Best Friend, Worst Bully: Based on a True Story

Written and illustrated by Mei Yu

Union Square Kids

978-1-4549-5993-9

144 pp.

Ages 7–10

April 2026 

 

This is the story of friends, or it was until it wasn't. But that's the thing about friendships: they are dynamic. They change with circumstances both self-controlled and unplanned. It's why they are the source of much joy but also carry the potential for despair, as a young Mei Yu learns.  

From Best Friend, Worst Bully, written and illustrated by Mei Yu

Mei Yu wants to be best friends with Maggie forever. Along with Sophie, Maggie's best friend before Mei came along, Mei is hopeful that she'll have lifelong friends. But when Maggie moves away, Mei and Sophie become new friends, hanging out at Mei's house—though Mei is super embarrassed by her mother's heavily accented English that makes everything sound a little weird—shopping together, and more. Still, when Ella and Rola, two older girls in their split class, become jealous of Mei's drawing ability, they approach Sophie, convincing her that she can be cool like them if she does what she's told in dealing with Mei.

 

And though she's reluctant at first, Sophie is pleased to be more popular with the older girls and rudely snubs Mei. Mei's Happy Meter—one of the graphic meters she uses to depict her emotions—shatters. She discusses it with her sidekick Meiow as she's too scared to talk to anyone else about the bullying. But even though she feels completely alone, Eve and Izzy, two girls from another class, tell her they've had the same experiences with Ella and Rola, particularly their "bathroom game." After inviting Mei to be their friend, they advise her to just ignore Sophie and her fellow bullies. 

From Best Friend, Worst Bully, written and illustrated by Mei Yu

But then Sophie and her "friends" escalate their bullying, phoning Mei's home and leaving horrible messages. Determined to deal with the bullies, Mei uses her artistic talents to express her feelings, and expose Sophie, Ella, and Rola in her own way. 

From Best Friend, Worst Bully, written and illustrated by Mei Yu

I'm sad to think about all the kids out there targeted by bullies. For Mei and her friends, they are picked on for being talented, or tall, wearing glasses or liking hearts. The reasons bullies attack others are countless and meaningless. But when they involve more people, steal friends away, intrude on your home life, cause fear and sleepless nights, it's not "just" bullying. It is persecution. And for Mei Yu, main character and author-illustrator who debuted with her Silver Birch Express award-winning Lost and Found, that bullying is overwhelming and very realistic. And thank you, Mei Yu, for not giving us an unimaginable ending where all is right between Mei and Sophie. There was still forgiveness, but it is sheltered in the safety that Mei has in her art, in her new friends, and in her family. And in her understanding of what bullying is all about.

. . . and then I realized that bullies are silly! They can pick on anyone because of anything! (pg. 120)

Mei Yu's story is based on her own experiences, and her advice, to be strong and be yourself, will resonate with young readers, many of whom will have experienced or witnessed bullying. Coupled with Mei Yu's charming artwork—check out her YouTube channel for videos on her drawing—Best Friend, Worst Bully will speak to young readers with empathy for the bullying they have seen and with colour and cheer for the friendships they enjoy. Best Friend, Worst Bully is the best outcome coming from the worst situation.

Together: A Book about Community

Written and illustrated by Elise Gravel

North Winds Press (Scholastic Canada)

978-1-0397-1283-6

40 pp.

Ages 6–9

October 2025

 

As Canadians head into their Thanksgiving weekend, many will be thinking about the concept of community. What is a community? Why should we have communities? Do I have a community? How do I make a community? While a big concept in general, community will be a vague concept for young children. They might know the benefits of community, but grasping the nuances of community may be more challenging. Thankfully, Elise Gravel, author-illustrator of concept books like It's My Brain! (2024),  It's My Body! (2022), and Everybody! (2021), is heartily up for that challenge.

 

From Together: A Book about Community, written and illustrated by Elise Gravel

In Together: A Book about Community, Elise Gravel begins with statements about living in groups because it makes us feel safe and wanted. She show her colourful monsters helping those in need with medical attention, or sharing their food with those without, or lending a hand as needed. She even depicts one monster helping another who is being bullied for being different. The message is clear: Together we are better, safer, and happier.

From Together: A Book about Community, written and illustrated by Elise Gravel

Still, Elise Gravel is realistic in accepting that we don't always like other people, whether it is because they make us feel inadequate or unsafe. But, by rectifying injustice, sharing, and helping others, we build communities that are strong and safe and in which everyone feels respected.

From Together: A Book about Community, written and illustrated by Elise Gravel

Elise Gravel's little monsters again help young children understand a challenging concept like community. It's clear that her message is that we all belong and, with that belonging, comes strength and goodness. She doesn't make Together: A Book about Community a preachy book about getting along with others—although that message is clear—or how to make a community. Instead, Elise Gravel presents it as something to consider. In other words, if you help build community, these are the great things that happen for you and others. And because Elise Gravel's monsters are so adorable and completely unscary, as well as diverse in so many ways, the idea is demonstrated with delightful humour and unusual clarity. Togetherness has never been so much fun or so understandably constructive.

From Together: A Book about Community, written and illustrated by Elise Gravel

Cover Reveal: Paul Coccia's The Bear Fairy

 

Author Paul Coccia

 

award-winning writer of middle-grade and YA novels including

 

 

Cub (2019)

The Player (2021)

On the Line (with Eric Walters; 2022)

I Got You Babe (2023)

Leon Levels Up (2024)

The ANNEthology: A Collection of Kindred Spirits Inspired by the Canadian Icon (contributor; 2024)

Recommended Reading (2025)

 

 

 is set to release, in February 2026, 

his first picture book 

and I am delighted to help promote it with this cover reveal.

 

 

So, let's celebrate the start of Pride Month 

with this marvelous cover reveal for

 

 

The Bear Fairy

Written by Paul Coccia, The Bear Fairy is a picture book with a little bit of everything, including queer elements, body positivity, and big gay uncle energy, along with a whole lot of whimsy. With illustrations by Fred Blunt who, according to the copyright page, used cheap paper, pencils, tatty brushes, ink and a computer, The Bear Fairy will charm with its positive messages and magical humour.

🌈 ⭐🌈 ⭐🌈 ⭐🌈 ⭐🌈 ⭐🌈⭐ 🌈

 

For more details, here is the book blurb from The Bear Fairy's publisher, Tundra (an imprint of Penguin Random House Canada):

Meet an unlikely fairy and his new best friend in this laugh-out-loud picture book about acceptance, being yourself and standing up to anyone who tries to diminish your sparkle.

Fairies should be pretty and sparkly and dainty . . . not chubby, not fluffy and NOT lured in by potato chips. But when Spencer catches a fairy in the park, he's shocked to find that's exactly what he’s got!

The Bear Fairy is no delicate Tinkerbell: he hogs the remote, drops crumbs everywhere and snores like a truck. But he's still a fairy, and when Spencer's friend insults the Bear Fairy's appearance and hurts his feelings, Spencer must step up to defend his new friend.

With wit, charm and hilarity, author Paul Coccia and illustrator Fred Blunt have created a modern classic about being proud of who you are and fighting for the people you care about.

(From https://www.penguinrandomhouse.ca/books/744594/the-bear-fairy-by-paul-coccia-illustrated-by-fred-blunt/9781774885581) 

If you are interested in pre-ordering The Bear Fairy, book details and links to a couple of retailers are posted here:

The Bear Fairy

Written by Paul Coccia

Illustrated by Fred Blunt

Tundra Books

978-1-774885581 

40 pp.

Ages 3-7

February 17, 2026

 

Chapters/Indigo

Amazon 

or 

Local Booksellers (via "Shop Local" link on book's webpage )

 

🌈 ⭐🌈 ⭐🌈 ⭐🌈 ⭐🌈 ⭐🌈⭐ 🌈

No Huddles for Heloise

Written by Deborah Kerbel

Illustrated by Udayana Lugo

Orca Book Publishers

978-1-4598-3910-6

32 pp.

Ages 4-7

March 2025 

I like Heloise. Heloise knows what she likes and doesn't like. She likes sledding and fish popsicles, sharing rocks with friends, and her own space. 

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

What she doesn't like, other than the leopard seals that no penguins like, are crowds and hullabaloo and those huddles that penguins do for warmth and protection. Those huddles that are just too close.

Huddles give Heloise the heebie-jeebies.

The jim-jams.

The willies.

And the collywobbles.

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

But how can she say no to the other penguins and not hurt their feelings? Typically, she has a number of excuses from taking her fish for a walk or polishing her rock collection. Heloise is perfectly happy on her own, enjoying her things, her space, and her own thoughts. 

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

But then the other penguins stop asking her to join them in huddles and Heloise begins to question her own wants and needs, and seeks companions elsewhere. Unfortunately, her travels are disappointing and even dangerous on her own and she returns home to find that her friends have found a way to accommodate her need for personal space while offering her the protection that huddles provide.

It's lovely to read a story about an introverted character who doesn't feel compelled to fit in with the extroverts or have the extroverts demand that their way of socializing and gregarious behaviour is preferable and, worse, the norm. I'm so glad Deborah Kerbel, an accomplished writer of picture books, middle grade and YA, demonstrates an acceptance of the introverted Heloise rather than sympathy for her nature. (The sympathy should be towards the attitude she experiences from those who are not introverted.) Instead, Deborah Kerbel validates the fullness of Heloise's life without the partying and closeness demanded or even just requested by her penguin peers. Heloise is a happy penguin, accepting of her nature and choices. She's never rude but she is true to her herself. Too bad that she feels like she doesn't belong because belonging does not mean being the same as others.

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

I love the positive messages that Deborah Kerbel gives us in No Huddles for Heloise, and BC's Udayana Lugo gives us the whimsy of that message in Heloise and her friends. From their accessories, like pom-pom hats, scarves, and bandanas, to props like a rock polisher or a whale stuffed animal, Udayana Lugo demonstrates the differences among the penguins are the norm and Heloise's introversion is just another manifestation of wonderful diversity. She created her art primarily using gouache and coloured pencils, which gives a bright and rich portrayal of the penguins and the landscape in which they live and play.

 

I'm with Heloise–except for the fish popsicles–that quiet and solitary activities offer comfort in ways that many extroverts will never understand. While we all must engage with others for safety, for work, or for other needs, it's lovely to see Heloise be accepted and even accommodated for her needs, not chastised for being different.

The Pony and the Starling

 

Written by Jennifer McGrath

Illustrated by Kristina Jones

Groundwood Books

978-1-773069791

36 pp.

Ages 3-6

February 2025

 

Once you start reading The Pony and the Starling, you'll realize that this story is very personal for author Jennifer McGrath. While her earlier books–I've reviewed The Snow Knows, Pugs Cause Traffic Jams, and highly recommend her middle grade novels Chocolate River Rescue and White Cave Escape–have all suggested personal connections to places and characters, this one seems to have been written from the heart where I suspect the pony and a little starling still live.

From The Pony and the Starling, written by Jennifer McGrath, illustrated by Kristina Jones

A beautiful gray pony lives in a green pasture. A little girl cares for it, providing food and water, shelter and love, as well as visiting with the dog. 

From The Pony and the Starling, written by Jennifer McGrath, illustrated by Kristina Jones

When the fall comes, mother and child admire a murmuration of starlings as they create clouds of shapes that twist and turn. The starlings who enjoyed the fall bounty of peaches, grapes and tomatoes stay only for a few days before they take off. That is, all but one. One starling hangs around. Day after day it accompanies the pony as it snoozes and drinks water and enjoys the last of the autumnal warmth.

From The Pony and the Starling, written by Jennifer McGrath, illustrated by Kristina Jones

When a snowstorm hits and the pony is safely ushered into its small red barn, the child who had always encouraged the starling to seek out its "crowd" tries to get it to go inside with the pony. But the starling will not come down from the big old maple. When winter is finally fully upon them, blanketing the pasture and land with snow and frost, the pony is alone. 

 

When a new murmuration of starlings appears in the spring, they do not just grace the skies above. They sweep over the fields and engage the pony in their murmuration and leave a new friend–or is it an old friend?–behind.

 

Jennifer McGrath's own pony was the basis for this lovely picture book and you can tell the affection with which the story is told. But beyond her personal connection, Jennifer McGrath makes sure the story is infused with a sweet friendship, albeit an unusual one, and one that reminds us to see beyond the obvious. The child's mother is busy, with household chores, chopping wood, etc. and notices the little starling hanging out far later than the girl who observes the animals' connection and tries to help when the weather turns and puts the starling in danger. Her connection with her pony who is befriended by a starling encompasses both of them, extending her compassion and establishing a closeness beyond species.

I think you can tell from the illustrations and even the title that there is a tenderness to this picture book. BC's Kristina Jones's artwork, hand drawn and painted digitally, lends a warmth and sensitivity that verges on sadness. Her landscapes of expansive green pastures and stark winter scenes give us a sense of place through the seasons. But it's her characters that have the life. There's spirited movement and quiet togetherness, and that's just the pony and the starling. But Kristina Jones's illustrations of murmurations are fervent and evocative of the grandeur of nature.

The title of The Pony and the Starling suggests an innocent story but it's more than that. Jennifer McGrath and Kristina Jones have made us look at how animals can connect with each other and amaze us with their alliances and even bonds. I don't know how the true story of Jennifer McGrath's story resolved but I'm hopeful, as this fictionalized is, that there was a happy ending.

Pick Me!

Written by Annika Dunklee

Illustrated by Lori Joy Smith

Bread & Butter Books

978-1-0689189-0-2

32 pp.

Ages 3-8

October 2024

 

Annie, Lillemor and Lilianne are good friends who do everything together. But what happens when they can't?

From Pick Me!, written by Annika Dunklee, illustrated by Lori Joy Smith

The three friends who first shared a story in Annika Dunklee and Lori Joy Smith's Me, Too! and then in its sequel Me, Me, Me, continue to bond over their shared interests and spend all their time together. Especially cute is their teaching each other their own language as Lilianne speaks French, Lillemor speaks Swedish, and Annie speaks her imaginative language of Oinky Boinky. But on a field trip to the museum, their teacher insists that Lillemor pick only one girl with whom to partner. This becomes an onerous task as she attempts three different ways to choose. Finally the teacher chooses, and Annie is left to partner with Meilin. 

From Pick Me!, written by Annika Dunklee, illustrated by Lori Joy Smith

Annie is less than gracious about being with her new partner, leaving her behind and repeatedly returning to her two friends. But she soon learns that Meilin too had another partner in mind and was equally upset with being paired with Annie. Now it's up to Annie to try to make a connection with Meilin and through a couple of ice breakers, the two become fast friends too.

From Pick Me!, written by Annika Dunklee, illustrated by Lori Joy Smith

Annika Dunklee certainly gets into the heads of little girls for whom friends can be the most important thing in their lives. In each book in this series, the girls are challenged with making friends, staying friends, and dealing with friends. Having a friend offers stability but when you can't be with your friends of choice–and this will always happen at school in group work and partnering up for games and activities–it can be monumental. It's not surprising that Annie would disregard her teacher's instructions and do what she chooses just to feel the security of her established friends. Her annoyance is palpable. But her friendships have given her the skills to be friendly to others, when she chooses to, and to make new friends. Pick Me! are words that reverberate in many schools every day but, with strategies to make decisions and choices as well as approaches to connecting with new people, Annika Dunklee's story also becomes a resource for navigating friendships, particularly at school.

From Pick Me!, written by Annika Dunklee, illustrated by Lori Joy Smith

PEI's Lori Joy Smith brings the joy of friendship to life in her bright illustrations. There is a simplicity to her art, focusing on the kids and their expressions of satisfaction and their connection, but also in their distress and frustration, all the emotions that come with becoming, being and holding onto friends. Annika Dunklee has made her characters diverse in their languages, but Lori Joy Smith has made them real in the diversity of their backgrounds, physical features, personalities and more. She's made their story one that is universal for all friends.

For a great kindergarten lesson, or for kids in Grades 1-2 who still need help in making and keeping friends, Annika Dunklee and Lori Joy Smith's trio of books featuring Annie, Lillemor and Lilianne will be invaluable. Moreover, Pick Me!, like the earlier two books, will offer young children a different perspective on friendships that they might find difficult to understand. When they're very young, it's difficult to see that others are may be struggling too. For Annie to realize that Meilin was also disappointed in not being with her friends was a big step to making a new friend and seeing beyond herself and ultimately getting something that made her happy: a new friend.

 

• • • • • • •

 Me, Too! (2015)

Me, Me, Me (2017)

Pick Me! (2024)

The Rock and the Butterfly

Written by Kathy Stinson

Illustrated by Brooke Kerrigan

Orca Book Publishers

978-1-4598-3700-3

32 pp.

Ages 6-8

October 2024 

 

There was a rock and there was a butterfly. Together their story is far greater than the sum of their parts. 

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

Once there was a rock that sat solidly on the ground.

 

And once there was a butterfly that flitted and fluttered everywhere.

The contrast in the rock and the butterfly is best understood when the butterfly tires from too much flitting and tucks itself into a groove in the rock to rest and keep the world from spinning. The rock offers comfort and safety. That is, until one day, the rock is gone.

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

The butterfly really needs the rock and it is perplexed because a "rock was always where you left it...wasn't it?" Bereft, the butterfly looks for that comfort and safety elsewhere. It tries a hanging leaf and the space between blades of grass, but it cannot find a refuge that replicates that rest and security.

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

Still, relegated to take shelter on the ground itself, the butterfly finds that this last resort offers new possibilities to feel the warmth of the sun and the calm of the moonlight and get just a bit of that quivering joy back into its wings. The rock may be gone but the ground that cradled it can now offer support to another.

Oh my. There's no way a reader would know that this is a story about friendship and support, but also loss and grief and finally acceptance. That's a lot for a picture book. But it's not an "in-your-face" message about dealing with loss. Author Kathy Stinson has given younger readers a lovely story about two friends but, with a little help from an older reader, adult or otherwise, they may be able to see beyond the obvious and see a deeper relationship. They could see sadness and coping, joy and growth. Kathy Stinson, author extraordinaire of everything from picture books like Red is Best, The Man with the Violin and The Dog Who Wanted to Fly to young adult novels like What Happened to Ivy, always finds a way to tell important stories but in discrete plots and, often, with few words that are staggeringly impactful. It may be a story about a rock and a butterfly, but it goes beyond that simple premise, and speaks to the connection that bolsters life.

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

Brooke Kerrigan, who illustrated one of my favourite Christmas stories (The Christmas Wind by Stephanie Simpson McLellan), uses a blend of watercolour, gouache, pencil crayon and ink, with digital layering to achieve extraordinarily simple but robust artwork. As the title suggests, there are few characters that progress the story line, but Brooke Kerrigan focuses on the butterfly as it struggles, despairs, and rallies. Her nuance in the butterfly's disposition keeps the focus on that character while placing it in a vast and gorgeous world of land and sea, sky and weather. (Just look at those flowers in the illustration above.)

 

The Rock and the Butterfly released today, and I hope that parents and teachers will grab it for meaningful discussions. I believe that it's a story that encompasses much depth that would make it a basis for numerous lessons, from those about loss and grief to visual literacy–what does the butterfly show in its demeanour?–and speculation about the outcome for the rock. I could even see science lessons about living and non-living things and their relationships, and creative writing about the future for the butterfly, and even the absentee rock. But, most of all, The Rock and the Butterfly reminds us that loss is not limited to humans and that dealing with loss is a natural process that requires self-care, time, and a support system. Fortunately for this butterfly, healing is realized.

Puffin and Penguin

Written by Helaine Becker

Illustrated by Kevin Sylvester

Kids Can Press

978-1-5253-0654-9

80 pp.

Ages 6-9

October 2024

 

Who knew that Puffin's life would change so much when his mom got a new job at the United Avian Nations in New Stork City?! But a move from Iceland to their new home in Brookloon must also include the making of new friends, so there is that. 

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

At his new school, Puffin is introduced to a diverse group of students, from Eaglet the nervous Nellie; King Penguin, the cool kid; Screech Owl,the coding whiz; and Canada Goose, the fashionista. When his teacher, Ms. Grey, buddies Puffin up with Penguin, it's not a perfect match. Penguin already has so many responsibilities and activities that taking on one more, especially the enthusiastic Puffin for whom he has little time, is just too much.

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

 Initially Puffin is annoyed about being abandoned and with everyone calling him a "funny-looking lil' penguin" (p. 27) but his father advises him that there's no need "to get so hot under the feathers" (p. 29) and to give his new classmates a bit of "puffin pedagogy." (p. 31)

 

So Puffin hatches a plan–lots of fun word play in Puffin and Penguin–to inform his classmates about himself and puffins and to make some new friends by joining the Drama Club. But his efforts come across as bragging and he realizes he often comes on too strong and appears to be trying too hard. Still when there's a glitch with the lighting during the performance of "King Midas and the Golden Pinkie," it's Puffin's fluorescent beak that saves the day. 

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

Puffin and Penguin has this amazing blend of science–who knew puffins' beaks fluoresced?–and word play and humour and plain old fun. Helaine Becker's story of two birds who are unlikely buddies shows young readers ways to make friends and to accept differences. And by telling her story with a plethora of puns, Helaine Becker actually makes you laugh while demonstrating ways to be a friend and make a friend while being true to yourself. (Puffin makes it clear, for example, how much he dislikes being called Puffy.)

 

And then there's Kevin Sylvester's artwork that adds even more humour. From making Penguin truly look overextended and weary to Puffin ranting about Penguin's neglect and Puffin's "Too Cool for School" backpack–highly relevant for a bird coming from Iceland–Kevin Sylvester's cartoon illustrations tell more about the story, intensifying the fun and revealing more about the characters than words alone could. 

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

Because it's an early reader graphic novel, Puffin and Penguin has to work for younger readers in the 6 to 9-years-old audience, giving them more than a picture book but less than a middle grade novel. But Helaine Becker and Kevin Sylvester have found a perfect combo of message and medium, giving readers a relatable story of moving to a new place and making friends with the chuckles and brightness of an illustrated book. Puffin and Penguin is a perfect bundle of everything to entertain and even inform. They don't need more Penguin and Puffin to complete their story but I think young readers would be delighted if Helaine Becker and Kevin Sylvester would take us on a few more adventures with our new avian friends. Do I see a cultural exchange in their future perhaps?

Storytime with Franklin: A Collection of Six Favorites

Written by Paulette Bourgeois

Illustrated by Brenda Clark

Kids Can Press

978-1-5253-1293-9

184 pp.

Ages 3–8

May 2024

 

The Franklin books in my school library were well worn, much loved and a favourite of young readers and their families and teachers for the lessons he learned. Now those books don't need to get worn so fast or misplaced with others because six have been amalgamated into a lovely collection in hardcover. Storytime with Franklin will become its own favourite.

From Storytime with Franklin, written by Paulette Bourgeois, illustrated by Brenda Clark

The six stories covered in Storytime with Franklin are:

• Franklin in the Dark
• Franklin Goes to School
• Franklin's New Friend
• Franklin Rides a Bike
• Franklin Goes to the Hospital
• Franklin Says I Love You

In the first story, Franklin is afraid of crawling into his small dark shell so he drags it behind himself. He learns that other animals, like a lion, a bird, a duck, and a polar bear, have their own fears. With the help of a nightlight, he can face his fear head on. 

From Storytime with Franklin, written by Paulette Bourgeois, illustrated by Brenda Clark

When Franklin is ready to go to school, he is excited but also nervous, especially when he worries that he can't do some of the things his friends can. But, that nervous tummy ache disappears when his teacher shows Franklin that he can do some wonderful things already and would learn new things.

Franklin's New Friend is a very timely story about meeting a new friend who is very different from you. When a moose family moves into the neighbourhood, Franklin is scared because they are all so big. And when Moose comes to school and the teacher buddies Franklin up with Moose, Franklin is relieved when Moose doesn't speak or play with them. Franklin must learn that just because Moose is big doesn't mean he's mean or scary. In fact, he learns that they have common grounds that would eventually make his new friend into a special friend.

From Storytime with Franklin, written by Paulette Bourgeois, illustrated by Brenda Clark

Riding a bicycle without training wheels is a big challenge for little ones, so many will understand Franklin's reluctance to go for bike rides with his friends who can already ride bikes without help. But realizing that they all had things they had to learn and struggle with, whether swimming or rollerblading or baseball, it encourages Franklin to persevere too.

Franklin Goes to the Hospital is a story written by author Sharon Jennings who has written numerous stories based on Paulette Bourgeois's character Franklin. In this story, Franklin must have an operation when he injures his shell during a game of soccer. While everyone tells him how brave he is, Franklin doesn't feel very brave. Kindly Dr. Bear reassures him that "Being brave means doing what you have to do, no matter how scared you feel." (p. 143)

From Storytime with Franklin, written by Paulette Bourgeois, illustrated by Brenda Clark

The final story in the collection, Franklin Says I Love You, has Franklin anxious about how he might show his mother how much he loves her as a birthday gift. But how could he do so without a fancy gift? 

Franklin the Turtle is highly recognizable both from his demeanor, his actions, and his appearance, and that's all courtesy of Paulette Bourgeois and illustrator Brenda Clark. Both have created an iconic character who has been adapted into several animated TV series and whose learning has been used as examples for parents and teachers worldwide. Though it's been almost 40 years since he first appeared in 1986, his stories are as fresh and necessary now as ever. That's because Paulette Bourgeois understands young children's fears and apprehensions and has written stories to alleviate or, at the very least, mitigate them. The stories encourage children who are fearful of the unknown, the unexpected, the embarrassing, and the mundane to see their fears from different perspectives and give themselves opportunities to resolve those issues with independence.

 

Brenda Clark's illustrations, some prepared here with assistance from other artists including Shelley Southern, Muriel Hughes Wood, and Dimitrije Kostic, have always been bold in colour and familiar in setting. Franklin and his friends may be animals but they are also children who draw and play, have friends and family, worry and wonder and love. They are the children who are reading these books.

 

It's lovely to visit with Franklin again and be reminded of the valuable lessons he shares through just being young and learning. Storytime with Franklin becomes a play date with a familiar friend: companionable, reassuring, enlightening, and always joyous.

Willa and Wade and the Way-Up-There

Written by Judith Henderson

Illustrated by Sara Sarhangpour

Kids Can Press

978-1-5253-0842-0

40 pp.

Ages 5–7

June 2024

 

Willa is an ostrich and Wade is a penguin, and though they are both birds, neither can really fly though they would really love to. So, they ponder "the distance between the here and the there." (p. 6) And since they seem to have a good grasp of basic science of flight, they consider what it would take to set themselves aloft.

From Willa and Wade and the Way-Up-There, written by Judith Henderson, illustrated by Sara Sarhangpour

First, Willa considers the concept of lift, while Wade wonders about velocity. How to get lift? How to ensure speed? They try ballet because ballet makes you light on your toes. No luck with flight. Then they try pogo sticks but it wasn't until sliding downhill that the two experienced a brief lift off the ground.

From Willa and Wade and the Way-Up-There, written by Judith Henderson, illustrated by Sara Sarhangpour

Next, they consider liftoff. That requires them to jump off a cliff. Of course, they become airborne, but it is, of course, temporary. It's not until they apply some scientific principles to their problem solving and engineer something that the two feel the magnificence of the way-up-there.

From Willa and Wade and the Way-Up-There, written by Judith Henderson, illustrated by Sara Sarhangpour

Judith Henderson, who has given us stories including the Big Words Small Stories series and This is a Dog Book!, knows how to give us the subtle humour with understated plots. Willa and Wade and the Way-Up-There is sweet and playful and emphasizes determination and camaraderie without flagrant slapstick humour or irreverence. Instead, Judith Henderson tells a story that invites early readers to think outside the box when problem solving. With digital illustrations by Toronto's Sara Sarhangpour, Willa and Wade and the Way-Up-There keeps its light tone and the focus on the two friends. Because everything is so understated, from the text, the art, and the messaging, young readers will just be entertained, pleased with their ability to read a book that is a step up from picture books–in their estimation, anyway–and still be given the opportunity to think about how they approach a dilemma or question that doesn't have an obvious answer. And it might also make them think about flight and concepts like lift and speed.

The way-up-there that Willa and Wade aspire to enjoy is not unlike the many ambitions we all have and, if two flightless birds can find a way to fly, then we can do our best to aim high and find solutions too.