A Friend is a Friend is a Friend

Written by Sara O'Leary

Illustrated by Qin Leng 

Groundwood Books

978-1-77946-026-4

32 pp.

Ages 3–6

April 2026 

 

A concern for many children entering a new situation, whether a new school, a new sports activity, or even a new neighbourhood, is whether they'll make any new friends. For this child, heading off to camp, the worry is very real, but she's hopeful of learning some new strategies from her peers.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Without ever asking a question—or does she?—a little girl gets different perspectives from other children. As the diverse and colourfully dressed children play on a massive tree, they are quoted about their friends and the basis for those friendships. The first piece of advice is about asking questions because that's how you learn if you have things in common with others. It might be a birthday, a favourite colour, or the need for quiet.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

The variety of their experiences is rich, as are the friends they have. For one child, their best friend is their grandfather because they share stories. It could be a friend who supports you or one that you appreciate for the type of person they are. There are children who don't speak the same language but understand each other just the same. There is a child whose friend was a he and is now a she and that's okay since they still like doing the same things. There is a shy child, lifelong friends, and one who has an invisible friend. There are so many children, and they all make friends differently and make different friends. The richness of their experiences is only matched by the individuality of their friendships.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Sara O'Leary, author of A Family is a Family is a Family (2016) and A Kid is a Kid is a Kid (2021), gets to the heart of friendships by showing children that there is no right way to make a friend and be a friend. Her message is one of joy in the diversity of who we are and how we make friends. Without telling kids how they can make friends, she allows children to express their own feelings about their processes, giving them voice. (All responses by children to the unasked question of making friends are placed in quotation marks.) By giving them voice, Sara O'Leary lets young readers take what they want from the guidance of their peers, perhaps to help them make their own friends. And, with the wisdom of a compassionate adult, she reminds readers that, "It turns out that the best way to make a friend is to be one." (pg. 29)

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

A Friend is a Friend is a Friend has been illustrated by Qin Leng, as in the earlier books in this collection. Qin Leng's art, created with ink, marker, and watercolour, are distinct, both light in marks and bright in mood. She does well with stories with young children, giving them innocence, playfulness, and wonder. By making all the children unique in their demeanours and expressions, and by keeping them joyful and natural in the familiarity of play, Qin Leng helps reflect Sara O'Leary's emphasis on diversity and individuality.

  

There will always be those children who make friends very easily, never worrying about how to do it or if they can do it. But there are others for whom it is an uncertainly and even a fear, and A Friend is a Friend is a Friend will help them. Best of all, it's a sweet story without being a contrived teaching tool. And if your little one is heading to summer camp, or to kindergarten or a new school this fall, or you're planning on moving house, A Friend is a Friend is a Friend will reassure those for whom finding a friend may be more of a challenge. It reminds them that they can do it.

 • • • • • • •

 

A Family is a Family is a Family (2016)

A Kid is a Kid is a Kid (2021)

A Friend is a Friend is a Friend (2026)

A Day for Sandcastles

Written by JonArno Lawson

Illustrated by Qin Leng

Candlewick Press

978-1-5362-0842-9

48 pp.

Ages 4-8

May 2022

 

JonArno Lawson has the words, as his picture books like The Playgrounds of Babel and  Leap! have demonstrated, but he doesn't need the words. As his award-winning Sidewalk Flowers and now A Day for Sandcastles show us, his storytelling can go beyond text and, with the skill of an amazing artist like Qin Leng, a story rich in characters, activity and feeling is told.

From A Day for Sandcastles by JonArno Lawson, illus. by Qin Leng

It's a day at the beach for this family of five. As they disembark from a bus, mum and dad coming up the rear, the three children race to through the grassy dunes, arms raised in cheer. There's a red-haired girl in a red-striped bathing suit, and older brother in navy patterned board shorts and a small child in green T-shirt and yellow shorts. Having found the remnants of a washed out sandcastle, they retrieve their pails and shovel and begin to work on their own.

 

But, as focused as they are on their creative endeavour, beach life teems around them. There are the swimmers and the sunbathers, the runners and the volleyball players. There are older women and toddlers, lovers walking hand-in-hand, and friends taking selfies. And there's also the splash of water and a wind-blown sun hat that damage their multi-castle structure with moat, compelling them to take a break and join their parents for lunch.

From A Day for Sandcastles by JonArno Lawson, illus. by Qin Leng

The children, though, are determined and look to rebuild their sandcastle. Together they fill buckets, mould turrets and dig out shapes. Even a toddler who sits herself down in the midst of their creation does not deter them from their work and adding flourishes of shells, twigs and other found objects.

From A Day for Sandcastles by JonArno Lawson, illus. by Qin Leng

But time and a tide wait for no one, and the children's numerous efforts must ultimately be left behind as they take their weary and sun-kissed bodies back to the bus for the trek back home.

For those who know the pleasure of a day at the beach, whether outside their own door or a bus ride away, A Day for Sandcastles is a day of possibilities. It's a day filled with play and family togetherness, cooperative fun and creative building. It's enjoying the positives and accepting the setbacks as natural and moving forward–or backward from the tide!–to dream of what sandcastles might be. JonArno Lawson gives us a full day at the beach with the companionship of siblings and the quiet but never-failing support of parents. He gives us the promise of a wide-open day as they step from the bus and the satisfying fatigue of a day well lived. We're there for the lapping cool water, the mild frustration of an errant sunhat, and the warmth of the sun on our backs. It's a day bursting with life and JonArno Lawson has given it to us without words.

Of course, without Qin Leng's watercolour and ink artwork, we couldn't envision this beach or these children on this day. Her media are perfection for a day at beach, giving us the fluidity of splashing water, the summer bustle of a diverse group of people and animals on a beach, and the heat of a sun warming sand and people. Qin Leng's skilled artistry transports us to this beach with this family and these strangers to share in a day of outdoor recreation.

There is far too much in A Day for Sandcastles to share in a single review. It will be up to you to visit that beach with your own children, students or family, and discover the minutiae of one day with these people at this one beach to build your own sandcastles, with sand or otherwise.

A Kid is a Kid is a Kid

Written by Sara O'Leary

Illustrated by Qin Leng

Groundwood Books

978-1-77306-250-1

32 pp.

Ages 3-6

August 2021

 

Every child may be different but every child is also the same, especially when they're asked insensitive or withering questions about their differences. They just want to be, to feel safe and cared for and to enjoy life. When they are questioned about their family or their gender, their preferences or abilities, or have their "imperfections" pointed out, they do not feel good. Then they are all the same, as are we all.

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

From the onset, A Kid is a Kid is a Kid reminds us that being a kid is not easy. Starting with a child who's taunted with a question about whether they're a boy or a girl, multiple kids step up to assert what tactless questions have been asked of them. From why one child always has her nose in a book, or why another is small, to where they come from, why they wear the same shirt, or why they don't have any friends. (One boy steps up to negate that question by declaring himself their friend.) There's a child with a prosthetic leg and one with a baby sister in an incubator and twins who always get asked about being twins. (Tiresome, I'm sure.)

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

But rather than focusing on the differences that the inquisitors see, kids want to be asked about their strengths, what they love and that of which they're proud. And there's one important question that every child likes to be asked.

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

As Sara O'Leary and Qin Leng reminded us in their earlier book, A Family is a Family is a Family (Groundwood, 2016), there is no one way to be a family, and the same goes for being a kid. Kids come in different shapes, sizes, colours and abilities. Their essences and their histories make them unique. But getting to know kids is not focusing on their vulnerabilities. That's teasing and bullying and says more about the one asking the question than the one answering. Sara O'Leary understands that all people, kids and adults, may say or ask something rude but her emphasis in A Kid is a Kid is a Kid is that the diversity of individual kids is what makes a school, a playground, or a community great. Qin Leng's illustrations of ink and watercolour with pastel give us that diversity while reminding us that children are young and small and must be overwhelmed by being so in a big world. But, what's important is being yourself among others and not being ashamed of what you are. By first focusing on those differences before culminating their story with a universally welcome activity for kids, Sara O'Leary and Qin Leng bring young readers into their story and remind them that being a kid can mean different things and they're all just fine.

Totsapalooza Festival 2019 (Toronto, ON)

Small Print Toronto

 

is presenting its

annual kids' festival of books, bands and DIY crafts

It's

 TOTSAPALOOZA

A Day with Qin Leng & Friends

on 

Saturday, February 2, 2019

 1:00 -3:00 p.m.

at 

Revival

783 College St.  (at Shaw)

Toronto, ON

Advance tickets 

(always a good idea as they sell out quickly)

are available here:

 

$15 for adults

$10 for kids

Free for non-walkers ages 0-2 (who will not be participating in crafts)

Activities include:

● author-illustrator Qin Leng unveiling her debut picture book as an author, I Am Small, and conducting a drawing demonstration;

● a sneak preview of Mine.Yours. by Marsha Diane Arnold, illustrated by Qin Leng, which will be published in April, 2019 by Kids Can Press, which is making early copies available for sale;

● drag performers JP (Fay Schlift) and Kaleb (Fluffy Soufflé) running their wildly popular, interactive reading program, Drag Queen Storytime;

● author Emil Sher sharing his picture book Away, illustrated by Qin Leng;

● drummer Dave Clark (Rheostatics, Dinner Is Ruined, Gord Downie) piloting The Woodshed Orchestra’s five-piece horn section, four-piece rhythm section and full-ensemble vocals, in a soulful mash up of classic dance styles from around the world;

● choreographer Ann-Marie Williams conducting her popular family dance sessions;

● dressing up and creating souvenirs of the day at PhaseOne Entertainment's Photo Booth.

● Wanda’s Pie-in-the-Sky pop-up bakery selling healthy, handmade snacks.

● the sale of books for signing by authors and illustrator.

Be sure to get your tickets before they are sold out 

(and sold out they will be!) 

 

I Am Small

Written and illustrated by Qin Leng

Kids Can Press

978-1-5253-0115-5

40 pp.

Ages 3-7

October 2018 

Her name is Mimi but "I might as well be called Mini" because she is small. Of course it's all relative, as Mimi soon discovers, but still she knows that she is smaller than the rest of her family, even the dog, and her classmates and knows what a disadvantage she is at in the classroom and at the bakery, the butcher shop, the fish market and on the street.

When will I grow big enough to take up as much space in the world as everyone else?

From I Am Small by Qin Leng

But, it's all about perspective. Her friends and family recognize the advantages of being small: getting to sit in the front row of the class photo; staying well hidden during a game of hide-and-seek; and preferential placement when queuing up in the cafeteria.

From I Am Small by Qin Leng

But little Mimi only feels the frustration. That is, until she starts to see from a different point of view: snuggling inside her parents' bed, pretending the bathtub is her pool, and riding the dog as a knight's steed.  Then, when Mimi is introduced to her new baby brother, she realizes that he is "super small" now that she's a big sister.

From I Am Small by Qin Leng

Though most families wouldn't trade those moments when children are very small for anything, it is the way of the world for children and young people to want to be bigger and more grown up.  It's the grass-is-always-greener syndrome, which sadly even adults tend to adopt. Whether author/illustrator Qin Leng was, as a child, smaller than her peers or now that she's a mother she is anticipating the lament of most children who always feel small and insignificant, I don't know. But I do know that Qin Leng can portray that angst sweetly in words and illustration. With the airiness typical of her artwork, Qin Leng brings the reader down to Mimi's perspective, even when we're seeing it from above.

Maybe everyone around her thinks her smallness is not a big deal but, to Mimi, it definitely is. Minimizing her feelings would not be appropriate so Qin Leng finds the only way to show Mimi that she is more than just small of stature. She is big in heart and importance, especially to a new baby brother who will need to rely on his big sister to help him find his own place in the world.

•••••••••••••••••••••••••
 
A French-language edition Je suis petite (Comme des Géants, 2018) is also available.

The Better Tree Fort

Written by Jessica Scott Kerrin

Illustrated by Qin Leng

Groundwood Books

978-1-55498-863-1

32 pp.

Ages 4-7

March 2018

Tree houses offer children a refuge from the everyday, a place to dream and create, to escape and grow, and to be whomever they choose, imaginary or their true selves.  But imagine if the building of that tree fort and sharing of it was a shared experience between father and son.  How much better is that true fort than a castle in the sky?

From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng

 When Russell and his dad move to a new house with a massive maple tree in the backyard, the child suggests they build a tree fort.  Russell’s dad is obviously not a handy man with wood and tools and it takes many trips to the lumber and hardware store and much guidance from others for him to construct the tree fort.  Though it doesn’t have the special features Russell had in his plans like a balcony, slide, skylight and basket for hauling, Russell declares it to be perfect.

From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng

Then, three houses down, a construction crew marches in and constructs a larger and more elaborate tree fort with all the bells and whistles.  Russell makes the acquaintance of Warren, the boy whose father had ordered the plans and hired the crew, and is invited in to view the spectacular house in the tree.  But is it really a better tree fort than Russell’s?

From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng

Jessica Scott Kerrin’s message is not really about tree forts.  It’s about relationships, specifically a father and son relationship, and how nothing–not something bigger, better, bolder–could ever compensate for that unique connection and special bond.  Russell’s dad is not the kind who would pay someone to make his son’s dreams come true.  He’s the kind who tries to do it himself, no matter how arduous the task or clumsy and unimpressive the results.  This father and son don’t need to bling out a tree fort when they can enjoy the simple pleasures of peanut butter and jam sandwiches , birding from the open window, or sleeping in bags on the floor.  Warren has no idea no much he’s missing in his “better” tree fort.

I have reviewed numerous books illustrated by Qin Leng and she continues to astound me with the astuteness of her artwork for interpreting the text.  In The Better Tree Fort, Qin Leng’s ink, watercolour and pencil crayon illustrations lend an innocence of task and purpose to the story, making the building of the fort by father for son an intimate endeavour.  The construction of Warren’s turreted tree fort lacks the tenderness of relationship.  Not surprising, when Russell’s dad acknowledges that “There will always be a better tree fort,” Russell knows that it’s his father that is the best component of all.

From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng

Shelter

Written by Céline Claire

Illustrated by Qin Leng

Kids Can Press

978-1-77138-927-3

42 pp.

Ages 3-7

October 2017

When a storm hits, we all need shelter in which to take refuge.  But how many would be willing to share their shelter with strangers in need?  Shelter is a story for all times and for now, when there are those with so much and so many with so little.  Tragedy, as always, becomes the great equalizer.

From Shelter 

by Céline Claire 

illus. by Qin Leng

When the animals of the forest–foxes, rabbits, birds, squirrels, boars–learn of an upcoming storm, they prepare by gathering wood and food and taking cover in their homes.  They are fearful but safe inside.

From Shelter 

by Céline Claire 

illus. by Qin Leng

Then two strangers appear in the fog and go from home to home, asking for shelter or food or light from the hearth in exchange for some tea.  Sadly they are turned away from each with lies that the dwellers have none to share.  Only Little Fox pursues them to offer a lantern.  But when the fox family must escape their collapsing den, the two strangers, bear brothers, offer to share with them the shelter they've created in the snow.

From Shelter 

by Céline Claire 

illus. by Qin Leng

If ever there was a story that illustrates the wisdom and compassion of the Golden Rule, that story is Shelter.  It is an allegory for our times of those who will not share or provide refuge for those in need or to those whom they fear, yet hope that some kindness might be extended to them when in similar circumstances.  French writer Céline Claire's story is both tragic and hopeful but Qin Leng's illustrations provide the visual context for that tragedy and promise.  From indoor havens and outdoor scenes of purposeful work, Qin Leng captures the reassurance of lives lived well.  Then, with the wind and gathering storm, she gives her illustrations a shadowy tone that emulates the anxiety of the two bears and those disquieted by their arrival.  Finally, her pen and watercolour artwork brings lightness to a dark world.

May we all find shelter during the storms, whether they be personal, political or climatic, and, whenever we can, let us provide refuge to those who seek the same.

Away

Written by Emil Sher

Illustrated by Qin Leng

Groundwood Books

978-1-55498-483-1

32 pp.

Ages 4-7

April 2017

There’s a looming red circle on the calendar and a family that knows that date is coming.  No one ever says but it’s evident from “discussions” a mother and child are having via sticky notes that it’s all about going away to camp for the first time. 

From Away 

by Emil Sher

illus. by Qin Leng

Though Mom is upbeat about having one last movie night, and buying bug spray and packing, her daughter is less so.  The child tells her mom she’s only borrowing the sleeping bag for one night; that Lester the cat would miss her; and that evidence from her grandmother suggests her mother's own childhood camp experience was traumatic.  Of course, her mother remembers it quite differently.

From Away 

by Emil Sher 

illus. by Qin Leng

Of course, as with many things, it’s the anticipation of the unknown that is worse than anything for the child.  Thankfully, a final series of notes on larger paper (this will undoubtedly be her letter home) about her camp experience indicate a charming reversal of attitude.

From Away 

by Emil Sher 

illus. by Qin Leng

Emil Sher's story about a young girl heading to camp for the first time is more about family and communication than it is about the camp experience.  The family's busy lifestyle requires them to communicate so much through their sticky notes but this does not affect their relationships but rather guide them in their activities, like a visit to the laundromat that includes math drill, and ensures connection even when apart.  Perhaps the child's reluctance is also associated with the fear that this connection could be lost with distance and time. Fortunately, Qin Leng's pencil and watercolour illustrations provide the softness of touch and brightness of affection needed to allay any family's trepidation about summer camp and reassure everyone–mother, child, cat, grandmother–that it's just like any other day (or week or two) but within a new location and some secondary characters.

Undoubtedly there will be many children who are already anticipating their own summer experience "away" and Emil Sher and Qin Leng have provided a wonderful literary grounding tool in Away that could help most overcome the worries about the unknown. The caring and affection are obvious in the notes and illustrations and will help push any child or adult from worry to acceptance and finally appreciation.  

I Am Canada: A Celebration

Written by Heather Patterson

Illustrated by Jeremy Tankard, Ruth Ohi, 
Barbara Reid, Jon Klassen, 
Marie-Louise Gay, Danielle Daniel, 

Ashley Spires, Geneviève Côté, 

Cale Atkinson, Doretta Groenendyk,
Qin Leng, Eva Campbell and
Irene Luxbacher

Scholastic Canada

978-1-4431-6304-0

Ages 3+

32 pp.

May 2017

With Canada celebrating 150 years since Confederation in 1867, there will be a plethora of books published solely for the purpose of memorializing that historic milestone for our relatively new country.  Though there has and will be sufficient backlash for praising the birth of a nation amidst the traditional habitation of this land by its Indigenous Peoples, I like to think that we can simply celebrate our land as it is, warts and all, as a glorious amalgamation of peoples and cultures.  This picture book, based on the poem by Heather Patterson and illustrated by thirteen outstanding illustrators, does just that.

The poem, written by Heather Patterson in 1996 and originally put to photographic interpretation (Scholastic Canada, 2006) reads as follows (I've separated lines as they appear in this edition; any errors are solely mine):

I am Canada.

I run, I swim,

I skate, I dance.

I skim over snow

on my toboggan.

I have space.

I read, I learn,

I draw, I dream.

I stay out late and see the

northern lights.

I have time.

I watch, I touch, I listen.

I make up my mind.

I decide to build a castle.

I am free.

I am Canada.

I am cool in summer

and cozy in winter.

I am springing in the spring

and floppy in the fall.

I eat pizza and pierogis

and peppers.

I eat meatballs and muffins

and mangos.

I am quiet,

I am curious,

I am friendly,

I am funny.

I explain, I explore, I enjoy,

I share, I sing, I celebrate.

I am Canada.

Each artist prepared a double-spread illustration to correspond with 1-4 lines of the poem and it's a delightful interpretation and showcase of Canada and its artistry by way of its creators, its landscape and its people.

Portion of illustration by Jeremy Tankard

in I Am Canada: A Celebration

by Heather Patterson

Jeremy Tankard, author-illustrator of Grumpy Bird and Hungry Bird, begins with a drawing of children hiking outdoors heading towards a blazing maple tree.  Ruth Ohi, author of recently reviewed Fox and Squirrel The Best Christmas Ever, brings a lightness of touch in style and content with everyone–families, pets, wildlife–enjoying the outdoors.  Plasticine artist Barbara Reid (Sing a Song of Bedtime) lends her craftsmanship to a winter scene of tobogganing, reminiscent of her award-winning Perfect Snow. Transplanted Canadian Jon Klassen (This is My Hat) focuses on his own outdoor scene of a lone house among bare winter trees amidst the wide open spaces of pristine snow, touched by a single child.  

Creator of Stella and Sam and Princess Pistachio, Marie-Louise Gay plays on the imaginative play that comes from books and learning with daydreaming children envisioning clouds of animals and skies of seas.  Danielle Daniel who burst onto the youngCanLit scene with her award-winning Sometimes I Feel Like a Fox honours our northern regions with a display of brilliant northern lights enjoyed by humans and wildlife alike.  Ashley Spires, author of Binky the Space Cat and The Thing Lou Couldn't Do, moves us to the warmth of a summer on B.C.'s shores for rest and recreation on the sand and in the water.

Simplest of all illustrations is award-winning artist Geneviève Côté's depiction of freedom, a child riding a blue loon embellished with a northern, a forested and an aquatic environments.  Her art, seen in her Mr. King and Piggy and Bunny series, has everything about Canada in the subtlest of depictions.

Illustration by Cale Atkinson 

in I Am Canada: A Celebration 

by Heather Patterson

But there's still more.  Cale Atkinson, illustrator of Vikki VanSickle's If I Had a Gryphon, lends his artwork to an exposé of Canada's four seasons and Doretta Groenendyk (A Harbour Seal in Halifax) provides a multicultural smorgasbord for a diversity of peoples and other animals.  (Have fun picking out all the foods displayed. I counted at least 17!) Perfect for the quiet stylings of prolific illustrator Qin Leng (A Family is a Family is a Family) is a spread about a walk in the woods of Mount Royal in the fall.  Eva Campbell, who illustrated Eric Walters' The Matatu, celebrates exploration and fireworks in her illustration.

Illustration by Qin Leng 

in I Am Canada: A Celebration 

by Heather Patterson

The culminating illustration is from Irene Luxbacher (Mr. Frank) and is perfection as the finale, with a blending of landscapes, indoor and out, and the anticipation of travel across this country.

Portion of illustration by Irene Luxbacher 

in I Am Canada: A Celebration 

by Heather Patterson

While Heather Patterson's words set the tone, it's the artwork of these Canadian illustrators that gives them substance and context.  I Am Canada is truly a celebration of all that is right in our country: the land and its people and the lifeblood they create.

************************************

A French-language version, Le Canada, C'est Moi, uses Geneviève Côté's illustration for its cover. 

Kamik Joins the Pack

by Darryl Baker

Illustrated by Qin Leng

Inhabit Media

978-1-77227-125-7

32 pp.

Ages 4-9

October 2016

Like Inhabit Media’s original Kamik story (Kamit, An Inuit Puppy Story by Donald Uluadluak, 2012), and its sequel (Kamik’s First Sled by Matilda Sulurayok, 2015), Kamik Joins the Pack is adapted from the memories of the author, here from Darryl Baker, an Inuit teacher and dog musher who learned about raising dogs from his late brother-in-law Bernie Sulurayok.  In Kamik Joins the Pack, Jake now is learning from his uncle how to care for his dog, Kamik, to help the husky ultimately become part of a team.

From Kamik Joins the Pack 

by Darryl Baker

illus. by Qin Leng

Jake is proud to show his uncle how well behaved Kamik is, hopeful that his puppy would lead the boy’s own dogsled team one day.  Jake’s uncle, well-versed in raising dogs to be mushers, demonstrates to Jake that there is more to making a dog a musher than just putting a harness on.  He teaches him about keeping Kamik healthy by checking his nails and paws and ensuring that he is always well fed.  He also indicates that Jake must learns some additional skills like braiding and repairing leather for harnesses, repairing a sled and building shelter for his dogs if the boy is to become a successful musher like his uncle.  But, the ultimate test comes when Jake’s uncle adds Kamik to the end of his own pack to see how well the puppy fares in a trial run.

From Kamik Joins the Pack 

by Darryl Baker 

illus. by Qin Leng

There are many Inuit and children of northern climes for whom this story will resonate.  They will recognize the landscape, the dogs, the mushing, and the wisdom imparted by Jake’s uncle, lessons which author Darryl Baker undoubtedly learned from his accomplished brother-in-law. But every child will recognize the value of caring for one’s animals and the skill-building necessary to ensure their well-being.  Kamik Joins the Pack is both a story of lessons and hope, about a future and achievement that comes from doing things well and in small steps.  Darryl Baker makes sure that readers get this message, just as Jake’s uncle emphasizes the same to his nephew.  But while teaching important lessons, Kamik Joins the Pack has a light story-telling feel to it, more sharing than preaching, and much of this has to do with Qin Leng’s artwork.  Just as she illustrated Kamik, An Inuit Puppy Story and Kamik's First Sled, Qin Leng uses the almost weightless touch of fountain brush and ink with high-contrast colours against the snowy background to keep the story graceful and self-assured, not unlike Jake’s uncle’s teaching.  Kamik is growing up and young readers, both those familiar with his home and those of more southern habitats, will enjoy watching his progress.

A Family is a Family is a Family

Written by Sara O'Leary

Illustrated by Qin Leng

Groundwood Books

978-1-55498-794-8

32 pp.

Ages 4-7

September 2016

Following prescribed curricula from across the country, teachers will be encouraging their students to share details about their families and what makes them special, just like the students in Sara O'Leary's book in which a teacher asks her young charges what makes their families unique.  And though I suspect most children will see a version of their family somewhere in the multitude of families in A Family is a Family is a Family, it's Sara O'Leary's poetic inclusivity that takes the concept of family from an insular group to a worldwide love-in.

When the teacher first asks her students about their families, it is evident that one little child, who drops his eraser so that he can go last, is reluctant, knowing that "My family is not like everyone else's." (pg. 3) He's right, of course, because all families are unique.  From the little girl whose parents are heavily into PDAs, "It's kind of gross" (pg. 4) to the one whose parents "just keep coming home with more" (pg. 6) –I counted fifteen children!–

From A Family is a Family is a Family 

by Sara O'Leary, illus. by Qin Leng

to the children who are part of blended families, or have same-sex or divorced parents. But it's the last little child who finally recognizes that their foster family is still a family after recalling Foster Mom's affectionate answer to a rude query about which of the children were "her real children."

"Oh, I don't have any imaginary children," Mom said.  "All my children are real." (pg. 28)

Though I know, and children do too, that not all families are perfect or happy or supportive, Sara O'Leary's book celebrates families in all their forms–big, small, alike, different, blended, separated, adopting, fostering–as worthy of note, eclectic as they may be.  Her narration is a universal one of acceptance and appreciation for families of all kinds.  The sweetness of her message is matched page by page with Qin Leng's illustrations of children and parents of assorted colours and shapes, economic backgrounds and interests. The lightness of Qin Leng's lines and the whimsy of her colour and shape help portray a diversity of families that are as fluid as they are depicted.  After all, families can and do change over time, even if a new baby isn't the result of mom ordering him online, as one little girl suspects.  A Family is a Family is a Family is a book in which every child will find themselves, I hope, as Sara O'Leary and Qin Leng have diligently tried to include everyone in an assortment of situations that honour families at their best.

From A Family is a Family is a Family

by Sara O'Leary, illus. by Qin Leng