When You Dream Big!

Written and illustrated by Peter H. Reynolds

Orchard Books

978-1-339-00035-0

40 pp.

Ages 4–8

March 2026 

 

All of us will remember being asked what we'd like to be when we grow up. It's a rite of passage to be asked, to answer with something practical or unlikely, and then to change our minds. Knowing what you want to be when you grow older is a challenge. Ah, but dreaming big may be the start of a grand future. 

From When You Dream Big! written and illustrated by Peter H. Reynolds

When their teacher, Miss Rayna, plans a Dream Big Week, during which her students would share their dream jobs by writing them on colourful wings, Charley is stumped. Her classmates are enthusiastic about their ideas of going to mars, becoming an actor, or building a bridge across the ocean. They want to be engineers, astronauts, and artists. But Charley has no idea.  

From When You Dream Big! written and illustrated by Peter H. Reynolds

As she ponders and stresses about dreaming big, Charley becomes immobilized with anxiety. It's only when she focuses on her feet—"Ten toes — all pointing in the right direction" (pg. 20)—that she feels grounded enough to go on. The next morning, she awakens inspired by her dreams. She may not know what she wants to do when she grows up, but she know who she wants to be.

 

When You Dream Big! is less about doing than it is about being. Having dreams about your future job is normal, whether you're seven or twenty-seven. The dream can guide you in your education and your interests, and it can propel you to work hard. But dreaming about the future can be as much about who you will be as a person as what job you will have. Will you be adventurous? Will you be more assertive? Will you be responsible and caring? Peter H. Reynolds gives us a character who feels anxiety about the big dreams she's supposed to have and shows us that she's always had the right stuff to dream big, even if it is different than the dreams of her classmates. Even better, Peter H. Reynolds's Charley helps her classmates to dream big about who they can be, not just what they will do. 

From When You Dream Big! written and illustrated by Peter H. Reynolds

When I read Peter H. Reynolds's books, I always feel like someone has taken my hand. It's the hand of understanding, of compassion, and of guidance. He does this with his uplifting words and his heartfelt art. His text resonates with the voice of children who worry about their abilities or ideas, who compare themselves to others, and who feel joy when supported. Those same feelings come through in Peter H. Reynolds's pen and watercolour illustrations. Beyond the classroom posters of positive messages, he uses colour tellingly. His golds and purples are as reassuring as his words, and he spreads joy and reveals distraction and worry with colour and an effective use of line. His characters are fabulously diverse, and convincing in themselves. (Colby, a boy in a "Be You" shirt wants to make people smile more, while Josh wants to sleep a lot.) 

 

There is no one way to dream big, and Charley and her classmates and Miss Rayna all learn that this is true. With this epiphany comes relief, encouragement, and even creativity. So, when you dream big, good stuff can happen, even if it's not the dream coming true. (But maybe it will.)

The Inquisitive Raven

Written by Richard Wagamese

Illustrated by Bridget George

D & M Kids (Douglas & McIntyre)

978-1-771624497

32 pp.

All ages

September 2025 

 

Last year, the first book in the Richard Wagamese Storybook Collection, The Animal People Choose a Leader, was published. This beautiful book, a retelling of a short story by the late Richard Wagamese with illustrations by Bridget George, introduced new readers to his writings. Now, with The Inquisitive Raven, the second book in this collection, a story of curiosity, determination, and self-acceptance, there will be new readers of all ages who will be drawn to the wisdom in Richard Wagamese's Ojibwe storytelling and the beauty of Bridget George's digital artwork.

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

Rueben is the titular inquisitive raven. Some might see him as nosy, but he just finds the world to be an amazing place. He is especially curious about the other animals and what they do.  Grampa Raven, ever supportive, tells Rueben, "Wonder is the glue that holds everything together. It keeps you searching, eager for more." (pg. 10) 

 

When Rueben sees a magnificent eagle with its impressive wingspan and ability to soar, his grandfather tells him of Migizi and that she is blessed with many gifts. Sadly, Rueben then sees himself as lacking and decides to learn to soar like Migizi. 

He craved the sensation of becoming more: bigger somehow, more beautiful, less a raven and more revered and respected like an eagle, through the singular act of soaring. (pg. 17) 

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

With great determination and much practice, Rueben learns to soar, but when he goes to demonstrate his newfound ability, fatigue and fear get the better of him and he plummets to the ground. He is devastated to think that others will not respect him as they do Migizi, but Grampa Raven has wise words to share about Rueben's own gifts and the blessing that is respect.

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

Taken from Richard Wagamese's One Drum: Stories and Ceremonies for a Planet (Douglas & McIntyre, 2013), The Inquisitive Raven has an important message about self-acceptance. Like many of us, Rueben aspires to be admired, though he doesn't recognize that he already is appreciated by the other animals for his curiosity and enthusiasm for learning. In fact, it is that curiosity and passion for knowledge that takes him to try something new and work hard at achieving it. He may not reach the heights of Migizi, but his skill at soaring and his consequent plummeting are recognized as amazing just the same. Through Rueben, Richard Wagamese helps us respect the best in ourselves.

 

Bridget George is an Anishinaabe illustrator who has also authored her award-winning picture book It's a Mitig! (D & M Kids, 2020). Her art is created digitally with a Woodland style to her animals, giving shape and movement with the internal lines. While Rueben and many animals are in earthy browns and blacks, Bridget George adds colour in her landscape features like the blues and pinks of her skies and water, and in her decorative, embroidery-like flowers.

From The Inquisitive Raven, written by Richard Wagamese, illustrated by Bridget George

The Inquisitive Raven will be a much-cherished gift that will be appreciated for many years and countless generations. Beautifully covered in textured buckram, and decorated with Bridget George's Woodland-style art, The Inquisitive Raven lets us connect once again with Richard Wagamese and share in his insight into the value of curiosity and recognizing the gifts we have.

 

• • • • • • •

 

For teachers, there is a Teacher's Guide available from Douglas & McIntyre here.

 

 • • • • • • •

Reach for the Sky: How Two Brothers Built an Airplane in Chinatown

Written by Evelyn Sue Wong

Illustrated by  Sarah Ang

Plumleaf Press

978-1069093554

40 pp.

Ages 6–9

Releases August 21, 2025 

 

For most people in the 1930s, airline travel was the stuff of dreams. It was expensive and pretty much limited to those in the military, the very rich, or businessmen. For Robert Wong, even purchasing his much-loved model airplane kits only happened because he saved his lunch money. But those kits were his first steps to making his aviation dreams come true.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

Robert would build model airplanes and, with his younger brother Tommy in tow, would fly them until they ended in broken wings. But he kept building them until the toy department manager offered him free kits if he built them at the store. The two brothers enjoyed flying these models, but this was just a prelude to the dream: flying real planes.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

Robert studied books about flying and completed an aviator's course but, before he could attend aviation college, he would need a pilot's license which would require many hours of flying. His solution: build his own plane. Using the plans for the Pietenpol Sky Scout, Robert along with Tommy scouted for the materials he would need to adapt and enlisted the help of his family. When his wooden-framed fuselage with wings stretched twenty-seven feet tip to tip and covered with fabric was completed, his flying instructor took it out for a spin. Though the instructor was pleased with the result, there were some changes that needed to be made. With the help of some experts in aviation and a lot of work, two years after the brothers started this project, Robert took to the skies in a plane that they had built themselves.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

This story is amazing for a number of reasons. One, it is a true story about Robert and Tommy Wong. Secondly, what they were able to accomplish with limited resources at a time when aviation was not a common practice for the majority of the population is extraordinary. Finally, building their own plane was one step in the brothers' careers which led them to further study, work with the air force, opening a civilian flying school, and being inducted as the first Asian Canadians into the Canadian Aviation Hall of Fame. Their story, told by Robert's daughter Evelyn Sue Wong, is a testament to not just reaching for the sky but following a passion with determination and perseverance. Evelyn Sue Wong tells their story as an illustrated biography and includes photographs of the brothers, family, and more to not just inspire others to chase their dreams, but to encourage them that, with hard work and support, success is possible.

From Reach for the Sky, written by Evelyn Sue Wong, illustrated by Sarah Ang

Reach for the Sky is illustrated by Singapore's Sarah Ang, who uses Chinese ink and watercolours in a style comparable to traditional Chinese art of landscapes and street scenes. While Sarah Ang emphasizes the logistics of planes and flight and the efforts of the two brothers, there is still a leaning towards the spirit of their work and the promise that much can be accomplished with heart and tenacity.

 

As an illustrated biography, Reach for the Sky honours two Chinese brothers who dreamed of flying in 1930s BC and achieved greatness beyond building a plane. Their story is one of aviation greatness and will inspire those who think they can't or shouldn't or won't be able to do what they aspire to do because of prejudices or limitations in opportunities. Robert and Tommy Wong pursued the almost unimaginable, and others can try too.

Willa and Wade and the Way-Up-There

Written by Judith Henderson

Illustrated by Sara Sarhangpour

Kids Can Press

978-1-5253-0842-0

40 pp.

Ages 5–7

June 2024

 

Willa is an ostrich and Wade is a penguin, and though they are both birds, neither can really fly though they would really love to. So, they ponder "the distance between the here and the there." (p. 6) And since they seem to have a good grasp of basic science of flight, they consider what it would take to set themselves aloft.

From Willa and Wade and the Way-Up-There, written by Judith Henderson, illustrated by Sara Sarhangpour

First, Willa considers the concept of lift, while Wade wonders about velocity. How to get lift? How to ensure speed? They try ballet because ballet makes you light on your toes. No luck with flight. Then they try pogo sticks but it wasn't until sliding downhill that the two experienced a brief lift off the ground.

From Willa and Wade and the Way-Up-There, written by Judith Henderson, illustrated by Sara Sarhangpour

Next, they consider liftoff. That requires them to jump off a cliff. Of course, they become airborne, but it is, of course, temporary. It's not until they apply some scientific principles to their problem solving and engineer something that the two feel the magnificence of the way-up-there.

From Willa and Wade and the Way-Up-There, written by Judith Henderson, illustrated by Sara Sarhangpour

Judith Henderson, who has given us stories including the Big Words Small Stories series and This is a Dog Book!, knows how to give us the subtle humour with understated plots. Willa and Wade and the Way-Up-There is sweet and playful and emphasizes determination and camaraderie without flagrant slapstick humour or irreverence. Instead, Judith Henderson tells a story that invites early readers to think outside the box when problem solving. With digital illustrations by Toronto's Sara Sarhangpour, Willa and Wade and the Way-Up-There keeps its light tone and the focus on the two friends. Because everything is so understated, from the text, the art, and the messaging, young readers will just be entertained, pleased with their ability to read a book that is a step up from picture books–in their estimation, anyway–and still be given the opportunity to think about how they approach a dilemma or question that doesn't have an obvious answer. And it might also make them think about flight and concepts like lift and speed.

The way-up-there that Willa and Wade aspire to enjoy is not unlike the many ambitions we all have and, if two flightless birds can find a way to fly, then we can do our best to aim high and find solutions too.

 

The Magic Cap

Written by Mireille Messier

Illustrated by Charlotte Parent

Milky Way Picture Books

978-1-990252-21-1

32 pp.

Ages 4-7

May 2023 

 

Oh, to have a magic cap that could fix everything! 

When Isaura and Arlo's pet hedgehog, Crispin, falls ill, the two children do everything to make him feel better. "They made him his favorite slug soup, brewed pots of cucumber tea, and even took turns rocking him for hours under the moonlight." Isaura is convinced that if they could find a gnome, it could heal Crispin. But how to lure a gnome?

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

Because food is rare, they give up the last of their milk to lure the gnome. Heading into the woods, they place the milk out and wait. And they wait and they watch. The bowl of milk becomes very popular, with visits from a deer, a squirrel, a badger, a frog, a fox, a boar and even an insect. Sadly, all the milk is gone, and no gnome has visited it.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

The next day, hungry and with no food to offer, the two head out to search for some food, and, though they collect numerous berries, a hungry frog eats them all and leaves only a red-capped mushroom. So, with a lone mushroom as incentive, the children wait. And wait. And then they nap, along with all the animals who'd been keeping them company.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

As they sleep, a red-capped gnome appears and is quite taken with the mushroom that offers shelter from the rain. In exchange, she leaves them two gold coins. Though that will help sustain them for a very long time, it won't help poor Crispin who is still unwell and shivering.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

Unbeknownst to them, while they're out looking for something to warm their friend, a gnome offers its red cap to a bird to take down to the listless hedgehog. When the children return, still disappointed at never spotting a gnome, they are delighted to see Crispin wearing a jaunty red cap and feeling much better.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

This is a picture book that will charm in every way. From the heartfelt wish of hungry children to heal their friend, to the numerous undetected gnomes that populate the woods, and animals who are community to Isaura and Arlo and Crispin, Mireille Messier's story feels like a fairy tale, and not the kind that scares. Mireille Messier's stories always have heart but here she gives us children living independently in the woods, managing with what little they have, and problem-solving how to heal their dear pet. And she gives us the magic and the happy ending. With a sweet story about benevolence, The Magic Cap is the best kind of fairy tale.

Bringing colour and shape to Mireille Messier's story are Charlotte Parent's coloured pencil illustrations. The detail and lushness of the art, from patterned clothing and quilts to verdant forest rife with textures of leaves, flowers and wildlife, takes the story from the page to a cottage in the woods where magic happens. 

We may not all have access to a magic cap that can heal, but Mireille Messier and Charlotte Parent's The Magic Cap can still transport us to a place where kindness prevails, community gathers, and small, mythological beings delight and do good.

 

• • • • • • • 

The French-language edition, Le Bonnet Magique (comme des géants, 2023), is also available.

A Day for Sandcastles

Written by JonArno Lawson

Illustrated by Qin Leng

Candlewick Press

978-1-5362-0842-9

48 pp.

Ages 4-8

May 2022

 

JonArno Lawson has the words, as his picture books like The Playgrounds of Babel and  Leap! have demonstrated, but he doesn't need the words. As his award-winning Sidewalk Flowers and now A Day for Sandcastles show us, his storytelling can go beyond text and, with the skill of an amazing artist like Qin Leng, a story rich in characters, activity and feeling is told.

From A Day for Sandcastles by JonArno Lawson, illus. by Qin Leng

It's a day at the beach for this family of five. As they disembark from a bus, mum and dad coming up the rear, the three children race to through the grassy dunes, arms raised in cheer. There's a red-haired girl in a red-striped bathing suit, and older brother in navy patterned board shorts and a small child in green T-shirt and yellow shorts. Having found the remnants of a washed out sandcastle, they retrieve their pails and shovel and begin to work on their own.

 

But, as focused as they are on their creative endeavour, beach life teems around them. There are the swimmers and the sunbathers, the runners and the volleyball players. There are older women and toddlers, lovers walking hand-in-hand, and friends taking selfies. And there's also the splash of water and a wind-blown sun hat that damage their multi-castle structure with moat, compelling them to take a break and join their parents for lunch.

From A Day for Sandcastles by JonArno Lawson, illus. by Qin Leng

The children, though, are determined and look to rebuild their sandcastle. Together they fill buckets, mould turrets and dig out shapes. Even a toddler who sits herself down in the midst of their creation does not deter them from their work and adding flourishes of shells, twigs and other found objects.

From A Day for Sandcastles by JonArno Lawson, illus. by Qin Leng

But time and a tide wait for no one, and the children's numerous efforts must ultimately be left behind as they take their weary and sun-kissed bodies back to the bus for the trek back home.

For those who know the pleasure of a day at the beach, whether outside their own door or a bus ride away, A Day for Sandcastles is a day of possibilities. It's a day filled with play and family togetherness, cooperative fun and creative building. It's enjoying the positives and accepting the setbacks as natural and moving forward–or backward from the tide!–to dream of what sandcastles might be. JonArno Lawson gives us a full day at the beach with the companionship of siblings and the quiet but never-failing support of parents. He gives us the promise of a wide-open day as they step from the bus and the satisfying fatigue of a day well lived. We're there for the lapping cool water, the mild frustration of an errant sunhat, and the warmth of the sun on our backs. It's a day bursting with life and JonArno Lawson has given it to us without words.

Of course, without Qin Leng's watercolour and ink artwork, we couldn't envision this beach or these children on this day. Her media are perfection for a day at beach, giving us the fluidity of splashing water, the summer bustle of a diverse group of people and animals on a beach, and the heat of a sun warming sand and people. Qin Leng's skilled artistry transports us to this beach with this family and these strangers to share in a day of outdoor recreation.

There is far too much in A Day for Sandcastles to share in a single review. It will be up to you to visit that beach with your own children, students or family, and discover the minutiae of one day with these people at this one beach to build your own sandcastles, with sand or otherwise.

Peter & Ernesto: Sloths in the Night

Written and illustrated by Graham Annable

First Second

978-1-250-21130-9

128 pp.

Ages 6-10

April 2020

Peter and Ernesto, the two sloths from Graham Annable's first two books, A Tale of Two Sloths and The Lost Sloths, return to bring us another wonderfully heart-warming tale of friendship from deep in the tropical jungle.

From Peter & Ernesto: Sloths in the Night by Graham Annable

Peter, the more cautious of the two sloths, is trying out his new wind sock, made from fabric their sloth tree mate Bernard had found. Sadly there is no wind but Ernesto, always up for an adventure, wants to go check out a dragon that the motmots assure him has been seen at the spooky old temple by the river.  Not surprising that when the sloths discover Bernard is missing, Ernesto is convinced their friend has gone to see the dragon because, of course, that's what Ernesto wants to do.

From Peter & Ernesto: Sloths in the Night by Graham Annable

Even though the cautious Peter isn't convinced, he and the other three sloths (Stu, Rodrigo and Lola) follow Ernesto, meeting a swooping bat who warns them to be careful in the Dark Glades on the way to the temple. Though an owl, who thinks the sloths are very large mice, causes some consternation for the five sloths, a meeting with a polka-dot tree frog becomes a magical experience when he and his friends light the way for the sloths through the blackness of the Dark Glades.

From Peter & Ernesto: Sloths in the Night by Graham Annable

But getting through the Dark Glades is but one step in their search for Bernardo and/or the dragon at the temple, and it takes a turn when Peter falls from a broken zip line.  As Ernesto and the three sloths find their way to the temple and make the acquaintance of a different kind of dragon, Peter is meeting a river otter who is rebuilding a boat.  When everyone finally comes together, with new friends made, new alliances forged, and songs sung to ease their journeys, Peter and Ernesto and friends discover Bernard had found shelter and comfort far closer to home than anticipated.

Because the text is very light and much of the story is carried by the illustrations, Sloths in the Night is a great reading bridge between early reader and middle grade. Regardless of the austerity of his words, animator and cartoonist Graham Annable approaches the big issue of fears–of the darkness, of the unknown and even the known–with sensitivity, acknowledging that fears are very personal and cannot be disregarded just because another finds them unbelievable. As different as Peter and Ernesto are, they recognize the strengths and weaknesses in each other, appreciating attributes they themselves do not possess and accepting these differences as strengths. Even more endearing is the empathy they show to others, whether it be a homesick dragon or an otter with wanderlust, as well as to each other.

From Peter & Ernesto: Sloths in the Night by Graham Annable

Graham Annable has created another modest story in Peter & Ernesto: Sloths in the Night. It's modest in its messaging and matrix of story i.e. words and art. But it's also bold and assured in addressing the nature of fear and the power of friends to help. Like the polka-dot tree frog, Sloths in the Night illuminates the way through.

• • • • •

 

Peter & Ernesto: A Tale of Two Sloths (2018)

Peter & Ernesto: The Lost Sloths (2019)

Peter & Ernesto: Sloths in the Night (2020)

• • • • •

The Walrus and the Caribou

Written by Maika Harper

Illustrated by Marcus Cutler

Inhabit Media

978-1-77227-256-7

32 pp.

Ages 5-7

2019

This traditional Inuit origin story from actress Maika Harper and illustrator Marcus Cutler reminds us of the richness of the storytelling tradition, the source of Maika Harper's tale, and the breadth of its narration on revealing culture, history and people.

From The Walrus and the Caribou by Maika Harper, illus. by Marcus Cutler

When Guk was breathing life into the world, she pondered how the different parts of the animals should be organized. The walrus was generated when Guk blew air into her sealskin parka and added some flippers and wrinkles and antlers. (Yes, antlers.) The caribou was created from breathing life into her sealskin pants. With the addition of some big hooves and hair, a snout and tusks, her caribou was complete.

From The Walrus and the Caribou by Maika Harper, illus. by Marcus Cutler

But Guk's enhancements did not all work. The walrus's antlers were not a good idea. When the walrus swam, its massive antlers would upend the hunters' kayaks. As for the caribou, its tusks were not much appreciated by the hunters.

In a mix-and-match situation, Guk swaps out the tusks and the antlers, creating the familiar walrus and caribou of today's Arctic, with a special touch of punishment for the caribou because of its irritability and brashness.

From The Walrus and the Caribou by Maika Harper, illus. by Marcus Cutler

Though Maika Harper tells a simple tale of how the walrus and the caribou came to exist in their present morphologies, she also explains why the caribou avoids humans and encourages young readers to think about what animals they might create. With illustrator Marcus Cutler's Arctic landscape, depicted in a minimal palette of snowy whites, of earthy sandy browns and taupes, and of blue waters and skies, the walrus and caribou and Guk and the few hunters portrayed are the stars. They rule the landscape, living as they do, and sharing the land and water as tradition expected them to do so.

The Walrus and the Caribou may be a creation story with some tongue-in-cheek humour but it is also a representation of some Inuit traditions and culture, from the Inuit's clothing and hair to their kayaks and hunting techniques.  This tale will definitely inform and satisfy young readers, especially by answering, at least partially, that perennial question about where animals came from.

Meet Willie O'Ree (Scholastic Canada Biography)

Written by Elizabeth MacLeod

Illustrated by Mike Deas

Scholastic Canada

978-1-4431-7561-6

32 pp.

Ages 5-9

January 2020

Though there is still time to read this illustrated biography for Black History Month, Meet Willie O'Ree will become one of those books that will be a go-to story about civil rights, athleticism and perseverance that will resonate throughout the year.

From Meet Willie O'Ree by Elizabeth MacLeod, illus. by Mike Deas

Willie O'Ree was born on October 15, 1935 in Fredericton. By the time he was 5, he was already skating and playing hockey, though he liked all sports, including baseball, tennis, volleyball, rugby and swimming, and enjoyed school. Though the kids in his neighbourhood all played together regardless of skin colour, Willie and other black people had to deal with discrimination. But Willie knew that things had to change, and when, at thirteen, he defied the racist requirement that blacks get their hair cut outside the barbershop, he took an important step in saying "No" to discrimination.

From Meet Willie O'Ree by Elizabeth MacLeod, illus. by Mike Deas

Though a great hockey player, Willie also played baseball, even trying out for Milwaukee's minor league team. But, travelling in the Deep South, Willie was disgusted by the racism he endured at hotels, on buses and most everywhere, so he was pleased when he was let go and able to return to Canada and play hockey. He started playing in 1952 and made his way through different and progressively better leagues. However, when playing for a major junior league team, Willie took a puck in the eye and was blinded. Still, he never told his team, fearing it would prevent his rise to the NHL.

From Meet Willie O'Ree by Elizabeth MacLeod, illus. by Mike Deas

 

Willie became the first black player in the NHL, playing for the Boston Bruins. He still endured racist comments from opposing players but he fought back. He was traded several times and ended up in pro leagues other than the NHL but he didn't retire until he was forty-three, and then went on to work for the NHL's Diversity Task Force, helping to encourage children of colour to play hockey.

From Meet Willie O'Ree by Elizabeth MacLeod, illus. by Mike Deas

The accolades and honours Willie O'Ree received were numerous but probably none as great as his induction into the Hockey Hall of Fame in 2018.

Willie reached his goal of playing in the NHL by believing in himself. He worked hard, even when he faced racism and serious injuries. And he never gave up on his dream. (pg. 29)

Author Elizabeth MacLeod and illustrator Mike Deas probably had a tough job telling Willie O'Ree's incredible story. From his childhood and experiences with racism to his athletic career with its ups and downs and more racism, Willie O'Ree endured much, accomplished more and persevered always. His story is one of effort and determination, and Elizabeth MacLeod makes sure to tell as much of his story as possible, including a timeline with photographs at the end of the story.

Mike Deas's illustrations, which are a blend of digital art with gouache, watercolour and ink, are animated, showing a kid with a love of sports and a young man determined to play a sport he loved. Though the art is cheerful, it finds a way to demonstrate Willie O'Ree's experiences with racial discrimination and hardship related to his injury without ever trivializing either.

 

It was a pleasure to meet Willie O'Ree, a pioneer of black achievement in hockey and a hero of sports dreams. 

•••••••••

With Meet Willie O'Ree, the Scholastic Canada Biography series now includes five volumes.

Meet Viola Desmond (2018)

Meet Chris Hadfield (2018)

Meet Tom Longboat (2019)

Meet Elsie MacGill (2019)

Meet Willie O'Ree (2020)

Nibi's Water Song

Written by Sunshine Tenasco

Illustrated by Chief Lady Bird

North Winds Press (Scholastic Canada)

978-1-4431-0789-1

32 pp.

Ages 4-8

2019

Though I've already started reviewing books being released in 2020, I'm still finding gems from last year that I really, really want to bring to the attention of young readers and the adults in their lives. Nibi's Water Song is one such title. Its premise of an Indigenous young person searching for potable water is both a cautionary tale and one of resilience and hope, and supportive of the need for clean water in all communities.

Nibi means water in Anishinaabemowin. Considering this young person's thirst, it is highly appropriate that it is her name. But when Nibi is desperate for water to quench that thirst, she finds no clean water at her home or that of her neighbour, only brown water.

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

So begins Nibi's search for clean drinking water. When she finds only dirty water in the river, she skips to the next town of "big, shiny houses." Though a nice lady gives her a teeny-tiny plastic bottle of water, she is given no more, no matter how much knocking she does at the doors of the big, shiny houses. Finally she dances in the street with her sign that "Water is Life."

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

Desperate for more water, thirst overpowering her, Nibi is joined by her friends, all begging for water. Their signs shout "Clean Water" and "We All Need Water."

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

It is only when their voices are joined together in volume and purpose that the people in the big, shiny houses fall in to help Nibi get clean water.

With a lot of hard work, digging and singing, everyone worked together. And finally, thirsty, thirsty Nibi got her clean water...and she shared with all of her friends.

From Nibi's Water Song by Sunshine Tenasco, illus. by Chief Lady Bird

Nibi's Water Song reminds us that we are part of a larger community, one whose members may not all have water safe for drinking or washing. The United Nations may have declared it a human right to have safe drinking water and sanitation but there are numerous Indigenous communities who have lived with drinking water advisories as well as compromised water and waste water systems for decades. Author Sunshine Tenasco, Anishinabe from Kitigan Zibi Anishinabeg, Quebec makes it clear that improvements will only be realized when the people in the "big, shiny houses" get involved. It may only take one person, like Nibi, to step forward and start a movement but it will take a concerted group effort from within and outside these unhealthy situations to make them safe. Still Nibi sings and dances to get the attention needed to address the problem.

Nibi's hope is reflected in the bold and bright illustrations of Toronto artist Chief Lady Bird of the Rama First Nation and Moose Deer Point First Nation. Her colours are vivid and lively, from the blue of the clean water to the greens of the grass. Her characters wear red and pink, and blue and orange, and traditional clothing and regalia like moccasins, fringed shawls, and beadwork. Most important are the flowers that surround Nibi, symbolic of the hope for water, the element that grows and sustains life. Chief Lady Bird's highly-stylized plants surround Nibi and reach forward, stretching to advance her quest for clean water.

The message of Nibi's Water Song is a simple one: everyone deserves clean water. I hope that the words and art of Sunshine Tenasco and Chief Lady Bird will reach all communities to spur to action those of us in our big, shiny houses so that we might help everyone quench their thirst and realize that human right to clean water. 

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Nibi's Water Song is also available as a French-language edition, Nibi a Soif, Très Soif.

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n .b. As of May 2025, there is a dual-language edition with text in both English and Anishinabemowin.

 

Nibi nigomon/Nibi's Water Song

Written by Sunshine Quem Tenasco
Illustrated by Chief Lady Bird

Scholastic Canada
978-1-0397-0067-3
32 pp.
Ages 4-8
2025