If I Could Draw...

Written and illustrated by Patricia Storms

 ‎ DC Canada Education Publishing

978-1-834140667

36 pp.

Ages 4–8

April 2026 

 

A boy is bored. He is dismayed that he can't draw and that's what's holding him back from eliminating that boredom. If only he could draw, all would be well.

From If I Could Draw..., written and illustrated by Patricia Storms

 He then imagines all the wonderful things he would draw if he could draw. There would be dancing skyscrapers, unicorns playing ukuleles, and robots that served desserts. (Yum!) But as he imagines all the things he would draw, his little brother interrupts him, wanting to play. 

From If I Could Draw..., written and illustrated by Patricia Storms

In fact, he's so delighted to hear his big brother's ideas that he draws them, giving his brother the tangible art he so longs to create. What comes from that is a mutual admiration of their skills to imagine and to draw making a collaboration to chase away any boredom.

From If I Could Draw..., written and illustrated by Patricia Storms

Patricia Storms's story is one of creativity and self-awareness. It's reminds young children to identify the skills they have and not focus on the ones they don't have. (There will always be things we can't do.) Even better, she lets a younger brother help his older sib recognize what he himself cannot see. This lovely sibling relationship is one of support, not competition. And even though the older brother is initially reluctant to engage with his younger sib, he is moved by his words and takes the time to listen. By doing so, he learns to see his little brother's drawing skills and accept appreciation for own imagination. 

From If I Could Draw..., written and illustrated by Patricia Storms

Patricia Storms has both written and illustrated her own picture books (e.g., Never Let You Go, 2013), written picture books illustrated by others (e.g., The Dog's Gardener, 2021), and illustrated those authored by others (e.g., Moon Wishes, 2023). She obviously has no problems with the drawing component or the writing part. Still she reminds us that sometimes we forget what we can do when we can't do something else. And Patricia Storms helps us see the misery of not being able to do something—those illustrations lack colour and life—but also the brightness and fun when one is free to visualize and create.

 

I'm glad that Patricia Storms continues to delve into her creativity by exploring her art, both written text and visual art, to give colour and shape to the joy of a child's imagination. By showing us the different skills of two siblings, Patricia Storms reminds us to try, to play, and to collaborate if we are to find inventiveness.

Kaboom!: Blast Off

Written by Jay Odjick

Illustrated by KC Oster

Scholastic Canada

978-1-4431-9836-3 

142 pp.

Ages 8–12

February 2026 

 

Zack seems like a regular kid. He likes riding his bike and imagining himself as a superhero. He is lured by ads for the snack Choco Pops and the energy drink Splurge and is impressed with the fabulously rich like Konstantin Pierce. Compared to his boring parents who sell refrigerators, Pierce looks pretty exciting. But there seems to be another story that the imaginative Zack does not know. While he believes his parents are at a trade show and he's staying with his Auntie Jess, his mom and dad, calling each other Shadowbird and Greywolf, are working for F.U.S.I.O.N. as true superheroes, currently stopping those who steal ancient artifacts. As for Konstantin Pierce, he's more villain than entrepreneurial genius.

From Kaboom!: Blast Off, written by Jay Odjick, illustrated by KC Oster

Pierce is looking to extort world powers by controlling the weather and he's concerned that F.U.S.I.O.N. agents are going to get in the way. He arranges for them to be eliminated. Not surprising that Zack is shocked when flying robots and a masked man come and take his parents and aunt away. Thankfully his parents have a household security system to protect Zack and he, along with a cute robotic dog rejected by Pierce, are whisked to his parents' underground headquarters where he virtually meets Tana a.k.a. Teknik from New Zealand. Tana/Teknik explains that, like his parents and her Māori father, she is an agent of F.U.S.I.O.N., the First Universal Secret Indigenous Operatives Network, which is tasked with working against any threat to Indigenous Peoples, cultures, and ways of life.

From Kaboom!: Blast Off, written by Jay Odjick, illustrated by KC Oster

So, as Zack and his new robot sidekick Rusty poke around his superhero parents' secret den, Pierce is threatening the U.N. even though he realizes that a thumb drive with the activation codes is missing. But, after finding a special Lycra suit fit for a superhero, Zack, who becomes known as Kaboom, works to help get his parents back and thwart Konstantin Pierce and his villainous henchman and drones. 
 

Looks like there's a new superhero in town as Blast Off! is just the first book in the new Kaboom! graphic novel series. Zack a.k.a Kaboom is a little impetuous, a lot funny, and kind of sweet, and he's a character whose adventures middle graders will want to follow. Jay Odjick, who'd previously illustrated Robert Munsch's Bear for Breakfast / Makwa kidji kijebà wìsiniyàn (2019), gives us a story in which a kid becomes a hero. But Jay Odjick also blends Zack's story with Indigenous superheroes from around the world—Māori, Inuit, Nahua, Khalka, and Algonquin appear in Blast Off—and the importance of doing good. Still Kaboom!: Blast Off is not a story that is told to preach or convey messages of how to live. It's about superhero fun with lots of humour, like when Zack starts pushing buttons he shouldn't or when he mishears Tana when she says kinetic and he hears Connecticut. With Zack just being Zack and Jay Odjick getting all the voices just right for all his characters, Kaboom!: Blast Off entertains completely.

From Kaboom!: Blast Off, written by Jay Odjick, illustrated by KC Oster

But, without the artwork of KC Oster, a new illustrator for me, Kaboom!: Blast Off just wouldn't be the hit it is. I like the style of this Ojibwe-Anishinaabe comic artist, who previously did the art for Rabbit Chase (written Elizabeth LaPensée, 2022). Their graphics are not cluttered, focusing on Zack and the other characters, keeping the details for lively interactions like altercations with the bad guys and fight scenes. And by not limiting their palette of colours, KC Oster makes the art exciting and lavish.

 

An Indigenous superhero organization, a kid hero, a robotic dog, and operations to stop the bad guys sounds like the kind of graphic novel that middle-grade readers will latch onto. I think Kaboom! has just made a dynamite arrival.

You Need Pants!

Written by Sonya Bell

Illustrated by Jordan Wray

Scholastic Canada

978-1-0397-0563-0

24 pp.

Ages 3–8

July 2025 

 

This child is all in for a wealth of adventures. But first their parent has to get them dressed, and that may be greatest of all undertakings.

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

For this little one, each day is a "new day full of silliness and dirt." (p. 3)  His mom, the narrator of the story and a peripheral character in an orange jumpsuit, reminds him of all the things he can do, but first they have to get him dressed. For each piece of clothing he needs—shirt, pants, socks, shoes, coat, hat—she points out, in rhyming text, what fun he can have. 

You can hop, skip and jump

as you march with the ants!

 

You'll sing as you go—

so let's find you some pants.

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

On each double-spread illustration, courtesy of Vancouver's Jordan Wray, the child's imaginative adventure is set against the reality of the play. A flight on a rainbow is actually him drawing at the breakfast table, while his mom holds up a sock to put on. A voyage on a pirate ship seeking lost treasure is him balancing on a pillow with a sword and paper pirate hat alongside a whale stuffie and a toy ship. This time, his mom attempts to get him into his coat. But to have all these fantastic exploits, he must get dressed. 

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

When he's finally dressed and heading out the door, having taken to the stage with the dog and cat playing back up, his mom realizes she has missed something crucial. Oh dear.

 

I can see why Sonya Bell is considered a humorist as well as a writer. You Need Pants! is a cheeky look at getting a child dressed but its ending gives readers a punchline that is convincing, silly, and yet familiar to anyone—parent, teacher, caregiver—who has needed to dress a child. Sonya Bell whose impressive career has included roles as a journalist, a speech writer and a joke writer on This Hour Has 22 Minutes knows how to deliver the laughs but embed it in a context that is appropriate for her audience. Children will love this kid who is so happy and carefree, imagining wonderful scenarios of travel and accomplishment, but laugh at his mom who is desperately chasing him around the house and encouraging him to put on just one more piece of clothing. They'll especially enjoy the ending when it's her misstep that will undo all that hard work. 

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

The playfulness that Sonya Bell portrays in her rhyming text—"You can build a huge tree fort with million-dollar views. You're a tiny homeowner! Oh no! Where are your shoes?"—comes across in Jordan Wray's digital illustrations. They have drawn this child as happy and creative, making a city with a firetruck all out of boxes, imagining sliding with penguins on an iceberg of a slippery rug, and going on a hike through a jungle with his stuffed monkey among the potted houseplants. There's colour everywhere and joy both in the child's imagination and in the house. Nothing is without the zest of personality, from the child's dinosaur PJs to his mom's stylish bibbed overalls, hoop earrings, and headscarf-tied afro. This mom may be frazzled but maybe not—the child doesn't seem anything but content—and yet Jordan Wray makes their story one of liveliness and pleasure and even accomplishment.

 

That effort may be short-lived—you'll see when you read the story—but Sonya Bell and Jordan Wray take us through the process of getting a small child dressed for the day and let us see it from two perspectives. The operation may be exasperating, and it certainly is straggling, but it is fun. And the kid will be fully dressed when he finally gets to leave the house. What more could a parent ask for?

Mabel Makes (^Up) a Friend (The Elephant in the Room)

Written and illustrated by Cyndi Marko

Penguin Workshop

979-8-217-04951-6

96 pp.

Ages 5–8

Releases August 26, 2025

 

Grade 2 is turning out to be a rough year for Mabel. Her friends Bea and Flora are in the other Grade 2 class and, because her family recently moved, Mabel travels on a different school bus than they do. And her teacher, Mrs. Crabgrass, sometimes keeps Mabel in at recess to do her homework that she forgets to do. But then Mr. Elephant comes into her life.

 

On her way home and then at her house, Mabel starts to see an elephant hiding, sometimes in a moving box, under a lampshade, or behind a shower curtain. She's confused so goes to ask her family about the elephant, but her dad is too busy with the twin babies, her mom is busy writing her book, and her Goth teen sister speaks only in spooky old poetry.

From Mabel Makes (^Up) a Friend, written and illustrated by Cyndi Marko

When he finally speaks to her, wondering who imagined him into existence, he chooses the name Mr. Elephant, and the two start sharing how they live their lives. After they determine he is not her fairy god-elephant, Mabel interviews him and in a playful way learns about elephants: where they live, what they eat, and what they do. When playing a video game becomes a little rambunctious, he seems to be the one creating mayhem. That mayhem continues when Mr. Elephant accompanies her to school the next day.

From Mabel Makes (^Up) a Friend, written and illustrated by Cyndi Marko

At school, Mabel gets into trouble for causing the art easels to fall, for not doing her homework—Mr. Elephant ate it because it had a smudge of peanut butter on it—and for her lack of focus. But when her friends Bea and Flora affectionately call her weird—"Oh, Mabel, I love how weird you are!"—Mabel is concerned until Mr. Elephant reminds her that they actually want to spend time with her, inviting her to a movie.

From Mabel Makes (^Up) a Friend, written and illustrated by Cyndi Marko

It's pretty obvious that Mabel is missing her friends and hasn't made any new ones. (In fact, the next The Elephant in the Room book has Mabel's parents signing her up for the scouting club called Lightning Bugs to help make new friends.) Not only is she lonely, she's also having a hard time focusing. She may create an imaginary friend who comes in handy to explain the messes she makes, the chaos she creates, and the school work that doesn't done. But Mr. Elephant doesn't take away her worries that she doesn't fit in or that maybe others don't like her. Cyndi Marko not only lets us see Mabel from the perspective of her teacher, her friends, and her parents, she also allows us to see what Mabel is seeing and feeling both from her own point of view and that of Mr. Elephant. He helps refocus her but also plays the scapegoat. His role is multifaceted and, though he may be a creation of her imagination, he is a real part of her. 

From Mabel Makes (^Up) a Friend, written and illustrated by Cyndi Marko

I've loved Cyndi Marko's storytelling since she published her Kung Pow Chicken series, another early graphic novel. These books and Mabel Makes (^Up) a Friend demonstrate that Cyndi Marko knows her early readers and gives them what they'll love: laughs, characters, and issues with which they can relate. Mabel seems to get into trouble at school while her family is too busy to see that she needs some support. But Mabel's troubles are multi-faceted in that she's feeling lonely, worrying, feeling ignored, and always seems to have the wiggles. She needs some help. Sadly, the only one who seems to provide it is the elephant she imagines for herself. But Cyndi Marko addresses what Mabel is going through while keeping it funny and clever and even providing facts about elephants. Her illustrations are very cute, especially her characters. Mabel and the other humans have stick arms and legs but their faces and bodies make them easily differentiated. And it's easy to see the emotions of sadness, confusion, silliness, and more in those faces and in their body language. Even with uncomplicated illustrations which are perfect for the audience of early readers, Cyndi Marko gives us more story and more feeling. 

 

Mabel Makes (^Up) a Friend, with its delightful artwork and important story, packs a lot into 96 pages. Not only will it entertain, it will teach science, reassure those fidgeting kids that accidents happen, assist kids in finding help, and maybe even encourage parents and teachers in becoming aware that, when little ones are challenged, sometimes they have to find their own supports, such as envisioning a bow tie-wearing pachyderm who is delighted to be picked for the job.

Yoga Adventures for Little Explorers

Written by Megan McDougall

Illustrated by Hayley Lowe

Pownal Street Press

978-1-998129-23-2 

32 pp.

Ages 3-5

May 2025 

 

There are so many ways that parents and teachers have been getting little ones into mindfulness practices, including yoga, and Megan McDougall's Yoga Adventures for Little Explorers demonstrates that, with some playful imagination, it can be easy.

From Yoga Adventures for Little Explorers, written by Megan McDougall, illustrated by Hayley Lowe

In rhyming verse, Megan McDougall lets us follow a child and his mother to "try something new" though it's obvious that the child is reluctant.

She smiled at me and gave me a nudge.

Weary at first, I did not want to budge.

But everything changes when they enter a space with other children and their parents, and he is given a very special mat that "if you let it, ignites magic in your mind." With that promise, their class begins, starting with breathing and moving into various poses. The poses may not be labelled as Tree Pose or Mountain Pose, but the children are guided to "grow their roots and stand really tall" or "bring both of my feet down to the ground" to find stillness.

From Yoga Adventures for Little Explorers, written by Megan McDougall, illustrated by Hayley Lowe

As the children move through their poses, the yoga studio morphs into a forest or an ocean shore or even a concert venue for a gorilla rock band. And soon the children are dancing with the apes, and doing poses that have them bending and stretching.

From Yoga Adventures for Little Explorers, written by Megan McDougall, illustrated by Hayley Lowe

Finally, when they are home and the child is settling into sleep, those lessons of calm and stillness take him to a dreamland of new adventures.

From Yoga Adventures for Little Explorers, written by Megan McDougall, illustrated by Hayley Lowe

I know that the intention of books such as Yoga Adventures for Little Explorers is to introduce young readers to yoga and other mindfulness practices but, because BC's Megan McDougall takes the perspective of the child, it becomes something different. It isn't children being told what to do. It's what the child experiences, and every child seems to experience it differently, as evident from the variety of their poses. There's an honesty about a story in which a child is dragged to a new place and their trepidation at what they might expect. But then the yoga class becomes an exercise of the imagination as the boy senses places and animals around him. These imaginings add to his experiences and enhance his yoga practice. And any child who reads this book can try these same poses because a double-spread appended to the story displays a great ape doing 15 different stances.

 

Hayley Lowe, an illustrator from BC, uses different media including pencil and digital application to create art that reflects the authenticity of the physical poses but also the fanciful imaginings of a child. Her colours, like her lines and shapes, are soft and cheerful, and any reader would feel welcomed into the yoga studio and the landscapes envisioned.

 

If you're a teacher or a parent who'd like to get your children into yoga, I recommend Yoga Adventures for Little Explorers as a playful introduction and then as an informative guide to the practice. It's a study that little ones, like their adult counterparts, will appreciate for the positive impact on the body and the mind.

Jackie's Drawing

Written by Andrew Katz

Illustrated by Tony Luzano

CrackBoom! Books (An imprint of Chouette Publishing)

978-2-898025679

32 pp.

Ages 3-6

May 2025 

There have been more than several novels, picture books, and short story collections that have been based during in the early months of the COVID-19 pandemic with its lockdowns (stay-at-home orders) and other measures. Though never mentioning the pandemic, Jackie's Drawing sees a child's perspective on the resulting isolation and a rebound to normal in terms of nature's response and her own inspiration for creativity.

From Jackie's Drawing, written by Andrew Katz, illustrated by Tony Luzano

Jackie's story begins with a rusty haze befalling her community. This haze forces everyone to stay indoors and to isolate from everyone and everything, including the mountain she'd often visit for inspiration for her art. At first, Jackie is still able to draw, gathering ideas from memory and her own experience. But, with time, it becomes more difficult as she had "lost the heart to do anything."

From Jackie's Drawing, written by Andrew Katz, illustrated by Tony Luzano

But one day a flash of silver in the canal beneath her window gets her attention. An unexpected dolphin has appeared, and with it a menagerie of other animals, from a bald eagle to moose and deer and foxes who have begun to make their way onto the streets, into the air, and into the water where only people had ventured. Jackie is enthralled and takes up her drawing pencils, determined to draw them all.

From Jackie's Drawing, written by Andrew Katz, illustrated by Tony Luzano

But as she draws them all, a wonderful dragon with antlers, a tail fin and feathers appears and transports her to the mountain where her drawing inspiration always lived.

From Jackie's Drawing, written by Andrew Katz, illustrated by Tony Luzano

While Jackie's Drawing speaks to a child's loss of enthusiasm for her drawing with her separation from nature, Andrew Katz's note at the conclusion of the story reminds us that the natural world too responded to the pandemic or could have. So, as Jackie had lost her creative muse the longer the "haze" drenched her community, the animals who normally would have been relegated to outside that community were able to find their way onto the quiet waterways, skies and land within. And for Jackie to find that nature was coming to her to awaken her imagination was a lovely positive during a dark time. Of course, it is still Jackie's imagination that helps her create a chimera–Andrew Katz discusses this in his appended note too–of the animals she sees, allowing her to travel in a flight of fancy to her beloved mountain to re-experience the joy of drawing outdoors.

 

Andrew Katz and Tony Luzano have previously collaborated on a picture book, I Want to Be Super!, so there seems to be a harmony of styles that works. Jackie's Drawing is again about an imaginative kid and Tony Luzano's digital art reflects every nuance of a child who is enthusiastic but then loses that enthusiasm when troubled with isolation and then finds a way to regain that passion for her art. His use of bold colours and distinct animals places the emphasis on the wonders outside and in Jackie's artwork, not on the grim haze that permeates their world for such a long time. He finds the light for her and for the reader to get beyond that haze of bleakness. 

The first year of the pandemic was especially difficult for many people but for children whose creativity was stifled, it might have been more challenging. Finding new things to do helped many but only coming after feeling the loss of their routines and familiar activities. Finding their new normal involved grief, courage, and imagination. Thankfully for Jackie, she found her ability to express herself from the very same source of encouragement she'd always relied upon, just in a different configuration.

Mrs. Nobody

Written by Y. S. Lee

Illustrated by Marie Lafrance

Groundwood Books

978-1-77306-836-7

32 pp.

Ages 3-6

April 2025 

 

Who is Mrs. Nobody? Is she the nobody who draws with markers on the wall? Or the one lies about washing her hands or cutting Alice's hair? Is she the one who took something out of someone's wallet and used the paper for confetti? That's Mrs. Nobody and she's always with Alice, until she isn't. 

From Mrs. Nobody, written by Y. S. Lee, illustrated by Marie Lafrance

Mrs. Nobody is Alice's friend, and she has the best ideas, like climbing to the highest branches and playing puppy. And she sings Alice back to sleep when the child awakens in the night. Alice loves her.

 

But one day, Alice doesn't want to be the puppy anymore; she'd like to be the owner holding the leash. Mrs. Nobody isn't happy, growing larger and more menacing, her hair twirling like a twister and her lovely blue dress becoming a stormy grey before she slams out the house. 

From Mrs. Nobody, written by Y. S. Lee, illustrated by Marie Lafrance

That night, when Alice cannot sleep, she longs to hear Mrs. Nobody's voice sing to her. Instead Alice finds her own small voice and sings herself back to sleep.

 

Mrs. Nobody does return the next day, as pretty as a flower in pink, but she wants to play puppy again with, no surprise, Alice as the puppy. But that brave little voice that helped Alice get to sleep is still there and Alice tells Mrs. Nobody that she is tired of being Puppy. When Mrs. Nobody becomes enraged, howling threats at Alice that the child would never see her again, Alice stays strong and still tells Mrs. Nobody, "No." But, with grace, Alice finds a way to stand up for herself and allow Mrs. Nobody the dignity to give way to Alice's ideas.

From Mrs. Nobody, written by Y. S. Lee, illustrated by Marie Lafrance

Most children have an imaginary friend. Many offer comfort, as does Mrs. Nobody when Alice cannot sleep, and some help children partake in mischief, as does Mrs. Nobody with the antics the two get up. But young Alice is coming into her own and realizing that she is not a plaything to be dominated by Mrs. Nobody. Y. S. Lee brings Alice to this realization subtly and by purpose. Most children learn to stand up for themselves when presented with a bully and, though the outcomes will not necessarily be the same as with an imaginary friend, the act of claiming one's self worth is significant. 

 

Mrs. Nobody may not be the dark and complicated suspense of Y. S. Lee's YA historical mystery series The Agency (I reviewed The Traitor in the Tunnel and Rivals in the City) but there is a depth of discomfort that comes with being bullied and then abandoned before finding one's voice and self-confidence. In both published works, a character does not know the quality of her voice until she needs to express it, and when she does, it is to her benefit to realize her worth. Young Alice is lively and imaginative, but she is not a doormat. Soon enough she realizes she has the stuff in her to sing herself back to sleep and to come up with great ideas for play. Finding that voice is key to her happiness and an ongoing relationship with Mrs. Nobody.

From Mrs. Nobody, written by Y. S. Lee, illustrated by Marie Lafrance

Marie Lafrance gives Mrs. Nobody, the character, the energy and zest for play that Alice has imagined for her. She is colourful and wacky in her attire, which contrasts with Alice who wears plain clothes; that is, until Alice stands up for herself and begins to shine in her own vibrant attire. Like Alice's imaginative relationship with Mrs. Nobody, Marie Lafrance's art, drawn in graphite pencil and coloured in Photoshop, is vivid and elaborate, a mosaic of colours and shapes and lines. From the toys with which they play to the countless animals–perhaps stuffies?–like a fox, an octopus, birds and fish, and winding vines and branches, Marie Lafrance creates spreads that are exuberant and rich.

 

Mrs. Nobody is a lesson is finding one's voice and knowing that expressing it might not always be accepted immediately and not without some strife. Still by accepting and sharing our self-worth with others, we give others the opportunity to shine alongside us. Bravo, Alice. With your voice, you will never be a nobody.

 

If a Bumblebee Lands on Your Toe

 

Written by Cynthia Mackey

Illustrated by Vikki Zhang 

Yeehoo Press

978-1-953458742

40 pp.

Ages 3-8

April 2025 

 

If a bumblebee landed on your toe, most people would react poorly, swatting away the bee–even if it hadn't harmed you–and screaming with panic. In most cases, the reactions would end up causing more stress and perhaps harm. But, given the opportunity to see the situation from a different perspective and truly appreciate the moment, If a Bumblebee Lands on Your Toe illustrates the beauty of an occasion that brings nature to our feet, in more ways than one.

From If a Bumblebee Lands on Your Toe, written by Cynthia Mackey, illustrated by Vikki Zhang

Victoria's Cynthia Mackey does not recommend throwing caution to the wind, but she does suggest that in those moments of stillness there are ways to keep you safe by taking lessons from our natural world. It may start with pretending you're playing a game of freeze dancing or imagining yourself as a boat frozen into a lake.  

From If a Bumblebee Lands on Your Toe, written by Cynthia Mackey, illustrated by Vikki Zhang

It's being slow and meticulous, "like a garden snail inching under a daisy on a rainy day" or like a hibernating bear awaiting spring. Of course, when you must act, you should do so with caution, like blowing at the bee as the wind might, or crying out for help gently like a "chickadee who alights softly upon a willow branch."

From If a Bumblebee Lands on Your Toe, written by Cynthia Mackey, illustrated by Vikki Zhang

Finally, you may need to shoo that bumblebee away like a lion flicks its tail "shaking off water after a bath" but still you appreciate the bravery, cleverness and calm you showed.

 

Many will use the word whimsical to describe Cynthia Mackey's story of quiet strength when faced with a bumblebee landing upon your body. She recognizes that it is still a potentially dangerous situation, but Cynthia Mackey takes the reader outside the body to find fanciful examples of how to behave. Whether it is drawing wisdom from a mouse or an owl, a lion or a snail, there is insight about being cautious and safe when faced with a bee that could sting. And through the process of calming oneself to not startle the bee or harm it and consequently ourselves, Cynthia Mackey asks us to be mindful of the moment, and to not focus on what could happen but instead to look at what we can do now to make things right. All her examples of how to behave help us see the beauty in the natural world as its animals move, react and live with each other. 

From If a Bumblebee Lands on Your Toe, written by Cynthia Mackey, illustrated by Vikki Zhang

The whimsy of Cynthia Mackey's words are fully realized in the artwork of Chinese artist Vikki Zhang. Her artwork which is blend of different media are complex spreads of movement and ornamentation, rich in line and shape. The flowers and the patterns in the backgrounds and in the clothing are extraordinary and would be a delight to colour if left as black-and-white outline drawings. But, perhaps most charming is the bee which is depicted as a fairy with delicate wings, ballet flats and a striped dress. She is dainty and almost innocuous in most illustrations, which seems fitting since it is the character with the bee on her toe that is the focus. Vikki Zhang's art emulates Cynthia Mackey's message that the solution for dealing with a bumblebee landing on your toe is not with the bee but the keeper of that toe who must choose wisely and calmly to avoid serious harm.

 

So, if a bumblebee lands on your toe, there are many recourses but being calm and quiet and seeing beyond the fear and anxiety seem to be useful starting points. After all, there's a lot of beauty in the natural world and it is filled with the wisdom to handle just such a dilemma.

Snow Day

Words by Lindsay Gloade-Raining Bird

Illustrated by Ashley Thimot

Nimbus Publishing

978-1-77471-311-2

32 pp.

Ages 3-7

November 2024

 

Most of Canada is currently under a blanket of snow and we can anticipate that somewhere sometime within the next several months, children will be enjoying a snow day when schools are closed, vehicles are asked to stay off the roads, and snowplows and shovels are busy at work. 

From Snow Day, written by Lindsay Gloade-Raining Bird, illustrated by Ashley Thimot

For this Indigenous child, the day starts with the quiet that comes from a street laden with snow and bereft of motion except from the softly-falling snow. But then she's outside, bundled up and exuberant with the promise of play and a day without school. In rhyming text, writer Lindsay Gloade-Raining Bird follows the child as she slips and slides, giggles and wiggles, and stomps and plods alongside her pup.

 

As her mom begins the task of digging out her car and shovelling the driveway, the child and her dog imagine tea parties and caterpillars made of snow. (Illustrator Ashley Thimot indicates imagined elements with red inked items as in the illustration below.)

From Snow Day, written by Lindsay Gloade-Raining Bird, illustrated by Ashley Thimot

She rolls through the snow as her mom scoops it up

making snowflake tea with her hands like a cup.

 

She offers some to puppy: "One lump or two?

A little bit for me and a little bit for you."

And after a fun day of play, there's the familiar doffing of the multiple layers of clothing to hang to dry, a warm hot chocolate, and the sharing with her parents and baby brother, before heading to bed to anticipate more fun the next day.

The ground is new,

a fresh page for her pen

 

And if she's lucky

tomorrow

she can do it all again.

From Snow Day, written by Lindsay Gloade-Raining Bird, illustrated by Ashley Thimot

Reminiscent of Ezra Jack Keats's classic The Snowy Day, Lindsay Gloade-Raining Bird depicts the familiar joy of a child experiencing a day of snow and freedom to play. But by making her text rhyming and focusing her story on an Indigenous family, Lindsay Gloade-Raining Bird, a mixed Cree writer from Nova Scotia, gives us a different kind of story. It's still about the wonder of play and snow but there's a rhythm to it that carries it along from early-morning quiet to tucked-into-bed calm and all the boisterous and imaginative play in between.
 

Edmonton artist Ashley Thimot gets that quiet of a snow day right, but also capably depicts the cold the child ultimately feels, from her rosy cheeks and toque pulled down, and the relief of warmth in the house as she reveals her snow-day hair–her mom also has hat head!–and starts laying out wet clothing to dry. The snow is cold and textured and wet–evident in footprints left behind– and the dog is joyous and sodden. It's a true snow day.

 

As lovely as Ezra Jack Keats's story is, let's get excited about another snow day book but this one from Canada to show what we experience as children, and as adults with children, when those few snows days occur, and the world is a little different and open to new possibilities for play.

A Dragon for Hanukkah

Written by Sarah Mlynowski

Illustrated by Ariel Landy

Orchard Books (Scholastic)

40 pp.

Ages 4-8

September 2024

 

Hanukkah, which is also known as the eight-day Festival of Lights, has many traditions from songs sung, candles lit, and foods eaten. But for Hannah, this Hanukkah is something especially magical.

From A Dragon for Hanukkah, written by Sarah Mlynowski, illustrated by Ariel Landy

In Hannah's family, a gift is given on each night, and the gifts this child is given and shares are extraordinary. On the first night of Hanukkah, Hannah receives a fire-breathing dragon whom she names Nerry. (Ner in Hebrew means candle, lamp, or light.) On the second night, her Bubbie (Yiddish for grandmother) gifts her with a rainbow! A treasure chest of gold coins and gems are a gift from her aunt on the third night of Hanukkah while the fourth night sees Hannah receiving a merry-go-round.

From A Dragon for Hanukkah, written by Sarah Mlynowski, illustrated by Ariel Landy

A time machine for the fifth night allows her and her cousin to go back in time and meet the Maccabees while the rocket boots she gets on the sixth night takes Hannah among the stars. On the seventh night, Hannah gets three rambunctious unicorns from her little brother. The eighth night is Hannah's turn to give gifts and hers is a tasty treat concocted in a lab.

From A Dragon for Hanukkah, written by Sarah Mlynowski, illustrated by Ariel Landy

Finally, when everyone is arriving and Hannah is tidying up her room, readers see what her gifts really were. There's a stuffed dragon, a box of rainbow-coloured crayons, a dreidel, chocolate "gelt" and more. And her special concoction? It's potato latkes which the family enjoys as they gather to sing, play dreidel, and celebrate together.

From A Dragon for Hanukkah, written by Sarah Mlynowski, illustrated by Ariel Landy

Writer Sarah Mlynowski, whose Whatever After and other series have made her a New York Times best-selling author, makes Hanukkah even more magical through Hannah's imaginative experiences with the gifts she receives for this festival. She includes all the traditions of Hanukkah from the tzedakah box of donated toys to the lighting of the menorah and the retelling of the Maccabees' story. And yet, among all the familiar elements, Sarah Mlynowski has created a story far greater and fantastic and one that evolves from a child's imagination and wonder. For young celebrants of Hanukkah, they will easily pick up on the traditional elements but for those unfamiliar with the Festival of Lights, Sarah Mlynowski appends her story with an informative dialogue between Hannah and Nerry to provide details related to the story. 

 

Illustrator Ariel Landy, an American based in France, brings the whimsy to Sarah Mlynowski's words making each gift and Hannah's delight with them even greater. From the rainbow that flows out of the room and carries Hannah along with it to a trio of spirited unicorns that arise from drawings her younger brother gives her, there is a playfulness that emphasizes the joys of the celebration. Moreover, Ariel Landy's use of brilliant colours like purples and pinks, lime green and blues make the story sparkle and fresh.

From A Dragon for Hanukkah, written by Sarah Mlynowski, illustrated by Ariel Landy

Perhaps not every child celebrating Hanukkah will receive a dragon or a rainbow but every child who reads A Dragon for Hanukkah will understand the magic that is part of Hannah's celebration. Through the festivities of gift-giving and of traditional food and activity, Sarah Mlynowski and Ariel Landy welcome all readers to a Hanukkah celebration like no other, while teaching them about the festival in an imaginative and colourful way.