A Deadly Inheritance

Written by Kelley Armstrong

Tundra Books

978-1-77488-803-2 

424 pp.

Ages 14+

March 2026 

 

Understanding where you fit in the world is rare here. Embracing it is even rarer. (pg. 45)  

For seventeen-year-old Liliana Green, getting by since her mother died recently is everything to her. That and avoiding the Illinois Department of Child and Family Services. She works two part-time jobs, works hard at school to get that full scholarship to college in September, and she sells stuff to make rent. When lawyer Cecilia Robbins appears on her doorstep and announces that Liliana to be the grandchild of the billionaire Chamberlains, Liliana's financial troubles appear to be over. She's whisked away to Westdale, her mother's alma mater and a school that only admits the wealthiest of students. 

 

Of course Liliana has lots of questions, especially why her mother never went to her parents for help, but once she's at Westdale, Lili just has more questions. She may be enjoying the perks of being part of a billionaire family—". . . I'll enjoy what I can, while I can" (pg. 20)—but she still has to navigate meeting new peers who see her as the new Chamberlain girl. She becomes friendly with Maddox Moreno, son of a tech wizard, and Theo Dubois, son of an actor and a director, although the two boys have a cool relationship with each other. And Lili is invited to join Allegra Khan, Polly Reeves, and Isolde Brandt in the Lilith society, one of four societies on campus. 

Soon Lili is being recruited to join the race for that year's Optima, a prestigious competition that would win her a place in an elite networking group outside the school. Even before she has agreed, she's targeted and told to watch herself. Would her competitors really try to eliminate her? But Lili has another mystery to solve when she learns her mother was the Dux (leader) of the Liliths, and ran away with her father before she graduated. Why did they run away? What does it have to do with the death of a scholarship student? And what secrets is Westdale keeping?

 

Like many boarding schools, Westdale is a microcosm of good and bad and ugly. There is a clear class structure and distinct peer groups. There are secrets from the past and mysteries from the present. There are rules to be broken and a system to work in. And there is danger hiding everywhere. Kelley Armstrong takes us into a school of the fabulously wealthy and lets us watch as the students form alliances and friends, tread cautiously around others, and do what they can to safeguard themselves and support those for whom they care. But no one is ever safe. So, as we learn more about the secrets behind Liliana's parents, Rose (Rosalyn) Chamberlain and Will Green, and several suspicious deaths, including that of Maddox's sister and that of a friend of Rosalyn's, Kelley Armstrong twists and turns the reader into believing no one is to be trusted. She gives us all the clues but she cleverly tangles us into seeing connections where there are none and ignoring key players because they seem inconsequential. Still, even if you pay attention, Kelley Armstrong will surprise you, both with her ending and the solution to the mystery. And there's nothing better than the unraveling and intertwining of plot threads leading to a refreshing and a gratifying denouement, which is what you always get with Kelley Armstrong's suspenseful reads.

An Unbalanced Force

Written by Valerie Sherrard

DCB 

978-1-77086-764-2

200 pp.

Ages 12+

November 2024

 

When your family gives you everything, from a comfortable lifestyle and money to support and love, it's not unusual to feel beholding to them, even if they don't make you feel like it's a transactional relationship. (Sadly, there are families that do this.) But imagine if you owe your life to a dad who saved you when you'd snuck into an abandoned house and were bleeding out from an injury? Would you feel indebted forever? Or would there be a point where doing the right thing would feel like the wrong thing?

Seventeen-year-old Ethan Granger has a pretty nice life. He and his parents live in a gated community in Ottawa near enough to the Gatineau that he can take his trail bike there regularly. He just got a new bike, and his parents are talking about taking him to do the Inca Trail in Peru. His dad who became rich with his company, The Granger Group, is generous with his cash, especially whenever he goes on a business trip, which is frequently. Part of Ethan's circle include his best friend, Owen, who enjoys getting away from his alcoholic mother by hanging at Ethan's, and Ethan's girlfriend Nora with whom he often has an on-again-off-again relationship.

When he sees his dad in a parking lot near a strip mall in town when he's supposed to be on a trip, Ethan has questions, even more so when he texts his dad and his dad claims he's just getting off his flight. Recalling an earlier incident in which Mom claims to have seen someone driving Dad's car when he was out of town, Ethan decides to hire a private investigator to check things out. Ethan knows his dad is a smooth talker and a great storyteller but is he really a liar? Ms. Abboud, the investigator, reminds Ethan that, "It's important to realize that whatever you find out, it's going to be something you'll carry for the rest of your days." (p. 36)

 

Working with Ms. Abboud and his friends, Ethan discovers where Dad is spending time during his supposed business trips, and what Ethan learns puts him in an uncomfortable position. Does he stand by his father, a man who'd saved his life, or does he go to the police? Does he jeopardize all he and his family have or consider the needs of others?

Being a teen is often a balancing act of following the rules of the adults in your life–parents, teachers, coaches, guardians–and your own inclinations, whether for interests, friends, ambitions or just independence. And even though Ethan is fortunate that he comes from a wealthy family in which his wants are rarely limited, Valerie Sherrard gives us a typical teen who looks for support in his peer group, and who wants to have a good relationship with his family and girlfriend. He's also honest with himself, seeing things he doesn't like, whether in the way Nora treats him, in his father's lies, or in his own responses to disappointment and confusion. He's a teen and he's an insightful one.

Valerie Sherrard, who was recently named the 2024 Literary Arts Laureate of the New Brunswick Lieutenant Governor’s Award for High Achievement in the Arts, is an accomplished writer of all genres, from picture books and middle grade novels to YA and non-fiction. (See a few of my reviews of some of her books, including A Bend in the Breeze, Counting Back from Nine, Standing on Neptune, Driftwood, Random Acts, and Rain Shadow, to see the range of her writing.) While she can write everything from funny to angsty, novels in free verse to information texts, I think Valerie Sherrard excels at realistic YA in which young people are challenged by ordinary feelings in perhaps uncommon circumstances. In An Unbalanced Force, Ethan is challenged with doing what's right which may be at odds with what his family might want. His choice could also impact others around him. Perhaps the circumstances are exceptional but his reactions, from confusion to disappointment and even rage, are all legit, as are the means by which he decides upon his response.

With the overload of decisions which young people must make before reaching adulthood, with respect to their careers, their relationships, and even the risks they take, it's reassuring to know that, even when given circumstances beyond their control, like Owen's alcoholic mother and Ethan's deceitful father, they can see different perspectives and make good choices for themselves. Best of all, they can remain open to possibilities and stay confident in their choices, regardless of what others may toss at them.

If We Tell You

Written by Nicola Dahlin

Kids Can Press

978-1-5253-1147-5

400 pp.

Ages 12-15

October 2024

 

A truth relies on what came before it. (p. 32)

 

There's something about the cover that tells you that If We Tell You is going to be a thriller. And if that doesn't give it away it then the first pages in which fifteen-year-old twin brothers Lewis and Cameron Larsen are running from a "serious event" at their home outside of Calgary and heading to the airport and then to Scotland definitely would. The "serious event"? It was a man and a woman who crashed their BBQ and held guns on the boys before Mom and Dad expertly put the strangers down with a knife and a gun. Mom and Dad have taken off and left the boys with a backpack of passports with new names and a load of money. Now the twins are heading to find Maggs, a woman who runs a guest house in Edinburgh, determined to find their parents again and figure out why this is all happening.

Because they had been told by their mother to stay together but avoid being seen together–they are identical twins–the boys experience things differently, not the least of which is because the two are not identical in dispositions. Cameron is the more impetuous boy but optimistic and more street savvy of the two, while Lewis is the smarter one and the one who does not believe that his parents have done anything wrong to get them to this state.

Though they hope getting to Maggs will answer all their questions, Lewis and Cameron just get more perturbed by what they learn and are left with more questions including finding out who their parents really are. The parents they knew as Jennifer Reid and David Larsen are known by different names. They're suspected of being terrorists and thieves and are still wanted by the police. It's going to take a whole host of characters, including family they never knew existed and an assortment of guests and neighbours at Maggs's, to keep the boys safe and help them figure out whether all their lives are based on lies.

 

Told in the alternating voices of Lewis and Cameron, If We Tell You is an action thriller that offers different perspectives on the same circumstances. They are twin teens who witness a terrifying situation and are separated from the only family they know, and they see their circumstances differently. Of course, they are both devastated but Lewis adheres strictly to what his parents told him to always do and not to trust anyone and is convinced that their parents are not the criminals they are assumed to be. Cameron jumps in and follows his heart, doing what he thinks is right and hoping that it will help them find their parents and the truth. As the two boys grapple with their circumstances, including posing as one boy Will, their trust of each other and others becomes limited. But Calgary author Nicola Dahlin brings the boys full circle, from only seeing their own perspectives to appreciating those of the other. In fact, it is only because of those differences that the two are able to face a myriad of challenges, including kidnapping, assaults, and romance, and come out the other side.

This is Nicola Dahlin's debut novel and, because of her own background, living in Calgary and growing up in Scotland, there is an authenticity of voice and place. Her placement of the bulk of the story in Scotland, a place of rich history, of the Edinburgh Festival, and more, adds a unique dimension, in language and landscape. Moreover, she brings in all sorts of characters, from teens to tourists, police and historians, some friend, some foe, such that it's difficult for the boys, and readers, to tell the difference. If We Tell You is as rich in storytelling as it is in people and place.

The title may be If We Tell You but there's not a whole lot of telling that is happening that is the complete truth, though for the boys and the readers, figuring it out when they're on the run and in a different country makes for a good story. And a good story it is with action and history, mysteries and even a little romance. In the end, it's a whodunit or maybe even a what-did-they-do story, and its ending promises more to come.

 

40 Days in Hicksville

Written by Christina Kilbourne

DCB

978-1-77086-715-4

264 pp.

Ages 12+

October 2023

 

Moving to Clarendon with her mother to live in her grandparents' old home was supposed to give Kate Cooper a clean break from living in the city. Little did they know that she'd just find a new trouble with classmate Zach Whitchurch. Yeah, she's definitely safer in Clarendon a.k.a. Hicksville. Not. 

When Kate and her mom Sally move into the Cooper place next door, Zach is smitten. And Kate, determined to convince her mom Sally that she's making an effort, let's Zach show her around. When he points out Peter Goheen's property, warning her that he is known to be cruel and maybe even dangerous, Kate reveals that he is her grandfather, though she's never met him. When they venture onto his property to introduce Kate, Pater Goheen is less than welcoming and warns them against trespassing again. That doesn't deter Kate who, with Zach, discovers a cave-like crevasse which they investigate after midnight so that she can make a video. What they discover deep inside are the remains of two bodies. 

 

Zach's dad, a detective in Clarendon, reveals that a wallet in the jeans of one is that of Sally's fifteen-year-old brother James who disappeared in 1982 along with his friend Luke McLeod. For the first time, Kate learns about her uncle and his disappearance and about Sally's troubled family life because of her mean drunk of a father. Though Peter Goheen was questioned, Kate's dad Mitch provided an alibi for his father. And without bodies, it was impossible to know the truth. But that was then.

Are these the bodies of James and Luke? What happened to them? Who did it and why? 40 Days in Hicksville could be a true crime podcast, unravelling the story through Kate and Zach's eyes–chapters are alternating perspectives of the two teens–and with the twists and turns that often come with a thriller. Christina Kilbourne, author of The Limitless Sky, Safe Harbour and Dear Jo, takes us to a small Ontario town as if the setting for an episode of Dateline or 20/20, unravelling the mystery with each interview and piece of evidence and investigative step of the police.  And, as in those in-depth investigations of the newsmagazine shows, the trajectory from missing person to justice is not a straight line. There are those who keep secrets, those who hide truths, those who lie, and those who grieve. There are those who are determined to make things right and find justice. There is danger and revelations, standstills, and action. With a variety of characters, some who are aggravating, others naive, some scared, others aggressive, 40 Days in Hicksville remind us that small towns are not always boring communities in which nothing happens. Sometimes they are seething with secrets and dangers and history that are only revealed when someone from outside arrives. Kate may not have wanted to be in Clarendon but her first forty days in the town her father called Hicksville are as thrilling as the urbex videos that got her in trouble in the city. Fortunately, Christina Kilbourne's "Epilogue" reveals that this adventure has a far more constructive outcome for both Kate and her community.

The Project

Written by Courtney Summers

Wednesday Books (St. Martin's Press)

978-1-250-10573-8

352 pp.

Ages 12+

February 2021

 

In 2011, when Lo is just 13 years of age, she is critically injured in a car crash that kills her parents. Her 19-year-old sister Bea is called to the hospital and, in the chapel, begs for a miracle and Lev Warren appears. The miracle happens for Lo but Bea disappears from her life, leaving Lo in the care of their great aunt Patty.

Six years later, Lo knows Bea has joined Lev Warren's The Unity Project, an organization whose mission is to do good works to atone for all sins and bring salvation. After an earlier exposé investigating The Project as a cult, Lev has tried to keep The Project out of the media, focusing on their community work and annual public sermon. But, now working for SOV magazine, Lo is drawn to look into the organization again. While she has tried numerous times to reconnect with Bea, she is always kept away by Casey Byers, The Project's spokesperson and Lev's right hand. But Lo's interest is piqued by the death of a young man, Jeremy Lewis, whose father Arthur had been trying to save his son from The Unity Project. When Lo sees Bea in the photos Arthur's private investigator took of Jeremy, coupled with numerous voiceless calls she receives, Lo is determined to find Bea and learn more about The Project.

Alternating between the past and the present, primarily over seven years, Lo and Bea's stories unfold with Bea looking to prove herself worthy of a miracle she believes Lev performed and Lo looking for her sister. Their stories are eerily parallel, especially under the charismatic Lev who has become father, friend, therapist and even saviour to members of The Project. Both sisters are bereft because of their losses of family but each feels compelled to action because of The Project. But, it would seem, The Project has other things in mind.

Everyone should be prepared for an unnerving read in The Project. By balancing family and everyday living with the extremes of manipulation and doctrine, it's Courtney Summers at her best. Like her award-winning Sadie (2018), The Project is chilling in its possibilities because this could be someone's reality. A tragic accident, absolute faith in an irresistible leader, family estrangement, a compelling mission and the need for connection could all be elements of any of our lives and with her storytelling Courtney Summers will disquiet readers with the possibilities.

While her plotting is always sophisticated and involved, never leading the reader to a predictable ending, it's Courtney Summers's atmospheric writing that is most captivating. There's a perennial sense of foreboding, even with the most mundane of circumstances, like grabbing a cab or working in an office. Courtney Summers never lets the reader relax and maybe we shouldn't because bad things happen, even if dressed up as good.

 

Lo, the writer, tells Lev that...

If you tell a story–something real, something true–you get to be alive in other people. (pg. 251)

Thankfully Courtney Summers is alive and well by virtue of The Project and all her other stories. She tells the truth, even if it's unsettling.

Wolfe in Shepherd's Clothing (A Shepherd & Wolfe Mystery, Book 3)

Written by Angie Counios and David Gane

Your Nickel's Worth Publishing

978-1-988783130

480 pp.

Ages 15+

2018

Regina authors Angie Counios and David Gane introduced their teen protagonists Tony Shepherd and Charlie Wolfe in Along Comes a Wolfe (Your Nickel's Worth, 2016) when Tony's girlfriend disappeared and the two went sleuthing. Now in their third book, Wolfe in Shepherd's Clothing, a finalist for the John Spray Mystery Award of the Canadian Children's Book Centre's book awards, the two teens are in their senior year of high school and trying to respect Detective Gekas's request that they try to keep out of police business. But there's a serial killer on the loose and the two can't seem to stop themselves from investigating, especially after it becomes personal.

While Tony's family includes parents celebrating their 25th wedding anniversary, supportive older siblings Heather and Jodi and countless family and close friends akin to family, Charlie's is more of a black hole. Though treated like a son by the Shepherds, Charlie tends to keep himself at a distance, that is until he is evicted and comes to live with them and attend school with Tony.

School becomes the focal point for the two boys and Charlie definitely seems to be fitting in. He comfortably hangs with Tony and his best friend Mike, makes new friends, and seems to catch the eye of several girls. When Tony is convinced that Detective Gekas wants their help in investigating the brutal murders of three seemingly-unrelated persons, the boys pursue leads left by a manipulative killer who feels compelled to retaliate against them when they get too close. But, as the title suggests, not all are as they seem and the deadliest character may be hiding in plain view.

Wolfe in Shepherd's Clothing is a cat-and-mouse psychological thriller as Tony and Charlie attempt to uncover a serial killer. Even as author Angie Counios and David Gane alternate the story from the boys' perspective with that of the twisted killer, it was impossible to predict the criminal's identity. With a plethora of twists and turns and a multitude of characters, Wolfe in Shepherd's Clothing is as involved a read as it is a thrilling plot. Still Angie Counios and David Gane tie things up effectively without being frivolous or simple–no one likes solving a mystery easily– even leaving readers hanging with a teaser about the elusive Charlie for their next Shepherd & Wolfe Mystery book.

The Starlight Claim: Q & A with author Tim Wynne-Jones

 The Starlight Claim

Written by Tim Wynne-Jones

Candlewick Press

978-1-5362-0264-9

240 pp.

Ages 13+

September 2019

On September 10, 2019,  Tim Wynne-Jones's newest YA thriller, The Starlight Claim, was released and I reviewed it here on CanLit for LittleCanadians.

As the book will launch over the next few weeks here in Ontario including tonight in Toronto, I had the pleasure of interviewing author Tim Wynne-Jones about his book.

Enjoy the writing revelations Tim Wynne-Jones shares with us here about The Starlight Claim.

HK:  The Starlight Claim is an action-packed novel that includes characters from your earlier book The Maestro. However, rather than following The Maestro’s protagonist Burl, you chose to focus on Nate, Burl’s sixteen-year-old son. Why choose to make The Starlight Claim an intergenerational sequel?

TWJ:  A great question and one that made me laugh. For years readers have asked me what happened to Burl, since I leave it kind of hazy at the end of The Maestro. They also often want to know what happened to Burl’s evil dad. Mostly, they hope something awful! So what took me so long to write a sequel? Life – that’s what. Anyway, by the time I finally got around to writing this book, it had been twenty-four years – long enough for Burl to have a sixteen-year-old of his own. And I couldn’t resist letting Nate (named after the Maestro, himself, of course) brave his way up to Ghost Lake, alone. 


HK:  The Maestro was published in 1995. How difficult was it to write a sequel over 20 years after the original book? Were there some obstacles that you found impossible to overcome?

TWJ:  Some books are harder to write than others, taking two or three years. This book was the other kind. I was SO happy to return to the same magical setting as The Maestro, with the added dimension of making it late winter. This story not only addresses what happened to Burl and his dreadful father but also looks at a true story about my own “Ghost Lake” and the ramifications of a haunting tragedy. It was a dream to write, full of built-in conflict and very high stakes.


HK:  At its heart, The Starlight Claim is all about conflict: conflict within, as Nate struggles with his guilt over a friend’s death; conflict with others, as he eludes criminals and grapples with family dramas; and conflict with a landscape of epic beauty and unyielding hurdles.  Surprisingly, though Nate is dealing with all those tensions, he is an amazingly grounded young man. He is smart enough to accept fear but keeps his head and more than survives.  How did you conceive of him, especially knowing where his father came from?

TWJ:  Well, first of all, thank you for your kind words. Luckily, Nate is his father’s son and if you know Burl, you know what a resourceful soul he was, even as a kid. And Nate has all the savvy and inner strength of his father. And I do have to add, here, that he’s modeled on a good friend who has been kind enough to let me fictionalize his own story. Make no mistake, this is a work of fiction, but Nate’s grounded personality is very much a reflection of a real person. The person I’d most want to have handy if I was ship wrecked on a deserted island!  


HK:  While Nate is very much in the present, dealing with nefarious characters in a remote setting, struggling for his own survival, the past is everywhere.  It’s in the history of the camp, in his knowledge of his grandfather and in his memories of his friend Dodge.  What does The Starlight Claim tell us about the role of the past in the now and perhaps in the future?

TWJ:  The past is always with us. And I think never more so than when we lose someone that matters a great deal to us. Especially if you have to grapple with the fear of your own complicity, real or imagined, in the tragedy. It seems fitting, somehow, that as Nate travels up to the lake, burdened by a sorrow even heavier than the pack on his back, he should venture into the world of the past, so to speak, where his grandfather lurks. He says at one point, while he’s on the train heading up to the family camp that he’s travelling backward through his father’s history, stop by stop. So you’ve put your finger on an underlying theme.   


HK:  Japheth Starlight advised Burl in The Maestro that “You made the mess–you clean it up. That’s the way you become master of your own destiny” and it seems all the men in Burl’s family demonstrated that they learned this lesson to various degrees, even the repugnant Calvin Crow. How do you think Cal finally recognized this wisdom?

TWJ:  When readers talk to me about Calvin Crow they just about growl. That makes me so happy; the truth is -- I think any writer will tell you – writing the “bad guy” is so much more interesting than writing any other character. Cal is my “favourite” bad guy! That said, he’s human. Aren’t we all! So, I needed to find what made him tick. There is nothing so shallow as a bad guy who is just plain bad. We are all motivated by things that happen in our lives. There was something of this in a monologue of Cal’s in The Maestro and I wanted to expand upon it. I think that novels are often about redemption. I wanted to give him another chance.
    

HK:  As the story progresses, the reader realizes Dodge, the friend whose death Nate is  haunted by, is not the person Nate has held him up to be in his memory.  Moreover, Cal has his own issues with how he remembers things with his own son. What do their stories tell us about the capacity for memory to reflect something other than reality?

TWJ:  These are profound questions, Helen, thank you. One of the fondest wishes any writer can have is that the reader who cares to dig deep will find things to think about. I will defer to the wonderful English writer, Aidan Chambers, who has said this: “My personal conviction is that we are not changed by our experience, as common wisdom has it. What changes us are the stories we tell about our experience…” This is important: it’s not that we “make up stories” about our lives and therefore fictionalize them – another word for lying! It’s more to the point that we shape the experience into something tellable. We all do it. Have you ever had the experience of telling someone a family story within earshot of a sibling, who immediately jumps in and says, “That’s not the way it happened!”? That’s what I’m talking about; we see the world from our point of view. The delight of being a writer is imagining all kinds of points of view. 


HK:  The Maestro was a middle grade novel written for young readers ages 11 and older whereas The Starlight Claim is recommended for a slightly older audience, 13+. What in this new book prompted the publisher to propose that The Starlight Claim is more appropriate for a YA audience?

TWJ:  I’m not privy to that kind of decision-making, but I would guess it’s the addition of hardened and violent criminals to the mix. I think that any eleven-year-old who loves adventure stories will love this book – I sure would have when I was that age. And to be frank, they’ve probably seen a lot worse characters, in movies that get a PG rating. 


HK:  I could see continuing Burl and Nate’s stories, perhaps Burl’s after The Maestro but before The Starlight Claim, and both of their stories after The Starlight Claim. Would you consider this and why or why not?

TWJ:  Hmm, that’s a good question, as well. I’d have to say it’s unlikely, at this point. I don’t naturally steer toward sequels. That said, I’ve written two trilogies in my life: The “Zoom” picture books and my Rex Zero middle grade novels. They lent themselves really well to follow-ups. It took me twenty-five years to write a sequel to The Maestro. Maybe in another twenty-five years… But I never say never.

Many thanks to Tim Wynne-Jones
for again gracing CanLit for LittleCanadians with an interview
and providing insights into his newest novel and its writing.

Thank you also to publicist Winston Stilwell
for facilitating this endeavour.

••••••••••••••••••••

Best wishes to Tim Wynne-Jones on The Starlight Claim,
a story that I'm sure will capture all readers,
whether fans of thrillers or YA or great literature of any genre.


(And don't forget tonight's launch in Toronto and also in Kingston and Ottawa. Sadly Perth's was yesterday. Details here.)

The Starlight Claim

Written by Tim Wynne-Jones
Candlewick Press
978-1-5362-0264-9
240 pp.
Ages 13+
September 2019

Nathaniel Crow is a sixteen-year-old boy who is looking forward to a few days away at his family's remote cabin during March break. Though he and friends Dodge Hoebeek and Paul Jokinen had planned this trip a year ago, having been well-schooled by Nate's father Burl how to work and repair the snowmobile, to clear snow from the solar panels, what to do if they encounter any trouble, and more, the trip becomes a solo endeavour of survival and gumption for Nate, one that will bring him face-to-face with his past in more ways than one.

From the onset of The Starlight Claim, Nate is tormented by nightmares of his friend Dodge who is presumed dead after he with younger brother Trick and father Art Hoebeek had attempted to cross a lake in November to deliver a propane fridge to their neighbouring cabin. With Dodge missing and haunting his dreams with guilt about Nate not joining them and perhaps preventing their dangerous venture, and Paul getting grounded, it's only Nate who goes up to the Crow camp, hopeful of perhaps finding Dodge or just proving himself more gutsy than he feels.

But when Nate arrives at the camp, an arduous journey by the Budd Car train and snowshoe, he discovers a couple of scary dudes making themselves at home in the Crow cabin. He can't even head up to the abandoned shack of old miner Japheth Starlight–the only spot where cell connectivity is possible–because it's evident they're using it for the same purpose. Instead Nate holes up in the Hoebeek camp and, discovering Dodge's drone, attempts to send a message home via an airborne cell phone, while planning his escape to catch the Budd Car the following day.

By this time tomorrow night, he'd be sleeping in his own bed. All he had to do was hang tight. Nothing was going to go wrong. Nothing else. (pg. 75)

Sadly, Nate's plans are thwarted by a third man, arriving by snowmobile, who advises Nate not to go near the Crow cabin, and takes away his skis and snowshoes. Though the lout who hides behind his mask tries to help Nate out somewhat, he's holding back some secrets and seems to know more about Nate, the two men and even Dodge than he will admit. That is, until Nate reveals what he has learned through his own surveillance and observation. Then it's a cat-and-mouse game for Nate to evade some ruthless criminals and stay safe while putting to rest a few ghosts.

Though The Starlight Claim refers to characters from Tim Wynne-Jones's Governor General award-winning middle-grade novel The Maestro (1995), it can be considered both a stand-alone story and an intergenerational sequel. It may follow the story of the son of The Maestro's protagonist and draw on a history that has impacted, though not limited, its main characters, but The Starlight Claim is still Nate's story. With Burl–whose own survival is told in The Maestro–as Nate's virtual mentor, reminding the teen how to handle most indoor and outdoor difficulties, Nate plays a steady hand and head throughout The Starlight Claim. He is his father's son and a young man who deserves to persevere.

"You remember yourself, son," Burl had said... (pg. 129)

Though most of the story takes place over the course of just a few days, it is peppered with memories of Nate and Dodge's time at the lake and what is known to have happened to Dodge and his brother and father. In this way, Tim Wynne-Jones reminds us how much our past experiences create our present. But never, never, never is it suggested that our pasts determine how our lives will turn out. If that was the case, Burl would have been an abusive father, an inconsiderate husband, and worse, and Nate would have learned the same from his dad. Instead we meet an incredible young man who is clever and resourceful and compassionate and makes very good choices, unlike Dodge and Burl's father.

The thriller aspect of Tim Wynne-Jones's The Starlight Claim will hook young adult readers with its bad guys and good guys and those who walk the blurred line between the two, while others will be grabbed by the mystery embedded in a family drama. Regardless of why they pick it up, teens will be riveted by the psychological journey of Nate as he balances what he knows, what he's been told and what he learns as he confronts an unyielding northern Ontario winter landscape and those who seek to claim what is not rightfully theirs.

Look for my interview with author Tim Wynne-Jones next Monday (September 16, 2019) as he answers questions about The Starlight Claim, creating an intergenerational sequel, and the power of the past and memory.

Monsters: The Reckoner, Book Two

Written by David A. Robertson

HighWater Press

978-1-55379-748-7

246 pp.

Ages 14+

October 2018

Trust comes from truth. (pg. 199)

In Strangers, the first book in David A. Robertson's The Reckoner series, Cole Harper returned to the Cree community of Wounded Sky, a reserve constantly in recovery from tragedy. At that time, he'd been lured back by Coyote a.k.a. Choch with whom Cole had made a deal when the supernatural being helped save Cole's two friends, Eva and Brady, from a school fire ten years earlier that killed so many others. Though treated as a pariah, Cole helped stop a murder spree and provided a cure, with his unique blood, for a flu affecting the community. Now, in Monsters, that trickster Choch expects Cole to stick around and try to expose the truths about the mysterious experimentation that had taken place at the research facility and help heal a community.

Cole's first step is to recover the files he'd discovered in Strangers that revealed how he and others had been test subjects at the former Mihko Laboratories research facility. However, with Mihko returning to the community and quarantining all those who had been cured but now were looking worse, and Victor, a local resident, and Jayney, a spirit girl, talking about a monster or bogeyman or perhaps even Upayokwitigo, Cole's task becomes more complicated. Who is this creature? Why are the "flu" patients looking sick again? Why are guards posted at the clinic and the research facility? With the residents of Wounded Sky vacillating between acclaiming Cole as a hero and a criminal, Cole is finding it hard to learn anything. And did I mention how flummoxed he is about his feelings, particularly for best friend Eva, who has a boyfriend, and for another girl, Pam? Cole's probably feeling like it sucks to be him. No wonder his anxiety is out of control and he's struggling between choosing to take meds and trying to cope without. But can he quash that debilitating anxiety sufficiently to save himself and Wounded Sky from monsters of so many manifestations?

"...if there's somethin' that evil, there's gotta be somethin' that good." (pg. 236)

There is a lot of evil hanging around Wounded Sky and, at this time of year, many will think those monsters will all be vicious creatures that inspire fear. But, though there are a lot of monsters in Monsters, not all are physical beings. Some are inner demons, like Cole's overwhelming anxiety founded in his past but pervading his present and undoubtedly ready to affect his future. But they are also the community's fears that it will be unable to recover from its tragedies and that it's in danger of losing its identity. Those are monsters like no other. Fortunately, there is still much goodness and strength in Cole and the community, and readers will be hopeful that there are some happy endings for both.

David A. Robertson continues the thriller he began in Strangers by setting up new mysteries built on those established in Book One. However, although Monsters may answer a few questions, David A. Robertson leaves the reader still wondering about that research facility and what they did to Wounded Sky's inhabitants, past and present, and hoping that Cole will not lose himself in his struggle to find the answers.

Still, without spoiling the ending, readers need to be prepared for David A. Robertson's plot twist. A monster may be revealed, seemingly tying up a plot line, but Monsters closes out with a shock and a gasp that will have readers waiting for Book Three in the series, Ghosts, to learn how Cole, the Reckoner, is able to make peace for himself and Wounded Sky.  Spring 2019 can't come soon enough.

 

••••••••••••

Just a quick note that

MONSTERS

launches

Tuesday, October 30, 2018

7 p.m.

at

McNally Robinson

Grant Park in the Atrium

Winnipeg, MB

and

will be hosted by

Katherena Vermette

A portion of book sales from that night will be donated to

Anxiety Disorders Association of Manitoba

Details here

The Ruinous Sweep: Q & A with author Tim Wynne-Jones, plus giveaway

The Ruinous Sweep

Written by Tim Wynne-Jones

Candlewick Press

978-0-7637-9745-7

400 pp.

Ages 14+

June 2018

Reviewed yesterday

Yesterday, I reviewed Tim Wynne-Jones's latest young adult thriller, The Ruinous Sweep.  Today, as part of a blog tour, I have the pleasure of posting a Q & A with the author about his book.

(Be sure to read to the end for details about a special giveaway.)

 

HK:  Much of The Ruinous Sweep reflects Dante’s Divine Comedy, from the title to Bee who mirrors Beatrice, keeper of divine knowledge, to the deadly sins including lust, anger and treachery, and the Inferno beasts of a lion and a leopard.  Was the initial premise for The Ruinous Sweep always based on Divine Comedy or was it secondary to the scary incident you mention in your Acknowledgements? 

TWJ: Wow! Somebody knows their Dante. The answer to your question is the latter of the two proposed. I didn’t think about Dante at all until I was a couple of chapters in. Suddenly, it occurred to me that the mysterious, moon-wet landscape Donovan found himself lost within, dazed and confused, was reminiscent of a very famous 14th Century epic poem. So, I started reading that classic again to see what my protagonist was likely to run into. For a brief moment I thought he’d follow Dante’s entire journey, but pretty soon it became obvious that twenty-first century Donovan had his own demons to vanquish and the two wanderers parted company. But it sure gave me a lift in the early going to fall back on that amazing story. Fiction, even when it seems unique and entirely new, usually builds, in one way or another, on what has gone before. There’s nothing new under the sun. Or under the moon, for that matter.


HK:  Do you believe readers need to have a background understanding of Divine Comedy to appreciate the fullness of the story of The Ruinous Sweep or do you hope The Ruinous Sweep will lead them to check out Dante’s epic work?

TWJ: Not at all. I think everybody knows a little something about that random, transitional world between worlds, where nothing quite makes sense but there is this pervasive, suspenseful feeling that at any moment anything might happen and everything will change for the better or worse! We’ve all experienced it, if only in our dreams.


HK:  For much of the book, the story is told in two voices: that of Donovan who is confused about what has happened and what is happening, and his girlfriend Bee as she deals with the aftermath of a horrifying night.  Usually when told in the voices of boyfriend and girlfriend, their perspectives come together in the end but not in The Ruinous Sweep.  Instead their perspectives become untangled when the mystery is solved.  Why did you keep the two separate for much of the book rather than blend them into a strong couple working together, even if separated by circumstances? (I don’t want to spoil the ending by giving away too much.)

TWJ: In the first draft, I wrote all of Donovan’s story first. It’s weird, because while I was locked into his story I couldn’t really see or imagine Bee. I only knew he was desperate to reach her and that, one way or another, she would be there for him. Then one of my sons sent me a video of the composer Ludovico Einaudi playing I Giorni (The Days) with the violinist Daniel Hope in a club in Stockholm. And there she was, Beatrice, all in shadows, just over the pianist’s shoulder.  (See the video here at https://www.youtube.com/watch?v=54LgLNpW3KE) She looks kind of distracted as if she’s only half there or the sad and beautiful music is reminding her of something or someone. A journey all her own.


HK:  While many assume that the adage of actions having consequences usually refers to negative actions, like getting angry or dealing in criminal activity, some positive actions, like trying to not hurt someone’s feelings or to protect someone from potential harm, can also have dire consequences.  Is this something you believe needs to be recognized or was it merely an unintentional message in The Ruinous Sweep?

TWJ: This is such a great question. What I love about writing is that, for me, it’s always a learning experience. I never set out to write a book I know the ending of; I never write a book with an agenda; I set out to discover what effect will result from this or that cause. For example, Hamlet’s father’s ghost tells his son who murdered him. Go. It worked pretty well for Shakespeare. Once I start that ball rolling, all sorts of issues come up but I can only understand them in the context of my characters and what they are going through. Their motivation rules. I don’t want to put words in their mouths. Of course I do, but I try really, really hard not to make them mules for some message I might have to pass along. I set them loose in trying times and watch and learn. Sometimes I just have to shake my head at what they get up to, but then I turn the jets up higher, increase the stakes, and put them in even worse jeopardy. That’s how I come to learn what the story is really about. I often don’t know the theme of one of my novels until I read the reviews. Which might explain why I got such lousy marks in high school English.


HK:  There is a character in The Ruinous Sweep who has a unique ability to communicate with those at death’s door.  Do you believe in mediums and have you ever had a reading from one?

TWJ: I’m not sure what I think. I guess I’d have to waffle and say I definitely don’t not believe in mediums. Dante was led on his journey through Hell by the ancient Roman poet, Virgil. Donovan Turner gets himself a crusty farmer lady with a heart of gold named Jilly. There are just some trips you can’t make alone.


HK:  One thing I appreciate in your writing, whether middle grade or young adult, is that you give young readers much credibility.  You “talk up” to them, recognizing that their stories do not need to be simple for them to be understand.  How do you find the right balance of writing for youth without writing down to them?

TWJ: When I was a teenager I read adult books; there really wasn’t a genre that was labelled “young adult.” But in any case, I’ve always thought that if you’re reading a book that pulls you in, featuring characters you really care about, caught up in truly intriguing situations, you’ll figure out whatever you need to figure out in order to go along for the ride. I remember smiling when the Harry Potter books came out. There were all these experts who said adolescents couldn’t possibly read books that were that long. Hah! Rowling proved the “experts” wrong.  Kids who were so young they could barely even pick up The Order of the Phoenix read it in a weekend and remembered every significant detail. Honestly, I think young readers are often way better readers than adults, if they’re sufficiently engaged by the story. For one thing, their brains aren’t full of mortgages and back problems. I always tell my writing students not to ever underestimate a young reader. No spoon-feeding. No needless explaining. No sugar coating. Don’t dumb down the language. Feed a kid a delicious new word and let them figure out what it means from the context in which it’s used. All of us, adults and kids alike, skip over what we don’t quite grasp but if the journey is exciting enough, it doesn’t slow us down.


HK:  If there was one message which you’d like readers to take away from The Ruinous Sweep, what would it be?

TWJ: It may already be apparent that I don’t write messages into my books. But I know I learn things from writing them and I hope my reader learns stuff, too, although it might not be exactly what I learned. This journey began for me with a traumatic experience I needed to come to terms with. A violent experience that left me stunned and confused. As Sting says, “Nothing comes from violence and nothing ever could.” And I guess that song says at least one of the things I’d like my readers to understand: we must never forget how fragile we are. 

•  •  •  •  •  •  •  •  •

Many thanks
to author Tim Wynne-Jones
for responding to some probing questions with his honest answers
and
to book publicist Winston Stilwell
for arranging this Q & A.

•  •  •  •  •  •  •  •  •


BUT WAIT!


 WANT TO WIN AN AUDIO BOOK of THE RUINOUS SWEEP?

As part of the The Ruinous Sweep blog tour,  

Tim Wynne-Jones and his publicity team 

are offering an audio book of The Ruinous Sweep,
 read by the author himself.


Residents of Canada and the U.S. 

who would like to enter to win the audio book

just need to leave a comment below
(before noon (EST) on July 3, 2018) 

explaining why you'd like to listen to the audio book
of The Ruinous Sweep.
We'll do a random draw (using a random number generator)

and notify the winner via reply to their comment.

We look forward to reading your comments below.

The Ruinous Sweep

Written by Tim Wynne-Jones

Candlewick Press

978-0-7637-9745-7

400 pp.

Ages 14+

June 2018

You're a traveler in a land that is part memory, part dream, and with all vestiges of the kind of pain that only the living can feel.  (pg. 127)

Donovan Turner, 17, is a reluctant traveler but one just the same. He is everywhere and nowhere.  He is running away from his sleazy dad Allen, with whom he's supposed to stay while mom Trish and boyfriend Scott are off camping in Algonquin Park. He is hitchhiking in the rain. He's hallucinating, he is disoriented and nothing seems real.  But it's far too real.

As the reader accompanies Donovan from one precarious situation to another, the teen's confusion is palpable. He worries that he has caused an accident that kills a man with a briefcase full of money, which Donovan takes. He finds his way to a farm where he hides the money and discovers his bruised and bloodied father drinking and playing cards with two rough-looking men. How could that be? Donovan can't figure out what he did, if he's guilty of anything for which he is accused and all he wants to do is find a way to connect with his girlfriend Beatrice.

Bee too is trying to figure out the story but she's starting at it from the side of Donovan's hospital bed. The story she hears from the police is that Donovan was a victim of a hit and run just outside his home, but they're also investigating the death of Donovan's dad. Bee doesn't believe that Donovan killed his dad but the few murmurings from Donovan, which she records in her journal, have her determined to protect him and learn the truth herself.

While Donovan is navigating new worlds, trying to understand his circumstances, wondering if he is dead or can make things right, Bee is looking for the answers the police will not pursue. Allen was a reprehensible person whose actions "had landed him in a country tattered around the edges and peopled by all manner of fallen comrades: addicts and losers and barstool prophets; the let-down, it-wasn't-my fault crowd" (pg. 93) and Donovan intended to stop seeing him. But would Donovan take his own baseball bat to his father?

Tim Wynne-Jones knows how to tell a great story.  He has won two Governor General's Awards for English-language Children's Literature (Some of the Kinder Planets, 1993, and The Maestro, 1995) and his last three novels have been short-listed for that same notable award. Though his middle-grade fiction is unsurpassed for its empathetic characters and depth of plotting, I believe his young adult suspense novels (check out my review of Blink & Caution), to which we can add The Ruinous Sweep, are unparallelled in the complexity of their mysteries and magnitude of their stories.  The Ruinous Sweep is a layered and woven story of so many dimensions that the reader can be forgiven the need to pause. While Bee's story line is essentially one of progression from learning of Donovan's accident and solving the mystery, with the occasional memory of their dating, Donovan's is complicated. His story is a tragic one that goes backwards and forwards and sideways. It's one of anger, shock, violence, running from and to, and connecting.  He's in limbo and looking for salvation. 

Readers may recognize references to Dante's Divine Comedy throughout The Ruinous Sweep from characters including Beatrice, the Pagans, and the Virgil-like Jilly, and other attributes such as the deadly sins of wrath and greed.  While these references to Dante's epic work provide additional scope to Tim Wynne-Jones's story, they are not everything. The Ruinous Sweep is, in its lyrical telling and intricate mystery, as daring as YA just as Dante's work is as epic poem.

✜✜✜✜✜✜✜✜✜✜

Check back tomorrow for my interview with author Tim Wynne-Jones and an opportunity to win a free audio book edition of The Ruinous Sweep, read by Tim Wynne-Jones. This giveaway is open to Canadian and US residents.

Blood on the Beach

Written by Sarah N. Harvey and Robin Stevenson

Orca Book Publishers

978-1-4598-1293-2

259 pp.

Ages 13+

2017

When eight “at-risk” teens accompany three adult counsellors to a remote island off the BC coast to participate in the week-long INTRO (=In Nature to Renew Ourselves) program, they probably never imagined graver risks than those they had already endured.  But,  when one of the teens goes missing, and everyone starts pointing fingers and suspicions grow between island-mates, Blood on the Beach becomes a YA Survivor x Lord of the Flies story.

Today is a good day to bury bad habits, attitudes and relationships so you can give birth to a new you. (pg. 45)

It seems that those in authority–parents and the court system–believe that the four girls and four boys sent to INTRO need to “change” their ways.  There’s Alice, the daughter of a cop, who was tagged for underage drinking; a depressed Tara who seems fearful of life; the flirtatious Mandy whose risky behaviour has lead her to theft; the misleading Imogen whose vice is drugs; B & E proficient Jason; Caleb who assaulted his mother’s abusive partner; weed-dealer Chad; and Nick whose parents want him to not be gay.  Under the care of former cop Warren and his psychologist wife Claire, as well as newbie counsellor Rahim, the kids are brought together to discuss their feelings, do chores like cooking and cleaning, and clearing of brush for a trail. But when Tara disappears the second day on the island and the radio is damaged, most of the kids want answers and actively pursue them.  Everyone is on edge, but especially Alice who unearths clues to Caleb’s possible involvement and Caleb who realizes Alice and Imogen are treating him with distrust.  The situation is all the more tenuous because of Warren and Claire’s reluctance to contact authorities and get assistance.

Through the alternate voices of Alice and Caleb, the story of Tara’s disappearance and the program’s participants coming together to solve the mystery is revealed.  But Blood on the Beach moves from mystery to thriller when a death occurs and suspicions are ramped up.  Everyone is looking over their shoulders for the culprit, not knowing enough about anyone to feel safe.    

From reviews of Sarah N. Harvey and Robin Stevenson’s most recent books (Spirit Level and The World Without Us, respectively), we know that the two BC writers can pack a lot of plot punch and strong characterizations into their YA novels.  Together, they are powerful.  They have created a wild assortment of characters and exposed them to  a more tenuous situation than those from which they came.  I suspect the community that thought INTRO was a good idea might want to rethink the benefits of a program that doesn’t adhere to the bioethical maxim of “do no harm.”  Scarier still is the belief that the adults would know what they’re doing when it’s actually the kids who show the maturity and conscience to fully resolve the mystery and mitigate the threat.

Like the little paper boats the teens construct with messages of their pasts to release to the sea, these teens leave behind their pasts and demonstrate courage and resourcefulness to secure their present and even look forward to positive futures. 

Strangers: The Reckoner, Book One

Written by David A. Robertson

HighWater Press

978-1-55379-676-3

216 pp.

Ages 14+

October 2017

David A. Robertson, author of the Governor-General's literary awarded illustrated children's book When We Were Young (illustrated by Julie Flett, HighWater Press, 2016), returns his writing to young adults with Strangers, the first book in a new supernatural thriller series called The Reckoner. Still honouring his Cree roots with a story installed in the fictionalized Cree community of Wounded Sky, David A. Robertson shows us life on a remote Manitoba reserve where a past tragedy and current illness and murder have its inhabitants reeling in suspicion and anger.  And it doesn't help that that trickster Coyote is playing a leading role.

Seventeen-year-old Cole Harper has been living in Winnipeg since his Aunt Joan and grandmother moved him there to forget "everything he'd lost in the tragedy and his role in it" (pg. 13) ten years earlier.  Now his friend Ashley Ross is summoning Cole back to Wounded Sky with cryptic messages about needing to come home.   But Cole's return is far from welcome and he learns from Ashley that his phone had been missing and he'd never sent any messages to Cole.  And he tells Cole this minutes before he is shot dead.  While he awaits RCMP Constable Wayne Kirkness, Cole is visited by Choch, the anthropomorphized spirit being Coyote, who reminds Cole of a deal they'd made ten years earlier when Cole had saved two friends, Eva and Brady, from a burning school in which everyone else perished, including Cole's mother. Now Choch expects payback though he doesn't tell Cole exactly what he needs of him.  After Ashley's murder and an illness hits the community, Cole is sure it is to make things right here at Wounded Sky.  But then two more murders and deaths from the illness have the community turning on Cole, whose arrival coincided with the newest tragedies.  How can he do right by Wounded Sky when it's obvious the community, except for a few, resent his return from the city and his earlier role in the fire in which he only saved two lives?

There are mysteries aplenty in Strangers and not all are able to be solved in this first book in the series.  Who murdered Ashley?  How is the research facility, now closed, involved in the tragedies at Wounded Sky? How did the fire at the school start? With the advice of his grandmother to find his peace and "If you accept yourself for who you are, you belong anywhere" (pg. 109), Cole faces the challenges of an angry community, the antics of an arrogant and reckless Choch, and his own anxiety to be the hero needed to heal himself and others.

All legends, Cole, come from some place of truth. Whether they're about Coyote or a sky that was cut and bled the heavens like tears, or a boy that saved others. Look at your own scars. (pg. 124)

Beyond David A. Robertson's intricate plotting, he creates a character of Wounded Sky itself.  He makes sure that readers, Indigenous or not, get an authentic glimpse of life on a reserve: remote, ignored, self-reliant, challenged, vulnerable and cohesive.  From Elder Mariah making hot muskeg tea and Cole's tobacco tie, to the northern lights of spirits playing and Coyote's pranks, Strangers is both singular and inclusive, educating readers and encircling many in its story. I look forward to Book 2 in The Reckoner series so that I can witness how David A. Robertson resolves mysteries first revealed in Strangers and undoubtedly creates a few more for Cole to confront.

Sleeper: The Seven Sequels

by Eric Walters

Orca Book Publishers

978-1-459805439

222 pp.

Ages 10-16

For release October 1, 2014

The seven grandsons of David McLean from the original Seven Series (Orca, 2012) may have fulfilled the missions their grandfather requested of them upon his death but they're turning it around now with information they've discovered about him on their own. In fact, although the seven books of The Seven Sequels may be read in any order, I'm glad I started with Eric Walters' Sleeper as it clearly spells out how and what the boys discover that sends them off on their newest adventures, by choice or not.

Meeting up after Christmas at their grandfather's cottage, five of the cousins–DJ, Spencer, Bunny, Webb and Adam–discover a hidden cache of passports, foreign currency, a gun, a little black book, some clothes and disguises, and a bag of golf balls.  Speculating that their grandfather may have been involved in espionage, the boys decide that they have a week left of holidays before their parents are home to figure out the mystery. Bunny and Spencer head back home to Toronto (though Bunny is kidnapped from the City Hall skating rink--see my next review, for The Wolf and Me by Richard Scrimger) and DJ heads to the airport and England where he has plans on visiting Doris, the older woman whom he'd met on his trek up Kilimanjaro in Between Heaven and Earth (Walters, 2012).

But DJ's arrival in London starts with him being detained at the airport and threatened, until a government agent, Justin Bourne, makes the authorities see that the David Adam McLean they've stopped is not 93 years old.  Without giving away that his grandfather would've been that age, DJ is released and delivered to Doris's home by her surly grandson, Charles.  Though Doris has broken her leg, she is eager to help DJ so she enlists the help of her fellow Sherlock Holmesians (fans of the great fictional detective) to try to break the codes within DJ's grandfather's notebook.

Code-breaking some of the ciphers, DJ heads to Cambridge driving Doris' red Jaguar E-Type and accompanied by her beautiful granddaughter, Charlie (short for Charlotte).  Very much in the tradition of Ian Fleming's spy novels, Sleeper includes chase scenes with luxury cars like a black BMW and a white Mercedes Benz, double agents, sleeper cells, Eastern European scoundrels, the CIA, much deception and the dry wit that makes the characters seem so suave.  And, of course, there's the beautiful young woman and love interest for DJ and the dash of royalty for that regal touch.

What a great way to take readers from David McLean directing the actions of his grandsons, as he did in the Seven Series, to the boys looking to new adventures, pursuing their own suspicions and curiosity about their grandfather, and embarking on adventures that will put their intrepid natures to the test in more daring situations.  Sleeper introduces the theme of espionage and hidden identities in an intriguing manner (how appropriate!) with the boys just falling into that info (or rather it falling out).  They can choose whether to pursue it or to let it pass, as so much about their grandfather would not now that he was dead.  DJ chooses to see beyond himself.  Even in choosing to visit with Doris, a 67-year-old woman, DJ demonstrates that he can be as worldly as the man for whom he is named.  And with Eric Walters paying homage to James Bond and other great spies and fictional characters--from Henry Higgins, Jason Bourne and  Dr. Moreau--I think readers will get the impression that DJ has an impressive future ahead, filled with admirers and those who would challenge him.  And he'll be identifying himself as, "McLean. DJ McLean"

Sleeper is a propitious beginning for my reading of The Seven Sequels.  Make it one of your's too.

Tomorrow

by C. K. Kelly Martin

CreateSpace Independent Publishing Platform

978-1492250876

248 pp.

Ages 13+
2013

Reviewed from Smashwords Edition

It seems like only yesterday that I reviewed Yesterday, the prequel to Tomorrow, but it has been just over a year (November 26, 2012 review).  Luckily, C. K. Kelly Martin's writing does not exclude readers who missed Yesterday if they choose to go directly into Tomorrow. Without just presenting a dystopian world of our future, C. K. Kelly Martin has created a cautionary tale of the course by which our disastrous tomorrow will arise, and how by looking back at yesterday, we may be able to prevent tomorrow from being ultimately fatalistic.

In Yesterday, teens Freya and Garren discovered that they had been sent, as were many others, from 2063 United North America (UNA) to save them, in the hopes of finding a way out of the impending environmental, political and health disasters of the future.  In order to keep their knowledge of the future from being shared, or destabilizing 1980s society with knowledge of a time chute, these time refugees have had their memories wiped and covered with new ones. But Freya's memory wipe was not "successful" and she was able to recognize Garren when she sees him in 1985 Toronto.  Now they're on the run from the UNA who consider them a threat.

Tomorrow begins just over a year after Yesterday ends. Currently living together in 1986 Vancouver as Holly and Robbie, seventeen-year-old Freya waits tables at a restaurant and nineteen-year-old Garren tends bar but they live with the anxiety that they could be discovered and lose everything, most especially each other.  And when they notice that key events in 1986 don't fit with the known history, Freya and Garren recognize that the UNA is at work.  After Garren finds Freya missing from their now-ransacked apartment, he is convinced that they may do more than just wipe your memory.

Garren's reminiscences from 2063 when he found himself seeking out the hard-core fringe faction of the grounded movement (contrary to the ideas of the UNA) are key as he throws himself into finding Freya. While Garren recognizes that Freya has always been the force behind their survival and the one who could tell when someone was lying or when something was going to happen, he is the one now who must take up the gauntlet and do what he can do to make things right.  Garren doubts his capabilities and constantly worries about who to trust, but he manages.  With his singular motivation of saving Freya, Garren's determination is boundless.

Freya's ultimate fate is wrapped up tight in the disaster that is 2063 UNA and the efforts of the radical faction of the grounded movement.  Without naming names and sharing secret alliances and conflicts, I can tell the reader that Garren's journey to Freya is not a direct one, and that conspiracy plays a significant role. Sadly, it's hard to tell the conspirators from the allies.  But that's what makes Tomorrow a true thriller.

Never does C. K. Kelly Martin convince the reader that the outcome is predictable.  Never.  I could never tell the bad guys from the good guys and Garren feels the same way.  And that's what keeps the story moving forward, albeit leaving you on the edge of your seat.  Be prepared.  You may know what you want in a happy ending, but C. K. Kelly Martin makes sure that you never see how she's going to get there, or even if.  Every book of hers that I have read (My Beating Teenage Heart, Random House, 2011; Yesterday, Random House, 2012) has kept me engrossed in her unique and passionate characters and their struggles whose outcomes are never obvious.  Tomorrow is a worthy and complementary addition to C. K. Kelly Martin's literary collection, and I look forward to future volumes.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Months ago, I added the book trailer for Tomorrow to CanLitforLittleCanadians Book Trailers' site.  But it's never too late to enjoy it, especially before you purchase your own copy of the book. http://canlitforlittlecanadianstrailers.blogspot.ca/2013/07/tomorrow-yesterday-book-2.html