Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

July 03, 2024

Plague Thieves

Written by Caroline Fernandez
DCB Young Readers
978-1-77086-732-1
208 pp.
Ages 9–12
May 2024
 
It's 1665 and twelve-year-old Rose lives with her parents and sixteen-year-old brother Lem above their spice shop in London, England. Though Lem hates working in the shop, instead sneaking off to join his delinquent friends, Rose loves helping her father out, learning about spices for cooking, medicines, and cleaning. And then "the sickness crept into London." (p. 5) When Mother comes back from the market with flea bites and takes to her bed, Father closes the shop and sends the children to stay there. Via notes, he instructs Rose to collect ingredients for him so that he might create a medicinal oil to heal Mother. But his efforts are to no avail and Mother dies. Before Father also succumbs to the illness they should not name aloud, he gives Rose the recipe for an oil he believes will protect them. He tells them all the ingredients but one, though Rose knows what it is. They are instructed to place the oil on a handkerchief and set it over their noses and mouths as a mask. His last warning is to not to tell anyone about the oil and to do whatever they must to survive.
 Steal. Trade. Survive. (p. 18)
When they have left, Father burns the shop, and the two young people are truly homeless. With but a few coins and some silver spoons to trade, Rose and Lem each take one of the three bottles of oil she has made from Father's recipe and bury the third beneath a bridge where they also find shelter for themselves. And so begins their lives on the streets of London, finding any means to survive, including becoming thieves. That is, until Lem does not return one night. Now Rose is alone, evading anyone who recognizes her as the daughter of the spice merchant who was rumoured to know the cure for the Great Plague.

Rose builds a new life on the street with others who have lost jobs or homes because of the plague and are now struggling as she is to survive. Among these displaced persons are Elizabeth and her five-year-old daughter Clove; Amon, the son of a trader from Shanty Town; and two former farmhands Cinn and Cal. Rose doesn't know whom she can trust but she does know to avoid the black-clad man with the strange bird mask whom she calls the beast and who always seems to be around plague houses. 

From the mundane life of household chores, working with her father, and the drudgery of life in 1665 London, Rose's life becomes one of a dubious nature, never knowing whether there will be food, whether there will be shelter, who might be dangerous, and, worse of all, if they will be able to evade the plague itself. Accompanying Rose as she navigates arduous roads of grief and fear and desperation, young readers will get a very good idea about the historic hardships of an epidemic of which little was known, during which all actions were driven by fear. Caroline Fernandez tells Rose's story as an edge-of-your-seat read, keeping us wondering the whole time. We know there won't be a happy ending–it is the time of the Great Plague of London after all–but Caroline Fernandez invests us in Rose and other characters, most notably Amon, hopeful that they will survive and find some light out of the darkness. She definitely gives the atmosphere of anxiety and even despair, but she doesn't overdo it, never frightening the reader with the circumstances but instead helps us understand what life would have been like in 1665 London both before and during the Great Plague. With Plague Thieves, Caroline Fernandez has given us a spell-binding read that captivates but also enlightens about a time in which bleakness was almost inescapable.

June 24, 2019

You Owe Me a Murder

Written by Eileen Cook
Houghton Mifflin Harcourt
978-1-328-51902-3
359 pp.
Ages 13+
March 2019

Travel provides opportunities for new experiences, for meeting new people, and for personal growth.  But for seventeen-year-old Kim, her summer trip to London with Student Scholars for Change seems doomed from the beginning. Not only is she no longer in a relationship with Connor for whom she'd initially signed up for the trip, he is travelling with new girlfriend Miriam, and Kim has to watch it all from the sidelines of their small group of eight Vancouver high schoolers. But after meeting English girl Nicki, who challenges her to steal a bottle of duty-free vodka and lets her vent about Connor all the way to London, Kim is ready to find "a new me" (pg. 41), one that could be daring and isn't a quitter.
Being good at something doesn't mean that it isn't hard or scary–it just means that you keep moving forward when other people quit. (pg.25)
But in that vodka-infused venting session, Kim prepares a list titled "WHY I HATE CONNOR O'REILLY AND WHY HE DESERVES TO DIE" and Nicki suggests that she will kill Connor and Kim could kill Nicki's mom whose alcoholism is making her life miserable. Of course, Kim barely remembers their laughable discussion until Connor is killed in a Tube station and she gets a message that reads "You're welcome" along with the news story about his death.

Panicking, Kim doesn't know to whom she can turn. Worse still, the police begin investigating and Kim realizes her silence about her relationship with Connor is going to make her look suspicious. Worst of all, Nicki still has the incriminating document and is using it to blackmail Kim into murdering her mother.

So while sightseeing in London and relishing a budding romance, Kim tries to evade a drunken commitment to homicide, investigate the mysterious Nicki, and keep herself and others safe from a girl who purports to be owed a murder.

I would call You Owe Me a Murder a roller-coaster except that ride suggests highs and lows and twists and turns and this young adult novel has no lows. From start to finish, it's more like a high-wire act: tense, dangerous, and unrelenting. With Eileen Cook's exceptional plotting, You Owe Me a Murder becomes a magnificent melding of relationship angst with psychological thriller. It's a waiting game for the reader who is compelled to read through to learn whether Kim will go with through the murder pact or become victim to Nicki's vengeance. With characters like Kim and Nicki, and even secondary ones like Connor, Miriam and Alex, You Owe Me a Murder becomes a complex study in human behaviour as young people fall in and out of love or lust, seek revenge and fulfilment, and try to discover who they really are and what they are capable of being and doing.

Like Hitchcock's movie Strangers on a Train, Eileen Cook's You Owe Me a Murder demonstrates that meeting the right or wrong person can turn your life upside-down, and finding the way to right things may require courage and recognition that the truth hides in the details. (pg. 324)

April 09, 2016

Festival of Trees 2016: Scheduled events

This month, young readers are voting for their favourite books in the Ontario Library Association's Forest of Reading program, and next month these readers' choice awards will be announced at Festival of Trees celebrations in London, Sault Ste. Marie and Toronto.  For those whose children are voting but haven't committed to attending one of the ceremonies, rethink that decision with this listing of workshops by youngCanLit authors and illustrators.  What a phenomenal opportunity for young people to meet and learn from our outstanding contributors to young CanLit.  Full details are available at the website Forestfestivaloftrees.ca/festivals/


Awards Ceremony 10-11a.m.

Workshops 11:15-11:45 a.m.
  • Janet Wilson, author/illustrator of Our Heroes: How Kids are Making a Difference
  • Emil Sher, author of Young Man with Camera
  • Kevin Sylvester, author of Baseballology: Supercool Facts You Never Knew

Workshops 12-12:30 p.m.
  • Lorna Schultz Nicholson, author of Fragile Bones: Harrison and Anna
  • Liam O'Donnell, author of Tank and Fizz: The Case of the Slime Stampede
  • Wesley King, author of The Incredible Space Raiders from Space!

Workshops 12:45-1:15 p.m.
  • Karen Bass, author of Uncertain Soldier
  • Joel Sutherland, author of Haunted Canada 5: Terrifying True Stories
  • David Skuy, author of Rocket Blues

Workshops 1:30-2:00 p.m.
  • Charis Cotter, author of The Swallow: A Ghost Story
  • Jennifer Mook-Sang, author of Speechless
  • Kathleen Cook Waldron, author of Between Shadows
  • Eric Walters, author of Hope Springs




Awards Ceremony 10-11a.m.

Workshops 11:15-11:45 a.m.
  • Kevin Sylvester, author of Baseballology: Supercool Facts You Never Knew
  • David Skuy, author of Rocket Blues

Workshop 12-12:30 p.m.
  • Alma Fullerton, author of In a Cloud of Dust

Workshops 12:15-12:45 p.m.
  • Eric Walters, author of Hope Springs, Walking Home
  • Joel Sutherland, author of Haunted Canada 5: Terrifying True Stories

Workshop 12:45-1:15 p.m.
  • Daphne Greer, author of Jacob's Landing

Workshops 1:15-1:45 p.m.
  • Janet Wilson, author/illustrator of Our Heroes: How Kids are Making a Difference
  • Elly MacKay, author/illustrator of Butterfly Park

Workshop 1:30-2:00 p.m.
  • Natalie Hyde, author of Glow-in-the-Dark Creatures



White Pine Award Ceremony 10-11 a.m.

Workshops 10:30-11 a.m.
  • Eric Walters, author of Walking Home
  • Susin Nielsen, author of We Are All Made of Molecules
  • Sharon E. McKay, author of Prison Boy

Workshop 11:15-11:45 a.m.
  • Sandra Bradley, author of Henry Holton Takes the Ice

Workshops 11:30 a.m.-12 p.m.
  • Elly MacKay and Claudia Dávila, author/illustrators of Butterfly Park and Super Red Riding Hood
  • E. K. Johnston, author of The Story of Owen, Dragon Slayer of Trondheim
  • Jeyn Roberts, author of The Bodies We Wear

Red Maple Award Ceremony 11:30 a.m.-12:30 p.m.

Workshop 12:15-12:45 p.m.
  • Alma Fullerton and Sangeeta Bhadra, authors of In a Cloud of Dust and Sam's Pet Temper

Workshops 12:30-1:00 p.m.
  • Don Aker, author of Delusion Road
  • Jennifer Gold, author of Soldier Doll

Workshop 12:45-1:15 p.m.
  • Caroline Pignat, author of The Gospel Truth

Blue Spruce Award Ceremony 1-2 p.m.

Workshop 1:15-1:45
  • Lorna Schultz Nicholson, author of Fragile Bones: Harrison and Anna

Workshops 1:30-2:00
  • Karen Bass, author of Uncertain Soldier
  • Allan Stratton, author of The Dogs
  • Emil Sher, author of Young Man with Camera




Silver Birch Non-Fiction Award Ceremony 10-11a.m.

Workshops 10:15-10:45 a.m.
  • Eric Walters, author of Hope Springs
  • David Skuy, author of Rocket Blues
  • Alison Hughes, author of Lost in the Backyard
  • Wesley King, author of The Incredible Space Raiders from Space!
  • Chris Earley, author of Weird Frogs
  • Sharon E. McKay, author of The End of the Line
  • Joel Sutherland, author of Haunted Canada 5: Terrifying True Stories
  • Margriet Ruurs and Elizabeth McLeod, authors of A Brush Full of Colour: The World of Ted Harrison and Colossal Canada: 100 Epic Facts and Feats

Silver Birch Fiction Award Ceremony 11:30 a.m.-12:30 p.m.

Workshop 12-12:30 p.m.
  • Sue Carstairs, author of Saving Turtles: A Kids' Guide to Helping Endangered Species

Workshops 12:15-12:45 p.m.
  • Kallie George and David J. Smith, authors of The Magical Animals Adoption Agency: Clover's Luck and If: A Mind-Bending New Way of Looking at Big Ideas and Numbers
  • Liam O'Donnell, author of Tank and Fizz: The Case of the Slime Stampede
  • Kevin Sylvester, author of Baseballology: Supercool Facts You Never Knew

Workshop 12:45-1:15 p.m.
  • Charis Cotter, author of The Swallow: A Ghost Story

Silver Birch Express Award Ceremony 1-2 p.m.

Workshops 1:15-1:45 p.m.
  • Kathleen Cook Waldron and Jennifer Mook-Sang, authors of Between Shadows and Speechless
  • Gordon Korman, author of Masterminds
  • Jordan Stratford, author of The Wollstonecraft Detective Agency: The Case of the Missing Moonstone

Workshop 1:30-2:00 p.m.
  • Caroline Fernandez and Natalie Hyde, authors of Boredom Busters: 50+ awesome activities, recipes, experiments, and more and Glow-in-the-Dark Creatures

Author Kevin Sylvester hosting an awards ceremony


Cérémonie de remise des Prix Tamarac 10-11 a.m.

Atelier 10:15-10:45 a.m.
  • Katia CancianiLe voyage en Chine
  • Alain RaimbaultIdées de génie - tome 1 - Championne d'Expo-sciences?
  • Andrée PoulinUn bain trop plein

Atelier 11:15-11:45 a.m.
  • Nadya LaroucheComme un tour de magie
  • Joannie BeaudetL' île de Cosmo le dodo: La potion magique
  • Dominic LangloisLe trésor de Memramcook
  • Jennifer CouëlleL'homme sans chaussettes
  • Caroline MerolaÇa commence ici!

Cérémonie de remise des Prix Tamarac Express 11:30 a.m.-12:30 p.m.

Atelier 12-12:30 p.m.
  • Dominique de LoppinotLes vers de terre d'Ester
  • Danielle VervilleLa fée des poils
  • Renée RobitailleDouze oiseaux
  • Jean Beaudry, La Gang des hors-la-loi
  • Sylvie Roberge, Le vol TS-236

Atelier 12:45-1:15 p.m.
  • Karine Gotton et Mathieu LampronLes Mutamatak -tome 1 - Les superhéros
  • Marie-Andrée ArsenaultLes souvenirs du sable
  • Rhéa Dufresne, Un clic de trop

Cérémonie de remise des Prix Peulplier  1-2 p.m.

Atelier 1:30-2:00 p.m.
  • Lydie ColetteNOA - À la rencontre des enfants du monde!
  • Laurent ChabinLa momie du Belvédère


May 07, 2015

Mad Miss Mimic

by Sarah Henstra
Razorbill
978-0-14-319236-7
272 pp.
Ages 13+
For release May, 2015

Fitting in is a dilemma for young people the world over and throughout time, whether it be contemporary Canada or 1870s London.  But the constraints of Victorian England were highly embedded in the strict social hierarchy of the day.  Young women of standing, such as seventeen-year-old Miss Leonora Somerville, niece of the Countess of Hastings, were expected to make suitable marriages, partaking in endless social engagements, while the men were to engage themselves with business and politics.  But, as lovely as she is, Leonora’s stammering and learned ability to mimic others–she has heard them call her Mad Miss Mimic–have put her at a great social disadvantage, and one which her older sister Christabel, wife of Dr. Daniel Dewhurst and mother of two, is determined to hide–afterall, “Madness will take the shine off gold” (pg. 21)–in order to procure an engagement for Leonora and finally move her out of Hastings House.

Currently, Christabel’s efforts are focused on the wealthy merchant seaman Mr. Thornfax, a new business partner of Daniel’s and the son of the Lord Rosbury.  And all Leonora has to do it not speak.  But when Mr. Thornfax asks her questions directly, she has no choice but to answer, unconsciously mimicking her sister.
“Mimic had leapt in to rescue me from trouble. She’d allowed me to adopt my sister’s voice and manners wholesale, so that I could say whatever Christabel would say–or whatever I might imagine her to say–in precisely the way Christabel would have said it.” (pg. 30)
Fortunately, her cousin Archie Maverty, a reporter, who knows of her mimicry, rescues her, though more for her benefit than for Thornfax whom he regards as suspicious. But it is Daniel’s work at his surgery, where a young man named Tom Rampling assists him, that makes Leonora suspicious, especially after a young servant girl, Hattie, dies.

Because of her household interactions with Hattie, and her curiosity about Hattie’s involvement with Daniel and Mr. Thornfax, Leonora develops a rapport with the clever and creative Tom, to whom she is drawn because of his compassion for others and his acceptance of her mimicry.  However, Leonora is still being courted by Thornfax, London is still being held hostage by the dangerous Black Glove and his fatal explosions, and Leonora is troubled with doubts about Tom’s honesty, Christabel’s frequent agitation, and Daniel and Thornfax’s business.  That very simple but necessary betrothal begins to be the least of Leonora’s worries soon enough.

At its heart, Mad Miss Mimic is a Victorian mystery, all the more perplexing because of the information that the characters choose to share of themselves.  Yes, the Black Glove chooses to remain concealed, but everyone else–Tom, Thornfax, Christabel, Daniel– including our narrator herself also chose what secrets and fears and guilt they share and which they do not.  The reluctance of all to speak with their own voices–save perhaps their Aunt Emma, but I suspect age and privilege have helped beget that courage–creates the mystery of Mad Miss Mimic.  And, with Sarah Henstra’s brilliant characterizations and historical setting, the mystery and an unexpected and sweet romance at its core, Mad Miss Mimic reveals the need for voices to be given the freedom for expression if life is to be worth living.

 *   *   *   *   *   *   * 

Special post tomorrow: Q & A with author Sarah Henstra about her first novel, Mad Miss Mimic

April 26, 2015

The Secret of the Golden Flower: A Nicki Haddon Mystery

by Caroline Stellings
Second Story Press
978-1-927583-63-0
152 pp.
Ages 12-16
March, 2015

I'm so sorry that I missed Caroline Stellings' first Nicki Haddon mystery, The Scratch on the Ming Vase (Second Story Press, 2013), but now that I've enjoyed The Secret of the Golden Flower, I'll go back and learn how this young kung-fu champion and spy-in-training found herself on an action-packed trajectory in aid of international security.

In The Secret of the Golden Flower, sixteen-year-old Nicki Haddon arrives in London, England with her handler and former family butler Fenwick to further her training with the British Secret Intelligence Service.  But, whilst Fenwick is summoned away to Buckingham Palace, Nicki heads to Fenwick's sister Emma's place where she will board.  Though her 40-something punker band mates, Dawn and Anika, and Anika's 18-year-old son Sid, are welcoming, Emma is less than kind and keeps Nicki en garde, just as the teen is about a flower vendor at the airport who was taking photos of her or with a friend of Sid's named Todd Bead, a heroin addict and gang member who had been stalking Nicki though he comes to warn Sid about the cops coming.

But Sid is arrested, ending up in Limehouse Prison, an unhealthy place for someone suffering from respiratory illness, such as the tuberculosis rampant in London's East End, and Nikki tries to unravel the connections between a major heroin syndicate, a series of lectures at the Natural History Museum, an old book Queen Victoria's grandsons had in their possession, and the involvement of Todd, Sid, one of Nicki's intelligence instructors, and others.

The subplots of The Secret of the Golden Flower are like petals of the titular flower: not dense and overwhelming but loosely overlapping, fragile and tender but foreshadowing something more powerful, even dangerous.  In fact, Caroline Stellings' Nicki Haddon is not unlike the flower itself, seemingly small and pretty, even delicate, perhaps a little vulnerable because of the secrecy of her heritage and adoption from China, but not one with whom you would mess, if you were wise.  Nicki is a teen with her own issues which help build her compassion for others, even heroin addicts and gang members such as Todd.
Their only option in life was to join a gang and learn to steal and use violence to try to get some control over their lives. (pg. 117)
I prefer Nicki to so many of the strong female protagonists of trendy YA lit. She is never over-the-top.  Sure, her being recruited as a spy for British Intelligence may seem unrealistic at first glance, but it never seems so in The Secret of the Golden Flower, and I suspect it is similar in The Scratch on the Ming Vase.  She just happens to be a clever and talented martial artist, with the right stuff to insinuate herself into situations in which she can problem-solve the mysteries within. And for those of you who wonder how she is able to manage all this with her family–e.g., don't her parents wonder what she's up to?–you'll need to read the books to see how seamlessly Caroline Stellings is able to integrate all these aspects of Nicki's life.

I've become quite impressed with the depth and diversity of Caroline Stellings' writing, from The Secret of the Golden Flower to her previous books including The Contest (Second Story Press, 2009), The Manager (Cape Breton University Press, 2013) and Gypsy's Fortune (Peanut Butter Press, 2014).  Whether it be picture books, historical fiction, middle grade fiction or action-mystery, I think Caroline Stellings will be on the CanLit for LittleCanadians lit radar from now on. 

April 25, 2015

Neil Flambé and the Bard's Banquet

Written and illustrated by Kevin Sylvester
Simon & Schuster Books for Young Readers
978-1-48141-0-380
320 pp.
Ages 8-12
January, 2015

Boy chef Neil Flambé, now 15, can't seem to keep himself out of trouble, not even when he tries.   He tries to ignore a jar of old honey with its mysterious note in it that was part of a case excavated at a demolition in London and now the basis for a meal extraordinaire he is preparing for Lord Lane of Liverpool.  But an unexpected shortage requires the ostracized jar to be opened, and the note– with a poem, some numbers and a drawing of a key–is taken by Lane, a Shakespearean aficionado and thespian supporter, but not before Neil's cousin and partner, Larry,  snaps some photos of it.  

As luck (?) would have it, Lord Lane disappears and Her Majesty "requires" that Neil and his Nose–he can sniff out anything–promptly travel to London to smell out the mystery and, of course, find Lane and the "jewel" alluded to in the note.  Neil may have the Nose but it's Larry with his limitless knowledge of Shakespeare's work–I know, go figure–and his sweet affection for the ladies who enables Neil to search out the right sources and decipher the multi-layered clues.

The two are soon partnered with Rose Patil, the uber-brilliant chemist and acquaintance of Neil's sweetie, perfumier Isabella Tortellini. The thorny Rose, who is working at recreating the actual scents that Shakespeare's wife may have worn, agrees to help them decipher the note, suggesting their investigation begin with Will Kemp, a comedic actor whose friendship with Shakespeare had mysteriously sour.  Following clues about Drake's voyage, the Globe Theater, a clock and more, Neil, Larry and Rose, and eventually Isabella and her bodyguard Jones, begin an action-packed foray into history, Shakespeare's work and Elizabethan cooking, while being pursued by the unsavoury Crayfish brothers, all in the hopes of discovering the "jewel" and finding Lord Lane, hopefully alive.

Neil Flambé and the Bard's Banquet is a full serving of epicurean delights, that infuses a mystery with history, action with education–do your homework, Neil!–and fromage with farce.  And the punning and word play is wonderfully inventive and flavourful! 
"So since food and Shakespeare are the themes of the day right now, I wondered what Shakespeare would call his plays if he were also a chef!" (pg. 212)
...
"Measuring Spoon for Measuring Spoon!"
"The Taming of the Stew!"
"Romeo and Omelet!"
"Twelfth Bite!"
"A Midsummer's Light Cream!"
"The Merchant of Venison!" (pg. 213)
The solution to the mystery is never, never evident, unless you are a scholar of food, Shakespeare and word play, and perhaps not even then.  It takes an assortment of characters, some sweeter than others, to separate the clues, then blend them together into something that is both recognizable, palatable and delicious. Kevin Sylvester does this easily in Neil Flambé and the Bard's Banquet, perhaps his most bountiful Neil Flambé Caper to date.  

  *  *  *  *  *  

Yes, I loved Neil Flambé and the Bard's Banquet but I must share with you a brief Twitter conversation I had with author Kevin Sylvester about the end of the book.  I hope that, if my review doesn't get this book into your hands or into your school, this might.



You'll need to read this book to see what I mean, and then we'll all have to wait for Book 6 for a more revealing answer.

January 25, 2015

The Case of the Missing Moonstone: The Wollstonecraft Detective Agency, No. 1

Written by Jordan Stratford
Art by Kelly Murphy
Alfred A. Knopf
978-0-385-75440-8
216 pp.
Ages 9-13
January, 2015

Devastated with the loss, to marriage, of the only governess she has ever known, eleven-year-old Ada Byron finds comfort in numbers and the wicker basket of her hot air balloon tethered to the house in Marylebone Road, London.  Except for the silent butler, Mr. Franklin, and two house maids, Ada is virtually alone.  Her father, Lord Byron, was killed years earlier and her mother, Baroness Wentworth, bitter with her husband's infidelity and life choices, is often absent.  But all changes for Ada when her new tutor, Mr. Percy Snagsby, and fellow student, Mary Godwin, 14, arrive.

While Ada is disinclined to accept her new educational situation, calling Mr. Snagsby "Peebs" and imaging a cannon from which to shoot him, Mary is very appreciative of it, thrilled with being tutored alongside the titled and wealthier Ada at her much grander home.  With time and the benefit of Mary's compassion and social competencies, the two girls become friends, complementing each other beautifully.  In fact, reading about criminals in the newspaper, the two decide to become a secret constabulary, the Wollstonecraft Detective Agency.  Still trying to work within the social confines experienced by women at the time, the girls take on the case of Miss Rebecca Verdigris, whose maid falsely confesses to stealing her Acorn of Ankara pendant, a birthday gift from Rebecca's late uncle. With Ada's quirky brain and logic and Mary's benevolence and civility, the partners attempt to exonerate the maid, Rosie Sparrow.

Although based on historical figures, Ada and Mary are truly unique young ladies, befitting those of different social standings and family situations.  Ada has learned to be self-reliant, appreciative of her books and numbers i.e., that upon which she can depend. Mary, more mature and attentive to those around her, is fully aware of society's expectations and allowances, and acts as the voice of reason in their friendship and the Wollstonecraft Detective Agency.  Take this sample dialogue between the two girls.
"Because," Mary said guiltily, "sometimes you need to be careful about what you say and when you say it."
"That's silly.  There are just things to know, and people should know them and that's that."
(pg. 127)
Luckily, Jordan Stratford plays up their differences, similarly depicted in Kelly Murphy's quaint drawings, and demonstrates the innate humour of their attitudes.
"How are we to find Rosie in here?"
Ada pointed to the right. "This way."
"How do you know?" asked Mary.
"I don't.  I'm just guessing. But if I'm wrong, the other way will still be there."
(pg. 111)
Though Jordan Stratford takes some liberties with historical timelines–making Ada eleven and Mary fourteen years of age–he stays true to the essence of the two girls and their interests and personalities.  Ada who will become better known as Ada Lovelace (1815-1852), mathematician, writer and essentially the world's first computer programmer, is the beautiful mind of The Case of the Missing Moonstone.  Mary Godwin, daughter of writer Mary Wollstonecraft, will marry poet Percy Bysshe Shelley, and become Mary Shelley, author of Frankenstein (1818).  Similarly, Jordan Stratford uses the known friendship between Percy Shelley and Lord Byron, as well as Ada Lovelace's relationship with Charles Babbage, for additional historically-accurate subplotting.

The Wollstonecraft Detective Agency is a welcome series for middle-grade readers, providing an offbeat historical perspective to solving mystery.  I look forward to further cases, including The Case of the Girl in Gray, No. 2 in the series, scheduled for release August, 2015.

March 17, 2014

Jewel of the Thames: A Portia Adams Adventure


by Angela  Misri
Fierce Ink Press
 978-1-927746-50-9
238 pp.
Ages 12+
March 2014


Take yourself back to London after the turn of the century (19th to 20th, that is), after the death of Queen Victoria and at the beginnings of the city's transformation into a modern city with an underground, electric trams above ground, and a mixture of Gregorian, Victorian, Edwardian and Art Nouveau stylings.  And Scotland Yard working against all nature of crime, sometimes with the help of consulting detectives, the most famous of which was Sherlock Holmes.  But in this London, add a youthful, female version of Mr. Holmes, named Portia Adams, and you have Angela Misri's new young adult book, Jewel of the Thames.

With her mother's death from breast cancer in 1930 Toronto, nineteen-year-old Portia has lost all the family she has ever known: her father, Charles Eagle, to the Great War; her maternal grandmother, Constance Adams; and now her mother, Marie Jameson née Adams.  But the appearance of the elderly and wealthy Mrs. Irene Jones of New Jersey as the only person other than Portia mentioned in her mother's will brings a new guardian into Portia's life, one who will ensure her care and education and allow her to accept her inheritance of the house at 221 Baker Street, London.

So Portia, who chooses to use her mother's maiden name of Adams now, becomes landlady at 221 Baker Street and chooses to live upstairs from her tenants, an elderly couple, Mr. and Mrs. Dawes, and their son Brian, who is completing his Scotland Yard training for a police constable.  This startling life change is nothing compared to Portia's learning that she is the granddaughter of Dr. John Watson, the biographer and friend of 221B Baker Street's most famous resident, Sherlock Holmes.  While puzzled by the secrets both her grandmother and mother kept from her about her heritage, Portia is delighted to learn of her grandfather's work through his long-stored case books and to share her predilection for justice, as well as inductive and deductive reasoning, with Brian Dawes with whom Portia establishes a fast friendship.

While the book is named Jewel of the Thames, it's also the title of the first of three case books shared in Angela Misri's first Portia Adams AdventureJewel of the Thames focuses on a string of burglaries that Brian is investigating for Scotland Yard, and which he discusses with Portia.  Gleaning valuable information about robberies, crime scenes and using disguises from the wealth of case books left to her, Portia pursues possible solutions to the crimes. But, while her skills of logic and detection have earned her the support of her Somerville College professor, Chief Inspector Archer of Scotland Yard, her intrusion into police cases is seen as meddling by Brian's supervisor, Sergeant Michaels, regardless of how he can take advantage of her positive results.

Her second case, A Case of Darkness, comes her way via a classmate, Mr. James Barclay, who requires some discreet inquiries made regarding the strange behaviours of his older sister, Miss Elaine Barclay, particularly in regards to their father's mysterious and debilitating illness.

The final case in this tome is titled Unfound and centers on a missing child aboard the train on which Portia is travelling to Scotland to visit Mrs. Jones for the Christmas holidays.  Even with an eight-hour non-stop journey, the search for the little girl seems impossible, until Portia intervenes.

The inclusion of three cases in one book is very Holmesian (or should that be Conan-Doylely?) but the three are easily tied together by Portia's continuous research into her family, often relying on Mrs. Jones for information.  Ever the traveller, Mrs. Jones pops in randomly to check on her ward and evade or discreetly answer the barrage of questions posed to her by Portia.  Portia is determined to learn everything about why and how her grandmother and mother separated themselves from her British relatives, and what role Mrs. Jones plays in this secret history. 

Angela Misri's research into 1930's London and the books of Sherlock Holmes and Dr. Watson's cases for Jewel of the Thames has obviously been extensive.  Without relying on the smog and poor sanitary conditions of Holmes' turn-of-the-century London to establish atmosphere (no pun intended), Angela Misri easily embeds Portia Adams in a London of many textures, from its landscape to its climate and people, to its politics and society.  The criminals may not be losing themselves in the pea soup smog or crowds in Sherlock Holmes' early years, but they still make use of the bridges, fear, poisons and common practices of the people to get away with their nefarious actions.  
(1)

Luckily Portia Adams is clever but never arrogant (unlike the oft-condescending Holmes), regularly questioning herself and chastizing herself about her mistakes.  Moreover, she attempts to use her skills to make things right, whether it be for a banished cat, a sibling rival or a victim of abuse.  She wraps her logic and solutions in compassion, recognizing that sometimes good people do bad things.  It is that thoughtfulness and sincere modesty that make Portia Adams a finer detective than Holmes could ever have been, and a far more worthy character for readers to admire and follow. And follow Portia Adams I will, into her subsequent cases, into resolving the secrets of her family history and into an upcoming romance with a character already-introduced that isn't Brian Dawes.  The suspense is killing me!  That's one mystery only Angela Misri can solve, with Book 2 in her Portia Adams Adventure series.


(1) This word cloud in the silhouette of Portia Adams was created by Angela Misri and retrieved from her website for her Portia Adams Adventures at http://aportiaadamsadventure.com/


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WANT TO WIN AN eCOPY of JEWEL OF THE THAMES?
As part of the Jewel of the Thames Blog Tour, running from March 17 to April 3, Fierce Ink Press has generously offered an ebook giveaway of Jewel of the Thames for a reader of CanLit for LittleCanadians.  Leave a comment below (before noon (EST) on March 19, 2014) explaining why you'd like to read Jewel of the Thames, for your chance to win a copy of the ebook.

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TOMORROW
Watch this site tomorrow for a Q & A with Jewel of the Thames author Angela Misri as part of Jewel of the Thames Blog Tour, for revealing thoughts about her new series and more.

January 01, 2013

The Friday Society

by Adrienne Kress
Dial Books (Penguin Group)
978-0-8037-3761-7
440 pp.
Ages 12+
2012

The Friday Society ushers in a new world of steampunk, in which three young ladies from very different backgrounds join their non-traditional forces to defeat evil machinations in very traditional turn-of-the-century London.  And if I read Adrienne Kress' ending correctly, The Friday Society is just the first in a series of books that will star these new heroes.

Our three heroes, all about 17-years-of-age, are Cora Bell, the personal and lab assistant to parliamentarian-inventor Lord White; the overwhelmingly beautiful Nellie Harrison, magician's assistant to the Great Raheem, a caring and wise surrogate father; and Michiko Takeda, former samurai student and current fight and self-defense instructor under the abusive Sir Callum Fielding-Shaw.  After a gala attended by Cora and Lord White at which the Great Raheem and Nellie perform, and Callum and Michiko demonstrate, the three girls finally cross paths.  Nellie and Cora, sharing a carriage home, come across Michiko who has been knocked unconscious after discovering the deserted carriage and decapitated head of another performer at the gala.  Dr. Welland had demonstrated the power of a new gravity-defying metal called cavorite in a mechanical bird that flew about the hall.  Now he has been murdered, the cavorite is gone and Michiko is determined to find the man, who she calls Fog, and fight him again to restore her honour.

Although now acquainted, the three young women still seek answers on their own.  Michiko seeks Fog, while teaching a young boy, Hayao, to be a samurai in return for his teaching her to run and jump across wide chasms.  Nellie is determined to discover  more about a poisoned man who died in the home she shares with Raheem.  Her inquiries take her to the Medical and Scientific Institute where she makes the acquaintance of the creepy Dr. Mantis and learns of the Society of Heroes, a secret group of scientists. Meanwhile, Cora is dealing with the amorous Mr. Andrew Harris, the handsome new lab assistant, toiling over a complicated new device, and mourning the death of a former friend, one of several flower sellers murdered recently.

Without obvious contrivance, Adrienne Kress knits the network of story-lines and mysteries into a powerful plot enriched with vivid characters (no matter how incidental they may appear to be), atmospheric settings, and complicated encounters, both emotional and physical.  And the humour in The Friday Society!
Dr. Mantis took a step toward her. "Do you know the difference between you and me?" he asked in that quiet voice of his.
"Aside from the fact that I have hair?" (pg. 392)
Adrienne Kress subtly blends contemporary language with the formalities of Victorian England with rousing success, effecting wit and levity in dramatic and tragic circumstances.
"Sir," she said, turning around abruptly and aiming her small pistol between his legs, "I am not the police.  I am not here to make a scene, nor to report any activity to anyone.  I am merely here to find my boss and bring him home so he can prepare for an event this evening for which it would be best if he were sober.  You have been most unhelpful, and if you don't let me take care of my business, I can assure you I will do away with yours." (pg. 17)
Even her recently uploaded trailer for The Friday Society (posted on our book trailers page here) ends with this playful wit.

Humour, mystery, action, strong female heroes, weird and wonderful contraptions, and the promise of romance - The Friday Society has all the right components for a highly-effective and sure-to-trend debut of a series.