July 28, 2026

Love, Panda

A baby cuddles a panda stuffed animal who holds a note that reads, "Help." Additional letters and envelopes decorate the side.
Written by Elaine Su
Illustrated by Charlene Chua
Orchard Books (An imprint of Scholastic)
978-1-5461-7958-0
32 pp.
Ages 4–8
July 2026 
 
Who wouldn't love to cuddle a super-squishy stuffie of a panda? Apparently Baby Lou does, but Panda, who has always been Benny's, is having none of it.
 
After Panda gets left in the baby's room, Baby Lou is smitten. But Panda, distressed by the unfamiliar, from diapers aplenty and the baby sucking on its ear, begins a letter campaign to get his original boy, Benny, to retrieve him. 
A baby in a crib hugs a large panda bear stuffed animal.
Illustration by Charlene Chua from Love, Panda, written by Elaine Su
In letter after letter, delivered by Dump Truck, Panda describes what he has had to endure—the elephant mobile, a lift-the-flap book, annoying parents who are thrilled with the baby's simplest efforts—and begs Benny to come and get him. But, with each new letter, Panda begins to appreciate Baby Lou and even recognize things familiar to his time with Benny. 
By learning Baby Lou's routines and finding the familiar, Panda finds it's not so bad after all.
A baby turns pages in a lift-the-flap book as a stuffed panda looks on.
Illustration by Charlene Chua from Love, Panda, written by Elaine Su
Elaine Su's bio speaks of her own favourite stuffie which has since been passed down to her own children. There's always one toy, especially a stuffed one, that is fondly remembered as bringing comfort. (Mine was a pink and green stuffed snake named Horace.) But, what happens when a child outgrows it, and another child covets it? In Love, Panda, the stuffie has something to say about that. Without realizing it, Panda's perspective changes. He learns to recognize that different isn't bad and that perseverance can help one transition from the scary and unknown to something unexpected good.
A baby grabs a large panda bear stuffed animal while playing with a dump truck, blocks, and more toys.
Illustration by Charlene Chua from Love, Panda, written by Elaine Su
Without Charlene Chua's digital art, Panda would never be so adorable and heartwarming. She gives him the textures and expressions of the sweetest of stuffies. His shape and cushiony appearance will remind young readers of Squishmallows toys, but his facial expressions, from his eyes and brows to his mouth, give us the full range of feelings. He's distressed, he's surprised, he's resigned, and he's joyous.
 
I know Panda is a stuffie and his dilemma—being unceremoniously adopted by a new child—will not be a familiar one to most children, but Love, Panda is a lesson in persevering through that which might seem unimaginably challenging. Perhaps, for children, it will attending a new school, accepting a new baby, or welcoming a new teacher when one goes on maternity. For children, different can be overwhelming. But with time and with the clarity that can come with getting thoughts down on paper, they can triumph. Panda did, and he's not even mobile.

July 27, 2026

2026 Sheila Barry Best Canadian Picture Book of the Year Award: Shortlist announced

A crow with a grape in its mouth and three other grapes on the ground sits next to the text "Vancouver Children's Literature Roundtable"
Logo of the Vancouver Children's Literature Roundtable
The Vancouver Children's Roundtable (VCLR) is an organization that promotes Canadian children's literature with events, awards, and more. One of its awards is the Sheila Barry Best Canadian Picture Book of the Year Award which was first granted in 2021 and which was named for the late Sheila Barry, the esteemed Groundwood publisher and editor. The $2500 cash award is given to an English-language picture book written by a Canadian citizen or landed immigrant and published by a Canadian publisher. The winner will be announced in late August.
 
Here are the titles of exceptional picture books shortlisted for this year's Sheila Barry Best Canadian Picture Book of the Year Award: 
 
A red-haired child in yellow rubber boots looks into rain puddles.

Head Full of Clouds
Written by Joanne Schwartz
Illustrated by Afsaneh Sanei
Tundra Books
978-1774881613
40 pp.
Ages 4–7
 2025
 
A man with Japanese kasa hat and kimono rushes past a mosquitoe and a green pond with a carp and pink lily,

A Pond, a Poet, and Three Pests
Written by Caroline Adderson
Illustrated by Lauren Tamaki
Groundwood Books
978-1-773068930
32 pp.
Ages 3–7
2025
 
An older woman in a ribbon skirt, a child in a red T-shirt, and a woman look upon a display of shoes and candles.

Little Shoes
Written by David A. Robertson
Illustrated by Maya McKibbin
Tundra Books
978-1-77488-172-9
48 pp.
Ages 3–7
2025 
 
An older man and a boy holding a guitar stand in front of a green couch.

The One About the Blackbird 
Written by Melanie Florence
Illustrated by Matt James
Tundra Books
978-1-774882665
40 pp.
Ages 4–8
2025  
 

July 24, 2026

The Old Man, the Boy, and the Dog: An Inuit Retelling of an Aesop's Fable

Book cover of The Old Man, the Boy, and the Dog: An Inuit Retelling of an Aesop’s Fable shows a boy and an older man with a dog pulling a sled through the snow in an Artic community.
Written by Kevin Kaukuarjuk Qamaniq-Mason 
Illustrated by Vienno (Vinicius Xavier)
Inhabit Media
978-1772276411 
28 pp.
Ages 6–8
June, 2026 
 
When Aesop wrote his fable titled "The Miller, His Son, and the Donkey," he wouldn't have been writing about a northern setting such as Nunavut, the home of author Kevin Kaukuarjuk Qamaniq-Mason (though perhaps more like the home of Brazilian illustrator Vienno). By adapting one of Aesop's fables to a northern landscape, Kevin Kaukuarjuk Qamaniq-Mason is able to teach an important moral lesson in a fresh and northernly way.
A boy helps his grandfather raise sled dogs in a northern environment of snow. Scenes show the dog as a pup, and growing up and learning to obey and to pull a sled.
Illustration by Vienno from The Old Man, the Boy, and the Dog, written by Kevin Kaukuarjuk Qamaniq-Mason
Anguti is a boy who helps his grandfather, Ittuq, raise sled dogs. When Anguti's aunt needs a dog to help her with her work, they select one of their most promising sled dogs, hitch him to a small qamutiik (sled) and head off to deliver the animal.
Two women sew skins outdoors, as an older man sits on a sled being pulled by a sled dog. A young boy speaks to the man on the sled.
Illustration by Vienno from The Old Man, the Boy, and the Dog, written by Kevin Kaukuarjuk Qamaniq-Mason
But, as proud as Anguti is of this strong and clever animal, he listens to others they pass who all have something to say. First, a man building an iglu questions why the dog isn't pulling anyone on the sled. When Anguti gets on the sled, two women comment that the older grandfather shouldn't be walking while Anguti sits. So, at Anguti's urging, his grandfather gets on the qamutiik instead. Of course, someone has another opinion about the dog and how much it can pull, and Anguti gives in again. His grandfather has some wise words about not being able to please everyone—“Grandson,” said Ittuq, “when you try to please everyone, you please no one.” (pg. 13)—which is a lesson his grandson learns too late.
A boy, alongside an older man, both wearing parkas, pulls a sled dog who sits on a sled. Others in the snow, all in winter outer clothing, play or work.
Illustration by Vienno from The Old Man, the Boy, and the Dog, written by Kevin Kaukuarjuk Qamaniq-Mason
As with all Aesop's Fables, Kevin Kaukuarjuk Qamaniq-Mason wraps an important message in the story. It doesn't matter whether the story is told in Ancient Greece, in Nunavut, or in Toronto, because everyone knows how common it is to have others impose their opinions on us and for us to want to please them. Often we trust others before that which we already know to be true. (Anguti knew the dog was smart and strong but continued to feel the need to prove it to others.) But, by setting the story in Nunavut, Kevin Kaukuarjuk Qamaniq-Mason speaks to those children for whom the Arctic is home and familiarizes others with its landscape and its people. 
Speaking to an older man in a winter parka, a small boy, also in a parka, points to a sled and a brown and white sled dog. They all stand in a snowy landscape.
Illustration by Vienno from The Old Man, the Boy, and the Dog, written by Kevin Kaukuarjuk Qamaniq-Mason
Illustrator Vienno (a.k.a. Vinicius Xavier) puts the reader directly into that wintery landscape of snow and cold. But, even more so, he puts us into an Indigenous community where a man uses a pana (snow knife) to build an iglu, where a girl dries fish, and where boys chip ice for drinking water. These are people who are just going about their day, and Vienno's bright art helps the reader feel part of it.
 
With a timeless lesson about trusting your own judgement and disregarding opinions that may be harmful, The Old Man, the Boy, and the Dog respects the classic while giving it new life with a northern setting, with an Indigenous community, and with a handsome dog that will captivate children.
 

July 20, 2026

Scaredy Squirrel Scared Silly (Scaredy's Nutty Adventures, Book 4)

Book cover of Scaredy Squirrel Scared Silly by Melanie Watt depicts a squirrel in a protective robot costume carrying a pumpkin labelled as a friendly jack-o'-lantern and wearing an emergency fanny pack.
Written and illustrated by Mélanie Watt
Tundra Books
978-1-77488-884-1 (pb)
84 pp.
Ages 4–8 
July 2026
 
I didn't get a chance to review this book of Scaredy's Nutty Adventures when it was released as a hardcover in 2024, so I'm pleased to review it now that a paperback edition was just released this month. When Scaredy Squirrel was first released in 2006, he became a beloved character. Mélanie Watt brought us a little squirrel who was overwhelmed, seeing threats everywhere. Now the star of his own animated series, as well as picture books and this early reader graphic novel series, Scaredy Squirrel is a much beloved character to helps young children see beyond their worries by laughing with him.
A cartoon squirrel lists off a few of things that terrify him, like haunted houes, mummies, witches, crows, Frankensteins, ghosts and vampire bats.
From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt
In Scaredy Squirrel Scared Silly, Mélanie Watt shares five short graphic stories about Scaredy and his relationship with Halloween. In the first chapter, titled "October 31st," our sciurine friend is actually looking forward to the un-scary aspects of the holiday. He likes the decorations and the lighting, but he's terrified of haunted houses, crows, vampire bats, and more. So, he's happy to stay in his cheerfully decorated tree, along with some unusual preventative measures.
A cartoon squirrel show his rabbit friend that he has bug spray for scary bugs, caution tape for mummies, a laser pointer to distract Frankensteins, while they stand outside his tree home decorated for Halloween.
From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt
The next stories have Scaredy planning a cute, but not scary pumpkin carving activity with his friends, working on his costume, considering going trick-or-treating—hard candy, gummy worms, and chocolate all have drawbacks—before heading out in search of candy apples.
A squirrel in a robot costume speaks to his costumed friends about how he'll spray a witch with water and do a card trick if needed
From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt
It may seem a little early to be thinking of Halloween, but I suspect there are many for whom the holiday is a big deal and who are already planning their costumes and parties. Whether you get Scaredy Squirrel now in anticipation of the holiday or keep it to read in October, Scaredy Squirrel Scared Silly will give young children a lot of laughs about his wacky but legitimate worries. Scaredy Squirrel may seem like an excessive bundle of anxiety, but he emulates the many children who have misgivings and fears about the familiar and the unknown. With a lighthearted approach and quirky and colourful illustrations, Mélanie Watt will let children see that many anxieties can be lessened and even alleviated with some friendly intervention and a new perspective.
A cartoon squireel screams, "Pumpking Zombies! Ahh!!!" at seeing two pumpkin-headed characters
From Scaredy Squirrel Scared Silly, written and illustrated by Mélanie Watt
Mélanie Watt's Scaredy Squirrel will always charm. She has created him as sweetly guileless—check out his toothy grin—and oddly expressive. And with detailed illustrations that give young readers much to enjoy, from costumes to decorated homes, readers will be looking forward to their own nutty Halloween adventure and all that it entails.
 
🎃 🎃 🎃 🎃 🎃 
 
This is Book 4 in Scaredy's Nutty Adventures series. Here are all published titles:
Book covers of "Scaredy Squirrel in a Nutshell," "Scaredy Squirrel Gets a Surprise," "Scaredy Squirrel Gets Festive," and "Scaredy Squirrel Scared Silly"
Scaredy Squirrel in a Nutshell (2021)
Scaredy Squirrel Gets a Surprise (2022)
Scaredy Squirrel Gets Festive (2023)
Scaredy Squirrel Scared Silly (2024) 

July 16, 2026

Eon: My Pet Tardigrade

A tiny pink organism with eight legs floats among colourful plants
Written by Cybèle Young
Illustrated by Cybèle Young and Nell Jocelyn
Tundra Books
978-1-77488-041-8
56 pp.
Ages 3–7
Releases August 11, 2026 
 
Don't be surprised if you've never seen or heard of a tardigrade. They're very tiny. Very, very tiny. At about 0.5 mm in length, they are barely visible to the naked eye. Ah, but a microscope reveals this tiny creature to a young scientist with a new tool and captures her heart.
A girl looks through a microscope
From Eon: My Pet Tardigrade, illustrated by Cybèle Young & Nell Jocelyn, written by Cybèle Young
Once she spots the micro-animal with his two little eyes and his ambling, plodding gait, she wants to take care of him. Actually, she wants to hug him but that's impossible so she plans to make that which he might appreciate. A bed? A chair? A slide? 
Different views through a microscope show forms of different colours and shapes
From Eon: My Pet Tardigrade, illustrated by Cybèle Young & Nell Jocelyn, written by Cybèle Young
But this young scientist knows it's best to ask questions, so she researches the little guy she names Eon, and learns he's a tardigrade a.k.a. a water bear or a moss piglet. She learns of the extremes at which it can live, and the diversity of habitats it can occupy. So, she prepares a wide variety of dioramas in which to live. And when she loses sight of him—he is very small—she learns more about what a tardigrade needs and gives him an opportunity for a new life where he might have a new home that is "the most magical most-est yet." (pg. 42)
A tiny pink tardigrade plods through the water among a variety of colourful microscopic organisms
From Eon: My Pet Tardigrade, illustrated by Cybèle Young & Nell Jocelyn, written by Cybèle Young
As small as Eon, the tardigrade, is, Eon: My Pet Tardigrade tells a big story. It's a story of scientific discovery, creativity, and benevolence. It's seeing what is almost not seen and educating oneself to help guide one's actions. Cybèle Young has garnered much attention and many awards with the intensity of her simple texts and the complexity of her mixed media illustrations. With Eon, she and collaborator Nell Jocelyn will charm readers into discovery, into looking deeper and smaller, and finding ways to express creativity. They've blended pencil drawings (Cybèle Young) with paper sculptures made with Japanese papers (Cybèle Young) and a variety of western papers (Nell Jocelyn). This blending of media gives substance and texture to a story of something almost imperceptible. Because Eon is so small, young readers may have to hunt for him on the many pages, especially when he's dressed in scuba equipment, hiding among stalagmites, or basking on a cactus. The creativity of the child—or rather Cybèle Young and Nell Jocelyn—to create miniature scenes of wondrous detail and movement brings Eon, the tardigrade, from insignificant to something substantial, a star of her displays and a superstar on the planet. (Read about tardigrades in Cybèle Young's "The story behind Eon" or do your own research. It will fascinate.)

A girl works with paper to craft minitiature scenes and objects for the tardigrade. Scenes include it bathing in a green tub, playing badminton, and having a picnic.
From Eon: My Pet Tardigrade, illustrated by Cybèle Young & Nell Jocelyn, written by Cybèle Young
The story of Eon: My Pet Tardigrade is as much about the child and her response to Eon as it is about learning about tardigrades. I'd never heard of tardigrades and am now excited to learn more. Teachers might love to create lessons on adaptation, habitats, life cycles, and more based on these little invertebrates, but they shouldn't limit themselves to STEM lessons. Eon: My Pet Tardigrade gives opportunities for teaching about compassion, understanding, and letting go as well. For a little guy, Eon has a lot to give.

July 13, 2026

The Scariest House on the Street

Book cover of "The Scariest House on the Street" shows four little monsters in front of a pink house
Written by Joel A. Sutherland
Illustrated by Terry Pearson
North Winds Press (Scholastic Canada)
978-1-0397-1917-0
32 pp.
Ages 3–8
July 2026 

Author Joel A. Sutherland is known for scary. He has written the Haunted Canada series, the Haunted Canada Graphic Novel series (e.g., Haunted Canada Graphic Novel: Four More Terrifying Tales, 2025), titles in the Haunted series like Field of Screams (2020), and his standalone stories like Summer's End (2024) and Screamers (2022). He delights middle-grade readers and teens with stories that frighten, twist, and terrorize. Joel A. Sutherland is our Canadian version of R. L. Stine. And now he's ready to amuse our youngest readers with a story of monsters that will entertain without frightening.
Four young monsters play on the street at night
From The Scariest House on the Street, written by Joel A. Sutherland, illustrated by Terry Pearson
Monsters Willow and her friends Violet, Harry, and Gill love playing at the abandoned house at the end of Shivers Street. But they are aghast when someone moves in and cleans up the place. There are no spiderweb anymore, or rats, or holes. And it smells lemony fresh. 
It was much scarier than Willow could have imagined. (pg. 9)

Four young monsters stand on the sidewalk outside a newly-cleaned scary house
From The Scariest House on the Street, written by Joel A. Sutherland, illustrated by Terry Pearson
They imagine who might have moved in. Could it be gnomes, or zombies, or perhaps a sasquatch? When they're invited to a Halloween Party at 13 Shivers Street and compelled to go—parents can be so unrelenting—they dress up in their most terrifying costumes, and head out to meet Bronwen, a bubbly swamp creature, a tiny vampire named Fiona, and a werewolf named Charles. But it is Halloween. And our monsters and their new neighbours may be surprised to learn they are not what the other expected.
A girl ghost slips through closed door into a pretty pink room
From The Scariest House on the Street, written by Joel A. Sutherland, illustrated by Terry Pearson

In a story about the scariest house on the street, Joel A. Sutherland won't scare little ones as much as amuse them with a story about monsters who think dressing as a doctor, astronaut, business person, and fisherman is scary. What will be funny to those readers will be monsters frightened of humans and vice versa, sort of. Without telling kids to accept others who might be different, Joel A. Sutherland twists their perceptions about those who are different—reminds me a lot of Frederic Brown's 1954 short story, Sentry—and shows them finding interest in their differences. Differences give richness to a community, and the new neighbours on Shivers Street definitely give it life. (Pun intended.) 

This is Joel A. Sutherland's first picture book, and he sets the tone perfect for young children. Nothing scary, lots to charm, and a story with an understated message about acceptance of those who are different. That same aspect comes through Terry Pearson's digital illustrations which give us not-so-scary monsters, a Halloween party of epic games and food, and characters that are colourful, a little naive, and sweetly distinct. Kids will definitely want to try to emulate those costumes and that party this Halloween, and, with Terry Pearson's artwork, they'll have all the visuals needed to pull them off.
Four costumed children and monsters eye a table with Halloween goodies like candies, gummy worms, finger cookies, and eyeballs in green mash
From The Scariest House on the Street, written by Joel A. Sutherland, illustrated by Terry Pearson
I know it's a little early to be thinking about Halloween but, for many kids, the anticipation is part of the fun. Bring them some hilarity early with ideas for that holiday from The Scariest House on the Street and with a story that will remind them to see past differences and find the authentic, human or monster.

July 09, 2026

Cat Shapes

Book cover of "Cat Shapes" by Aidan Cassie shows a cat peeking out of the top of a box
Written and illustrated by Aidan Cassie
Kids Can Press
978-1-5253-1327-1
24 pp.
Ages 1–3
June 2026 
 
Aidan Cassie recognizes that cats can be very different, but she means more than just their sizes, colours, and personalities. Because cats are so curious and playful, they can also produce wonderfully eclectic shapes.
Six different cats swirl
From Cat Shapes, written and illustrated by Aidan Cassie
Aidan Cassie, known for her charming picture books Sterling, Best Fork Dog Ever (2018) and Little Juniper Makes It Big (2019), seems to know cats well. She knows the curious ones who can jump in boxes and take on the shape of a square. She knows that a hungry one may want to jump into a goldfish bowl and become the shape of a circle. There's a fancy cat, a thirsty cat, a sneaky one, and a sleepy one too. And each one becomes the shape of what it enters. But Aidan Cassie knows the best shape that cats become, as do all cat lovers.
An orange cat peers into an empty cardboard box
From Cat Shapes, written and illustrated by Aidan Cassie

An orange cat squeezes into a square box
From Cat Shapes, written and illustrated by Aidan Cassie
Many concept books—those that teach a simple concept like letters, numbers, or colours—can become formulaic. Sometimes the author has a theme and wants the concept to fit into that theme. But Aidan Cassie does not do this. Cat Shapes is more than a book about shapes. Children will learn the basic shapes of square, circle, triangle, oval, rectangle, diamond, and more, but, because it's all based on the silly behaviours of cats, Cat Shapes does more than teach a concept. It delights with its authenticity and humour, speaking to cat lovers young and old. 
A hungry cat eyes a goldfish swimming in its fishbowl
From Cat Shapes, written and illustrated by Aidan Cassie
Aidan Cassie's previous books have shown us the breadth of her illustrative style, but she's matched her digital artwork perfect to a concept book for very young children. There are just enough details to set the scene, whether it's a hungry cat eyeing a goldfish or one hiding in a drawer, so that little ones know what's going on. Even if they don't have cats, young readers will be able to look for the shapes in familiar settings and start to understand why cats do what they do. Cat Shapes may be about identifying common shapes but it's also a quick lesson in cat behaviour.
 
I wonder if the six distinct cats in Aidan Cassie's book are the same six that she names in her dedication because they are so unique. If so, I suspect she's seen a lot of adorable cat action over the years. With Cat Shapes, those cats can now add educators and shape-masters to their accomplishments. Of course, I always knew cats were clever. Cat Shapes just proves it.