Goldibooks and the Wee Bear

Written by Troy Wilson

Illustrated by Edwardian Taylor

Running Press Kids

978-0-7624-9620-4

32 pp.

Ages 4-8

January 2021

 

When Goldibooks and her reading-loving parents head to the library to exchange their books, they spot a wee bear that the girl thinks is adorable. Though her parents caution her away because adult bears can be protective of their young, she needn't have worried as the cub is just desperate to find something to read.

 

From Goldibooks and the Wee Bear by Troy Wilson, illus. by Edwardian Taylor

When the wee bear comes across the humans' cottage, he can't resist peeking in and is elated to spot three packed bookshelves. As in the story of Goldilocks and the Three Bears, upon which Troy Wilson has based his story, the wee bear tries out the books on each case. Of course, Mom's are too hard, and Dad's are too soft, but Goldi's are just right.

From Goldibooks and the Wee Bear by Troy Wilson, illus. by Edwardian Taylor

Similarly, the wee bear looks for a comfy spot to read and finally finds that Goldi's chair is just right, though he does have a bit of a fumble with it. So he tries the beds because what better place to read, right? And as every reader knows, when gets comfortable reading, he falls asleep.

 

From Goldibooks and the Wee Bear by Troy Wilson, illus. by Edwardian Taylor

When the family returns from the library, they are shocked to see the mayhem with their books, and their chairs, and beds. Just as Goldibooks discovers the wee bear who knows he shouldn't have trespassed, his bear parents show up, distressed that he didn't stay away from the wee human whose parents could be dangerous if you get near their kids. (Sounds familiar, doesn't it?)

From Goldibooks and the Wee Bear by Troy Wilson, illus. by Edwardian Taylor

But books can do so much to help us overcome fears and discrimination, and soon enough the wee ones, human and bear, have encouraged their families to enjoy reading together.

 

By writing this story as a fractured fairy tale, Troy Wilson is able to incorporate important messages about reading and the coming together of cultures in a familiar narrative that kids will love. They'll know where the story should go—i.e., the first is too hard, the next is too soft and the last is just right—but they won't exactly know where Troy Wilson will take them. And by blanketing the story about a little bear who wants to read and parents who want to protect their young, even if their fears are unfounded, Troy Wilson gives us more to the story than just respecting other's stuff. 

American Edwardian Taylor's cartoon illustrations, with his apple-cheeked characters and fairy-tale setting of forests and cottages, keep the story light and cheerful. Even when the wee bear causes a bit of damage and the bears and humans meet, his colours and shapes add whimsy and brightness.

 

Goldibooks and the Wee Bear, Troy Wilson's second fractured fairy tale (Little Red Reading Hood and the Misread Wolf  in 2019 was his first) among his rich collection of picture books, releases today. With it, Troy Wilson is becoming a stand out in twisting a classic tale into a more contemporary and more meaningful story for teaching and entertaining young readers.

Bear for Breakfast / Makwa kidji kijebà wìsiniyàn

Written by Robert Munsch

Illustrated by Jay Odjick

Translated by Joan Commanda Tenasco

Scholastic Canada

978-1-4431-7511-1

32 pp.

Ages 3-8

February 2019

Robert Munsch's picture books have become a staple of youngCanLit from the publication of his first book almost 40 years ago and, with Bear for Breakfast / Makwa kidji kijebà wìsiniyàn, Robert Munsch continues to provide diversity in his story-telling, always honouring young readers whose lives provide the basis for his tales.

After young Donovan bemoans that there is nothing to eat, much to his mother's surprise who has filled the refrigerator with her shopping, he is reminded of his grandfather telling him he used to eat bear for breakfast. So grabbing a rope, Donovan heads out to snag a bear for their breakfast.  With the "thump, thump, thump, thump, thump" of his feet, and calling out "Bear, bear, bear, bear, bear!" Donovan is often answered by a refrain of "Kid, kid, kid, kid, kid!" Spotting an ant or a squirrel or a dog, he shoos them away. But when a bear appears to his call and growls at the boy, Donovan starts to tiptoe away, before walking quickly with a pat, pat, pat and finally running with a whomp, whomp, whomp as fast as he can home, though with the bear following. It's only after Donovan's grandfather takes a frying pan to the bear who has crashed into the house that they are able to finally eat breakfast, and it is definitely not bear.

From Bear for Breakfast by Robert Munsch, illus. by Jay Odjick

Bear for Breakfast / Makwa kidji kijebà wìsiniyàn has all the trademark Robert Munsch elements of a child's bravado, humour in all the right places, and repetitive lines and action sounds that little ones will want to help read. Though many will not be familiar with eating bear for breakfast, those children for whom it is not unfamiliar will appreciate acknowledgement of their experiences. To help embed that experience, this edition is a dual-language one of English and Algonquin, translated by Joan Commanda Tenasco. Useful for children familiar with one language and learning a second, dual-language books have been suitable for English-language learners but recently they have become increasingly popular in Canada to help preserve Indigenous languages. Although I have seen Cree, Inuktitut, Michif and Mi'kmaq editions of dual language books, this is the first I've seen in Algonquin and, by providing a translation of a Robert Munsch story, Bear for Breakfast / Makwa kidji kijebà wìsiniyàn will win new readers across cultures.

From Bear for Breakfast by Robert Munsch, illus. by Jay Odjick

Moreover, with Anishinàbe artist Jay Odjick's illustrations to add veracity to Robert Munsch's words, Bear for Breakfast / Makwa kidji kijebà wìsiniyàn becomes more of an Indigenous cultural experience than a silly animal story. From the outdoor scenes of coniferous forests, typical of La Loche, Saskatchewan, the home of the Donovan who inspired the story, to the boy's home's decorations of a thunderbird and other Indigenous art, Jay Odjick ensures a genuineness to Donovan's story. Though young children will be able to see themselves and their family in Donovan and his mom and grandfather, little touches like Donovan's T-shirt with a feather and his grandfather's braids add a distinction that shows respect for another culture and its ways of living.

Whether you choose the English edition of Bear for Breakfast or the dual language edition of Bear for Breakfast / Makwa kidji kijebà wìsiniyàn (there are also French and French-Algonquin editions), there will be enlightening discussions about cultural meal choices along with animated story-telling. Clap, clap, clap.

Sun Dog

Written by Deborah Kerbel

Illustrated by Suzanne Del Rizzo

Pajama Press

978-1-77278-038-3

32 pp.

Ages 4-7

May 2018

Falling asleep at night during the summer can be difficult in the Arctic because the sun never falls below the horizon, hence its moniker of "land of the midnight sun." Imagine being a little pup who knows she's supposed to go to bed with her boy but feels compelled to go outside and play. This is Juno, the Husky pup who lives with her boy in "a red house overlooking a faraway town perched on the edge of an invisible circle at the very top of the world." 

From Sun Dog by Deborah Kerbel, illus. by Suzanne Del Rizzo

Juno, born in the spring, loves the sun and playing outdoors, though she yearns to be big like the sled dogs.  But when her boy goes to bed, Juno isn't ready to sleep. The pup sneaks out to play but finds the world a strange place to be without her boy. "She feels like an iceberg adrift on a giant sea." 

From Sun Dog by Deborah Kerbel, illus. by Suzanne Del Rizzo

But when a polar bear approaches the house whose door Juno left open in her rush to go outside, the little dog finds a storehouse of courage within her big heart and is able to withstand her fear and give warning and, with a little help, keep her boy safe.

Children will love the story of Juno as Sun Dog, not least of which because she is an adorable dog, thanks to Suzanne Del Rizzo's elaborate and emotive dimensional art.  But I think that Deborah Kerbel's message that "Juno might be little, but there's a big dog inside her" is an meaningful one for young children who often feel too little to do anything significant and wish to be big so they can stay up late or go somewhere alone or just not be hindered by their youth or size. Juno takes it upon herself to do all those things, though she puts herself and others in danger.  Still, that small body holds a big heart filled with love for her boy and life and from that a boundless courage bursts forth.  Juno may have been frightened but she did all she could to ensure a happy ending.

The joy of being outside and the beauty of the Arctic landscape are beautifully conveyed through Suzanne Del Rizzo's artwork.  I've oohed and aahed over her polymer clay and acrylic paint art that graced her own My Beautiful Birds and other picture books and Sun Dog is no exception.  Those summer skies of yellow, pink, purple, and blue, with many shades in between, took me to that land of the midnight sun and the home of children who rarely saw themselves in books. Within that landscape, Suzanne Del Rizzo brought playfulness and charm, with the reality necessary to tell Deborah Kerbel's sweet story.

From Sun Dog by Deborah Kerbel, illus. by Suzanne Del Rizzo

It's lovely for me to review books by creators like Deborah Kerbel and Suzanne Del Rizzo whose work I've seen transform and evolve with each imaginative work.  Now, with their collaboration, a charming story has been synthesized from message and art into the brilliant and heart-warming combination that is Sun Dog.

Middle Bear

Written by Susanna Isern

Illustrated by Manon Gauthier

Kids Can Press

978-1-77138-842-9

34 pp.

Ages 3-7

October 2017

Reminiscent of the tale of the three bears, a middle-sized bear learns that he is neither too large nor too small to take on a challenge.  In fact, he's better than just right.

Retrieved from https://www.behance.net/gallery/25738405/Mediano-spain-2014 on January 5, 2018. 

The middle bear of three brothers understands well his place in his family.

He was not big, but he was not small, either.  Neither strong nor weak, neither tall nor short, neither a lot nor a little...

He accepted that his were middle-sized things–bicycles, umbrellas, clothes, dishes–but he didn't necessarily want to be the middle child as it made him sad sometimes.

From Middle Bear 

by Susanna Isern

illus. by Manon Gauthier

But when his parents fall ill and need willow bark, it is the middle bear who is able to fulfil the task, with the support of his siblings, simply by being neither the heaviest nor the smallest.

He was the middle one.
And being the middle one, he could do all sorts of things: small things, middle-sized things and big things, too.

Spanish writer Susanna Isern's story (originally published as Mediano in 2014) about the angst of the middle child becoming self-aware is simple and yet profound, all the more so for Manon Gauthier's cut paper collage illustrations. The artwork of predominantly sombre colours imbues an atmosphere of steadfastness in the bears' lives, complementing the three brothers' acceptance of their places.  However, Manon Gauthier's art demonstrates, with hints of rose and orange, blue and green, that there is lightness and opportunity for accepting something different.

Retrieved from https://www.behance.net/gallery/25738405/Mediano-spain-2014
on January 5, 2018.

Middle children, of which I am one, may not always know that they don't have to be relegated to a middling position of vagueness, and books like Middle Bear are great tools for inspiring young children, especially middle ones.  Middle children and bears should, and we do, aspire to be whatever they choose, big or small or in between.


••••••••••••••••••••••••••••••••
Because I wanted readers to see how beautiful the double spread illustrations were, I shared several images from Manon Gauthier's Behance website at https://www.behance.net/manongauthier.  Because scanning a bound book does injustice to the illustrations, I chose to show readers the original artwork, in all its glory and sans distracting divides.  I hope readers and Manon Gauthier forgive me this indulgence.

Prince of Pot

Written by Tanya Lloyd Kyi

Groundwood Books

978-1-55498-944-7

216  pp.

Ages 13+

September 2017

I live in the middle of a forest.  On a grow-op. With bears.  And I get shot at on my way home. (pg. 61)

This is definitely living on the edge.  Isaac Mawson's family has been keeping a marijuana grow-op for forty years, starting with Isaac's grandfather Walt who is now debilitated by a stroke.  Their rustic lifestyle includes a cabin with few amenities and a quintet of bears as companions and homeschooling until Isaac and his older sister Judith reached Grade 8. But, though he's in town regularly for school–he's in his final year–and for the grow's supplies, and to see his sister who'd been desperate to leave, Isaac has always found solace in the woods, as well as his artwork.

Once we're in the trees, my lungs expand.  I suppose most people relax when they open their front door and smell dinner cooking.  For me, it's as I step into these hemlocks. (pg. 51)

Then, on one of his routine scouting expeditions, he meets Sam Ko, a new student at his high school and Isaac is smitten.  Sam is a big personality with lots of grit and guts and a flair for drama, on stage and in life.  Too soon he's crushing on the sixteen-year-old and she's bringing him more attention than he wants, bragging about his interactions with a bear (it was the lovely tame Hazel, a bear his father had rescued) and dragging him to her home and parties and sharing his special places with her friends.  And then he learns her dad is a RCMP corporal.  Isaac is torn between having Sam in his life and keeping his family and their lifestyle safe from attention, especially of the law enforcement variety.

Tanya Lloyd Kyi may be better known for her numerous books of middle-grade non-fiction (e.g., Canadian Girls Who Rocked the World, Whitecap Books, 2011; 50 Underwear Questions, Annick Press, 2011; Eyes and Spies, Annick, 2017) but her collection of teen fiction is growing.  Prince of Pot is her fourth YA book and Tanya Lloyd Kyi capably tackles typical teen issues like first loves, grief, and independence with less common ones of pot grow-ops, teen pregnancy, and dyslexia, grabbing her readers with the familiar and the unusual.  Tanya Lloyd Kyi astutely recognizes that for some the atypical is the familiar, and by writing about these unusual circumstances, she's actually letting many teens see themselves in her writing.  Isaac's situation of living in the woods and helping with his family's grow may seem foreign to many of us but, you can bet, somewhere there is a young person who knows that life, those fears and restrictions of living outside of the law. But there's another who knows the dangers of habituating wild animals such as bears, and another who is infatuated with another and doesn't know how to reconcile the conflict of being with that person and the life they want to or need to live.  This is what works in Prince of Pot.  Tanya Lloyd Kyi makes readers completely sympathetic to Isaac's life with his family and the grow and even his actions which can be criminal or gut-wrenching or wholly innocent.  While my heart broke at a turn of events that should never, ever happen in real life, I could see how the story was leading to that moment.  I know Prince of Pot is just fiction but I suspect somewhere someone is living this kind of life.  I can only hope that, while we enjoy the book as an entertaining read, this story might provide guidance to living well, both within the family and independently, as well as within the law and outside of it, if that so happens.

Bear's Winter Party

by Deborah Hodge

Illustrated by Lisa Cinar

Groundwood Books

978-1-55498-853-2

32 pp.

Ages 4-7

September 2016

Bear has a sweet life of living in the forest on the side of a mountain.  He has trees, berries, water and fresh mountain air.  But he’s a little lonely. He is a bear, after all, and Deer, Beaver, Chickadee, Squirrel, Hare and Fox all run away when he’s around. Worse yet, he hears them talking about him and what made him so feared. With winter coming and his long hibernation sleep, he decides to take action, inviting the other members of his forest community to his Winter Party, depositing written invitations where they might find them.

Bear cleans and decorates and cooks and prepares for his guests.  Just when he thinks no one is coming, he sees them all peeking out from behind trees. It’s the brave Chickadee who scouts out the scene inside and encourages the rest to come forward.  Though still a little apprehensive being in bear’s lair, the animals are polite and they begin to enjoy themselves, first with the delicious food and drink, and then with a sing-along and dancing. Finally, Bear’s new friends depart, each with a parting gift, and he can rest knowing that he'll be able to welcome the spring with a forest full of friends.

From Bear's Winter Party

by Deborah Hodge, illus. by Lisa Cinar

Deborah Hodge, best known for her countless non-fiction books, has written a heart-warming story perfect for the onset of cold weather.  It’s a story of friendship and diversity and acceptance and risk-taking.  And, though the youngest may wonder why all the animals don’t just get along from the onset –and we as adults wonder this all the time about our own species–Bear’s Winter Party will open doors for discussion and repeated story-telling. Lisa Cinar, whose art portfolio is as varied as her lush illustrations for Bear’s Winter Party, uses watercolours to create colourfully textured animals and forest landscapes, as well as a finely-furnished home for Bear.  But it’s the style of Lisa Cinar’s watercolours that creates such movement and richness in her illustrations in which the characters are always ample and bold, not a shrinking violet amongst the group. By pairing Lisa Cinar’s art with Deborah Hodge’s story, Bear’s Winter Party becomes a party in itself, deep in colour and friendship.

From Bear's Winter Party 

by Deborah Hodge, illus. by Lisa Cinar

* * * * * * * * * * * * * * * 

Deborah Hodge is coming to the Eden Mills Writers' Festival this Sunday.  Come and meet her and get your copy of Bear's Winter Party signed, ready for reading when it's time to hibernate (or party with friends).

Kazaak!

by Sean Cassidy
Fitzhenry & Whiteside
978-1-55455-117-0

32 pp.
Ages 3-5

2010

For little ones fascinated with porcupines, Kazaak! by Canadian illustrator and author Sean Cassidy will delight them with a lovely story of learning one's strengths while teaching them more about these prickly little fellows.  In Kazaak!, they are little fellows: Russell and Spike.  Russell, slightly larger and definitely more worldly, is sharing his expertise about quills with his little friend who is unsure how to work with them.  You see, Spike's first quill-cleaning experience provides a pointed lesson to start the story.

Even while sensing Bear in the forest, Spike is full of questions and continues to take note of Russell's lessons, including how quills can be used for camouflage, for gathering food and for creating noise that deters predators. The best lesson is Russell's swinging and arcing demonstration of his quills kazaaking some ripe berries and a carrot, ready to eat. 

Unfortunately, immediately after showing Spike how he can leave his quills behind when stuck to a tree, Russell is left vulnerable to Bear who moseys along looking for his lunch.  But without his quills, Russell is unable to camouflage, make noises or kazaak Bear, except to tickle him.  Luckily Spike has paid attention to Russell's lessons, and uses his new-found knowledge and a little trickery to appease Bear and rescue his friend.  Most importantly, Spike recognizes that, "...quills are the best!"

Karate has "kiai" and tae kwon do has "kiap" but Sean Cassidy's porcupines have "kazaak" - noisy, emphatic and powerful.  And learning about one's strengths is just as powerful, whether one is a prickly porcupine or a worried child.  While Russell is willing to teach and demonstrate, it is only when Spike must rescue his vulnerable and ridiculed pal that the sweet evidence of that learning is demonstrated.  While rural myths may play up the idea of porcupines throwing their quills, which they cannot do, Kazaak! correctly shows Russell and Spike only detaching their quills when brushing up against trees, or berries, or perceived enemies.  

With deft hand, Sean Cassidy has created soft cushions of quills, still purposeful but honest, in captivating outdoor settings of green fields along forests of wildflowers, rocks and deciduous trees.  Russell and Spike's charming forms, particularly their tubby bellies, in the rich acrylics of Sean Cassidy's detailed drawings, will delight young children into learning.  And with summer here now and lots of children involved in outdoor activities while camping, at the cottage or at parks, Kazaak! is a perfect picture book to start off your child's summer reading.

^  ^  ^  ^  ^  ^  ^  ^

In addition to Kazaak!, Fitzhenry & Whiteside's  Tell-Me-More Storybook series also includes Bye, Bye Butterflies! (Andrew Larsen and Jacqueline Hudon-Verrelli, 2012) and Tooter's Stinky Wish (Brian Cretney and Peggy Collins, 2011).