The Project

Written by Courtney Summers

Wednesday Books (St. Martin's Press)

978-1-250-10573-8

352 pp.

Ages 12+

February 2021

 

In 2011, when Lo is just 13 years of age, she is critically injured in a car crash that kills her parents. Her 19-year-old sister Bea is called to the hospital and, in the chapel, begs for a miracle and Lev Warren appears. The miracle happens for Lo but Bea disappears from her life, leaving Lo in the care of their great aunt Patty.

Six years later, Lo knows Bea has joined Lev Warren's The Unity Project, an organization whose mission is to do good works to atone for all sins and bring salvation. After an earlier exposé investigating The Project as a cult, Lev has tried to keep The Project out of the media, focusing on their community work and annual public sermon. But, now working for SOV magazine, Lo is drawn to look into the organization again. While she has tried numerous times to reconnect with Bea, she is always kept away by Casey Byers, The Project's spokesperson and Lev's right hand. But Lo's interest is piqued by the death of a young man, Jeremy Lewis, whose father Arthur had been trying to save his son from The Unity Project. When Lo sees Bea in the photos Arthur's private investigator took of Jeremy, coupled with numerous voiceless calls she receives, Lo is determined to find Bea and learn more about The Project.

Alternating between the past and the present, primarily over seven years, Lo and Bea's stories unfold with Bea looking to prove herself worthy of a miracle she believes Lev performed and Lo looking for her sister. Their stories are eerily parallel, especially under the charismatic Lev who has become father, friend, therapist and even saviour to members of The Project. Both sisters are bereft because of their losses of family but each feels compelled to action because of The Project. But, it would seem, The Project has other things in mind.

Everyone should be prepared for an unnerving read in The Project. By balancing family and everyday living with the extremes of manipulation and doctrine, it's Courtney Summers at her best. Like her award-winning Sadie (2018), The Project is chilling in its possibilities because this could be someone's reality. A tragic accident, absolute faith in an irresistible leader, family estrangement, a compelling mission and the need for connection could all be elements of any of our lives and with her storytelling Courtney Summers will disquiet readers with the possibilities.

While her plotting is always sophisticated and involved, never leading the reader to a predictable ending, it's Courtney Summers's atmospheric writing that is most captivating. There's a perennial sense of foreboding, even with the most mundane of circumstances, like grabbing a cab or working in an office. Courtney Summers never lets the reader relax and maybe we shouldn't because bad things happen, even if dressed up as good.

 

Lo, the writer, tells Lev that...

If you tell a story–something real, something true–you get to be alive in other people. (pg. 251)

Thankfully Courtney Summers is alive and well by virtue of The Project and all her other stories. She tells the truth, even if it's unsettling.

You Owe Me a Murder

Written by Eileen Cook

Houghton Mifflin Harcourt

978-1-328-51902-3

359 pp.

Ages 13+

March 2019

Travel provides opportunities for new experiences, for meeting new people, and for personal growth.  But for seventeen-year-old Kim, her summer trip to London with Student Scholars for Change seems doomed from the beginning. Not only is she no longer in a relationship with Connor for whom she'd initially signed up for the trip, he is travelling with new girlfriend Miriam, and Kim has to watch it all from the sidelines of their small group of eight Vancouver high schoolers. But after meeting English girl Nicki, who challenges her to steal a bottle of duty-free vodka and lets her vent about Connor all the way to London, Kim is ready to find "a new me" (pg. 41), one that could be daring and isn't a quitter.

Being good at something doesn't mean that it isn't hard or scary–it just means that you keep moving forward when other people quit. (pg.25)

But in that vodka-infused venting session, Kim prepares a list titled "WHY I HATE CONNOR O'REILLY AND WHY HE DESERVES TO DIE" and Nicki suggests that she will kill Connor and Kim could kill Nicki's mom whose alcoholism is making her life miserable. Of course, Kim barely remembers their laughable discussion until Connor is killed in a Tube station and she gets a message that reads "You're welcome" along with the news story about his death.

Panicking, Kim doesn't know to whom she can turn. Worse still, the police begin investigating and Kim realizes her silence about her relationship with Connor is going to make her look suspicious. Worst of all, Nicki still has the incriminating document and is using it to blackmail Kim into murdering her mother.

So while sightseeing in London and relishing a budding romance, Kim tries to evade a drunken commitment to homicide, investigate the mysterious Nicki, and keep herself and others safe from a girl who purports to be owed a murder.

I would call You Owe Me a Murder a roller-coaster except that ride suggests highs and lows and twists and turns and this young adult novel has no lows. From start to finish, it's more like a high-wire act: tense, dangerous, and unrelenting. With Eileen Cook's exceptional plotting, You Owe Me a Murder becomes a magnificent melding of relationship angst with psychological thriller. It's a waiting game for the reader who is compelled to read through to learn whether Kim will go with through the murder pact or become victim to Nicki's vengeance. With characters like Kim and Nicki, and even secondary ones like Connor, Miriam and Alex, You Owe Me a Murder becomes a complex study in human behaviour as young people fall in and out of love or lust, seek revenge and fulfilment, and try to discover who they really are and what they are capable of being and doing.

Like Hitchcock's movie Strangers on a Train, Eileen Cook's You Owe Me a Murder demonstrates that meeting the right or wrong person can turn your life upside-down, and finding the way to right things may require courage and recognition that the truth hides in the details. (pg. 324)

Prince of Pot

Written by Tanya Lloyd Kyi

Groundwood Books

978-1-55498-944-7

216  pp.

Ages 13+

September 2017

I live in the middle of a forest.  On a grow-op. With bears.  And I get shot at on my way home. (pg. 61)

This is definitely living on the edge.  Isaac Mawson's family has been keeping a marijuana grow-op for forty years, starting with Isaac's grandfather Walt who is now debilitated by a stroke.  Their rustic lifestyle includes a cabin with few amenities and a quintet of bears as companions and homeschooling until Isaac and his older sister Judith reached Grade 8. But, though he's in town regularly for school–he's in his final year–and for the grow's supplies, and to see his sister who'd been desperate to leave, Isaac has always found solace in the woods, as well as his artwork.

Once we're in the trees, my lungs expand.  I suppose most people relax when they open their front door and smell dinner cooking.  For me, it's as I step into these hemlocks. (pg. 51)

Then, on one of his routine scouting expeditions, he meets Sam Ko, a new student at his high school and Isaac is smitten.  Sam is a big personality with lots of grit and guts and a flair for drama, on stage and in life.  Too soon he's crushing on the sixteen-year-old and she's bringing him more attention than he wants, bragging about his interactions with a bear (it was the lovely tame Hazel, a bear his father had rescued) and dragging him to her home and parties and sharing his special places with her friends.  And then he learns her dad is a RCMP corporal.  Isaac is torn between having Sam in his life and keeping his family and their lifestyle safe from attention, especially of the law enforcement variety.

Tanya Lloyd Kyi may be better known for her numerous books of middle-grade non-fiction (e.g., Canadian Girls Who Rocked the World, Whitecap Books, 2011; 50 Underwear Questions, Annick Press, 2011; Eyes and Spies, Annick, 2017) but her collection of teen fiction is growing.  Prince of Pot is her fourth YA book and Tanya Lloyd Kyi capably tackles typical teen issues like first loves, grief, and independence with less common ones of pot grow-ops, teen pregnancy, and dyslexia, grabbing her readers with the familiar and the unusual.  Tanya Lloyd Kyi astutely recognizes that for some the atypical is the familiar, and by writing about these unusual circumstances, she's actually letting many teens see themselves in her writing.  Isaac's situation of living in the woods and helping with his family's grow may seem foreign to many of us but, you can bet, somewhere there is a young person who knows that life, those fears and restrictions of living outside of the law. But there's another who knows the dangers of habituating wild animals such as bears, and another who is infatuated with another and doesn't know how to reconcile the conflict of being with that person and the life they want to or need to live.  This is what works in Prince of Pot.  Tanya Lloyd Kyi makes readers completely sympathetic to Isaac's life with his family and the grow and even his actions which can be criminal or gut-wrenching or wholly innocent.  While my heart broke at a turn of events that should never, ever happen in real life, I could see how the story was leading to that moment.  I know Prince of Pot is just fiction but I suspect somewhere someone is living this kind of life.  I can only hope that, while we enjoy the book as an entertaining read, this story might provide guidance to living well, both within the family and independently, as well as within the law and outside of it, if that so happens.

The Secrets We Keep

by Deb Loughead

Dundurn

978-1-459737297

184 pp.

Ages 12-15

December 2016

Not all secrets are bad; in fact, The Secrets We Keep ends on a very sweet one.  But the secrets being kept in Deb Loughead's newest young adult novel are the destructive kind, the kind that destroy relationships and souls, the kind that erode slowly the edges of what is good until it becomes a slippery slope with a pit at the bottom.

Ever since that field party at the quarry last June when challenged teen Kit Stitski disappeared and was later found dead, drowned in the water, fifteen-year-old Clementine has been tortured with guilt, convinced that she played a role in his death.

It’s like his ghost will not go away and leave me alone.  And now that I know his mother’s still hunting for answers, my secrets are spooking me even more. (pg. 15) 

Worse than her own guilt, Clem’s supposed best friend, Ellie Denton, who had also been secretly at the quarry, partying with Mac, a boy on whom she’d been crushing, is manipulating Clem with the threat of exposure.  With excessive demands on Clem to always be available to cover for her and Mac, Ellie becomes a menace that Clem can’t seem to shake.  Though Clem wishes she could speak to her family about this, she finds some relief when she convinces her tech-addicted parents and younger brother to agree to put aside their devices regularly for some quality family time, including at night when Ellie regularly texts Clem.

That might get Ellie somewhat off her back but Clem is still plagued by a guilty conscience and a crush on Grade 10 student, Jake Harcourt, with whom she’d once been part of a Circle of Friends support group for Kit in middle school.  When the two finally reconnect as friends who've both taken on blame for Kit’s death and recognized how the circumstances have changed them, Clem and Jake look for ways to be something positive in the lives of Kit’s mother and younger brother, as well as expose a lot more secrets concerning the young man’s death.

Though The Secrets We Keep is not a mystery, there is a problem to be solved and secrets to be exposed and Deb Loughead never lets the reader’s adrenalin levels subside.  The tension that Clem suffers at the hands of her friend drives the story and her to find some resolution, one with which she can live.  And though it is never obvious, Jake, the boy who defends another teen rumoured to have fought with Kit that night, is the means to that resolution, as well as a sweet respite from the strain of keeping secrets and harbouring guilt.  The Secrets We Keep has both the strong plot and character development to hook teen readers but its strong message about connecting and disconnecting, both personally and digitally, makes the story one worth reading and heeding.

[][][][][][][][][][][][][][][]

Reviewed just in time, The Secrets We Keep launches this Wednesday, December 14, 2016 at Harbourfront's Lakeside Terrace in Toronto.  Details here.

The Dragonfly Effect (Book 3 of The Hypnotists)

by Gordon Korman

Scholastic Press

978-0-545-50336-5

243 pp.

Ages 9-12

August 2015

When readers last visited with 12-year-old Jackson Opus, the kid had major problems and they all stemmed from the evil Dr. Elias Mako who was determined to manipulate Jax, a powerful hypnotist, into doing his mesmeric bidding.  Thankfully, Book 2 of The Hypnotists, The Memory Maze, ended with Mako being sent to jail, and Jax and his parents being whisked away by the military for their protection.  But, while the Opuses are currently safely ensconced at Fort Calhoun and Jax assists the very serious Colonel Brassmeyer in developing hypnotism as a weapon system as part of HoWarD, the Hypnotic Warfare Research Department, life isn’t as rosy as it might be expected to be.

Jax’s Mom and Dad are bored and miserable, not even able to go bird-watching without getting arrested for leaving without their identification. Not surprizing that Dad has become addicted to the FreeForAll website with its myriad of games and activites, not the least of which is tending to his virtual grass in Lawn Master!  Jax isn’t faring much better, having to deal with the humourless Colonel Brassmeyer, the HoWaRD psychiatrist Captain Pedroia, and the other hypnotists including the nasty Wilson DeVries, former thug for Mako, and eight-year-old orphan and powerful though unskilled hypnotist Stanley X.

In addition to their various activities including bending (hypnotizing) soldiers and each other–which is when Jax realizes how powerful Stanley is–and trying to teach hypnotism to ordinary people, Jax has been recruited to participate in Operation Aurora.  Using remote hypnotism, Jax mesmerizes all 753 volunteer inhabitants at an artificial test community called Delta Prime to stop all activity at a set time.  The collateral damage is frightening to Jax, though Brassmeyer’s miliary sense of duty keeps him from being bothered by it.  Not surprising that when Jax suspects that someone is using remote hypnotism via the FreeForAll website and using the newly-adopted Stanley, the teen hypnotist springs into action, regardless of the army’s intentions for him.

If you’ve read the earlier two books in The Hypnotists series, you’ll know that Gordon Korman keeps readers on the edge of their seats, anticipating the next manipulation by an evil one, or joining in on chase or escape from entrapment or worrying about whom to trust.  Jax’s life is an action-packed adventure he hopes he’ll live through.  And Jax is such a decent kid.  He’s concerned about how miserable his parents are at the cost of his safety.  He’s appalled by Brassmeyer’s relentless experimentation with hypnotism to develop it as a powerful weapon, regardless of the consequences.  And he seems to want to watch out for everyone at HoWaRD, recognizing their vulnerabilities, even the vicious Wilson.

But Gordon Korman is the master of tongue-in-cheek and keeps the reader smiling with his quips and barbs at everything from the military and online games, to bus drivers, and traffic in the Lincoln Tunnel.  

…he noticed Ashton Opus was still playing Lawn Master.  It was almost four hours now!

       In Lawn Master, you could plant, water, fertilize, weed, cut, top-dress, spray, and aerate your virtual lawn.  Dad had just spent the last four hours literally watching grass grow.  It wasn’t even real grass! (pg. 97-8)

But amidst all the skirmishes and problem-solving, Gordon Korman has Jax finding a way, even manipulating it, for himself to lead a “normal” life, and that “happy” ending in The Dragonfly Effect–even though it is important to recognize that, as Jax does, that “It was impossible to command someone to be happy” (pg. 22)–is worth the price, all costs included.

Crash: The Game, Book 3

by Eve Silver

Katherine Tegen Books/HarperCollins

978-0-06-219219-6

357 pp.

Ages 13+

June 2015

If you haven't read Rush and Push, Books 1 and 2 respectively of Eve Silver's The Game trilogy, do read them first.  Crash will be all the more enjoyable with the background gleaned from the first two books.  And you'll see why Rush won the 2015 White Pine award of the Ontario Library Association's Forest of Reading readers' choice award program.


><><><><><><><><><><><><><

Everything that teen Miki Jones thought she knew about the game–in which she and boyfriend Jackson and friend Luka are pulled into by the Committee to fight the alien Drau–comes crashing down in Crash, Eve Silver's final book of her The Game trilogy.

As debilitating and off-centering as the car crash that has landed both Miki's father and her best friend Carly clinging to life in hospital, so is Miki's understanding of how the game works after she finds herself telepathically communicating with an unarmed Drau who pleads for mercy.  This is not the enemy they’ve all been told about.  And now there’s some weird stuff going on in the game, with the players feeling sluggish and images breaking up into pixels, and then it’s not even being played the way they’ve learned it to be.  Even outside the game, Miki keeps getting this creepy feeling like she’s being watched.

So not only is she worrying about her father and Carly and maybe even Jackson leaving her like so many important people in her life already have, now she is brought before the Committee who question her about that encounter with the Drau.  Fortunately, Jackson's sister, Lizzie, who had died in the game but has connected with Miki from a different dimension, instructs Miki how to keep the Committee from getting inside her head and taking over all her memories.

Everything is a muddle.  How is Miki to reconcile what she knows, what she believes, what she feels, and what Jackson says and does, with what they are being told?  Too many inconsistencies and the feeling of being manipulated has Miki on a trajectory to crash through everything she knows or thinks she knows.

Crash is a fitting conclusion, wrapping up The Game trilogy with a very convincing resolution to the story of manipulation for entertainment purposes by an almost omnipotent entity.  And while Eve Silver reassures the reader that there are happy endings for seemingly ill-fated couples and that for those repeatedly overwhelmed by loss it is not endless,  The Game trilogy is a cautionary tale of finding enjoyment in war and destruction, even if it seems to be only in an action-packed role-playing game.  Enjoy the action of the story, including a number of cliff-hangers, but heed its subtle message.  Eve Silver has shared it so expressively, making it worthy of noting.

The Memory Maze: The Hypnotists, Book 2

Written by Gordon Korman

Scholastic Canada
978-0545503297
240 pp.
Ages 9-14
August, 2014

Prolific award-winning author Gordon Korman hit last year's awards lists with the first book in his newest series The Hypnotists, the story of Jax Opus, a teen in middle school who learns he has inherited the ability to bend minds i.e., hypnotize others. Unfortunately the manipulative power-hungry Dr.  Elias Mako attempts to use Jax's gift to manipulate an election and Jax and his parents are forced to flee NYC to the relative anonymity of Connecticut, where The Memory Maze begins.

Now known as the Magnus family, Jax and his parents are living in a rundown house with  Jax's ally, Axel Braintree, whom they refer to as his uncle, but is the head of the Sandman's Guild of New York City. But giving up everything, including others' memories of them, is tough on the Opus family.  Mom is no longer working as a chiropractor but stays at home and endures Axel's endless array of exercises. Dad has gone from a Bentley dealership to a used car salesman. And Jax is now Jack and is trying to control his mesmeric abilities and not draw attention to himself, which becomes impossible when he starts winning chess games and even a tri-borough championship.

In fact, it's through his chess-playing that Jax is introduced to billionaire Avery Quakenbush, a 96-year-old man, who knows Jax's real identity. Quakenbush enlists Jax's services to stave off his imminent death by hypnotizing him so deeply that his body would enter statis, essentially hibernation, until a cure was ready to save him. With $500,000 being offered to his family who'd given up so much for him, Jax accepts Quackenbush's offer readily.

Axel knows that only Jax is gifted enough to take on Mako but, until he learns to control his mind-bending ability, he is a danger to himself and others.  Axel takes on the role of mentor to Jax, teaching him about the history of mesmerism and how to control his gift, while keeping tabs on his Sandman's Guild.  However, when some of the Sandmen start disappearing, Axel has yet another worry to occupy his mind.

Everything becomes muddled when Jax begins his regular hypnosis sessions with Quackenbush, reliving all of the billionaire's memories from his war experiences on the beach at Normandy, the hardships of the Great Depression, and his financial triumphs,  often emphasizing his relationship with his brother Oscar.  What begin as short, targeted mind-bending attempts become frighteningly real episodes of tragedy that last hours.

With the FBI on the hunt for the Vote Whisperer (i.e., the moniker they've given Jax; see The Hypnotists, Book 1 for details), a lip-reading neighbour questioning Jax's family dynamics, Quackenbush reliving 96 years of reminiscences, Sandmen disappearing in New York City, and, most importantly, Jax discovering memories of a brother named Liam, The Memory Maze is aptly titled.

The farce that is Jax's attempt to not bring attention to himself is balanced well with the realism of Quakenbush's life, having lived through many historical milestones and significant events.  The hilarity of the mind-bending that Jax and others perform, both innocently and deliberately, adds a lightness that is necessary when juxtaposed against tricking death and the burden of guilt.  Gordon Korman has always successfully introduced drama into humourous situations and humour into dramatic storylines, so that his young readers are able to enjoy a little bit of everything.  The Memory Maze accomplishes that as well, drawing the readers in with the amusement of mind-bending and Jax's own comic failings, but showing them the downside of that ability and the consequences of manipulating others.  If Gordon Korman didn't have a sense of humour, it would be rather frightening.

Luckily, one thing we do know at the conclusion of The Memory Maze is that Jax and his parents are on their way to a new adventure and we'll need to wait until Gordon Korman shares that one before we know whether our heart or funny bone will be aching.


(((((((((())))))))))

Gordon Korman will be in attendance at Inspire! Toronto International Book Fair in November.

Touch

Written by Kim Firmston
James Lorimer & Co. Ltd.
978-1-4594-0371-0 (epub)
978-1-4594-0369-7 (pb)
101 pp.
Ages 13-18
2013

Most people would see having the magic touch -- finesse -- as a positive attribute, especially if used for charitable or beneficial needs.  If used to manipulate and sway others to your preferences, that same touch can be undesirable or shameful.

But sixteen-year-old Ethan is honestly impressed by his dad's talent to persuade everyone, whether at his IT security workplace or at home.  In fact, Ethan is eager to impress his father with his own skills in hacking, tech and engineering, hoping to emulate his father's success at age 19 winning a robotic competition.  He even tries to manipulate his girlfriend Maddie into cozying up to their competition, Antoine, to get a look at his plans.  Needless to say, Ethan soon learns he doesn't always demonstrate his dad's proficiency at enticing others to his will.

Though close to his father, Ethan is comfortable with his father's new wife and younger step-sister, Haley, and considers them his family.  But when Haley's attention-grabbing antics (e.g., cutting her long hair and dying it black with red tips; going Goth; having meltdowns) eclipse his successes and accolade-grabbing stunts, Ethan is less than compassionate about what may be troubling Haley.  Not surprising that when Haley tells her mother that Ethan's dad has been touching her inappropriately, Ethan does not believe her.

After his dad moves out without letting Ethan know, Ethan's confusion is exacerbated, having him wondering about his own place in the family and where his loyalty and trust should lie.  With his dad continuing to manipulate him to keep tabs on Haley and Mom, Ethan begins to see how control is not everything, especially when compassion, cooperation and compromise can achieve so much more.

Part of Lorimer's SideStreets series, Touch offers a contemporary story line, based on the issue of sexual abuse, in a hi-lo format i.e., high interest, low vocabulary.  While it is too predictable from the title and opening scenes that Haley is being sexually abused, Ethan's responses offer the perplexity needed to deepen the story.  While dealing with his own disbelief and conviction of his father's innocence, Ethan comes to see his father's manipulative techniques as selfish and detached, not admirable or effective.  With that change in perspective, Ethan is able to redirect the skills he was using to impress his father to expose him instead.  That twist in his purpose saves Ethan from his own narcissistic path and unexpectedly has him becoming a real big brother to Haley, protecting her as much as he can.

While the hi-lo format can restrict the story development and expression of characters, a good writer can augment the base story elements with enough details, secrets and innuendo to take a story from ordinary.  Personally I would have appreciated more evidence that Ethan could develop a change of heart, but Kim Firmston has a good solid plot here in Touch, adding Ethan's finesse with technology, to provide readers with greater substance on which to focus our story demands.