Showing posts with label tree house. Show all posts
Showing posts with label tree house. Show all posts

March 13, 2018

The Better Tree Fort


Written by Jessica Scott Kerrin
Illustrated by Qin Leng
Groundwood Books
978-1-55498-863-1
32 pp.
Ages 4-7
March 2018

Tree houses offer children a refuge from the everyday, a place to dream and create, to escape and grow, and to be whomever they choose, imaginary or their true selves.  But imagine if the building of that tree fort and sharing of it was a shared experience between father and son.  How much better is that true fort than a castle in the sky?
From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng
 When Russell and his dad move to a new house with a massive maple tree in the backyard, the child suggests they build a tree fort.  Russell’s dad is obviously not a handy man with wood and tools and it takes many trips to the lumber and hardware store and much guidance from others for him to construct the tree fort.  Though it doesn’t have the special features Russell had in his plans like a balcony, slide, skylight and basket for hauling, Russell declares it to be perfect.
From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng
Then, three houses down, a construction crew marches in and constructs a larger and more elaborate tree fort with all the bells and whistles.  Russell makes the acquaintance of Warren, the boy whose father had ordered the plans and hired the crew, and is invited in to view the spectacular house in the tree.  But is it really a better tree fort than Russell’s?
From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng
Jessica Scott Kerrin’s message is not really about tree forts.  It’s about relationships, specifically a father and son relationship, and how nothing–not something bigger, better, bolder–could ever compensate for that unique connection and special bond.  Russell’s dad is not the kind who would pay someone to make his son’s dreams come true.  He’s the kind who tries to do it himself, no matter how arduous the task or clumsy and unimpressive the results.  This father and son don’t need to bling out a tree fort when they can enjoy the simple pleasures of peanut butter and jam sandwiches , birding from the open window, or sleeping in bags on the floor.  Warren has no idea no much he’s missing in his “better” tree fort.

I have reviewed numerous books illustrated by Qin Leng and she continues to astound me with the astuteness of her artwork for interpreting the text.  In The Better Tree Fort, Qin Leng’s ink, watercolour and pencil crayon illustrations lend an innocence of task and purpose to the story, making the building of the fort by father for son an intimate endeavour.  The construction of Warren’s turreted tree fort lacks the tenderness of relationship.  Not surprising, when Russell’s dad acknowledges that “There will always be a better tree fort,” Russell knows that it’s his father that is the best component of all.
From The Better Tree Fort by Jessica Scott Kerrin, illus. by Qin Leng

November 10, 2013

Four Seasons of Patrick

by Susan Hughes
Red Deer Press
978-0-88995-505-9
80 pp.
Ages 7-10
October, 2013

Hard to believe that, in a spare 80 pages, author Susan Hughes efficiently and thoroughly takes the reader through a significant year of growth and tumbles in the life of Patrick McAllister, a young boy whose life revolves around his best friend Harry and his family, Dad and older brother Trevor.

Four Seasons of Patrick begins in winter with Patrick enjoying the familiar routines of first snow days with Harry and late night walks with his family to pick out "Mom's star" in the dark sky.  While Patrick cherishes the comfort of these traditions, he notes that his dad's new "friend" Linda and her pesky seven-year-old daughter may change things.  Sure enough, spring brings Dad's announcement that he and Linda are getting married and that Linda and Claire would be moving in at the end of August.  Patrick is overwhelmed by this, thinking of little else, including his friend, as he tries to find a way to cope.  After some drastic notions, Patrick comes up with the idea of a tree house for himself and Harry.

So, with the start of summer, Dad begins renovations on the house and Patrick and Harry start looking for the perfect tree for their hideaway.  The search seems futile until their neighbour Mr. Mutter points them in the right direction, and Patrick realizes that,
"...perfect doesn't always end up matching the picture in your mind." (pg. 48)
But the joy of building their tree house is tempered by Patrick's dad's delays in visiting it, though he does insist the boys take a somewhat-withdrawn Claire to see it. And, with the beginning of autumn and the school year, Patrick is asked to take on even more responsibilities for Claire who has become further withdrawn. 

Readers will empathize with Patrick's situation, as the youngest boy whose discomfort is discounted by Trevor's eager acceptance and by Claire's trumping them all as the youngest and the only girl.  Four Seasons of Patrick indicates that Patrick spends much time on introspection and consideration of his new family situation, and is able to finds the means to accept it and ultimately support Claire as she needs.  Without making him into a self-deprecating victim of family turmoil, Susan Hughes creates Patrick as any child in such a situation: he works at figuring out what's happening and how he can find a place to fit in, because there certainly is at least one.  He plays neither the victim nor the aggressor, and consequently will be that character to whom many children of blended families will relate.

It seems to me that when blending families, all participants must be on their toes, paying attention to any awkwardness, hesitancy, or aggression that may reveal itself.  And while I don't expect that children be allowed to direct the family dynamics or be mean and nasty, I would expect that their feelings not be negated or relegated to less-important status because of their age or gender.  Yes, Patrick is having issues with Linda and Claire coming into their family, but Dad certainly doesn't give Patrick more than lip-service.  Regardless, Patrick is able to find the supports he needs and ascend to an even better version of himself.  Isn't that what growing up is all about?