Martin are both part faery, they have been raised to distrust each other, just as spriggans, faeries and piskeys have as long as they can remember.  And now, Ivy and Martin find themselves helping each other more than just as repayment for previous help and are experiencing growing affection for each other.  How to balance all their needs and feelings and be true to themselves?

R. J. Anderson is a a masterful storyteller of faery fantasy, easily convincing the reader that her characters are more than just human, even better than human.  And that’s saying something.  R. J. Anderson can create empathy for characters who can change into bird form, wield magic, and transfer memories, while creating realistic story-lines about finding or making home under unusual, if not dire, circumstances.  While R. J. Anderson continues to weave amazing stories–she has a new one called A Pocket Full of Murder coming out in September–she has announced on the FAQ page on her website that there are no current plans for a sequel to Nomad. As disappointing as that is not to revisit the characters in whom we've invested our hearts, readers can be assured that R. J. Anderson has cobbled an ending that will appease and successfully bring all her characters home where they belong.

Blood Prophecy (The Drake Chronicles, Book 6)

by Alyxandra Harvey

Walker Books/Bloomsbury

978-0-802734297

475 pp.

Ages 14+

2013

Blood Prophecy, the sixth and final book of Alyxandra Harvey's The Drake Chronicles, came out at the end of last year but I couldn't bear to read it.  Ending trilogies is hard enough. Imagine what it's like having committing yourself to getting involved with characters after six books. But it's time.  Time to wrap up story-lines, relationships and clean up the messes from nasty vampires and rogue hunters.

When the various vampire tribes gathered at the Blood Moon (Book 5) to forge relationships and see the new queen crowned, Solange, the youngest of the Drake offspring, was not dealing well with her new vampire-ness, seeming to have gone to the darkside and listening to a voice that encourages her to feed her blood lust (not something her family does).  Sadly, her brother Nicholas and her best friend, Lucy, Nicholas' girlfriend, get caught up in her machinations, which then threaten all the Drakes and relationships between tribes.

While Solange struggles to command her thinking and actions, she begins having bizarre experiences–like time travel or magic–in which she relives the events that the voice in her head, Viola, endured in the 12th c. There are dragons, dungeons, witches, a love interest, a nasty grandmother, and a whole lot of anger.  Luckily, Lucy is sure that Solange is not herself and more likely possessed by another's spirit.  Lucy gets help from all the Drakes and close friends to attempt to rid Solange of Viola, and make things right at the Blood Moon camp where Solange/Viola caused much mayhem.  And did I mention that somebody, dubbed the Dracula Killer, is murdering humans and making it look like the vampires are to blame?

By alternating chapters from the points of view of Solange, Lucy and Nicholas, Alyxandra Harvey provides the means for the characters, and the readers, to put the clues together about Solange's bizarre behaviour, though tracking Solange's actions was rather confusing.  I actually enjoyed the emphasis on Lucy's voice again, as each of the Drake Chronicles books tend to emphasize the budding relationship of one Drake son with a new character, and Lucy and Nicholas' relationship has not been front and center since Hearts at Stake.  Of course, Kieran and Solange do resolve their bumpy love in Blood Prophecy but Lucy and Nicholas' interactions are so much more satisfying.  That said, I think Alyxandra Harvey had a hard time trying to incorporate all the established romances (Hunter and Quinn, Christabel and Connor, Isabeau and Logan) into Blood Prophecy, though they all make appearances.  Because the couples vary greatly in their sensibilities, their cursory participation in the plot, sadly, just wasn't enough for fans of the Drakes.

While Blood Prophecy and Blood Moon to some extent establish the story-line that brings together all the groups, vampire and not, introduced in the earlier books, Books 1-4 are still my favourites, relying more on establishing the Drake family and its interactions with these groups.  With three Drake sons–Sebastian, Marcus and Duncan–left without their own full novels in which they find partners for themselves, The Drake Chronicles ended far too abruptly for me.  I wanted more.  

Luckily, though Alyxandra Harvey has completed the novels of The Drake Chronicles with Blood Prophecy, look for extras at her website and elsewhere.  There are six novellas, including Sound and Fury which is appended to Blood Prophecy, to help take the sting off the end. 

The Night is Found: Blog Tour begins tomorrow

Starting tomorrow

right here on CanLit for LittleCanadians

Fierce Ink Press

presents

Take a Walk on the Wilds Side 

blog tour

for 

the final instalment in

The Magdeburg Trilogy

by Kat Kruger

 The Night is Found 

Here's what we'll have:

• a giveaway of digital copies of ALL three books in The Magdeburg Trilogy (and all you have to do is add a comment to the blog post);
• my review of The Night is Found; and 
• a special blog post by author Kat Kruger about finishing her trilogy.

Please check in tomorrow and the next day for the blog tour's stop here at CanLit for LittleCanadians.

† † † † † † † † †

Many thanks to Fierce Ink Press for the opportunity to share in this wonderful event

Taking the Reins

by Dayle Campbell Gaetz

Coteau Books

978-1-550-505528

232 pp.

Ages 10-14 

2013

Though only fourteen, Katherine Harris has already felt the need to take the reigns, figuratively- and literally-speaking, in order to help her family who'd come from England to make a new life for themselves in Canada.  The family's hopes had been dwindling, along with their savings, since an extended stay in San Francisco (before they reached Hope, BC) when they all had fallen ill and Katherine's older sister Susan died.  Then starting their farm, for which they are sorely ill-prepared, Katherine's father is mauled by a bear and requires medicine, and Katherine must retrieve her nineteen-year-old brother George who has run off in search of gold in the Cariboo.  Returning home on her bay mare, Nugget, Katherine's adventure masquerading as a boy and travelling with a guide, William, must be forgotten as she must return to behaviour befitting a young girl and think about selling Nugget for some much needed money.

Fortuitously, the man who purchases horses from miners returning from the Cariboo and takes them to Victoria for wealthy buyers is Mr. Charles Roberts, the very man who had given her Nugget as a thank-you for her sister Susan's devotion to his niece Baby Rose when his brother's family was also travelling from England.  Katherine hatches a plan with Mr. Roberts to enlist her parents to care for his store so that he might travel to Jamaica to visit his brother and family, that her parents might leave the farm even temporarily (though George would remain behind to tend to it), and that she might go to school in Victoria. And since Nugget would be sold in Victoria, Katherine might have opportunities to visit him.

Meanwhile, Emma Curtis, who is just shy of 14 years of age, is gifted with Nugget from her newly-found father, Tall Joe, who'd left her and her mother in England to find his riches in the new world.  Left destitute, and her mother dead, Emma had accepted the  opportunity to travel to Canada via brideship, although she skirted marriage by taking a position at the home of Governor and Mrs.Douglas.  Still too proud, too angry and too scared to show herself as she is, Emma is reluctant to accept Nugget, though her father insists she learn to ride as he intends to travel to the interior next spring to start his own farm.

Emma and Katherine become acquainted at Beckley Farm, where Nugget is boarded, and become friends, though they each keep secrets about themselves, afraid of being judged for their heritage, their weaknesses, and griefs.  But the two girls must sidestep those issues in order to work together to find the happiness they both deserve.

You will hear me say time and time again that I am not a horse person.  My greatest affinity is to cats.  And, though I will always share an affection and compassion for all animals, my understanding of horses is negligible.  But Taking the Reins allowed me to share in the bond between Katherine and Nugget, while understanding Emma's initial trepidation for this large animal.  Even more, though, Dayle Campbell Gaetz made Taking the Reins into a story about facing an uncertain future in the context of prejudice and insecurity, emotional and financial, and allowing others into your life so that you might move forward.  Nugget is the bridge that allows Katherine and Emma to share of themselves and see beyond their needs and instead focus on what others need.  It's an inspiriting story that could be from any time, but told especially well in the tumultuous settlement times in British Columbia in the 1860's when new ways had to be built on the land and between people in order to survive.  Fortunately, women such as Katherine and Emma, as well as Susan and Mrs. Douglas, showed the courage and good will to take the reigns for more than just themselves.

The Gypsy King

by Maureen Fergus

Razorbill

978-0-14-318315-0

434 pp.

Ages 12-16

2012

A powerful high fantasy based in the land of Glyndoria, in which the five tribes–Khan warriors, Erok, Gypsies, Gorgishmen and Marinese–live in strife, The Gypsy King may look like a historical romance with its medieval setting and a beautiful young woman in a golden gown clutching a dagger, a once commonly-used weapon.  While there is an element of romance to the story, which adds humour and much spark, an adventurous quest for both truth and a pool of healing takes The Gypsy King into a whole new realm.

Persephone is an enslaved young woman who knows nothing of her heritage except being sold, traded or lost in a card game and working in a manor house, a tavern, and even the horrible Mines of Torodania.  When a chicken thief she meets returns masquerading as a lord and buys her freedom, Persephone is both perplexed and trepidatious, though she is reassured by three animals that follow her: her dog Cur, a hawk named Ivan and a broken-down horse named Fleet.  Luckily for Persephone that these animals are there as the chicken thief and false lord is actually a Gypsy, named Azriel, and Gypsies are the target of the New Men army of the Erok Regent Mordecai. 

Seems the former Erok king, King Malthusius had hated the Gypsies since their king Balthazar had never revealed the location of their Pool of Genesing, a pool of healing, to him.  Mordecai, the physically-deformed power behind the king, encouraged the king to persecute the Gypsies, sadly leading to their massacre, in the hopes of learning the location of this fabled pool.  With the current king Finnius still too young to rule, Regent Mordecai continues with this reign of terror, extending it to kidnapping Gypsy children for their blood, rumoured to be rich in health and vitality, to alleviate his physical distress.

When Azriel is seriously injured in the attack by the New Men, he leads her to the Gypsy camp, where he can be treated.  Azriel had been bringing Persephone there as she, and another girl Rachel, are the exact likeness of a girl prophecized to bring a Gypsy King to power.  When another part of the prophecy suggests a link to a Gypsy child hidden in the Erok capital of Parthania, Persephone, Rachel, Azriel and two other Gypsies head there to rescue him. Through a series of circumstances (fortunate or not), Persephone becomes a guest at the castle and the amorous target of both the Regent Mordecai and King Finnius, while Azriel must find the means to fulfill their mission and rescue her.  And, regardless of Persephone's original intent to strike out on her own, Azriel believes and hopes for more.

"A path stretches out before us, Persephone, and we will walk it together, whether you like it or not." (pg. 198)

Their stories are rich with dungeons, executions, opulence, ruthless lords, rumours, evil, charity, sparring of words, yearning and surprising revelations.  But there are no disappointments for the reader.  Maureen Fergus has created a complex (but never confusing) network of storylines that ensures a bounty of characters, both sympathetic and not, and conflict that could lead to love or death.  Her writing style is neither verbose nor vague, and her wit is embedded throughout.

"And the next time you happen upon a person of unknown providence, I encourage you to think before you strike, lest misjudgment on your part see you a head shorter before you're a day older." (pg. 291)

Be assured that, though the book may seem a lofty read at 434 pages, every twist and detail is significant in creating the resplendent read that is The Gypsy King.

≤≥≤≥≤≥≤≥≤≥≤≥≤≥≤≥≤≥≤≥

Look for my review of A Fool's Errand, the sequel to The Gypsy King, in my next post.  But, read The Gypsy King first if you haven't already.  You won't be disappointed.

Stained

by Cheryl Rainfield

Harcourt Children's Books/Houghton Mifflin Harcourt

978-0-547-94208-7

304 pp.

Ages 14+

Release date October 1, 2013

Reviewed from advance reading copy

Sixteen-year-old Sarah Meadows has always focused on the port-wine stain that covers the right-side of her face, determined to get the surgical treatments so that she might become "normal".  The debilitating impact she has experienced because of it has compelled her to live vicariously through her comic character, Diamond, to hide behind a curtain of hair, and to only hang out with other social outcasts. But the very day she is to start treatment, her father learns that someone has embezzled so much money from his graphic design company that there isn't enough to pay a bank loan and her surgery.

At school, Sarah has to share this unexpected news with her group of friends: Charlene who is overweight and the brunt of her father's verbal abuse; Gemma, a lesbian; and Nick, who is considered a geeky "doughboy" by others, though Sarah considers that,

"They don't care that he's kind, smart, and good natured, and sort of cute in a soft, chubby way, with messy, sandy hair that's always falling into his eyes and a quick smile. All they see is his weight and his social awkwardness." (pg. 15)

When Nick narrates a chapter, he emulates the same sentiments about Sarah, calling her beautiful and wishing she could see how amazing she is.

On the way home, a bullying incident has Brian Gormley, her dad's cute assistant, coming to her rescue, offering to help and drive her home.  Though she declines, feeling that "Something isn't right" (pg. 35), Brian grabs her, drugs her and locks her away, with a padlocked leather blindfold on.  He claims that he will help her and her parents by giving them "freedom from the pain in their lives" (pg. 84) as he has done for others.  Thus begins a tortuous imprisonment of months in which Sarah endures physical, sexual and psychological abuse at Brian's hands.  Worse is Sarah's ignorance of the efforts being made to find her, especially by Nick and her parents, with the duplicitous Brian even offering assistance.  Nick becomes relentless in pursuing every lead possible, outdoing the seemingly ineffective efforts of the police.

Throughout Sarah's imprisonment, she attempts to understand Brian's motivations, determined that she would not "let Brian's lies become my reality." (pg. 154) As she attempts to appease him, Sarah is actually becoming emotionally stronger, learning how to handle him and manipulate situations as she can. It's ironic that the very manipulation Brian accuses Sarah of instigating to derive guilt from her parents is a skill she develops courtesy of his abuse. Though he may see her as becoming weaker and submissive, Sarah continues to look for any means to save herself, recognizing that she "has to get herself out, not wait for someone to save her." (pg. 179)

Cheryl Rainfield has courageously admitted that she has drawn on her personal experiences to write Stained (see original Stained release announcement ), emphasizing the positive attributes of courage, perseverance, and self-reliance rather than on the trauma.  This becomes self-evident from the tag line for the book,

Sometimes YOU have to be your own hero.

But just as important is self-acceptance, as Sarah, Nick and her friends learn.  They might all see the "better side" of life for those who are beautiful or slender or popular, but a crash course in introspection makes them realize the superficiality of those attributes and the absence of any relationship with goodness.  The beautiful Brian Gormley is a prime example of a revolting inside to an oft admired exterior.  Sadly for Sarah, this lesson must come at the cost of her freedom.

Not an easy read, Stained will have young adult readers both cringing for the physical, sexual and emotional abuse Sarah must endure and cheering for her efforts and determination to survive, recognizing that her Stained face has only been masking, temporarily, the hero within.

___________________________________________

Look for posts shortly regarding Cheryl Rainfield's book launch for Stained and her take on improving body image.  In the meanwhile, check out Cheryl Rainfield's video explaining why she wrote Stained  here on YouTube.

Prince Puggly of Spud and the Kingdom of Spiff

by Robert Paul Weston

Illustrations by Victor Rivas Villa

Puffin

978-0-670-06397-0

207 pp.

Ages 8-12

2013

What to wear? It’s a lament for many of us on a daily basis. If you lived in the kingdom of Spud, you would choose to wear bold, garish colours and patterns that might appear wildly excessive to the stylishly-inclined and, as far as the Kingdom of Spud is concerned, that’s every other kingdom around you: Spiff, Smug, Hip, Sleek, Swish and Chic.  Fashion and trendiness are the mandates of all the other kingdoms, particularly the Kingdom of Spiff, led by King Dandy von Fop. But there's always someone who doesn't quite fit in somewhere. So begins our tale.

In Spiff, it's King Dandy's daughter, Princess Frannie, who chooses to wear pajamas daily, reading perched high upon a mountain of cushions in Frolicsome Hall at the castle. Her father pleads and cajoles her to try to wear a dress or follow the trendy advice of Miss Ruby La Rue of Ruby Boutique, especially now that the ballroom is needed for the Kingdom's Centenary Ball.  

In Spud, it's their ruler, King Walter, who has a hard time with the Spudlian fashion and its muddy landscape, choosing to abandon his kingdom for trendier environs in which his regal nature might shine.  Without a monarch to lead the people, a new ruler is sought, one who would epitomize the style and pride of Spud.  Puggly O'Bungleton, a poor Spudlian who lives in a tumbledown shack with his memoir-recording great-granny is selected and his coronation is set.  Neighbouring kingdoms are, of course, invited to attend as protocol would require, although the disdain of the other monarchs except for King Dandy stops them from attending.

With the upcoming Spiffian Centenary Ball, King Dandy must reciprocate an invitation to Prince Puggly who is thrilled to be invited to a party.  But the dejection that Frannie and Prince Puggly both experience due to the rude comments of Prince Hep of the Kingdom of Hip and Miss Ruby LaRue respectively have the two royals returning to Spud together and conspiring to ridicule those whose fashion snobbery led to their humiliation.

Robert Paul Weston has done it again.  Just as he did with his first venture into novel in verse, his award-winning Zorgamazoo (Razorbill, 2008), the author has delivered a narrative in fluent verse à la Dr. Seuss that BEGS to be read aloud. (I myself read the melodious text to whatever cat would stay to listen.)  But the auditory experience is matched by the visual in Prince Puggly of Spud and the Kingdom of Spiff as selected text is emphasized with different fonts, styles and form, as seen in a portion of page 46 here.

Beyond the fun language and fluid rhyming, Robert Paul Weston could be channelling Shakespeare for a younger, more contemporary readership. He has all the elements of any great comedy:  discord between generations; the high spirits of youth; the accepted ways of their elders; plotting for revenge or restitution; recognition of one's mistakes; and a happily ever after.  Within his fantastic world of cultures enslaved to dress, of quirky characters, and of kingdoms stunning in their grandeur or mud, Robert Paul Weston shares a cautionary tale of judging by appearance in a most ear- and eye-catching fashion. 

If you're a parent or teacher, put this one on your list of best bedtime or classroom read-alouds.  If you're not, just go and buy for the pleasure of reading. It is sure not to go out of style, ever!

The Power of Harmony

by Jan L. Coates

Red Deer Press

978-0-88995-495-3

260 pp.

Ages 9-12

May, 2013

There's a nebulous haze that pervades the atmosphere of The Power of Harmony.  Sometimes it's the darker gray or mauve of coal-mining, grief and prejudice but sometimes there's a vague yellow of the canary peeking through, working at bringing up a message.  Though it is often difficult to heed a message that is unusual or contrary, those who listen will know the benefits of it.  In 1968 Springhill Nova Scotia, nine-year-old Jenny knows the gray of Springhill's mining disaster, perennial sinkholes, and the bullying by Sarah Saunders (a.k.a. Queen Smirkle Bee) and the Bad Boys (Junior and Wade) but her wonderful parents, joyous baby sister, Bethy, and books bring much light into her life.

But, when a new student, Melody Summer Syliboy, joins their class, Jenny watches how her Nanny and others respond to Melody with a full-range of prejudices levelled against Aboriginal People.  Melody may withdraw from the taunts of the Bad Boys and ignore other insensitive comments, but she stands up for Jenny when she is bullied and saves her when she almost drowns in Pit Pond.  The two girls become friends, sharing a love of singing and the need to share their fears and secrets.

With the upcoming Miners' Hall Concert, on the tenth anniversary of the Springhill mining disaster, Melody and Jennifer are asked to sing a song together. They heed the words of surprise guest, Anne Murray, who tells them,

"Remember - sing with your heart and soul; harmony's a powerful thing." (pg. 238)

The harmony of Melody and Jenny is a powerful force, helping the two girls face extraordinary life challenges of death, shame, prejudice, grief, fear, and abuse.  Together they support each other as no one else could, providing the strength needed to overcome those challenges.  For two young girls, they endure much trauma, both within their families and more publicly.  But Jan L. Coates does not depict Melody and Jenny as anything but ordinary children, albeit more aware of how people treat each other.  They are emotive ("Try to swallow the fat lump of sad in my throat." pg. 143) without being emotional; kind without gushiness; and clever without being smart-alecky.  It's Jan L. Coates evocative text and careful plotting that elevate the girls to extraordinary while the history of Springhill, Nova Scotia, including the coal mining, the residential school and the prison, ground the story in reality.  The Power of Harmony could have been a cacophony of anger, abuse and prejudice but, with Jan L. Coates' considerate story-telling, it is a sensitive coming of age story in a socially-evolving Canadian setting.

Untying the Knots of Prejudice: Social Justice Book List #7

These picture books, novels and non-fiction books show the extent of discrimination that has been and is being inflicted on all beings, including feline and human.  They are based on ageism, skin colour, country of origin, religion, beauty, physical appearance, health, sexuality, marital status, association and heritage.  The stories include historical accounts, speculative fiction, and fiction in which prejudice allows someone to Untie the Knots of Prejudice and encourage understanding and compassion to take its place.

Picture Books

An Alien in my House
by Shenaaz Nanji
Illustrated by Chum McLeod
Second Story Press
24 pp.
Ages 4-6
2003

Caramba
by Marie-Louise Gay
Groundwood Books
40 pp.
Ages 2-5
2005 
 

Francie and the Basket Women
by Donald Gale
Breakwater Books
29 pp.
Ages 6-8
2002

Migrant
by Maxine Trottier
Illustrated by Isabelle Arsenault
Groundwood Books
40 pp.  
Ages 7-13  
2011

Miss Meow Pageant
by Ricardo Keene Douglas  
Illustrated by Marie LaFrance  
Annick Press  
32 pp.
Ages 4-8  
1998

 

The Remarkable Maria 
by Patti McIntosh
Illustrated by Tara Langois
Maggie and Pierrot
40 pp.
Ages 8-12
2005

Spork
by Kyo Maclear  
Illustrated by Isabelle Arsenault  
Kids Can Press  
32 pp.  
Ages 2-6  
2010

Treasure for Lunch
by Shenaaz Nanji
Illustrated by Yvonne Cathcart
Second Story Press
28 pp.
Ages 4-8
2000

Violet
by Tania Duprey Stehlik
Illustrated by Vanja Vuleta Jovanovic
Second Story Press
23 pp.
Ages 5-8
2010

Fiction

Angel Square
by Brian Doyle
Groundwood Books
128 pp.
Ages 12-14
1984, 1995
 
  



The Baby Experiment

by Anne Dublin
Dundurn
150 pp.
Ages 11-15
2012

Bifocal
by Deborah Ellis and Eric Walters
Fitzhenry & Whiteside
280 pp.
Ages 12-15
2007

Chance to Dance for You
by Gail Sidonie Sobat
Great Plains Teen Fiction
172 pp.
Ages 14+
2011

Child of Dandelions

by Shenaaz Nanji

Second Story Press

215 pp.

Ages 13-17

2008

Crossing to Freedom
by Virginia Frances Schwartz
Scholastic Canada
231 pp.
Ages 10+
2010 

Elijah of Buxton
by Christopher Paul Curtis
Scholastic Canada
288 pp.
Ages 9-12
2007

A Friend like Zilla
by Rachna Gilmore
Second Story Press
113 pp.
Ages 9-11
1995

The Geomancer's Compass
by Melissa Hardy
Tundra Books
254 pp.
Ages 11-15
2012

 



The Glory Wind
 by Valerie Sherrard 

Fitzhenry & Whiteside
 222 pp.
Ages 11+
2010

The Gnome's Eye
by Anna Kerz
Orca Book Publishers
210 pp.
Ages 9+
2010

Ink Me

by Richard Scrimger

Orca Book Publishers

224 pp.

Ages 10+

2012

Lost Goat Lane
by Rosa Jordan
Fitzhenry & Whiteside
197 pp.
Ages 9-12
2005

Mina’s Spring of Colors
by Rachna Gilmore
Fitzhenry & Whiteside
143 pp.
Ages 8-11
2000

The Mountain That Walked
by Katherine Holubitsky
Orca Book Publishers
211 pp.
Ages 10-14
2005

The Mystery of the Graffiti Ghoul
(Marty Chan Mystery Series 2)
by Marty Chan
Thistledown Press
210 pp.
Ages 8-12
2010  
   

No Ordinary Day
by Deborah Ellis
Groundwood Books
159 pp.
Ages 9-12
2011

The Pole
by Eric Walters
Puffin Canada
282 pp.
Ages 10-14
2008

Power of Harmony: A Novel
by Jan L. Coates
Red Deer Press
212 pp.
Ages 9+
May 2013

Puppet
by Eva Wiseman
Tundra Books
243 pp.
Ages 11-14
2009

A Sea of Sorrows: The Typhus Epidemic Diary of Johanna Leary, Ireland to Canada East, 1847  
(Dear Canada) 
by Norah McClintock
Scholastic Canada
175 pp.
Ages 9-12
2012

Secret Signs
by Jacqueline Guest
Orca Book Publishers
140 pp.
Ages 9-12
2006 





Shade and Sorceress  
(The Last Days of Tian Di, Book I)

by Catherine Egan
Coteau Books
279 pp.
Ages 10+
2012

Stitches
by Glen Huser
Groundwood Books
198 pp.
Ages 11-14
2003

Torn Apart: The Internment Diary of Mary Kobayashi, Vancouver, British Columbia, 1941  
(Dear Canada)

 by Susan Aihoshi
Scholastic Canada
209 pp.
Ages 8-13
2012

Tunnels of Tyranny  
(A Fourth Moose Jaw Adventure)
by Mary Harelkin Bishop
Coteau Books
238 pp.
Ages 10-13
2005

Witchlanders
by Lena Coakley
Atheneum Books for Young Readers/Simon & Schuster
 400 pp.
Ages 12+
2011

Yellow Line
by Sylvia Olsen
Orca Book Publishers
112 pp.
Ages 14-17
2005
  

Zack

by William Bell

Doubleday Canada

170 pp.

Ages 12+

1998

 
Non-Fiction

Children of Africville
by Christine Welldon
Nimbus Publishing
81 pp.
Ages 8-12
2009

Fatty Legs: A True Story
by Christy Jordan-Fenton and Margaret Pokiak-Fenton
Illustrated by Liz Amini-Holmes
Annick Press
104 pp.
Ages 7-11
2010

Season of Rage: Hugh Burnett and the Struggle for Civil Rights
by John Cooper
Tundra Books
69 pp.
Ages10-15
2005 
 

The Secret of Your Name: Proud to be Métis
by David Boucard
Illustrated by Dennis Weber
Music by John Arcand
Red Deer Press
32 pp.
Ages 10-13
2009

A Stranger at Home
by Christy Jordan-Fenton and Margaret Pokiak-Fenton
Illustrated by Liz Amini-Holmes
Annick Press
120 pp.
Ages 8-13
2011

Viola Desmond Won’t Be Budged!
by Jody Nyasha Warner
Illustrated by Richard Rudnicki
Groundwood Books
32 pp.
Ages 6-9
2010