Still Alive (Kidnapped From Ukraine, Book 3)

Written by Marsha Forchuk Skrypuch

Scholastic Press

978-1-5461-0457-5

320 pp.

Ages 8–12

April 2026 

 

 

While the war on Ukraine by Russia continues to this day, Marsha Forchuk Skrypuch is ready to resolve the story of twins Dariia and Rada Popkova. The story that began with Dariia's perspective on the attack and invasion of Ukraine in Under Attack (2025) after the girls' separation, and that led to Rada's story in Standoff (2025) comes full circle with a story that brings families together. They are still alive and fighting for themselves, each other, and their country.

 

Still Alive begins in November of 2022 with Rada and her mom living in a ski village in the Carpathian Mountains. Mom works as a manicurist at the Hotel Karpaty, and they are preparing to move into their prefab home in a new refugee area in nearby Prytulok. They receive unexpected messages from Dariia, who has been "adopted" by a Russian family in a Moscow suburb, with details about her "new" name and birthday, as well as those of other Ukrainian children who had been kidnapped to Russia. So begins their fight to get Dariia and the other children back to Ukraine.

 

With the help of Save Ukraine, a Ukrainian charitable organization whose initiatives includes rescue and reunification of children taken from Ukraine, Mom and Rada and their new family of friends get to work trying to find families of others so that they might rescue as many as possible. But it's an arduous task as all must be done legally, finding legal guardians, obtaining powers of attorney, and more.

 

The second part of the story comes after Dariia is rescued and comes to live with Mom and Rada. She may be back with much of her own family—the whereabouts of her soldier father are still unknown—but she must navigate a new reality. She and Rada may be twins but they have always been different. With the traumas that they have endured, it's not just being together like it had been. Here's healing that has to happen but still with the mission to help their country. In fact, they do even more. They find a way to...

...take a shattered world and make it into something beautiful. (pg. 273) 

A series titled Kidnapped From Ukraine does not intimate a story of joy.  Of course, a story based in the ongoing war on Ukraine could be nothing less than horrific. While Marsha Forchuk Skrypuch is an author who tells real stories, she is also one who handles them with sensitivity, aware that there is a way to tell an impactful story and still offer reassurance. With Still Alive, Marsha Forchuk Skrypuch remind us that this war is not over, and that people are still suffering. Rada's question about the senselessness of this war—"How much hate does it take to kill your neighbour with missiles aimed at churches, children, hospitals?" (pg. 43)—resonates throughout the book as Ukrainians consider atrocities, new or repeated. Their reactions are as diverse as their experiences but their resolve to do what they can—build drones, sew camouflage nets, feed abandoned animals—to save Ukraine is unmistakable. 

 

The Kidnapped From Ukraine trilogy may be disheartening in the nature of its story, but Marsha Forchuk Skrypuch heartens it by comforting young readers with a narrative of families, made and found, and hope for a new future.

 

Under Attack (2025)

Standoff (2025)

Still Alive (2026)

Standoff (Kidnapped From Ukraine, #2)

Written by Marsha Forchuk Skrypuch

Scholastic
978-1-5461-0454-4
288 pp.
Ages 8–13
October 2025

 

As it had been for me reading Under Attack, the first book in Marsha Forchuk Skrypuch's Kidnapped From Ukraine series, delving into Standoff was a challenge. I knew to expect a sensitive but authentic story about the Russian invasion of Ukraine in 2022, but I also knew that it would be emotionally demanding of me because of my heritage. It was. But it was also eloquent and inspiring and well worth the read.

 

In the earlier Under Attack, readers are introduced to the Popkov family: dad Ivan who worked at the Azovstal steel plant in Mariupol, mom Yaroslava who worked at a nail salon, and twelve-year-old twin sisters Dariia and Rada. When the first attack occurs in February of 2022, Dariia and her mom are separated from Rada and their dad. The first book covers Dariia's perspective and experiences, while Standoff is told from Rada's point of view from the onset of the first attack. While Dariia and their mom find shelter at a salon and other commercial buildings, Rada and her dad head to the steel plant with its extensive bunkers, and from which he will join up with the Territorial Defense . With the wise words, "Be brave but not stupid" (pg. 42), her dad leaves Rada in the care of the Yanin family: Mr. Yanin, an engineer; his son Viktor, a classmate of Rada's; and his nine-year-old daughter Alina. (Mrs. Yanin was killed in the attack on their apartment building.)

 

Each day is a scramble for food, clothing, water, heat and more. Still, the make-shift family connects with another family when Rada meets Lesia Stepanova. Lesia is sheltering in another bunker at the plant with both her grandmothers (Baba and Babushka), her sister-in-law Maiia, and Lesia's baby nephew Oleh. Lesia's mother is also in the Territorial Defense, while Lesia's older brother is in Moscow on a business trip. After they attempt to evacuate Mariupol during a ceasefire—which the Russians failed to observe—they add nine-year-old Mychailo Voron and a woman named Svetlana Boyko to their little group.

 

Their lives become a series of routines to help them get through each day, whether it is doing lessons, or toileting, or preparing and sharing their meager provisions. Hope comes with the promise of a ceasefire—more than once—though the Russians are quick to apprehend and attempt to transport Ukrainians to Russia. It's only when the Red Cross, the UN, and other international observers and aid are involved that those efforts are stymied.

 

Life is tenuous. On the inside of the plant, Rada and her new family struggle and worry and grieve. Outside, their challenges are both the same and different: worried for their loved ones, grappling with a lack of resources, terrified of being injured or killed, and never knowing whom they could trust. 

 

The attack and war on Ukraine has sadly been part of the news cycle for almost four years, but for many it is a story from "over there." Marsha Forchuk Skrypuch's stories, both Under Attack and Standoff, take a distant conflict and make it personal. This isn't happening faraway to people we don't know. It's happening to children, to the elderly, to parents, and to shopkeepers, neighbours, and people we care about. We feel their horror, recognize their anxieties, grasp their grief, and acknowledge their needs to hold on to whatever might offer comfort, whether a cat or a Motanka doll. Whether it's a middle grader reading this book and stunned by the horrific circumstances that Rada and her families, born and made, endure, or an older reader who understands the cruelty of others and the grief of loss, Standoff will hit hard. But Marsha Forchuk Skrypuch knows how to tell a story of immense tragedy by pairing it with resilience, affection, and hope. Even the title of the third book in the series, which releases in April, tells us that there is more to the twins' stories and, even with more hardships and loss, they endure. 

 

For an authentic and very personal perspective on the war in Ukraine, Marsha Forchuk Skrypuch offers a story of Ukrainians from Mariupol and what they saw and felt when the Russians attacked. She even offers more background in her "Author's Note" and the Q & A with which she appends Standoff, helping young people gain greater understanding about the events and the history behind the Russian invasion. We can only hope that with awareness comes understanding, and with time there will be a favourable resolution for the people of Ukraine.  

 

 • • • • • • •

 

Under Attack (January, 2025)

Standoff (October, 2025)

Still Alive (April, 2026)
 

Under Attack (Kidnapped From Ukraine, #1)

 

Written by Marsha Forchuk Skrypuch

 Scholastic

978-1-546104513

320 pp.

Ages 8-13

January 2025

 

Apologies to author Marsha Skrypuch and Scholastic for my tardy review of this exceptional novel. They kindly ensured I received a copy of Under Attack and, while a gripping read, it has an emotional component for me, making my reading of it far more challenging. But, because it is so well written and told with such compassion and insight, I could not stay away from Under Attack. Years from now, readers will look to Under Attack as an authentic commentary of how the attack on Ukraine that started in 2022 played out for children and their families. 

 

Twelve-year-old Dariia Popkova's story did not just start on February 24, 2022, although this is the starting point of Under Attack. Her life in her family's fourth floor apartment in Mariupol would have been typical. Her father worked at the Azovstal steel plant. Her mother worked at a nail salon. And Dariia and her twin sister Rada went to school, had friends, did crafts, and loved using their cell phones. Then Putin declares a "special military operation" to free Ukrainians from their "Nazi" regime. When the first bomb hits their apartment, Dariia and her mother are separated from Dariia's dad and Rada. With this begins a separation of place and experience as they try to find their way back together.

 

Dariia and her mother shelter in a basement of a school supply depot with many others. Some are strangers like Sonya Marynovska and her four-year-old daughter Ariadna and two Tatar boys Rustem and Asan, but also a classmate Natalia and her dog Mimi. From their basement base, the twenty-eight hunker down, make unsafe outings to scavenge for food and water and get cell phone reception. They are "eating practically nothing, drinking bad water, and hearing the thunder of nonstop bombing overhead." (p. 53) Weeks turn into months and though Dariia and her mom are first looking to get to the Avostal steel plant where her father's army reserve is stationed and Rada is safe, ultimately they get the message to get to the humanitarian corridor and go to Zaporizhzhia, a city in southeast Ukraine. 

This wasn't a war.
This was the Russian Federation executing civilians because they were Ukrainians.
It was terrifying and senseless. (p. 82) 

Stealing an abandoned car, amidst the continued shelling, roaming tanks with white Z markings, and marauding Russian soldiers, Dariia, her mother, Rustem, Ariadna and Mimi the dog don't get very far before they are stopped and sent to a "filtration center" where they are told they would be evacuated to safer parts of Russia. 

 

Dariia, now separated from her mother, is sent with Rustem and other children–Katya, Volodya, Ihor, Dmytro and siblings Lilia and Vadim–to the Romashka Children's Camp where they are told about Putin, the benevolent president, who has helped rescue them from the Nazi regime of Zelensky. The children know it is propaganda but play along.

It made me angry that the Russians had brought me to this prison that looked and smelled like freedom. (p. 136)

When they are sent to their respective Russian "foster homes," the children vow to get in touch whenever they can with a Gmail account Liliya and Vadim had created to drop messages. Separated from any family they might have and each other, they are determined to keep their connections to each other, to the truth and their homeland.

This could be historical fiction. It could have been a story from the 1940s. I wish that it were. But it's a contemporary story from 2022 through the present, recounting the Russian invasion of Ukraine and the continuing war in a fictionalized story. Someday Under Attack will be historical fiction and readers will shake their heads at the senselessness of the war. I can only hope that they'll be looking back from a time when Ukraine is free from Russian oppression and violence.

While a fictionalized story, Marsha Forchuk Skrypuch takes the time and effort to understand the truths, like the truth about how the war started, the propaganda levelled at both Ukrainians and Russians, and the impact of the war on Ukrainians, from children to workers to the elderly. It is a tough story because of these truths which are so distressing and disheartening. Still Marsha Forchuk Skrypuch is a master at telling such stories (e.g., Winterkill, Traitors Among Us, Dance of the Banished, and Making Bombs for Hitler), ensuring a sensitivity to her characters and her readers, and a thoroughness and accuracy of details.

It's fitting that I review Under Attack on a day which Christians commemorate as Good Friday. Like the day, this book is one of grief and injustice. And it is one that requires contemplation. We can only hope that after the grief comes a resurrection for Ukraine and a future of peace. Only history, and Marsha Forchuk Skrypuch's follow-up books in the Kidnapped From Ukraine series, will tell.

• • • • • • •

Standoff, Book 2 in Kidnapped from Ukraine, releases in October, 2025.

 

 

Plague Thieves

Written by Caroline Fernandez

DCB Young Readers
978-1-77086-732-1
208 pp.
Ages 9–12
May 2024

 

It's 1665 and twelve-year-old Rose lives with her parents and sixteen-year-old brother Lem above their spice shop in London, England. Though Lem hates working in the shop, instead sneaking off to join his delinquent friends, Rose loves helping her father out, learning about spices for cooking, medicines, and cleaning. And then "the sickness crept into London." (p. 5) When Mother comes back from the market with flea bites and takes to her bed, Father closes the shop and sends the children to stay there. Via notes, he instructs Rose to collect ingredients for him so that he might create a medicinal oil to heal Mother. But his efforts are to no avail and Mother dies. Before Father also succumbs to the illness they should not name aloud, he gives Rose the recipe for an oil he believes will protect them. He tells them all the ingredients but one, though Rose knows what it is. They are instructed to place the oil on a handkerchief and set it over their noses and mouths as a mask. His last warning is to not to tell anyone about the oil and to do whatever they must to survive.

 Steal. Trade. Survive. (p. 18)

When they have left, Father burns the shop, and the two young people are truly homeless. With but a few coins and some silver spoons to trade, Rose and Lem each take one of the three bottles of oil she has made from Father's recipe and bury the third beneath a bridge where they also find shelter for themselves. And so begins their lives on the streets of London, finding any means to survive, including becoming thieves. That is, until Lem does not return one night. Now Rose is alone, evading anyone who recognizes her as the daughter of the spice merchant who was rumoured to know the cure for the Great Plague.

Rose builds a new life on the street with others who have lost jobs or homes because of the plague and are now struggling as she is to survive. Among these displaced persons are Elizabeth and her five-year-old daughter Clove; Amon, the son of a trader from Shanty Town; and two former farmhands Cinn and Cal. Rose doesn't know whom she can trust but she does know to avoid the black-clad man with the strange bird mask whom she calls the beast and who always seems to be around plague houses. 

From the mundane life of household chores, working with her father, and the drudgery of life in 1665 London, Rose's life becomes one of a dubious nature, never knowing whether there will be food, whether there will be shelter, who might be dangerous, and, worse of all, if they will be able to evade the plague itself. Accompanying Rose as she navigates arduous roads of grief and fear and desperation, young readers will get a very good idea about the historic hardships of an epidemic of which little was known, during which all actions were driven by fear. Caroline Fernandez tells Rose's story as an edge-of-your-seat read, keeping us wondering the whole time. We know there won't be a happy ending–it is the time of the Great Plague of London after all–but Caroline Fernandez invests us in Rose and other characters, most notably Amon, hopeful that they will survive and find some light out of the darkness. She definitely gives the atmosphere of anxiety and even despair, but she doesn't overdo it, never frightening the reader with the circumstances but instead helps us understand what life would have been like in 1665 London both before and during the Great Plague. With Plague Thieves, Caroline Fernandez has given us a spell-binding read that captivates but also enlightens about a time in which bleakness was almost inescapable.

Room for More

Written by Michelle Kadarusman

Illustrated by Maggie Zeng

Pajama Press

978-1-77278-252-3

32 pp.

Ages 5-8

June 2022

With fire season upon us, Room for More reminds us of the fragility of habitats and the vulnerability of animals to destruction too often wrought by humans, whether by carelessness or climate change. Fortunately, animal species such as the Australian ones Michelle Kadarusman has highlighted here do better than we do at showing compassion, generosity, flexibility and reciprocity.

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

Two wombats, Dig and Scratch, know that when they smell the smoke of a bushfire that they will be safe in their deep burrows. But when they hear other animals scurrying for safety outside, Dig offers them shelter, though Scratch keeps reiterating that, "There is no room." Still, Dig tells a wallaby with a joey in her pouch who was already succumbing to the smoke that, "We have plenty of room."

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

When Dig spots a koala clinging to a tree, he again helps a stranded animal, against Scratch's grumblings of limited space. When a tiger snake is spotted, there is much trepidation about a venomous snake that might bite but Dig is convinced the snake will behave.

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

Though very snug in the wombats' burrow, the motley group of animals survive until a rain comes and puts out the bushfire. But, with that rain, comes a new worry for the wombats whose home is in danger of flooding. However, their new friends find a way to reciprocate the relief provided, showing a generosity of spirit all around.

 

Australian-born author Michelle Kadarusman's "Author's Note" reveals that Room for More is based on the science that animals other than wombats would find safety in their deep burrows during the horrific bushfires of 2019-2020. Perhaps there weren't discussions between wombats about helping out or animals uniting to engineer an embankment, but Michelle Kadarusman reminds us that all animals, even unlikely allies, can cooperate for greater good and without compulsion for mutual benefit, though in this case that is exactly what happens.  Though the consequences of bushfires are often devastating, Michelle Kadarusman has emphasized a gentler story, that of animals surviving and by unusual means. And that's the good story. But Michelle Kadarusman also gives us the science of Room for More, providing a glossary of the species involved in the story as well as explaining important issues like climate change, environmental disasters and Australian Indigenous land practices.

From Room for More by Michelle Kadarusman, illus. by Maggie Zeng

That gentle touch to what is a heartbreaking and devastating circumstance is emulated in artist Maggie Zeng's digital illustrations. While there is an orange hue of fires and a pall of grey haze to the landscape, Maggie Zeng does not overwhelm the art with angry flames or blackened scenes of destruction. Instead, she takes us to a dry and warm setting that is softened with the kindness of benevolence. In her colours and shapes, Maggie Zeng offers generosity and compassion.

I know teachers will love to share this story with their students whether for STEM lessons regarding habitat, characteristics of living things, different world biomes or climate change or for character education centered on empathy and goodwill but at its heart it is a sweet story that goes beyond teaching by captivating readers and transporting them to other worlds. It would seem there's always room for another fabulous picture book on the youngCanLit shelves.

Cold

Written by Mariko Tamaki

Roaring Brook Press

978-1-62672-273-6

240 pp.

Ages 12-18

February 2022

He was already getting used to being so much less than he was when he was alive. Maybe because there's something in death that makes being nothing feel natural. Maybe because he had somehow always been a sort of figment. (pg. 49)

On a cold January night, seventeen-year-old Todd Mayer died, naked except for a pair of hand-knitted pink mittens, and found in Rosemary Peacock Park by a dog the next morning. Now a ghost, Todd watches and remembers as his death is investigated by Detectives Greevy and Daniels, seemingly disregarded by classmates at his private boys' school, and considered by Georgia Walker who never even knew Todd. 

 

Georgia hears of Todd's death from Carrie Harper, a new friend who was the former friend of the uber popular Shirley Mason. The girls are still negotiating their newfound friendship and one thing they spend time talking about is Todd's death. In fact, they go to the scene of the crime, discuss alibis and such. But Georgia begins to get a bad feeling when she realizes Todd went to school with her older brother Mark and may have even visited their house. So, as Georgia starts to question her brother and others to learn more about Todd and perhaps his death, Todd, as a ghost, watches as detectives question his virtually-silent peers and his teachers, including Mr. McVeeter, a social studies teacher who offered Todd support and refuge from bullies. But, as he watches and recognizes the mistakes he made and the complexity of his choices and of his feelings, Todd remembers all that led to his death and those involved.

Told in the alternating voices of Georgia and Todd as Todd's death is revealed and investigated, Cold takes a hard look at how the lives of two teens unknowingly come together. Both had recognized they were gay and were finding ways to deal with it for themselves, sometimes with support from others. Still, they were struggling: Todd at a private boys' school where those who were deemed different were persecuted, and Georgia with her mother, a children's book author who tactlessly used her children as the basis for her stories. That may be their only obvious commonality, other than seeking to fit in and avoid harassment, a goal of many school-age young people, but it's their endeavour to find the truth and share that truth that supersedes all. Georgia needs to find out what happened to Todd and how her brother may or may not be involved. Todd needs to take responsibility for his actions which may or may not have led to his death and make things right for those who had trusted him. In Cold, Mariko Tamaki, who has never shied away from weighty issues of young people coming of age, including conflicts in friendship, questions of sexuality and balancing family with friends, tells a complex mystery wrapped in a story of trying to survive challenging social circumstances. While the solution to the mystery of Todd's death is never fully realized until the end, Mariko Tamaki has kept the teens' circumstances so familiar and common that her explanation sadly makes perfect sense.

The cold, hard facts of Cold are that a teen died because he was perceived as different while he was determined to make positive connections with others. He did what he could but others made choices that were ill-considered at best and thoughtless and despicable at worst. And Mariko Tamaki shows us, with hindsight, choices made, independent of intentions, have consequences and we can only hope that they hurt no one and can be endured and even survived.

Valley of the Rats: Interview with author Mahtab Narsimhan

 

Valley of the Rats

Written by Mahtab Narsimhan
DCB
978-1-77086-628-7
232 pp.
Ages 9-12
September 2021 

Reviewed here

 

This week I had the privilege of interviewing 

author Mahtab Narsimhan about her 

most recent middle-grade novel, Valley of the Rats, 

for the Ontario Library Association's Superconference. 

Because that interview could only be attended 

by conference delegates, I am posting that essential Q & A here.  

Enjoy!

Author Mahtab Narsimhan

 

Helen Kubiw:   The setting of Valley of the Rats is both a little creepy and a whole lot of fascinating. Is the actual valley a myth, a reality or a figment of your imagination?

Mahtab Narsimhan:  The valley and village of Imdur is pure imagination but the roots of it lie in fact, as is often the case with storytellers. I saw a National Geographic documentary on YouTube about the Karni Mata temple in Rajasthan which houses 20,000 rats. They’re revered instead of reviled and that fascinated and horrified me.

I’ve lived in the city for most of my life and recently moved to a rural community. There’s a lot here that scares me. Grass snakes, geckos, frogs and mice…basically anything that creeps, crawls, or flies. The best stories are where you’ve channeled your fear into words and so was born…Valley of the Rats.


HK:  I think one of the strengths of your books is that you showcase cultures and places with which all young readers might not be familiar. You definitely do this in Valley of the Rats both with Krish’s family and the village of Imdur. What do you think the benefits are of exposing children to different cultures?

Mahtab Narsimhan:  Thank you, Helen, I try. It’s important for children to be exposed, at an early age, to literature which serves not only as a mirror but as a window or a sliding door. It creates empathy and acceptance of the Other. I can only hope that in the future this word (Other) is extinct and that no one notices differences between people and cultures, only similarities.   

HK:    Have you ever had to deal with rats, individually as a pet or on a larger scale, like an infestation. If so, when and where, and how did you cope?

Mahtab Narsimhan:  True Story: While I was editing Valley of the Rats, a tiny mouse found its way indoors. I discovered it, shivering with fright on the steps leading down to my office, at 5.30am which is when I write. I screamed for my husband to put it back outdoors. I wish I’d taken a picture to share with the students! My imagination is much larger (and braver!) than reality. I could never have lived through some of the stuff that I put my main character, Krish, through.

While growing up in Mumbai, I lived in an old neighbourhood which had rats the size of kittens. And during the monsoon season, they’d be out and about. If you recall, they even made an appearance in Mission Mumbai.

HK:   At its heart, Valley of the Rats is about survival: survival of a people abandoned by their government, and a young boy enduring challenging circumstances. What strategies of survival do you think kids could apply to their own lives to ease them through difficulties?

Mahtab Narsimhan:  Great question, Helen. I truly believe that each of us has the strength to deal with whatever comes our way. We need to believe in ourselves, dig deep for courage, and most important, ask for help when we need it. 

Krish is a germophobe but he’s trying to change and bond with his father, which is the reason he asked to go on this camping trip. Krish has always relied on his father to be the leader but when things go wrong, he knows it’s up to him to get them both out of this dangerous situation. By seeing the Other, more clearly, he learns to control his fear and take help from an unexpected source. (I’m being a bit vague here so as not to give spoilers for those who have yet to read the book).

What I hope readers will take away from this story is that no situation is hopeless. There is always a way out if you try hard enough and are willing to try something new. Don’t be afraid to ask for help. It’s not a sign of weakness but a sign of courage. You only fail if you stop trying.

HK:    Another theme of Valley of the Rats is conflict and all the kinds that kids learn about in school are present here: man vs. self, man vs. man, man vs. the environment, and even man vs. society. Which do you think drives the story most?

Mahtab Narsimhan:  Conflict is the engine that drives a story and one of the exercises I do when plotting is to list all the ways I can include conflict. I believe many types of conflict add depth and breadth to a story. They will work as long as they are well paced, and the reader has pockets of respite between the drama and the high-stakes action.

HK:   In addition to an action-filled plot, Valley of the Rats is very much a character study. First and foremost is Krish whose anxiety is almost crippling though he has found ways to cope, like using hand sanitizer constantly and chewing candies to calm. Why choose to have him deal with anxiety?

Mahtab Narsimhan:  These days, almost all of us have anxieties. Most of us have learned to cope with them and carry on. I’m a bit of a germophobe myself and always worry about bathroom doorknobs and grocery cart handles, among other things I have to touch in public spaces. When I’m anxious, I chew gum to calm down. So, there’s a little bit of me in Krish.
 

Most readers invest time in reading a story because they care about a character and by the end of the story a character must change, must grow and/or learn something new. If the character is the same at the beginning and at the end, it leaves the reader dissatisfied and feeling as if they’ve wasted their time.   
 

I wanted to show character change and how better to show it in a story than to have a character hate something in the beginning and then accept it in the end. Or a person deathly afraid of something and then accepting of it at the end.

 

This change is part of my plotting process using the seven-point story structure. My method is to plot backward and write forward. With Krish, I knew the change I wanted in him by the end of the story, and so, he had to be the exact opposite, in the beginning. Once I have the beginning and the end, I plot the incidents in the middle which lead to that change. 

HK:   Because of Krish’s anxiety and his relationship with his father, the boy’s self-confidence is sadly lacking. In fact, he is always comparing himself to his cousin Anjali–as does his father–whom he sees as brave, outgoing and optimistic. What would you say to kids who feel bad about themselves when they compare themselves to others?

Mahtab Narsimhan:  I would say don’t. It’s easier said than done because even as adults we suffer from “comparinitis.” Unfortunately, this also starts with adults who constantly compare their kids to others (family or neighbours or school friends), instead of focusing on what their kids are good at and nurturing those qualities. 

 

To kids who feel bad about this comparison, I would say:

• Find the things you’re really good at and appreciate those qualities.
• Write down a list of goals you’d like to achieve. This could be for a day, a week, a month or a year.
• At the end of that period see how far along you’ve come. If you’ve achieved those goals, celebrate. If not, see what else you could have done to make them happen.
• Above all, try. You only fail if you stop trying. (As you can tell, this is my own mantra).
  

It truly is a matter of mindset! I love this quote by Thomas Edison, one of the most successful innovators in American history. “I have not failed 10,000 times—I’ve successfully found 10,000 ways that will not work.”

HK:   Early in the book, Krish recalls a bit of wisdom from his dad: “Argue for your limitations and they’re yours.” How would you explain this to kids?

Mahtab Narsimhan:  If you constantly tell people why you cannot do something, or why you’re bad at it, you start believing it yourself and you will continue to be bad at that activity. It’s a self-fulfilling prophecy. You believe it and therefore you don’t try hard enough and hence you fail at it. 

 

Instead, if you tell yourself that you’ll get better at something with practice, that’s what you will do. You’re no longer making excuses for why you’re bad at something, you’re trying hard to get better at it. And practice always makes you better. 

 

Great example: I hate math and for the longest time I’ve told anyone who’ll listen that I get an allergy when I do math, I’m so bad at it, etc. Since I had a ready made excuse, I didn’t try to do well and I continued to do badly. 

 

Fast forward to the present when I have to run my own business and now I have to be good at numbers to make sure I’m doing it right. I stopped making excuses, learned what I had to, and asked for help when I needed it. I no longer say I’m bad at math or numbers. I just tell myself I’m getting better at it each day.

HK:    If there is one character whom I liked the least, it would have to be Krish’s dad. He’s willing to lie and be deceitful just to get what he needs and wants. Then he tells Krish he expects him to keep his word and doesn’t do so himself. Not only does he deceive his son, he is especially disrespectful of the people of Imdur who had rescued them. Worse yet, he acts like Krish is a disappointment to him. Though this is really his dad’s issue, Krish has to find a way to deal with a less than honourable dad whom he struggles to please. What advice do you have for kids on dealing with parents who are less than we expect of them? 

Mahtab Narsimhan:  In Indian culture we’re taught to always respect our elders. That they’re always right. In this particular instance, Krish’s Dad was a perfect character to showcase that sometimes adults make the wrong decisions too. That is the time to follow your own instincts and do what is right. If you believe it’s the right path, others will follow. When Krish finally took charge of the situation and told his Dad how the plan would go, his Dad not only followed but was proud of him. Krish managed to do all this without being disrespectful and standing his ground. This is what I hope readers can do too. Kids have very little agency in life, but they have their beliefs and a sense of right and wrong. If they hold on to it, others will have no choice but to follow. 

HK:    Though I don’t want to give too much away, there is a supernatural element to the story. Why did you add this? Also, do you believe in the supernatural?

Mahtab Narsimhan:  I love the fantasy genre. Adding a supernatural element was fun and it added another layer to the story.

I, personally, don’t believe in the supernatural though ghost stories, the occult, etc have always fascinated me and they’re great reads. In fact, I’ll be releasing a trilogy this spring which can best be described as Goosebumps meets Asian Mythology and the third novel in the series is called POSSESSED: The Ouija Board.

HK:    You’ve written picture books, early readers, middle-grade and young adult novels. I think your middle-grade novels, whether for younger readers (ages 8-12) or older ones (10-14), are especially well-received, as was The Third Eye which won the Silver Birch Award of the Forest of Reading. Do enjoy writing middle-grade fiction?

Mahtab Narsimhan:  It’s my absolute favourite age-group to write for. I'm currently working on another middle-grade trilogy set on Mars. Wish me luck because it’s one setting I will need to research online rather than visiting.

🐀🐀🐀

It was a wonderful interview 

and lovely to chat with Mahtab Narsimhan.

 

Many thanks to Mahtab Narsimhan 

for the pleasure of this interview 

 

and to Chantelle Cho, Sales & Marketing Assistant 

at Cormorant Books/DCB, for facilitating this event.

🐀🐀🐀

The video of this interview is now available at Mahtab Narsimhan's channel at https://youtu.be/Y_rIDTmiXDE.

Valley of the Rats

Written by Mahtab Narsimhan

DCB

978-1-77086-628-7

232 pp.

Ages 9-12

September 2021

Twelve-year-old Krish Roy has taken himself out of his comfort zone of the indoors, books and cleanliness when he suggests (or perhaps agrees) to an outdoor camping trip with his nature photographer father. Always cognizant of what a disappointment he is to his father who holds Krish's cousin Anjali as an example of how he wishes Krish would be i.e., optimistic, adventurous, outdoorsy, Krish is determined to bond with his dad, even if he has to arm himself with plenty of hand-sanitizer and candies to calm him.

But from the onset, everything seems to go wrong. In the bamboo forests of the Ladakh Range (India), their GPS gets busted and they get lost, they can't get a cell signal, Krish loses his pocket hand sanitizer, a thunderstorm hits and there are rats. Oh, there are rats, and plenty of them. Hopeful that the rats will lead them to people, Krish and his Dad follow them to a village of huts. There they are given shelter by the villagers of Imdur but warned not to leave their guest house or wander the village. In fact, they are adamant that Dad cannot take photos as they do not want people knowing of them.

However, Krish learns soon enough that this camping trip is actually an assignment Kabir Roy has undertaken, hopeful of a blockbuster photo story about a rumoured village of rat worshippers. But all Krish wants to do is fix their radio and get out of Imdur, a community rife with rats and unhygienic conditions. As Krish and his father both try to meet their own needs, the villagers of Imdur, lead by the shaman Imma and her daughter Tashi, try to maintain their secretive community. With a clash of cultures, between father and son, and the reclusive Imdur and those beyond its borders, there may be no happy ending here.

Each time Mahtab Narsimhan takes us into India as she did in several of her earlier middle-grade novels, including her Silver Birch award-winning The Third Eye (2007), The Tiffin (2011) and Mission Mumbai (2016), she drops us into cultures resplendent in myths, food, celebrations, and even superstitions. In Valley of the Rats, she again takes us into a world that is different and even surreal (there is an element of the fantastic in Imdur) and makes it credible. Because Mahtab Narsimhan's fictional village of Imdur was founded after the ecological event called Mautam, there is plausibility to communities like it finding unusual means of survival. Whether or not there really is an Imdur, perhaps by a different name, Mahtab Narsimhan has taken us there, to live with these people who wear rat-skin coats and feed what we consider vermin as if they are their pets or deities. As such, readers should know that they will truly be entering the valley of the rats, and there are no shortage of the creatures.

Still, Valley of the Rats is about survival. It's about the villages of Imdur seeking to survive in a world that gave them famine and rats and no government help. And it's about Krish enduring incredible anxiety to make his father accept him as he is–imagine a germaphobe in a community of rats–and the two of them surviving their encounter with a community that has secreted itself away from the world. Survival by its very nature is precarious; if it was easy, it wouldn't be so uncertain. Who survives and how in Mahtab Narsimhan's story is yet another secret–the plot is rife with them–that will only be revealed in the climatic last few pages but it's worth the wild adventure that is Valley of the Rats.

Thrive (The Overthrow, Book 3)

(If you haven't, I encourage you to read Bloom and Hatch, Books 1 and 2 in The Overthrow series, first. You'll want to know the whole story. Really.)

 

Written by Kenneth Oppel

HarperCollins

978-1-4434-5691-3

404 pp.

Ages 10-14

May 2021

 

First there were the black grasses, strangling vines and pit plants (Bloom, 2020). Then came the eggs that developed into mosquito birds, giant water striders and horrific mega-worms (Hatch, 2020). Now, in the conclusion to Kenneth Oppel's The Overthrow trilogy, the cryptogens themselves are coming to invade. But will they succeed in overthrowing humans for the planet?

Being a teen is hard enough but, for Anaya, Petra and Seth who have dealt with strange allergies and physical ailments all their lives, things have gotten a lot stranger since learning that they have cryptogenic DNA that has given them extraordinary powers but also unconventional bodies. Anaya is a runner, with unusual body hair and claws. Petra has an affinity for swimming and has scaly skin and a tail. Seth is a flyer with razor-sharp wings and a powerful sound weapon. During the horrific experimentation on the kids and others like them at the hands of the nasty Dr. Ritter, they learned that they are able to telepathically communicate with each other and Anaya was able to connect with the cryptogen she calls Terra. 

 

This connection has lead to the arrival of a ship, at the conclusion of Hatch and the beginning of Thrive, from which a trio of rebel cryptogens have emerged. Terra, who is a runner and scientist as well as pilot, is accompanied by another scientist, a swimmer for whom Petra uses the pronouns ze and zir, and a flyer who was a military leader, hence their moniker of him as the general. Together the three cryptogens had formed an alliance, and a rebel movement of several hundred was established to overthrow the flyers who have used their sound power to keep runners and swimmers enslaved to them. 

The rebels admit that Anaya, Petra and Seth, as well as the other hybrid children, had been implanted with DNA to help produce a virus to destroy the flyers' ability to use sound as a weapon and thus to help them defeat their oppressors. Now the rebels have come to earth to retrieve that hidden DNA.

 

While Petra helps the swimmer to get materials needed to repair their ship and Anaya works with Terra to develop the virus, Seth worries for Esta, a hybrid flyer such as himself, with whom he'd bonded at Dr. Ritter's bunker facility. Learning that Esta, like most hybrid cryptogens, is being detained at an internment camp, Seth sneaks out to rescue her and ends up captured along with Esta and others by the primary ship of invaders. Now Seth has to decide whether he agrees with Esta who believes the cryptogen commander, a flyer, really has their best interests at heart, or whether a rebellion against the flyers is necessary to stop the oppression of the runners and swimmers and an invasion of earth.

Kenneth Oppel pounds out his story of an alien invasion and rebellion with little respite for the reader, just as there was none for the trio of teens who are thrown from one alarming situation to the next. Even before the initial arrival of terrifying plants and menacing creatures, Anaya, Petra and Seth have had to manage their physical stresses. Now with the menace of extraterrestrials, they have to balance being seen as both threats and saviours, and doing what they can, what they want to and what they'd rather not. There's always some new threat with which they must deal and, as they are punched with pressure after pressure, as each new creature and knowledge is revealed, Kenneth Oppel takes the reader with them. As such, Thrive is an intense read, throwing the reader along with the story's characters, from one dangerous situation to the next, manoeuvring on a flying platform, being swallowed by a wall, fighting off a wolverine squid or plunging through the atmosphere in a pod with limited oxygen. The action is relentless and it's not until the very end that Kenneth Oppel lets us know how The Overthrow, the series and the operation, actually turns out. I won't give away the ending but I will reassure that the wild ride that is Thrive leaves room for a sigh and a promise for resolution.

He was half human, half cryptogen, but for the first time in his life, he was starting to feel whole. (pg. 404)

• • • • • • •

The Overthrow (a.k.a. Bloom Trilogy) 

Bloom (2020)

Hatch (2020)

Thrive (2021)

Sugar Falls: A Residential School Story (10th Anniversary Edition)

Written by David A. Robertson

Illustrated by Scott B. Henderson

Colours by Donovan Yaciuk

HighWater Press

978-1-55379-975-7

48 pp.

Ages 14-18

May 2021 

In my family, silence has been the currency of injustice.

~ Senator Murray Sinclair, Foreword to Sugar Falls

 

Too many of the truths about injustices perpetrated against Indigenous peoples have been hidden, suppressed and ignored. With the original publication of Sugar Falls: A Residential School Story in 2011, some of those truths were told, based on the true story of Betty Ross, Elder at Cross Lake First Nation. Today with the release of this tenth anniversary edition of Sugar Falls, I hope even more readers are ready to hear those truths.

 

When a present-day class is given an assignment to look at the residential school system, with strict instructions to approach Elders with respect and an offering, Cree student April offers to introduce Daniel to her Kōkom, an Elder who survived it but whose story even April had not heard.

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

April's Kōkom takes them into her round room "with all the sacred medicines and within the star blanket of the four directions" (pg. 4) where she would be safe. She prepares by wearing traditional attire, holding an eagle feather and doing a cleansing before she begins her story.

Abandoned at age five into the winter's cold by her own mother who had survived the residential school system, she is found and brought up as a daughter and sister in a loving family. A few years later, after he has a vision of darkness in her future, her father takes her to Sugar Falls where he teaches her to feel the beat of their hearts as drums in rhythm with that of the falls, and that "The beat of the drum represents the strengths of our relationships, between our ancestors, our traditions with Mother Earth, and with each other" (pg. 13) and that remembering this would keep her strong.

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

Strength is what she will need when soon a grim priest comes and drags her away from that love and comfort to an ominously-large institution where Sister Marie scrubs at her skin and cuts her long hair. There Betsy meets Flora and begins an endless routine that includes prayer and chores and classes. Sadly there is also the abuse, a crack against the knuckles, a slap or a kick for speaking Cree, and the sexual abuse by the priest to whom the girls would close their minds and numb their bodies and pretend the visits were nightmares to be left in the night.

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

Though Betsy can see across the water and envision home, she has made a promise to her father to be good and listen, so when Flora and a couple of other girls escape across the water, she remains behind. But Flora's death steels Betsy until one day "All I wanted to see was my family again, to wake up from the nightmare and have them by my side." (pg. 34) She walks into the water and remembers Sugar Falls. She is dragged back from the water but her resolve has returned and "no matter what they did to me, I held onto myself, my language and my spirit." (pg. 38)

 

From Sugar Falls by David A. Robertson, illus. by Scott B. Henderson, colours by Donovan Yaciuk

Betsy endured that place for several more years, and later attended high school in Winnipeg. She also changed her name to Betty to honour her friend Helen Betty Osborne who would be murdered.

I did it to keep her memory alive. My story, her story are stories that we should never forget, no matter who we are, they are important to all of us. (pg. 39)

Governor-General award-winning author David A. Robertson does so much in the telling of Sugar Falls. He honours Betty Ross by giving her story new life so that more will know of her courage and resilience and that of so many who endured and those who did not at the hands of a brutal system that never should have happened. Generations later, Indigenous people continue to live in the aftermath of that horrific injustice and with each story told, the silence is broken a little more, allowing an opportunity for justice to manifest.  By giving voice to Betty to speak of her past, from abandonment to loving family and residential school nightmare, and those of her granddaughter and non-Indigenous friend to hear her story from their own perspectives, David A. Robertson lets us see Betty as a survivor with heart, strength and compassion.

Because this is a graphic novel, less needs to be said in text and more can be carried by the artwork, and illustrator Scott B. Henderson and colourist Donovan Yaciuk take on their task with reverence and empathy. The despair of life at the residential school is clear in the starkness and gloom of the shapes, lines and colours of those scenes, with Scott B. Henderson and Donovan Yaciuk saving the brightness for outdoor scenes with family and the contemporary settings of school and Kōkom's home. It was clear where the lightness in Betty's life is, past and present.

Today, with the release of David A. Robertson's tenth anniversary edition of Sugar Falls, there is a new opportunity for the world to listen and see this story, to silence the silence and give survivors of the residential school system, both those who lived it and those whose legacy it is, a chance to tell their stories and have them remembered.

The Desert Prince (Secrets of the Sands, Book 2)

Written by Alisha Sevigny

Dundurn

978-1-45974-432-5

364 pp.

Ages 8-13

September 2020 

"I know what it is like, how acting on your conscience can bring you into conflict with higher powers." (pg. 52)

 

When middle-grade readers first met Sesha in The Lost Scroll of the Physician, she was studying with other scribes and searching for the lost scroll of the Great Imhotep. Though those in power viewed the scroll as a tool of influence, whether for military surgery or more, Sesha needed it to help save the life of her younger brother Ky. So, even though Pharaoh's queen Anat stole the scroll and tried to kill Sesha and fellow scribes Paser and Reb, the Pharaoh's physician Ahmes was able to help Ky. Now the trio of teens are on the run and searching for Pharaoh's daughter, Merat, who'd been given to the Hyskos chieftain in betrothal.

 

To improve their chances of escape and survival, Sesha helps free a Hyskos spy who'd been in the pits alongside them. Under Pepi's guidance, Sesha, Paser and Reb are able to cross the dangerous desert of scorching heat, deadly quicksand, negligible water and terrifying sandstorms to reach the Chieftain's oasis community. Under the ruse of Sesha being betrothed to Pepi who is the Chieftain's cousin, and Reb and Paser being her brothers, they ingratiate themselves into the community and look for ways to free Merat and save themselves. 

But freeing Merat is not as easy as it sounds, especially at a secluded oasis where they all become integrated: Merat working with children, Sesha helping as a physician, and Paser and Reb training as Hyskos soldiers. When the Chieftain's right-hand man Akin is badly injured, Sesha devises a plan to retrieve the scroll from Thebes, ostensibly to help in his recovery, and to get them all to the city of Avaris from which they might escape. But will her scheme to return to Thebes and see her brother, recover the scroll, warn the Thebans about the Chieftain's plans for war, and return safely to her friends be as easy as she plots, especially with Pepi by her side? And will the skills he has taught her as a spy be enough to ensure their success?

If The Lost Scroll of the Physician was a thriller, then The Desert Prince is action adventure. By taking the action out of Thebes and into the desert, where survival requires skills beyond understanding how and why people act as they do, Alisha Sevigny has added a new dimension to her story. There is still the myriad of characters, some of whom we don't trust and learn to trust, and others whose motives are questionable all along, and they are key to the plot of the story and how it progresses but place and time become even more prominent. Being set in Ancient Egypt, the Secrets of the Sands series is already historical fiction with a different landscape, and Alisha Sevigny adds richness to her story by infusing it with the Ancient Egyptians' belief system, cultures, medical and funereal practices and more. But now she also brings us into the desert and to an oasis and introduces a new culture, that of the Hyksos, and an imminent new conflict. Alisha Sevigny has taken us to Ancient Egypt, making everything so real that young readers will be tempted to check how much is authentic (Thebes, Hyskos, Imhotep, Avaris, and Ahmes all are) and even if Sesha might be found in Wikipedia (she is not). 

That's the context of Alisha Sevigny's The Desert Prince but the story, of a prophetic scroll, of allegiances and spies, betrothals and family, and war and accord, provides us with the action and the mystery that will keep readers reading, especially as even more secrets are revealed. She may have left us satisfied with her story's resolution but, just as she did at the conclusion of The Lost Scroll of the Physician, Alisa Sevigny knows how to keep us wanting more and, with a secret prophecy and a looming war along with some budding romances, she's hooked us into anticipating Book 3.

Trapped in Hitler's Web

Written by Marsha Forchuk Skrypuch

Scholastic

978-1-338-67258-9

240 pp.

Ages 8-12

October 2020

 

Marsha Forchuk Skrypuch first addressed the impact of World War II on Ukraine and its people by the Soviets and then the Nazis in her series which included Stolen Child, Making Bombs for Hitler and Underground Soldier. With Don't Tell the Enemy (alternate title Don't Tell the Nazis), she began a different story, one of protecting Jewish friends in the Ukrainian village of Viteretz after the Nazis began to show their true colours. In Trapped in Hitler's Web, Marsha Forchuk Skrypuch takes us beyond Viteretz, following Maria and Nathan after they've run away in the effort to keep Nathan's Jewish identity hidden and survive.

When the occupying Nazis started killing Jews in their village, eleven-year-old Maria Fediuk leaves her mother and older sister Krystia, whose story is told in Don't Tell the Enemy, to save her friend Nathan Segal from imminent death. Using the identity papers of a boy killed by the Soviets, Nathan becomes Bohdan Sawchuk, and the two sign up for work in the Reich, believing the promises of pay, food and shelter. Heading to Austria with others who'd been captured as slave labourers, their hope for safety is shattered when the two are separated in Salzburg, Nathan taken for bridge building while Maria is sent to the Huber farm near Innsbruck. 

The Huber farm is currently run by Frau Huber and her parents, Frau and Herr Lang. Frau Huber's husband and son are both fighting for the Reich and her fourteen-year-old daughter Sophie is a staunch Hitler Girl. Soon enough Maria learns that she and Bianka, a Polish girl captured two years earlier, are little more than slave labourers, sleeping in the barn and allotted minimal food, though not as badly off as the Ukrainians labelled as Ostarbeiters who return to a slave camp nightly. Though Frau Huber and her parents show kindness when they can, they are very cautious as their harvest is monitored, their actions are regularly scrutinized by Blockleiter Doris Schutt and they fear that the inexorable Sophie might betray them.

Realizing that her plan to help Nathan escape and to send money home to her mother and sister has failed, Maria does what she must to survive, knowing that she may be better off than some, but that she must find a way to make things right for Nathan and her family. Coming to realize that there are many trapped in Hitler's organization of cruelty and propaganda, from the Jewish people, to slave labourers, farmers, and even soldiers, Marie watches and listens and learns what she must to persevere and help those she cares about do the same.

As historical fiction, Trapped in Hitler's Web, like its companion novel Don't Tell the Enemy, is tragically honest and heartbreaking. The story is even more anguished as it is inspired by real events and people. But it is a telling story, from the perspective of a brave child who endured excruciating physical and emotional hardship, driven by hope to help those dear to her. It's also revelatory about the many victims of the Reich, borne in a manufactured hierarchy of discrimination. Hearing Maria and others referred to as "subhumans" and starved and abused is crushing. Still Marsha Forchuk Skrypuch writes to reveal another story of WWII, specifically about Ukrainians, and she does so with much heart and compassion, reminding us that there are sometimes more than two sides to a story and to war itself.

 

• • • • • • • 

Don't forget the virtual book launch coming up for Trapped in Hitler's Web.  Teachers and their classes are encouraged to attend for an opportunity to listen to Marsha Forchuk Skrypuch speak about her newest book of historical fiction. Register for this free event at the Brantford Public Library.