Monsters: The Reckoner, Book Two

Written by David A. Robertson

HighWater Press

978-1-55379-748-7

246 pp.

Ages 14+

October 2018

Trust comes from truth. (pg. 199)

In Strangers, the first book in David A. Robertson's The Reckoner series, Cole Harper returned to the Cree community of Wounded Sky, a reserve constantly in recovery from tragedy. At that time, he'd been lured back by Coyote a.k.a. Choch with whom Cole had made a deal when the supernatural being helped save Cole's two friends, Eva and Brady, from a school fire ten years earlier that killed so many others. Though treated as a pariah, Cole helped stop a murder spree and provided a cure, with his unique blood, for a flu affecting the community. Now, in Monsters, that trickster Choch expects Cole to stick around and try to expose the truths about the mysterious experimentation that had taken place at the research facility and help heal a community.

Cole's first step is to recover the files he'd discovered in Strangers that revealed how he and others had been test subjects at the former Mihko Laboratories research facility. However, with Mihko returning to the community and quarantining all those who had been cured but now were looking worse, and Victor, a local resident, and Jayney, a spirit girl, talking about a monster or bogeyman or perhaps even Upayokwitigo, Cole's task becomes more complicated. Who is this creature? Why are the "flu" patients looking sick again? Why are guards posted at the clinic and the research facility? With the residents of Wounded Sky vacillating between acclaiming Cole as a hero and a criminal, Cole is finding it hard to learn anything. And did I mention how flummoxed he is about his feelings, particularly for best friend Eva, who has a boyfriend, and for another girl, Pam? Cole's probably feeling like it sucks to be him. No wonder his anxiety is out of control and he's struggling between choosing to take meds and trying to cope without. But can he quash that debilitating anxiety sufficiently to save himself and Wounded Sky from monsters of so many manifestations?

"...if there's somethin' that evil, there's gotta be somethin' that good." (pg. 236)

There is a lot of evil hanging around Wounded Sky and, at this time of year, many will think those monsters will all be vicious creatures that inspire fear. But, though there are a lot of monsters in Monsters, not all are physical beings. Some are inner demons, like Cole's overwhelming anxiety founded in his past but pervading his present and undoubtedly ready to affect his future. But they are also the community's fears that it will be unable to recover from its tragedies and that it's in danger of losing its identity. Those are monsters like no other. Fortunately, there is still much goodness and strength in Cole and the community, and readers will be hopeful that there are some happy endings for both.

David A. Robertson continues the thriller he began in Strangers by setting up new mysteries built on those established in Book One. However, although Monsters may answer a few questions, David A. Robertson leaves the reader still wondering about that research facility and what they did to Wounded Sky's inhabitants, past and present, and hoping that Cole will not lose himself in his struggle to find the answers.

Still, without spoiling the ending, readers need to be prepared for David A. Robertson's plot twist. A monster may be revealed, seemingly tying up a plot line, but Monsters closes out with a shock and a gasp that will have readers waiting for Book Three in the series, Ghosts, to learn how Cole, the Reckoner, is able to make peace for himself and Wounded Sky.  Spring 2019 can't come soon enough.

 

••••••••••••

Just a quick note that

MONSTERS

launches

Tuesday, October 30, 2018

7 p.m.

at

McNally Robinson

Grant Park in the Atrium

Winnipeg, MB

and

will be hosted by

Katherena Vermette

A portion of book sales from that night will be donated to

Anxiety Disorders Association of Manitoba

Details here

Strangers: The Reckoner, Book One

Written by David A. Robertson

HighWater Press

978-1-55379-676-3

216 pp.

Ages 14+

October 2017

David A. Robertson, author of the Governor-General's literary awarded illustrated children's book When We Were Young (illustrated by Julie Flett, HighWater Press, 2016), returns his writing to young adults with Strangers, the first book in a new supernatural thriller series called The Reckoner. Still honouring his Cree roots with a story installed in the fictionalized Cree community of Wounded Sky, David A. Robertson shows us life on a remote Manitoba reserve where a past tragedy and current illness and murder have its inhabitants reeling in suspicion and anger.  And it doesn't help that that trickster Coyote is playing a leading role.

Seventeen-year-old Cole Harper has been living in Winnipeg since his Aunt Joan and grandmother moved him there to forget "everything he'd lost in the tragedy and his role in it" (pg. 13) ten years earlier.  Now his friend Ashley Ross is summoning Cole back to Wounded Sky with cryptic messages about needing to come home.   But Cole's return is far from welcome and he learns from Ashley that his phone had been missing and he'd never sent any messages to Cole.  And he tells Cole this minutes before he is shot dead.  While he awaits RCMP Constable Wayne Kirkness, Cole is visited by Choch, the anthropomorphized spirit being Coyote, who reminds Cole of a deal they'd made ten years earlier when Cole had saved two friends, Eva and Brady, from a burning school in which everyone else perished, including Cole's mother. Now Choch expects payback though he doesn't tell Cole exactly what he needs of him.  After Ashley's murder and an illness hits the community, Cole is sure it is to make things right here at Wounded Sky.  But then two more murders and deaths from the illness have the community turning on Cole, whose arrival coincided with the newest tragedies.  How can he do right by Wounded Sky when it's obvious the community, except for a few, resent his return from the city and his earlier role in the fire in which he only saved two lives?

There are mysteries aplenty in Strangers and not all are able to be solved in this first book in the series.  Who murdered Ashley?  How is the research facility, now closed, involved in the tragedies at Wounded Sky? How did the fire at the school start? With the advice of his grandmother to find his peace and "If you accept yourself for who you are, you belong anywhere" (pg. 109), Cole faces the challenges of an angry community, the antics of an arrogant and reckless Choch, and his own anxiety to be the hero needed to heal himself and others.

All legends, Cole, come from some place of truth. Whether they're about Coyote or a sky that was cut and bled the heavens like tears, or a boy that saved others. Look at your own scars. (pg. 124)

Beyond David A. Robertson's intricate plotting, he creates a character of Wounded Sky itself.  He makes sure that readers, Indigenous or not, get an authentic glimpse of life on a reserve: remote, ignored, self-reliant, challenged, vulnerable and cohesive.  From Elder Mariah making hot muskeg tea and Cole's tobacco tie, to the northern lights of spirits playing and Coyote's pranks, Strangers is both singular and inclusive, educating readers and encircling many in its story. I look forward to Book 2 in The Reckoner series so that I can witness how David A. Robertson resolves mysteries first revealed in Strangers and undoubtedly creates a few more for Cole to confront.

Shelter

Written by Céline Claire

Illustrated by Qin Leng

Kids Can Press

978-1-77138-927-3

42 pp.

Ages 3-7

October 2017

When a storm hits, we all need shelter in which to take refuge.  But how many would be willing to share their shelter with strangers in need?  Shelter is a story for all times and for now, when there are those with so much and so many with so little.  Tragedy, as always, becomes the great equalizer.

From Shelter 

by Céline Claire 

illus. by Qin Leng

When the animals of the forest–foxes, rabbits, birds, squirrels, boars–learn of an upcoming storm, they prepare by gathering wood and food and taking cover in their homes.  They are fearful but safe inside.

From Shelter 

by Céline Claire 

illus. by Qin Leng

Then two strangers appear in the fog and go from home to home, asking for shelter or food or light from the hearth in exchange for some tea.  Sadly they are turned away from each with lies that the dwellers have none to share.  Only Little Fox pursues them to offer a lantern.  But when the fox family must escape their collapsing den, the two strangers, bear brothers, offer to share with them the shelter they've created in the snow.

From Shelter 

by Céline Claire 

illus. by Qin Leng

If ever there was a story that illustrates the wisdom and compassion of the Golden Rule, that story is Shelter.  It is an allegory for our times of those who will not share or provide refuge for those in need or to those whom they fear, yet hope that some kindness might be extended to them when in similar circumstances.  French writer Céline Claire's story is both tragic and hopeful but Qin Leng's illustrations provide the visual context for that tragedy and promise.  From indoor havens and outdoor scenes of purposeful work, Qin Leng captures the reassurance of lives lived well.  Then, with the wind and gathering storm, she gives her illustrations a shadowy tone that emulates the anxiety of the two bears and those disquieted by their arrival.  Finally, her pen and watercolour artwork brings lightness to a dark world.

May we all find shelter during the storms, whether they be personal, political or climatic, and, whenever we can, let us provide refuge to those who seek the same.

The End of the Line

by Sharon E. McKay

Annick Press

978-1-55451-658-2

128 pp.

Ages 8-11

August, 2014

When the Germans occupied Amsterdam in May 1940, not everyone, and certainly not elderly brothers, Hans and Lars Gorter, were adversely affected immediately.  The two Dutch bachelors, both in their 60’s, continued to live in the home they had once shared with their mother in a quiet cul-de-sac across the road from her friend, Mrs. Vos, now 80.  They continued to work on a city tram, Hans driving it and Lars collecting tickets.  And they continued to keep to themselves and their routines, though they were becoming perplexed by the hatred being directed at the Jewish people and the Nazis insistence that suspicious behaviour of any sort be reported.

But in 1942 when a woman on the tram separates herself from the little girl accompanying her and is taken away by the Nazis, Lars claims the young girl as his niece and, with a quick release of the hand brake, Hans distracts the Nazi who leaves without the girl.  Hours later, the two men, befuddled as to what to do with the child, take her home.  That simple act, including taking her hands to walk her across the street, has Lars and Hans becoming unofficial uncles to little Beatrix.

To Lars it was as if the curl of a wave had come to rest in his palm To Hans it felt as if the gentlest creature on earth–a baby bird, perhaps–had nestled in his hand.  In that moment both felt the intense pride that comes with great responsibility as they guided the child safely across the street. (pg. 22-3) 

The brothers and Mrs. Vos raise her as Beatrix Gorter and have her schooled in Catholicism. Neighbours are encouraged into silence with polite threats of secrets to be revealed, and a new neighbour, the young Mrs. Lieve van der Meer, taking a special role in Beatrix’s education and upbringing.  And as Beatrix grows, and the persecution of the Jews escalates, and food shortages and strikes make life virtually impossible, the years pass, Beatrix ever hopeful that her mother will return.

This could have been another story of surviving the Holocaust but Sharon E. McKay doesn’t do the same as everyone.  It’s not about escaping or surviving.  It’s the story about naively opening one’s home and one’s heart to a stranger and finding both enriched in unexpected ways. The End of the Line is such a simple story about two unlikely and even reluctant heroes who jump in to help a little girl and find their lives changed forever.  What makes the story all the more poignant is the way in which Beatrix’s unofficial adoption creates a lovely new family of anomalous individuals.  And even with the horrors of Nazism and the persecution of the Jewish people and the Dutch under occupation, Sharon E. McKay is able still to provide moments of sweet tenderness and a reassuring ending that will fill one’s heart with gladness and one’s eyes with tears.