If I Could Draw...

Written and illustrated by Patricia Storms

 ‎ DC Canada Education Publishing

978-1-834140667

36 pp.

Ages 4–8

April 2026 

 

A boy is bored. He is dismayed that he can't draw and that's what's holding him back from eliminating that boredom. If only he could draw, all would be well.

From If I Could Draw..., written and illustrated by Patricia Storms

 He then imagines all the wonderful things he would draw if he could draw. There would be dancing skyscrapers, unicorns playing ukuleles, and robots that served desserts. (Yum!) But as he imagines all the things he would draw, his little brother interrupts him, wanting to play. 

From If I Could Draw..., written and illustrated by Patricia Storms

In fact, he's so delighted to hear his big brother's ideas that he draws them, giving his brother the tangible art he so longs to create. What comes from that is a mutual admiration of their skills to imagine and to draw making a collaboration to chase away any boredom.

From If I Could Draw..., written and illustrated by Patricia Storms

Patricia Storms's story is one of creativity and self-awareness. It's reminds young children to identify the skills they have and not focus on the ones they don't have. (There will always be things we can't do.) Even better, she lets a younger brother help his older sib recognize what he himself cannot see. This lovely sibling relationship is one of support, not competition. And even though the older brother is initially reluctant to engage with his younger sib, he is moved by his words and takes the time to listen. By doing so, he learns to see his little brother's drawing skills and accept appreciation for own imagination. 

From If I Could Draw..., written and illustrated by Patricia Storms

Patricia Storms has both written and illustrated her own picture books (e.g., Never Let You Go, 2013), written picture books illustrated by others (e.g., The Dog's Gardener, 2021), and illustrated those authored by others (e.g., Moon Wishes, 2023). She obviously has no problems with the drawing component or the writing part. Still she reminds us that sometimes we forget what we can do when we can't do something else. And Patricia Storms helps us see the misery of not being able to do something—those illustrations lack colour and life—but also the brightness and fun when one is free to visualize and create.

 

I'm glad that Patricia Storms continues to delve into her creativity by exploring her art, both written text and visual art, to give colour and shape to the joy of a child's imagination. By showing us the different skills of two siblings, Patricia Storms reminds us to try, to play, and to collaborate if we are to find inventiveness.

Rock

Written by Laurel Croza

Illustrated by Matt James

Groundwood Books

978-1-77306-948-7

44 pp.

Ages 3-6

March 2025 

 

There is a rock on a beach. Spotting it, a seagull swoops down to claim it, hoping for a morsel of food. The gull is disappointed when he tries to snatch it and so begins a dialogue about the nature of the rock. In stark text with sweeping illustrations, Laurel Croza and Matt James, the collaboration who brought us the award-winning I Know Here and From There to Here, initiate a simple but profound examination of the concept of self.

 

From Rock, written by Laurel Croza, illustrated by Matt James

 

The gull, chagrined that the rock is not what he expected, asks, "What do you think you are?" The only response he receives is, "I am a rock." To every query and claim, suggestion and threat that the gull makes, the rock stays true to itself and repeats, "I am a rock."

From Rock, written by Laurel Croza, illustrated by Matt James

First the gull discounts the rock's claim and suggests it's more like a pebble or a stone. But then the seagull asserts that it really doesn't matter what it calls itself, it is vulnerable and trivial. The rock is threatened with being dropped in the water, and then eroding away to insignificance, or becoming just one of the multitudes of negligible rocks on the beach. 

I am telling you,

you are nothing

special.

Still the rock just says, "I am a rock."

From Rock, written by Laurel Croza, illustrated by Matt James

 

Throughout the exchange, a child has been on the beach playing. A final illustration suggests that the rock is a rock and one that is special in its own way. 

 

Laurel Croza may let the seagull do most of the talking in Rock but it is the rock's few words that are the most impactful. Just as in life, there are those who taunt and threaten, bully and ridicule and do so with bravado and nastiness. The gull thinks it's more powerful and significant, but it has no substance. It's all talk and bluster. Is it threatened by the quiet strength of the rock that will not cower or renounce its identity? Who knows. But what Laurel Croza makes clear is that self-confidence is not the same as exaggerated self-opinion. It can be a quiet acceptance of self and identity, knowing who you are, regardless of what others tell you or suggest to you. The rock has a foundation of strength that comes from the certainty of its identity.

 

While Laurel Croza's words are few–there are whole double-spreads without text–Matt James's artwork speaks volumes. Done in acrylic and ink on acetate, wood, masonite and cardboard, Matt James fills in the story. From the gull eyeing the rock and then the pain when he tries to grab it, to the gull's bravado while surrounded by other gulls, Matt James shows how the loud and obnoxious get all the attention, even when being nasty, while the stoic rock remains cool and resolute. On that expansive beach that stretches along a huge body of water and under an ever-changing sky, it is only the shadow of the rock that changes.

 

Rock is a powerful story of self-awareness and -confidence. It's about staying true to your identity regardless of those who question it or object to it. It's about being a rock when others want you to be wobbly jelly or melting ice cream, both of which I'm sure the gull would've preferred.

 

🪨🪨🪨🪨🪨

 

The official launch of Rock is taking place in Toronto on March 9th. Details are found below. 

Join author and illustrator

 

Laurel Croza and Matt James

 

for the launch of their newest picture book

 

Rock

 

on Sunday, March 9, 2025

 

at

 

1-3 PM

 

at

 

Queen Books

914 Queen St. East

Toronto, ON

416-788-5053

https://shop.queenbooks.ca/events

 

The book launch will include a story time reading and book signing.

 

🪨🪨🪨🪨🪨

Black Boy, Black Boy

Written by Angela Bowden

Illustrated by Ibe Ananaba

Nimbus Publishing

978-1-77471-401-0

36 pp.

Ages 4-9

January 2025

Black Boy, Black Boy may be presented as a picture book, powerfully illustrated with the art of Ibeabuchi (Ibe) Ananaba, but it reads like spoken-word poem. I could hear the voice of "Aunty Angela"–this is how Angela Bowden signs off her appended note "To the Black Boys reading this"–ringing loud and clear and emphatic as she speaks and urges all black boys to see themselves and to see the legacy from which they came and the one to which they will create for themselves. It's inspiring, encouraging and enlightening.

From Black Boy, Black Boy, written by Angela Bowden, illustrated by Ibe Ananaba

Angela Bowden begins Black Boy, Black Boy with a series of questions. At first the questions are about the boys' heritage and identity.

Do you know where you come from? 

Do you know what you're made of? 

Do you know who your people be?

She provides context for where they came from, whether it be Africans, or Loyalists, Maroons, refugees or others but always speaks to the "pride and wisdom, courage and bravery" embedded in their heritage. She speaks of the past and the now, and what can still be. Angela Bowden conveys messages about spirit and freedom, rhythm and harmony, and purpose. Whether they be men like Frederick Douglass and Robert Shephard, or contemporaries like Barack Obama, Angela Bowden urges the boys to keep reaching because,

Black Boy, you are a gift

Of the past and the present

I wish I could share the power and rhythm of Angela Bowden's words. They jump from the page into the reader's ears and heart reminding us of the potential to elevate and move young people with words. Her poetry, sometimes rhyming and sometimes free verse, will raise spirits to see beyond a moment of self and look back and forward to understand how that moment is but a flash. I can't speak to how a black boy may respond or interpret this poetry but I can share with you how moved I was as Angela Bowden speaks to them and reminds them of who they truly are and will be.

From Black Boy, Black Boy, written by Angela Bowden, illustrated by Ibe Ananaba

Her words are more than sufficient to inspire but with Ibe Ananaba's artwork, Black Boy, Black Boy becomes an anthem to self-realization. With the shapes, the lines, and the colours, Ibe Ananaba thrusts forward the message of legacy and self-fulfillment. Whether they are boys playing or being loved, feeling fear or shining bright, Ibe Ananaba sees these boys and strengthens them with his art.

From Black Boy, Black Boy, written by Angela Bowden, illustrated by Ibe Ananaba

I know a lot of educators will use Black Boy, Black Boy as a teaching tool during Black History Month with its recognition of Canadian and international icons from music to medicine, activism to politics. (The last page recounts the famous individuals depicted in Ibe Ananaba's artwork, including Nelson Mandela, Rev. Dr. Martin Luther King Jr., and Francis Dorrington.) But it behoves all readers, teachers, and parents to see Black Boy, Black Boy as more than this. It is a poem of recognition and resilience, of reassurance and faith, that black boys should stand tall and go forward knowing the past and their futures are secured through their ancestry and the black boys that came before them and those who will follow.

When Rabbit Was a Lion

Written and illustrated by Eugenie Fernandes

Owlkids Books

978-1-77147-518-1

32 pp.

Ages 3-7

August 2023

 

A rabbit in a red-striped shirt lives in the backyard of our narrator, a little girl with whom he sometimes has tea. Though Rabbit and the little girl know that he doesn't like parties, he wants to make one for his friends, whom he does like.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

So invitations are sent out for a costume party and Rabbit busies himself cleaning and decorating, baking and preparing his own costume. And when the jitters pop in that his party might be a flop, his human friend asks him, "What if it's good?".

 

All Rabbit's friends arrive, costumed and lively. There is music and dancing, laughter and conversation, and he is so pleased that his friends are happy. But, though he does partake a little, it grows too loud and too boisterous for Rabbit and he slips away for a bit of quiet. His friends, realizing that Rabbit has withdrawn, find a way to have fun and include him without causing Rabbit discomfort.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

This could be a picture book of restraint, in colour and in story, much as how an introvert such as Rabbit might be seen. But, Eugenie Fernandes knows that Rabbit is more than his introversion. He is also a friend, and enjoys the company of his friends, though in moderation. So, that joy of friendship comes through in Eugenie Fernandes's paintings, resplendent in joyful colours of warm yellows and greens, and bright in its diverse palette. Rabbit is not sad because he needs to withdraw; he is just taking care of himself. And isn't it nice that his friends are kind enough to want to make him happy too? Eugenie Fernandes's artwork tells us this.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

Thank you, Eugenie Fernandes, for giving a sensitive and authentic voice to the many introverts who have had to fit into a predominantly extroverted world. As a strong introvert who has learned to fit in as needed and become more comfortable in social situations–and then withdrawing to my comfort zone in order to recover–When Rabbit Was a Lion speaks to me and undoubtedly to many children who've been told to be more social and that they need to get out more. Children need to see that not everyone craves attention and busyness, loudness and interaction. And they need to not be misunderstood because they are different from others in their circle. I'm very glad that Rabbit's friends are astute enough to realize that his need for quiet is not him being shy or angry, depressed or stuck-up, or even interpreted as a criticism of how they like to socialize. But socializing takes energy from introverts, unlike for extroverts who are energized by social interactions. For Rabbit, some quiet gives him fortitude. And by giving Rabbit the voice to speak his feelings and the friends who are willing to listen, Eugenie Fernandes has honoured the introverts who are so often overlooked.

The Not-So-Perfect Plan (A Holly-Mei Book)

Written by Christina Matula

Inkyard Press

978-1-335-42917-9

240 pp.

Ages 8-12

April 2023

 

Holly-Mei thinks she has it all worked out. When she sees how exceptional her field hockey teammate Saskia is, and how much time her best friend Rosie is spending with her crush Henry, and the accolades her younger sister Millie gets for her baking, Holly-Mei is determined to shine too. She plans on organizing her friends into a team for the Grade 7 Inter-School Tri-Tournament that includes an open water swim, a race and a Dragon Dash around Hong Kong. And she plans on them winning it.

But life cannot be sweet all the time (pg. 26)

When Christina Matula introduced Holly-Mei in The Not-So-Uniform Life of Holly Mei last year, the twelve-year-old was trying to find a foothold in her new home of Hong Kong and make friends. She made great friends in cousins Rosie and Rhys, in Henry and his cousin Theo, girlfriends Rainbow, Snowy and Gemma, and even field hockey player Dev who gives her great advice. But we all know that making friends is just the beginning. It's keeping the friends that can be the hardest part. And when all her friends have different plans for the Christmas break, Holly-Mei feels abandoned. Even when everyone returns from their fabulous holidays around the world, Holly-Mei feels left out as they continue with their rugby, ballet, eco-art club and more. So, when the posters go up for the Inter-School Tri-Tournament, Holly-Mei's plan is to bring her friends–or at least Theo, Dev, Gemma, Rhys, Rosie, Rainbow and Snowy–together, to excel and to win. For her, it's all about the win.

But Holly-Mei is so determined to win that she forgets about the fun. She wants to practise swimming and quiz her teammates on Hong Kong trivia to ensure a win. Unlike Saskia whose parents drive her to succeed, Holly-Mei's friends are looking for activities that bring them joy and that doesn't always work with Holly-Mei's plan. Worse yet, Holly-Mei keeps putting her foot in her mouth every time a friend chooses to do something other than practice or drill. Will she hold onto the very friends she is desperate to keep, or will Holly-Mei end up losing those friends in her efforts to win at all costs?

I try so hard, but I feel like no one sees me and I get left behind. (pg. 108)

Though Holly-Mei is living a very privileged life with a loving family, private school, wealthy friends and family, and many, many opportunities, she is still struggling to appreciate herself, both strengths and weaknesses, and accept that others may be different from her. Her "knowledge of self" (pg. 108), as her Ah-ma calls it, is negligible and it drives her to envy and, worse, jealousy and selfishness. But, as with every coming-of-age story, there's the beginnings of self-awareness that will lead to greater maturity and understanding of self and others. Christina Matula lets us follow along with Holly-Mei as she learns about herself and how she interacts with others, becoming a more positive version of herself as a friend, a sister, and a daughter. And she, Christina Matula, makes that journey of self for Holly-Mei and her friends more than lesson-learning. That would be a win in itself, but that accomplishment of self-discovery is achieved through a series of fun ventures that take young readers along the Eight Immortals Trail, to Repulse Bay and Man Mo Temple and enjoying xiao long bao, egg waffles, and bubble tea. (Two recipes, one for Candy Cane-White Rabbit Chip Cookies and the other for Millie's award-winning Chocolate Avocado Cake, are included.)

I think middle-grade readers will enjoy exploring Hong Kong further with Holly-Mei in The Not-So-Perfect Plan but they'll also grab a lesson or two about being a friend and becoming self-aware and that's a gold-medal achievement.

• • • • • • •

 

The Not-So-Uniform Life of Holly-Mei (2022)

The Not-So-Perfect Plan (2023)

🤫 n.b. I just learned there will a third book, titled The Not-So-Simple Question, in the Holly-Mei series.

Do You Wonder?

Written and illustrated by Wallace Edwards

North Winds Press (Imprint of Scholastic Canada)

978-1-4431-8276-8

32 pp.

Ages 3-8

September 2022

We all wonder and ask questions. Sometimes it's about the small things like what we'll have for dinner that night or sometimes it's about bigger things like whether we're making the right decisions. And occasionally some of us ask the really monumental questions about the universe. Regardless, they are all important because these questions make us mindful of what we and others are experiencing which can only lead to greater compassion, understanding and creativity. Award-winning author and illustrator Wallace Edwards guides us through some important questions to reveal what it is we may be wondering about.

From Do You Wonder? by Wallace Edwards

In a series of single-page and double-page spreads, Wallace Edwards tells young readers some of the things he has wondered about. 

Sometimes I wonder about the mysteries of the sky. 

Sometimes I wonder why some songs make me happy.  

Sometimes I wonder how to join the conversation.

These ponderings are all ones that we have. But then Wallace Edwards takes on bigger inquiries.

Sometimes I wonder if I'm in the right puppet show. 

Sometimes I wonder who was here before me.  

Sometimes I wonder if I really see what I think I see.

The depth and breadth of his meditations run the gamut from the playful (e.g., Sometimes I wonder where the banana went) to those of self-awareness (e.g., Sometimes I wonder if I can finish what I've started) or global awareness (e.g., Sometimes I wonder who decides what is important). His thoughtfulness is profound and I stopped on many pages to ponder the answers. I often had none but the wondering was sufficient. It required a focus to the question and a mindfulness of all that it encompassed. The answer was not necessary; what was important was the curiosity and the inquiry.

From Do You Wonder? by Wallace Edwards

Ah, but this is Wallace Edwards, winner of the Governor General's Literary Award for Illustrations and numerous other picture book awards, so the text is married to extraordinary artwork, rendered here in pencil, watercolour and gouache. Even without the text, the art would be sublime, detailed in its depictions of animals that range from a barn owl, alligators, a rhino and elephants to a variety of bird species, as well as in the scenes filled with balloon animals, ice cream, vegetation and ornate furniture. There is so much to look at and to delve into. (Check out the faces in the forest on the cover of Do You Wonder? for a sampling.) But it's not "just" the art. It's the way Wallace Edwards's words are interpreted in his art. For example, the text "Sometimes I wonder why some things seem so difficult" is paired with a porcupine struggling to create balloon animals, having popped numerous balloons that hang off of his quills. Readers can think about challenges in their own lives, whether a struggle with school or with friends and family or even with health. But the artwork asks young readers to look beyond themselves and recognize that others too have challenges that may not be obvious until they are exposed. Of course a porcupine would struggle with balloons! But until I saw that illustration, it never occurred to me.

From Do You Wonder? by Wallace Edwards

Thank you, Wallace Edwards, for helping us see ourselves and others and beyond ourselves. Thank you for inviting us into your considerations and encouraging us to do the same. And thank you for reminding us that there are somethings, like love, that never need to be questioned.

Sadia: Blog Tour Guest Post by author Colleen Nelson

Yesterday I reviewed Colleen Nelson's newest novel, Sadia, from Dundurn Press. I adore Colleen Nelson's novels for their variety of themes and strong characters with voices that resonate with all.  Today Colleen Nelson shares a few things you need to know about Sadia, so please join me in welcoming her.

🏀🏀🏀🏀🏀🏀🏀🏀

Colleen Nelson

Hello CanLit for LittleCanadians!

My newest book, 

Sadia

launches this month 

and 

 I thought I’d share

  5 Things you didn’t know about Sadia.

1. I hear voices. Yep, that’s how all my books start. The character talks to me when I’m doing random things, like washing dishes or driving to work, and all of a sudden a whole story is spinning in my head. I liked Sadia as soon as I heard her talking in my head and even more once I made her into a basketball player.

2. I don’t play basketball. I’m not good at any sports except yoga (and I don’t think that counts as a sport). But my husband went to Gonzaga University and I’ve been forced to watch many of their games. My boys both like basketball, so I asked them for help when it came to the basketball scenes in the book.

3. I would love to do a project like ‘If You Give a Kid a Camera’. I’ve done versions of photography projects with my elementary students. If any teachers want to try it, reach out to me. I’d love to see what your students come up with. Photography is such a powerful way to communicate ideas. A picture is worth a thousand words, after all.

4. The original manuscript was called ‘The Brilliance of Bees’ (The old cover is still floating around in cyber space), but had to be changed because it didn’t really capture what the story was about. Mr. Letner used to be an entomophile, which is a lover of insects. I sprinkled facts about bees throughout the book, but ended up deleting them. There are a lot of similarities between bee hives and classrooms: bees are hard-working and cooperate, everyone has a job and no job is more or less important than another’s. I now have a lot of bee facts ‘buzzing’ in my head so maybe they will appear in another book.

5. Sadia was written because a student of mine requested books with Muslim characters. I couldn’t find any in our library except Deborah Ellis’ ‘Breadwinner’ series, which she’d read. I asked other Teacher-Librarians and our local book seller, but no one had any suggestions. About the same time, I came across an article about a team of Muslim girls who sewed their own basketball uniforms so they could play games. From that point on, the plot came quickly and Sadia was written in six weeks over summer holidays.

I hope you enjoyed discovering more about Sadia.

Thanks for having me on your blog!

~ author Colleen Nelson

🏀🏀🏀🏀🏀🏀🏀🏀

It is always my pleasure to welcome Colleen Nelson
to CanLit for LittleCanadians
and to continue reviewing her stellar YA novels.

Support Canadian authors and #youngCanLit
by checking out Sadia and Colleen Nelson's other books

Sadia (Dundurn, 2018)

Blood Brothers (Dundurn, 2017)

Finding Hope (Dundurn, 2016)

250 Hours (Coteau, 2015)

The Fall (Great Plains Teen Fiction, 2013)

Tori By Design (Great Plains Teen Fiction, 2011)

Sadia

Written by Colleen Nelson

Dundurn

978-1-45974-029-7

240 pp.

Ages 12+

February 2018

As I passed the classroom door, I caught sight of myself in the small pane of glass.  Was it the hijab that Mariam was running away from?  Seeing me must remind her of who she really was, who she'd always be.  I wished she'd realize that taking off her hijab wasn't going to change that. (pg. 82)

For Sadia's friend Mariam, de-jabbing i.e., removal of her hijab when at school and changing into more revealing clothes improper for a Muslim girl are the means to fit in and become recognized by athletic classmate Josh.  While Sadia would never contemplate doing the same, she tries to understand her friend's need to shed her headscarf and appreciate her perspective on being a Muslim girl in a Winnipeg high school.  And perspective is everything she and her classmates realize after their teacher—and also basketball coach—Mr. Letner gives them an assignment based on the premise of "If you give a kid a camera."  While Sadia and her classmates begin to take photos of their lives, they reveal much about what they experience at home and at school including family challenges, hidden passions and friendships lost and found.

While she undertakes her project, which evolves to include a passion project to help newly-arrived refugees, Sadia grapples with Mariam's de-jabbing and drive to fit in which becomes more complicated after Sadia is chosen for the school's All City Pre-Season Co-ed Basketball Team on which Josh plays.  Sadia is thrilled to be playing the game that her brother taught her and accepts the accommodations she must make to play–changing in private, covering up far more than her teammates, and wearing her hijab–but being on the team causes more friction with Mariam, especially after Josh's attentions are directed towards Sadia.  It all comes to a climax at the tournament when Sadia's hijab becomes a mobilizing force for family, friends, teammates and strangers.

Sadia addresses Sadia's honest acceptance of her Muslim culture but also how she finds the means to meld it with her love for basketball, rather than abandon one passion for another.  Sadia's self-acceptance is mature and extraordinary and she would be an impressive role model for Muslim girls trying to find their own way.  Without being deceptive or disingenuous, Sadia helps new Muslim girl Amira prepare for her new life in Canada and show Mariam that it is possible to be a practising Muslim and have fun.  Just like the photography assignment Mr. Letner gives his class, it is all about point of view.

Author Colleen Nelson continues to ramp up her writing, developing characters with whom all readers can identify.  From those dealing with bullying, guilt and grief (The Fall, 2013), or abandonment and discrimination (250 Hours, 2015), or with sexual abuse and drug addiction (Finding Hope, 2016) and poverty and violence (Blood Brothers, 2017), Colleen Nelson pens real characters whose decisions propel them into life-changing situations.  For the first time, Colleen Nelson has given Muslim girls a role model, a girl who recognizes that she has been accorded much attention and discrimination because of how others perceive her hijab, often incorrectly, but who appreciates what being a Muslim means and accepts those cultural traditions as the basis for whom she is.  Sadia does not struggle with wearing the hijab, as does her friend Mariam, but when thrust into the limelight where wearing the hijab might prevent her from playing basketball, she considers with great thought and insight what it means to continue wearing it.  Still she stays true to herself, empowered, not restricted, by her hijab or being Muslim.  For her, de-jabbing would be negating her true self, just as not playing basketball would.  In Sadia, being yourself is better than having it all and being Muslim is in itself empowering.

🏀🏀🏀🏀🏀🏀

Check back tomorrow for Colleen Nelson's guest blog post titled "5 Things You Didn't Know about Sadia" and upcoming blog tour stops at Lost in a Great Book, MG Book Village and Dundurn Press.

Middle Bear

Written by Susanna Isern

Illustrated by Manon Gauthier

Kids Can Press

978-1-77138-842-9

34 pp.

Ages 3-7

October 2017

Reminiscent of the tale of the three bears, a middle-sized bear learns that he is neither too large nor too small to take on a challenge.  In fact, he's better than just right.

Retrieved from https://www.behance.net/gallery/25738405/Mediano-spain-2014 on January 5, 2018. 

The middle bear of three brothers understands well his place in his family.

He was not big, but he was not small, either.  Neither strong nor weak, neither tall nor short, neither a lot nor a little...

He accepted that his were middle-sized things–bicycles, umbrellas, clothes, dishes–but he didn't necessarily want to be the middle child as it made him sad sometimes.

From Middle Bear 

by Susanna Isern

illus. by Manon Gauthier

But when his parents fall ill and need willow bark, it is the middle bear who is able to fulfil the task, with the support of his siblings, simply by being neither the heaviest nor the smallest.

He was the middle one.
And being the middle one, he could do all sorts of things: small things, middle-sized things and big things, too.

Spanish writer Susanna Isern's story (originally published as Mediano in 2014) about the angst of the middle child becoming self-aware is simple and yet profound, all the more so for Manon Gauthier's cut paper collage illustrations. The artwork of predominantly sombre colours imbues an atmosphere of steadfastness in the bears' lives, complementing the three brothers' acceptance of their places.  However, Manon Gauthier's art demonstrates, with hints of rose and orange, blue and green, that there is lightness and opportunity for accepting something different.

Retrieved from https://www.behance.net/gallery/25738405/Mediano-spain-2014
on January 5, 2018.

Middle children, of which I am one, may not always know that they don't have to be relegated to a middling position of vagueness, and books like Middle Bear are great tools for inspiring young children, especially middle ones.  Middle children and bears should, and we do, aspire to be whatever they choose, big or small or in between.


••••••••••••••••••••••••••••••••
Because I wanted readers to see how beautiful the double spread illustrations were, I shared several images from Manon Gauthier's Behance website at https://www.behance.net/manongauthier.  Because scanning a bound book does injustice to the illustrations, I chose to show readers the original artwork, in all its glory and sans distracting divides.  I hope readers and Manon Gauthier forgive me this indulgence.

The Sweetest Thing You Can Sing

by C. K. Kelly Martin

Dancing Cat Books

978-1-770864115

256 pp.

Ages 13+

September, 2014

The Sweetest Thing You Can Sing, as a title, suggests the lightness of song and joy. But those moments are few and far between in the actual story. That's because The Sweetest Thing You Can Sing is a story of secrets, confusion, anger, and grief, with only a few bars of a sweet song that may be heard in the background, leaving you hoping the song will make its way to the forefront and be sung loud and clear and passionately.

When Serena LeBlanc's older brother, Devin, trades a life of Mensa brilliance at university for drugs and life on the street, she could never have foreseen the impact it would have on her and her family.  Having endured Devin's plunge into drugs, theft and erratic behaviour, culminating with his disappearance, Serena's parents seem to have disassociated themselves from any life without Devin.  Mom is constantly on eBay purchasing new Swarovski figurines and Dad just seems to go through the motions of life. Her eldest brother Morgan, a celebrity VJ at MuchMusic, lives with his partner Jimmy in Toronto, but still tries to offer the support they all need to remain an intact family.  Serena, not yet sixteen, loses almost thirty pounds and begins dating Jacob Westermark, leaving behind her old friendships, and enjoying a new popularity.

But recognizing an incident at a party as an attempt at sexual exploitation, Serena swears off Jacob and guys in general, finding new friends in girls Nicole and Genevieve who have been humiliated by their boyfriends too.  Bonding with the girls over their disappointment in boys provides Serena some refuge from her parents' detachment, as does a part-time job as a cashier at Total Drug Mart.  But two events change everything for Serena.

A young man who regularly drops into Total Drug Mart begins to show an interest in Serena.  But Serena is torn between being loyal to her friends and their boyfriend-less status and becoming involved with a really nice guy, Gage Cochrane.  Worse still, Serena doesn't know how to be herself around Gage.  She still sees herself as the chubby girl who would need to throw herself at a guy to keep him interested.  Gage, on the other hand, seems fairly well-adjusted and is not impressed with Serena's sexual antics.

Then, while attending one of Jimmy's art shows in Toronto, Serena spots Devin on the street.  But when he flees from her, catching a streetcar, Serena is left with more questions about who her brother has become and whether he wants to come home ever.

It's painful to read Serena's attempts to understand and find her brother, especially as she examines her relationship with him and how she sees herself.

...I can see with absolute clarity how the tangled mess of my former blubber, personal insecurities, and stupid need for some kind of male appraisal have shaped me into a person I don't want to be. (pg. 114) 

As she did in My Beating Teenage Heart, Yesterday and Tomorrow, C. K. Kelly Martin expertly weaves a story based on the typical confusion of the teen years but with an atypical, devastating situation that impacts that confusion all the more.  In The Sweetest Thing You Can Sing, she imbues the story with a grittiness and harshness about young relationships, especially in the shadow of social media exploitation, and a young man's severance from his family, and creates a series of scenarios you hope you'll never have to experience.  You won't necessarily like Serena (or at least I didn't, at the beginning) but you'll understand how she has become the person she has.  Her life is messy but it's not until she takes some responsibility for that mess and faces that she can't force things to turn out the way she wants that life begins to feel better.  She can't make Devin come home.  She can't make her parents change.  She can't make Gage act like she thinks he should.  Serena cannot make her life all sweet and lovely but she can control herself and her choices and that makes things all the sweeter.  C. K. Kelly Martin gets that very right and, without making Serena's life a Broadway musical, she allows her to find a song that is sure to become sweeter. 

Hummingbird Heart

by Robin Stevenson

Orca Book Publishers

978-1-554693900

ebook: 978-1-554693917

278 pp.

Ages 13-16

April, 2012

Reviewed from ebook

Fiction for younger readers seems to have found a favourite character in the selfish mother or at least mothers who, realizing that they can't have it all, choose in favour of themselves, not their children. Such is Dylan Jarvis' mom, although her mom still has the audacity to tell her that she's doing what's best for Dylan.

In Hummingbird Heart, sixteen-year-old Dylan may know how self-centered her mom, Amanda, is; after all, Mom doesn't seem to worry about constantly getting new tattoos or smoking pot or making out with her newest boyfriend at home.  In fact, Dylan wishes her mother was more predictable and acted more like a responsible grown-up.  But while Dylan may acknowledge how messed up her family is (there's Mom who got pregnant when she was 16 after a one-night stand, and Karma, her "sister", the eleven-year-old daughter of Amanda's deceased friend, Sheri) but she considers herself weird and boring, more like "Diluted Kool-Aid, maybe. Or skim milk" (pg. 35) compared to her champagne-like best friend, Toni.  Even though Toni's parents have divorced, Dylan looks upon Toni as having a more normal family, since she knows both her parents.  Dylan, who knows nothing of her father, struggles for a connection to him by having her mom send a birthday photograph of them to him each year.  Even though he has never replied, Dylan considers going to see him when Mark calls and wants to have dinner with them.

Meanwhile, Dylan is encouraged by Toni to be a bit more sociable and interested in guys; by crushing on new boy, Jax, Dylan feels a bit more normal like Toni, who has a boyfriend, Finn.  Perhaps because she knows so little about him and feels like a different (more normal?) person around him, Dylan takes Jax in as a confidante, sharing with him the news of her father and her feelings about her mother.  While she does question Jax's interest in her, Dylan enjoys the almost out-of-body experience of being with him, especially knowing that he isn't thinking only of himself, as Toni and her mother and even Karma are.

And there's her father, Mark Wheatcroft, a successful lawyer, with a wife and four-year-old daughter, Casey.  Learning Mark's daughter has leukemia and he'd like Dylan to agree to a blood test to check for a bone marrow match, Dylan feels even more humiliated and numbed by the self-centeredness of everyone around her.  This just adds to her already-heightened concern of impending environmental doom, a planet destined for destruction from selfish humans.

Revelations by her mother, Mark, Toni, and Jax have Dylan confused about what she needs to do, especially when some stories are true, others are untruths to make things better, and some are harmful lies.  Even the hummingbird tattoo on her mother's wrist becomes something different and more, when Dylan learns that Mark has an identical one on his wrist.

Much of Hummingbird Heart revolves around the theme of self-awareness, and knowing who you are and what you want and what you will do to get it.  Sadly, Dylan's insightful thoughts like,  "It was strange, the way an ordinary day could suddenly seem so beautiful and so fragile it made you ache" (pg. 14-15) are not considered valid by her until she begins to see the weaknesses of those around her.  Even the courage that Mark showed in breaking off with Amanda is wrapped in selfishness: "I can't be around you and still have room to be who I want to be." (pg. 251) Somehow, by making the characters less vulnerable to guilt and pleas from others, Robin Stevenson takes Hummingbird Heart from just a mirror of a young girl's attempt to understand others as well as herself to a piece of artwork, extensive and colourful, deep and enduring, of choices, wonderful or humiliating, like a tattoo, hummingbird or otherwise.

Kazaak!

by Sean Cassidy
Fitzhenry & Whiteside
978-1-55455-117-0

32 pp.
Ages 3-5

2010

For little ones fascinated with porcupines, Kazaak! by Canadian illustrator and author Sean Cassidy will delight them with a lovely story of learning one's strengths while teaching them more about these prickly little fellows.  In Kazaak!, they are little fellows: Russell and Spike.  Russell, slightly larger and definitely more worldly, is sharing his expertise about quills with his little friend who is unsure how to work with them.  You see, Spike's first quill-cleaning experience provides a pointed lesson to start the story.

Even while sensing Bear in the forest, Spike is full of questions and continues to take note of Russell's lessons, including how quills can be used for camouflage, for gathering food and for creating noise that deters predators. The best lesson is Russell's swinging and arcing demonstration of his quills kazaaking some ripe berries and a carrot, ready to eat. 

Unfortunately, immediately after showing Spike how he can leave his quills behind when stuck to a tree, Russell is left vulnerable to Bear who moseys along looking for his lunch.  But without his quills, Russell is unable to camouflage, make noises or kazaak Bear, except to tickle him.  Luckily Spike has paid attention to Russell's lessons, and uses his new-found knowledge and a little trickery to appease Bear and rescue his friend.  Most importantly, Spike recognizes that, "...quills are the best!"

Karate has "kiai" and tae kwon do has "kiap" but Sean Cassidy's porcupines have "kazaak" - noisy, emphatic and powerful.  And learning about one's strengths is just as powerful, whether one is a prickly porcupine or a worried child.  While Russell is willing to teach and demonstrate, it is only when Spike must rescue his vulnerable and ridiculed pal that the sweet evidence of that learning is demonstrated.  While rural myths may play up the idea of porcupines throwing their quills, which they cannot do, Kazaak! correctly shows Russell and Spike only detaching their quills when brushing up against trees, or berries, or perceived enemies.  

With deft hand, Sean Cassidy has created soft cushions of quills, still purposeful but honest, in captivating outdoor settings of green fields along forests of wildflowers, rocks and deciduous trees.  Russell and Spike's charming forms, particularly their tubby bellies, in the rich acrylics of Sean Cassidy's detailed drawings, will delight young children into learning.  And with summer here now and lots of children involved in outdoor activities while camping, at the cottage or at parks, Kazaak! is a perfect picture book to start off your child's summer reading.

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In addition to Kazaak!, Fitzhenry & Whiteside's  Tell-Me-More Storybook series also includes Bye, Bye Butterflies! (Andrew Larsen and Jacqueline Hudon-Verrelli, 2012) and Tooter's Stinky Wish (Brian Cretney and Peggy Collins, 2011).