Enid Strange

Written by Meghan Rose Allen

DCB

978-1-770865259

240 pp.

Ages 10-13

May 2018 CAN / September 2018 US

Enid Strange is eleven years old and she is writing a book, How to See the Faeries. Of course, you can't just "see" faeries as they "work through non-anticipation" (pg. 8) but you can see their shadows in patches of sunlight viewed in your right periphery.  Spotting faeries and writing her book engross Enid whose life is far from normal.

She and her mother live in a semi-detached rental home next to Mrs. Delavecchio whom Enid treats as a grandmother and her mother treats as an unpaid babysitter. In fact, Enid's mother, Margery, who'd always believed in faeries and knew enough to create banishing powders and plant trees to protect their house, now seems almost angry to Enid's interests. In fact, Margery is downright nasty to her daughter.

"I just wonder why," her mother said, returning to whisking, "you didn't turn out differently." (pg. 35)

Ouch.

Enid begins to think that the faeries are up to mischief, knocking over trees in the garden, bewitching her mother whose behaviour is definitely becoming odder and manipulating Margery's relationship with Dr. Holden, a geriatric psychiatrist at the William O. Wistop Memorial Long Term Care Facility (which Enid calls the Will O'Wisp) where Margery works. This is worse still as Dr. Holden's seventeen-year-old daughter Amber is always getting up into Enid's business. It's up to Enid to make things right and she intends to do so by catching the faeries.

Enid Strange, the book, is as odd a little thing as Enid Strange the girl. After all, faeries aren't real, are they? Readers will start by wondering whether Enid is just imagining the little mischievous creatures or whether they truly exist. Weird things are definitely happening at home and at school and it's not surprising that a girl who is told to behave herself since "We don't want you to be someone who spoils other people's happiness" (pg. 82) would be looking to find a way to take some control over her own life in a world going wacko. And Enid is an astute little thing. She sees more than she lets on and comprehends beyond her eleven years of age. For example, she knows how important it would be for the lonely Mrs. Delavecchio to reconnect with her son in prison: "She told me you are broken. Well, fix yourself up and send her a letter." (pg. 73) She devises a hypothesis that "faeries are able to manipulate light's dual nature: using waves to propel themselves forward and using particles to hide behind when they wish to remain unseen" (pg. 136) and proposes an experiment to test it.

Author Meghan Rose Allen gives voice to middle graders who have lots of ideas about their parents, school, and home life but never seem to be heard. Enid has a lot going on in her life. Loads. And yet she seems to have no support system. She's out there on her own, trying to deal with nastiness from Amber Holden and being ignored by her mother who disregards her parenting responsibilities and chastizes Enid for her dramatics when learning who her father is. Meghan Rose Allen embeds Enid's story in a rich world of faeries, and not your sweet pink variety, and allows the child to take some control over her life, with a little help from some unexpected supports, and learning that there is magic around and even in her.

Nomad

Written by R. J. Anderson

Orchard Books

978-1408326480

352 pp.

Ages 12+

2014

Reviewed from audiobook
Oakhill Publishing Ltd.
 978-1784331016
Narrated by Lucy Scott
2014

When R. J. Anderson ended Swift (Orchard Books, 2012), Ivy had helped save her piskey family and friends of the Delve from the evil faery Gillian, but had been banished by her aunt Betony, the Joan, as a traitor.  Since then she has been looking for a place where the piskeys might live in safety away from the poison infiltrating th Delve –their below-ground tunnels home–and colluding with her brother Mica’s hunting partner, Mattock, who obviously has feelings for her and with her best friend Jenny to convince the piskeys that they are unsafe.

Meanwhile, Ivy is dreaming of a spriggan boy who is the son of a chief and a faery and Martin (formerly known as Richard), the faery-raised spriggan with whom she has been traveling, believes that Ivy must be having visions of memories of what actually happened, and perhaps these will help them find other spriggans.

But poor Ivy and Martin are trying so hard to do the right thing, for themselves and each other and the people from which they come, and there are so many others working against them.  Sadly, so much is tied up in prejudices between the different supernatural folk.  Although Ivy and Martin are both part faery, they have been raised to distrust each other, just as spriggans, faeries and piskeys have as long as they can remember.  And now, Ivy and Martin find themselves helping each other more than just as repayment for previous help and are experiencing growing affection for each other.  How to balance all their needs and feelings and be true to themselves?

R. J. Anderson is a a masterful storyteller of faery fantasy, easily convincing the reader that her characters are more than just human, even better than human.  And that’s saying something.  R. J. Anderson can create empathy for characters who can change into bird form, wield magic, and transfer memories, while creating realistic story-lines about finding or making home under unusual, if not dire, circumstances.  While R. J. Anderson continues to weave amazing stories–she has a new one called A Pocket Full of Murder coming out in September–she has announced on the FAQ page on her website that there are no current plans for a sequel to Nomad. As disappointing as that is not to revisit the characters in whom we've invested our hearts, readers can be assured that R. J. Anderson has cobbled an ending that will appease and successfully bring all her characters home where they belong.

Swift

Written by R. J. Anderson
Orchard Books
978-1408312636
368 pp.
Ages 11-15
2012

When the piskeys of the Delve leave their below-ground home (built into an abandoned human mine) for the Lighting celebrations on the surface, it is a time of frivolity, feasting, storytelling and music.  It is the same for ten-year-old Ivy except that, unlike the other female piskeys, she was born without wings, and must make the arduous journey through the tunnels with her mother, Marigold, to reach the surface.  But, when her mother disappears that night, surely kidnapped by the legendary evil spriggans, life in the Delve will never be the same for Ivy, her young sister Cicely, her hunter older brother, and father Flint, a miner.

Five years later, at Cicely's first Lighting, a piskey-boy, Keev, goes missing and a spriggan is captured and jailed.  Ivy helps the spriggan, who is actually a faery she calls Richard, once she learns that he was sent by her mother Marigold.  She agrees to help him escape if he teaches her to shape change into a bird so that she might fly. But when Cicely disappears, Ivy declines to go with Richard so that she may search for her sister, albeit in swift form.  Injured during her search, Ivy is rescued by Richard who takes her to hide at the home of his human friend, Molly, a young girl who loves everything faery. In fact, when Richard goes missing, it is Molly who takes Ivy to Truro to find her mother.

What should be a wonderful reunion with Marigold is clouded with the unsettling truths her mother shares with Ivy regarding the history of the piskeys, faeries and spriggans, about Ivy's own heritage, and the dangers afflicting the Delve.  Confused as to what recourse she has, Ivy becomes even more enmeshed in the human-faery world when she purchases a clay sculpture of a faery that she is convinced has Richard trapped within.  Determined to help Richard, find Cicely, and return to the Delve to ensure the survival of the piskeys, Ivy must manage to understand the machinations of the human world, the trickery of a faery plotting revenge and the inclinations of the piskeys and her family from whom she fled.

Swift is a fantastical adventure of mesmerizing proportions, from the tiniest of piskey and faery to the legendary spriggans and large, unfamiliar humans, everyone has an agenda, selfish or otherwise, governed by the truths they believe and the affections and resentments they harbour. The plot twists and turns with new revelations and discoveries, mostly surprising, taking Ivy from the sheltered Delve to a larger world of duplicitous entities and strange circumstances, and then back to her endangered homeland.  R. J. Anderson deftly creates a world of fantasy in Swift, taking the reader effortlessly from the below-ground tunnels and nooks of the Delve, to the flight arenas of the swifts and other birds, all visually tangible.  And she draws her readers in, promising answers to questions of family loyalty, community, and self-awareness, while teaching that the answers are actually within us all the time. 

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The sequel to Swift is slated to be named Nomad, and is tentatively scheduled for release in early 2014 from Orchard Books.

Arrow

Written by R. J. Anderson

Orchard Books

978-1-40831-262-9

357 pp.

Ages 11-15

2011

Every once in a while I decide to review a book that was published a few years ago just to bring attention to a worthwhile read that I may have missed.  In fact, I have enjoyed the first two books of R. J. Anderson's Faery Rebels series, Spell Hunter (HarperCollins Canada, 2009) and Wayfarer (HarperCollins Canada, 2010), reading them when they were published, and had looked forward to a third book in the series.

However, the third book was never published in Canada, only in the United Kingdom, and its name follows the alternate titles for the books published in Great Britain.  Arrow is the title of this third book, following Knife (Orchard Books, 2009) and Rebel (Orchard Books, 2010).

So, now that I've tried to clarify that there were only two books in the series prior to Arrow, but with different titles depending on where they were published, I insist that you read them before this third book just because you'll not want to miss out on the superb story-telling and strong characterizations of the very different faeries and how they all come together in Arrow.  And in case you're convinced that faeries are for little girls, I might remind you of a mermaid prejudice I had that was completely unfounded. These faery books are not for little girls.  There is romance and treachery and bullying.  In Spell Hunter, there is talk of stealing children, a suicide attempt and a man using laudanum as a pain-killer.  Not your typical faery book.  What is typical of each of R. J. Anderson's books is the flavourful and robust language (e.g., "Great Gardener" is the faery expletive) and the intricate plots and subplots, chock full of connections and relationships, and secrets and revelations.  And I haven't even mentioned the humour.

Just for a little background, in Knife (a.k.a. Spell Hunter), a world of faeries live in the Oak, rarely leaving, for fear of death or losing their powers, except as dictated by their queen. Knife has become the Queen's hunter and freely leaves the Oak, reacquainting herself with a human young man, Paul. Together they learn the truth of the Sunderling, an event that cost the faeries their magic.

With the last vestiges of magic, fifteen-year-old faery, Linden, leaves the Oak in Rebel (a.k.a. Wayfarer), and with a human ally, Timothy, attempts to find other faeries and help the Oakenfolk recover their magic as well as ensure the people don't die off.  Together they bring back the Stone of Naming from the Green Isles, home of the Children of Rhys, to help protect them from the Empress, a self-appointed ruler who learns the true names of faeries to bind them to her forever.

Now the Oakenfolk, all female faeries under Queen Valerian, with Rob and the rebel faeries who escaped the Empress' control, and Garan and other Children of Rhys, who'd taken the Stone of Naming and left the Green Isles without permission, are preparing for an attack by the Empress. 

Back on the Green Isles, the Elders of the Children of Rhys are convinced that they have been cursed by the removal of the Stone of Naming, but are assured that they are not threatened by the Empress.  Rhosmari, formerly betrothed to Garan, is determined to retrieve the Stone of Naming.  Leaving the Green Isles through its secret portal, Rhosmari heads to the mainland and meets Martin, a faery who is trying to evade the Empress and her "enforcers", the Blackwings.  Having heard that the Empress has already attacked the Oak and burned it to the ground, Martin offers to work with Rhosmari to find Garan.

R. J. Anderson's newest faery rebel book plays on several keys themes, including trust vs. deceit, and freedom vs. bondage. While the power and control that the Empress seeks, at all costs, is the obvious example of bondage, Martin recognizes that the Children of Rhys have their own bondage.  Moreover the subjugation to which Rhosmari and others subconsciously relinquish control goes beyond these extraordinary constraints, often including the much more typical ones of guilt, remorse, survival, and love. The extent to which the individual chooses to accept or reject these restraints or even see them as such depends on the individual.  And the submission of one's trust to another, for their affections, or their loyalty or their admiration.

But if you're not looking for understanding or clarification with regards to these themes, and would still enjoy a fantastical romp, Arrow (after Knife and Rebel) provides an inviting portal into the faery realm.  But be forewarned:  Arrow's world of faeries has little in common with those in which faeries scatter sparkly dust and flit around granting wishes.  This one is immersed in politics, love, and allegiances - all the issues sure to cause heated discussions among humans and faeries alike.

Lesley Livingston's Wondrous Strange series

Wondrous Strange

Written by Lesley Livingston

HarperCollins

978-1-55468-273-7

327 pp.

Ages 12+

2008

Darklight

Written by Lesley Livingston

HarperCollins

978-1-55468-345-1

312 pp.

Ages 12+

2010

Reviewed from audiobook
Harper Audio
ASIN: B00309TZ04
Narrated by Lesley Livingston
6 hours, 58 minutes
2009

Tempestuous

Written by Lesley Livingston

HarperCollins

978-1–55468-455-7

361 pp.

Ages 12+

2011

Reviewed from audiobook
Harper Audio
ASIN: B004G81VZ0
Narrated by Lesley Livingston
8 hours, 39 minutes
2010

 

Lesley Livingston burst onto the YA literary scene in 2008 with her first novel, Wondrous Strange, which quickly won the accolades of readers and juries, winning the 2009 Canadian Library Association's Young Adult Book of the Year Award. Set in New York City, the Wondrous Strange series is an urban fantasy with the contemporary mortal world crossing paths with the hidden Faerie worlds, often as a consequence of the popular vices of revenge, greed and power.

Kelley Winslow is a young actor enjoying her first foray into professional theatre, performing in the Avalon Players' production of Shakespeare's A Midsummer's Night Dream. But, a chance and memorable meeting with the attractive Sonny Flannery, a Janus Guard, defender of the infrequently-opened gates between the Otherworld and the mortal realm, and Kelley's rescue of a horse from the lake in Central Park bring the Faerie world from the fiction of Kelley's script into her reality.

While Kelley attempts to explain and rid herself of the horse that magically re-appears in the apartment she shares with the beautiful Tyff, Sonny discovers evidence of a kelpie (magic-infused horse that drowns its victims) and ultimately the secret of Kelley's heritage. Through skirmishes with all manner of mortal and Otherworldly creatures, Sonny must convince Kelley of the reality and dangers of the Faerie Realm and keep her safe, while preventing the re-awakening of the deadly Wild Hunt.

In the second book, Darklight, the two young people, so desperately in love, are now forced to live in two different worlds: Sonny, still under orders from King Auberon, must destroy any remnants of the Wild Hunt in the Otherworld, while Kelley continues to perform with the Avalon Players, this time in Romeo and Juliet. After another Janus Guard, the Fennrys Wolf, tries to save Kelley from another attack in Central Park, they tumble into the Otherworld. But Kelley and Sonny's reunion is short-lived after Bob, the boucca, requests that Kelley visit the ailing Auberon and she refuses. Sonny, dealing with the jealous images Queen Mabh has shown him of Kelley with Fennrys, cannot comprehend Kelley's refusal, and seeks out Auberon himself. Happily, Kelley and Sonny are able to re-establish their love when they work together to thwart the leprechauns and the Green Magick, while attempting to save Auberon.

Sadly, Tempestuous begins with Sonny overhearing Kelley telling Tyff that she does not love him. Knowing that Faeries cannot lie, and not knowing Kelley's intentions (to keep him safe), Sonny disappears among the Lost Fae. But the murderous actions of rogue Janus Guards bring Sonny out of seclusion to fight, as does Kelley, those who would trade loyalty for power. As Shakespeare's The Tempest, the Avalon Players' current production, seems recreated in their lives, Sonny and Kelley do all they can to save each other and those for whom they care, mortal and Fae alike.

Though I've tried to give very little away regarding the plots of each book (not wanting to allude to culminating events that are key in the subsequent books), I can tell you that each book in the Wondrous Strange series has Lesley Livingston's signature wit, honest relationships, and sophisticated plotting, all embedded in the Old English folklore and the Bard's comedies and tragedies. For a special treat, listen to an audiobook of at least one volume of this series, as nothing can compare to author-actor Lesley Livingston reading her own work. Not only can she manipulate her voice to create very distinct characters, from young modern-day Kelley, to strong and loyal Sonny (with his disarming romantic side), mischievous Bob, regal Auberon, and self-absorbed Tyff, her sense of timing in the delivery of the clever repartee is impeccable. And the narrative, whether read or heard, is rife with the magick of a wordsmith who is able to forge rich tales that are emotionally engaging (whether to cheer for Kelley and Sonny's growing love, or despise the manipulations of the Faerie kings and queens) and edge-of-your-seat riveting (with chase scenes, deadly altercations, various assaults, and surprise revelations). The series may be called Wondrous Strange but it is more akin to Uniquely Wonderful.

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BOOK TRAILERS

I've put all the book trailers, uploaded by harperteen to YouTube, for the Wondrous Strange series on one page HERE for readers' perusal.

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AUTHOR TALKS

The following three videos (Lesley Livingston - On the Fly I, II and III), while not book trailers, offer a glimpse into Lesley Livingston's choices for her setting, characters and plot in the Wondrous Strange series.

Uploaded by HarperCollinsCanada on Jan 26, 2009 to YouTube

Uploaded by HarperCollinsCanada on Jan 26, 2009 to YouTube

Uploaded by HarperCollinsCanada on Jan 26, 2009 to YouTube