The Rock and the Butterfly

Written by Kathy Stinson

Illustrated by Brooke Kerrigan

Orca Book Publishers

978-1-4598-3700-3

32 pp.

Ages 6-8

October 2024 

 

There was a rock and there was a butterfly. Together their story is far greater than the sum of their parts. 

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

Once there was a rock that sat solidly on the ground.

 

And once there was a butterfly that flitted and fluttered everywhere.

The contrast in the rock and the butterfly is best understood when the butterfly tires from too much flitting and tucks itself into a groove in the rock to rest and keep the world from spinning. The rock offers comfort and safety. That is, until one day, the rock is gone.

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

The butterfly really needs the rock and it is perplexed because a "rock was always where you left it...wasn't it?" Bereft, the butterfly looks for that comfort and safety elsewhere. It tries a hanging leaf and the space between blades of grass, but it cannot find a refuge that replicates that rest and security.

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

Still, relegated to take shelter on the ground itself, the butterfly finds that this last resort offers new possibilities to feel the warmth of the sun and the calm of the moonlight and get just a bit of that quivering joy back into its wings. The rock may be gone but the ground that cradled it can now offer support to another.

Oh my. There's no way a reader would know that this is a story about friendship and support, but also loss and grief and finally acceptance. That's a lot for a picture book. But it's not an "in-your-face" message about dealing with loss. Author Kathy Stinson has given younger readers a lovely story about two friends but, with a little help from an older reader, adult or otherwise, they may be able to see beyond the obvious and see a deeper relationship. They could see sadness and coping, joy and growth. Kathy Stinson, author extraordinaire of everything from picture books like Red is Best, The Man with the Violin and The Dog Who Wanted to Fly to young adult novels like What Happened to Ivy, always finds a way to tell important stories but in discrete plots and, often, with few words that are staggeringly impactful. It may be a story about a rock and a butterfly, but it goes beyond that simple premise, and speaks to the connection that bolsters life.

From The Rock and the Butterfly, written by Kathy Stinson, illustrated by Brooke Kerrigan

Brooke Kerrigan, who illustrated one of my favourite Christmas stories (The Christmas Wind by Stephanie Simpson McLellan), uses a blend of watercolour, gouache, pencil crayon and ink, with digital layering to achieve extraordinarily simple but robust artwork. As the title suggests, there are few characters that progress the story line, but Brooke Kerrigan focuses on the butterfly as it struggles, despairs, and rallies. Her nuance in the butterfly's disposition keeps the focus on that character while placing it in a vast and gorgeous world of land and sea, sky and weather. (Just look at those flowers in the illustration above.)

 

The Rock and the Butterfly released today, and I hope that parents and teachers will grab it for meaningful discussions. I believe that it's a story that encompasses much depth that would make it a basis for numerous lessons, from those about loss and grief to visual literacy–what does the butterfly show in its demeanour?–and speculation about the outcome for the rock. I could even see science lessons about living and non-living things and their relationships, and creative writing about the future for the butterfly, and even the absentee rock. But, most of all, The Rock and the Butterfly reminds us that loss is not limited to humans and that dealing with loss is a natural process that requires self-care, time, and a support system. Fortunately for this butterfly, healing is realized.

The Comfort Tree

Written and illustrated by Holly Carr

Plumleaf Press

978-1-738165230

48 pp.

Ages 4-8

August 2024

 

For many people, a tree is just a tree. It's a woody plant that reaches above the ground. Sometimes it's green and sometimes it's not. But trees are so much more than just what we see. They are life. And this tree is a comfort tree to the many species that make the forest their home.

From The Comfort Tree, written and illustrated by Holly Carr

This tree is an oak and so it begins life as an acorn, dropped from the bill of a blue jay. It grows until it towers over the forest and is named the Comfort Tree by the forest animals.

From The Comfort Tree, written and illustrated by Holly Carr

For each animal, the tree provides comfort, whether for its views for Raven or its food and storage facilities for Squirrel. In different seasons, the tree provides shelter whether for Lynx who rests on the tree's limbs or in its fallen leaves like Rabbit and Deer. For some, its comfort derives from the aesthetic, Fox appreciating its fall leaves that match its fur or Blue Jays that enjoy playing in its branches. The Comfort Tree provides for all the animals in its own way throughout the year.

From The Comfort Tree, written and illustrated by Holly Carr

Holly Carr, an artist from Nova Scotia, is best known for her painting on silk, a unique medium that produces fabulous forms when paint is applied. Holly Carr's art in The Comfort Tree is extraordinary, intricate and textured, emulating the layers of leaves whether in the tree or in the litter beneath it, or the complexity of animal features like feathers. The patterning of tree and animal and scene require more than a cursory look. They demand the reader stop and look for the bees, the fungi, the butterflies, and more. Her art tells a story of a comfort but also of life cycles, the seasons, and the interrelationships of all living things. It's a big story. Holly Carr's remarkable art matches that story, page for page.

From The Comfort Tree, written and illustrated by Holly Carr

The story of the Comfort Tree goes beyond the forest, with Holly Carr starting dialogues about ways for children to comfort themselves. She acknowledges that there are different strategies, including breathing, going into nature, and stretching, that can all be helpful. (She provides QR codes to activities to help young people to stretch or to visit a forest and listen to Nova Scotian birds.) But first try a walk to the Comfort Tree with Raven, Blue Jay, Deer, Owl, and others to find comfort vicariously. It's as wonderful as forest bathing in vivid colours and the soothing shapes of the natural world, and you don't need to find transport to get there.

The Magic Cap

Written by Mireille Messier

Illustrated by Charlotte Parent

Milky Way Picture Books

978-1-990252-21-1

32 pp.

Ages 4-7

May 2023 

 

Oh, to have a magic cap that could fix everything! 

When Isaura and Arlo's pet hedgehog, Crispin, falls ill, the two children do everything to make him feel better. "They made him his favorite slug soup, brewed pots of cucumber tea, and even took turns rocking him for hours under the moonlight." Isaura is convinced that if they could find a gnome, it could heal Crispin. But how to lure a gnome?

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

Because food is rare, they give up the last of their milk to lure the gnome. Heading into the woods, they place the milk out and wait. And they wait and they watch. The bowl of milk becomes very popular, with visits from a deer, a squirrel, a badger, a frog, a fox, a boar and even an insect. Sadly, all the milk is gone, and no gnome has visited it.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

The next day, hungry and with no food to offer, the two head out to search for some food, and, though they collect numerous berries, a hungry frog eats them all and leaves only a red-capped mushroom. So, with a lone mushroom as incentive, the children wait. And wait. And then they nap, along with all the animals who'd been keeping them company.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

As they sleep, a red-capped gnome appears and is quite taken with the mushroom that offers shelter from the rain. In exchange, she leaves them two gold coins. Though that will help sustain them for a very long time, it won't help poor Crispin who is still unwell and shivering.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

Unbeknownst to them, while they're out looking for something to warm their friend, a gnome offers its red cap to a bird to take down to the listless hedgehog. When the children return, still disappointed at never spotting a gnome, they are delighted to see Crispin wearing a jaunty red cap and feeling much better.

From The Magic Cap by Mireille Messier, illus. by Charlotte Parent

This is a picture book that will charm in every way. From the heartfelt wish of hungry children to heal their friend, to the numerous undetected gnomes that populate the woods, and animals who are community to Isaura and Arlo and Crispin, Mireille Messier's story feels like a fairy tale, and not the kind that scares. Mireille Messier's stories always have heart but here she gives us children living independently in the woods, managing with what little they have, and problem-solving how to heal their dear pet. And she gives us the magic and the happy ending. With a sweet story about benevolence, The Magic Cap is the best kind of fairy tale.

Bringing colour and shape to Mireille Messier's story are Charlotte Parent's coloured pencil illustrations. The detail and lushness of the art, from patterned clothing and quilts to verdant forest rife with textures of leaves, flowers and wildlife, takes the story from the page to a cottage in the woods where magic happens. 

We may not all have access to a magic cap that can heal, but Mireille Messier and Charlotte Parent's The Magic Cap can still transport us to a place where kindness prevails, community gathers, and small, mythological beings delight and do good.

 

• • • • • • • 

The French-language edition, Le Bonnet Magique (comme des géants, 2023), is also available.

The Tunnel

Written by Sarah Howden

Illustrated by Erika Rodriguez Medina

Owlkids Books

978-1-77147-427-6

32 pp.

Ages 4-8

March 2022

Something bad has happened. There is much concern for the child, with his mother offering hugs and his aunt asking him if he's okay. But the boy doesn't want to talk about. What he does want to do is dig a tunnel and crawl inside. So he does.

From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina

Taking a small plastic shovel, the child starts digging into the floor of his bedroom. Deep, deep he digs, excavating a meandering tunnel that encounters worms and beetles and moles and more.  

From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina

It's dark down there but I don't mind.

In fact, the boy realizes, after he comes up to the surface outside his home, that no one knows that he's out there.

I could just disappear.

From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina

That empowering thought is enough for the boy. He doesn't have to disappear right now. 

I'll go home for now, I tell myself.

But I can always come back.

By returning home after his jaunt, the child can now take comfort in his room and his mother's presence.

I think she knows I need a secret place.

She might have secret places of her own.

 

I think she knows we sometimes travel far away. 

Alone, where we don't have to talk.

I'm glad Sarah Howden never reveals to young readers what nature of bad this boy experienced. By leaving it open, it could be anything and thus relevant to any child who has felt a trauma. His response, then, could be theirs. They might recognize the need for a parent or concerned adult to try to help but not knowing how. Fortunately, Sarah Howden gives this child the freedom to choose what he needs: to be silent or to escape, whether figuratively or literally. 

 

There is starkness in his situation and in Sarah Howden's words, so the bleakness of Vancouver's Erika Rodriguez Medina's artwork mirrors that atmosphere. There's not much colour in this child's life right now, nor are there in Erika Rodriguez Medina's illustrations. It's pretty much black and white, with some grey and only minimal red. I'm sure that's how this child feels. Whatever has happened to him, it has turned his world into monotones, gradations of badness. There is some colour, not unlike the goodness that is shadowed in his life, but it is so close to him that he might not be able to see it until he can look at it from a distance, perhaps outside his house or himself.

From The Tunnel by Sarah Howden, illus. by Erika Rodriguez Medina

Sarah Howden could've given her picture book a happy ending in which the boy's distress is erased with his tunnel and the love of family but, let's face, that's not very realistic. Trauma does not disappear because of good intentions or diversions. But, both Sarah Howden and Erika Rodriguez Medina show us that there is some light and colour in his life and they make sure he sees it too.

The Gift of the Little People : A Six Seasons of the Asiniskaw Īthiniwak Story

Written by William Dumas

Illustrated by Rhian Brynjolson

HighWater Press

978-1-553799924

48 pp.

Ages 8-12

February 2022

 

While many of us are not fortunate enough to hear a storyteller like William Dumas share the tales of his oral storytelling tradition, illustrated books like The Gift of the Little People are an ideal method for getting those stories told and for providing the visuals that our own experiences might not be able to provide. With words and art together, The Gift of the Little People transports us to the northern Manitoba community of South Indian Lake to see how a legendary people gave the Rocky Cree the medicine they needed for healing.

From The Gift of the Little People by William Dumas, illus. by Rhian Brynjolson

The narrator recalls growing up in remote South Indian Lake and hearing the elders tell stories in the evening. These stories included those of the 3 kinds of little people who were no taller than our knees: those who were static-voiced (mīmīkwīsiwak); those who were troll-like; and those that looked like tiny human beings (apiscithinīwak).

One story he remembers his father telling was of a man named âhâsiw (the Crow) of the Rocky Cree who lived along the Misinippi river (now known as the Churchill River). When there were reports of new people coming into mistiwāsahak (Hudson's Bay) with many new tools and items for trade, a delegation was sent. Upon their return, after numerous favourable trades, a feast was held. But a few days later, several members of that delegation fell ill and then person after person within the band became sick and died. âhâsiw did all he could to heal them but he also prayed for help. And help comes one night in the form of a little man who tells him that the medicine was available but he could only reach it by going through a solid rock face across the lake.

From The Gift of the Little People by William Dumas, illus. by Rhian Brynjolson

Though the task that the little person had given âhâsiw and oskâpêwis (his helper) seemed impossible, it was the means by which the Rocky Cree are able to connect with the little people and help heal themselves.

From The Gift of the Little People by William Dumas, illus. by Rhian Brynjolson

The Gift of the Little People is a companion book to William Dumas's Six Seasons of the Asiniskaw Īthiniwak series which explores the language, culture, knowledge, territory, and history of the Rocky Cree (Asiniskaw Īthiniwak) people. The first book in the series Pīsim Finds Her Miskanaw (2020) will be joined by a second, Amō's Sapotawan, later this year. With The Gift of the Little People, author William Dumas shares much about the Rocky Cree from both a historical and spiritual perspective. From life in a remote location without electricity to the devastation of first contact with Europeans, The Gift of the Little People reveals life of the Rocky Cree and the traditions upon which they prevailed. But within that framework, William Dumas tells readers of the little people. Whether it is folklore based in legends or otherwise–there are countless claims of evidence that the little people exist–the folklore of how the little people came to the aid of the Rocky Cree people when illness resulted from first contact with Europeans is a story worth telling. It's about trusting unlikely allies and accepting challenges for good. And with the artwork of Manitoba visual artist and educator Rhian Brynjolson honouring the First Nations with both its realism and style, without misappropriation, The Gift of the Little People has more than one story to tell of the Rocky Cree and their history and culture.

Six Seasons of the Asiniskaw Īthiniwak series

Larkin on the Shore

Written by Jean Mills

Red Deer Press

978-0-88995-577-6

310 pp.

Ages 13+

October 2019

"...her words have stayed with me, just like Jonah's. Words do that. Words spoken and words in books. Words you write. They start to breathe and live and just take over. And right now, I've been taken over by the words of other people–people talking–and I can't find myself or my own words." (pg. 221)

After she is traumatized by something that happened with a boy, Jonah, and ejected from a moving car, sixteen-year-old Larkin Day is sent from her home in Toronto to stay with her grandmother Granne in Tuttle Harbour, Nova Scotia for the summer.  Larkin had managed to finish her Grade 10 exams but the gossip and social media about what happened have left her feeling isolated and unsafe and contemplating the relief of suicide. Her dad decides his mother, a retired principal, would be the best bet for his daughter while he heads to Vancouver to deal with Larkin's mom, a woman addicted to painkillers and bouncing between the unsafe streets and rehab. 

But for Larkin, Granne and Tuttle Harbour are unfamiliar and she must learn to assess every person she meets for sincerity and safety. That includes neighbour Will Greenfield who is helping his dad Billy renovate an old house for Granne into the Tuttle Harbour Café and Reading Room. As Larkin helps Granne with the book donations for the reading room, she deals with her anxiety which tempers her interactions with others, even with nice-guy Will. But when Will takes her to a local campfire with his peers, Larkin meets the gregarious Casey Henwood, his girlfriend Beth and others, and overdoes the drink when "...it tastes so good and goes down easily." (pg. 70). Could she be putting herself in harm's way?

When a fire destroys the back of the café, Casey and Beth and others are quick to point fingers at Will's dad, a recovering alcoholic, who'd apparently once burned down a shed he was building at the Henwood's farm. Hearing the gossip about Billy as well as about Will from Beth, and reflecting on the talk that went on about her after she was injured, Larkin is perplexed about whom to believe or to trust. What's worse is the news coming from her dad about her mother's health situation.  Walking out into the water until the darkness envelopes her or trying to swim out to Prince Edward Island, knowing she'd never make it, continue to overshadow her regular visits to the shore until she starts to live beyond others' words.

Jean Mills, who wrote the Red Maple-nominated Skating Over Thin Ice (Red Deer Press, 2018), knows how to tell a story about dealing with expectations from family, school and self. She gets what it's like to trust and not trust your own feelings and to be confused about how those you care about conduct themselves around you. From an addicted mother to an unfamiliar grandmother and peers that are both charming and deceptive, Larkin must look at every interaction as a potential disaster and possibly harmful. Sadly this is probably not unusual for teens who are trying to understand a world in which they are expected and allowed to take on greater responsibilities but may be unsure whether they have the strength or understanding to meet them. For Larkin, it may not always be evident which is the safe world or the dangerous one, not unlike a shore that borders land and water, but she is developing the courage to choose her heading and a solid intuition about good people that will guide her.

Monsters: The Reckoner, Book Two

Written by David A. Robertson

HighWater Press

978-1-55379-748-7

246 pp.

Ages 14+

October 2018

Trust comes from truth. (pg. 199)

In Strangers, the first book in David A. Robertson's The Reckoner series, Cole Harper returned to the Cree community of Wounded Sky, a reserve constantly in recovery from tragedy. At that time, he'd been lured back by Coyote a.k.a. Choch with whom Cole had made a deal when the supernatural being helped save Cole's two friends, Eva and Brady, from a school fire ten years earlier that killed so many others. Though treated as a pariah, Cole helped stop a murder spree and provided a cure, with his unique blood, for a flu affecting the community. Now, in Monsters, that trickster Choch expects Cole to stick around and try to expose the truths about the mysterious experimentation that had taken place at the research facility and help heal a community.

Cole's first step is to recover the files he'd discovered in Strangers that revealed how he and others had been test subjects at the former Mihko Laboratories research facility. However, with Mihko returning to the community and quarantining all those who had been cured but now were looking worse, and Victor, a local resident, and Jayney, a spirit girl, talking about a monster or bogeyman or perhaps even Upayokwitigo, Cole's task becomes more complicated. Who is this creature? Why are the "flu" patients looking sick again? Why are guards posted at the clinic and the research facility? With the residents of Wounded Sky vacillating between acclaiming Cole as a hero and a criminal, Cole is finding it hard to learn anything. And did I mention how flummoxed he is about his feelings, particularly for best friend Eva, who has a boyfriend, and for another girl, Pam? Cole's probably feeling like it sucks to be him. No wonder his anxiety is out of control and he's struggling between choosing to take meds and trying to cope without. But can he quash that debilitating anxiety sufficiently to save himself and Wounded Sky from monsters of so many manifestations?

"...if there's somethin' that evil, there's gotta be somethin' that good." (pg. 236)

There is a lot of evil hanging around Wounded Sky and, at this time of year, many will think those monsters will all be vicious creatures that inspire fear. But, though there are a lot of monsters in Monsters, not all are physical beings. Some are inner demons, like Cole's overwhelming anxiety founded in his past but pervading his present and undoubtedly ready to affect his future. But they are also the community's fears that it will be unable to recover from its tragedies and that it's in danger of losing its identity. Those are monsters like no other. Fortunately, there is still much goodness and strength in Cole and the community, and readers will be hopeful that there are some happy endings for both.

David A. Robertson continues the thriller he began in Strangers by setting up new mysteries built on those established in Book One. However, although Monsters may answer a few questions, David A. Robertson leaves the reader still wondering about that research facility and what they did to Wounded Sky's inhabitants, past and present, and hoping that Cole will not lose himself in his struggle to find the answers.

Still, without spoiling the ending, readers need to be prepared for David A. Robertson's plot twist. A monster may be revealed, seemingly tying up a plot line, but Monsters closes out with a shock and a gasp that will have readers waiting for Book Three in the series, Ghosts, to learn how Cole, the Reckoner, is able to make peace for himself and Wounded Sky.  Spring 2019 can't come soon enough.

 

••••••••••••

Just a quick note that

MONSTERS

launches

Tuesday, October 30, 2018

7 p.m.

at

McNally Robinson

Grant Park in the Atrium

Winnipeg, MB

and

will be hosted by

Katherena Vermette

A portion of book sales from that night will be donated to

Anxiety Disorders Association of Manitoba

Details here

Strangers: The Reckoner, Book One

Written by David A. Robertson

HighWater Press

978-1-55379-676-3

216 pp.

Ages 14+

October 2017

David A. Robertson, author of the Governor-General's literary awarded illustrated children's book When We Were Young (illustrated by Julie Flett, HighWater Press, 2016), returns his writing to young adults with Strangers, the first book in a new supernatural thriller series called The Reckoner. Still honouring his Cree roots with a story installed in the fictionalized Cree community of Wounded Sky, David A. Robertson shows us life on a remote Manitoba reserve where a past tragedy and current illness and murder have its inhabitants reeling in suspicion and anger.  And it doesn't help that that trickster Coyote is playing a leading role.

Seventeen-year-old Cole Harper has been living in Winnipeg since his Aunt Joan and grandmother moved him there to forget "everything he'd lost in the tragedy and his role in it" (pg. 13) ten years earlier.  Now his friend Ashley Ross is summoning Cole back to Wounded Sky with cryptic messages about needing to come home.   But Cole's return is far from welcome and he learns from Ashley that his phone had been missing and he'd never sent any messages to Cole.  And he tells Cole this minutes before he is shot dead.  While he awaits RCMP Constable Wayne Kirkness, Cole is visited by Choch, the anthropomorphized spirit being Coyote, who reminds Cole of a deal they'd made ten years earlier when Cole had saved two friends, Eva and Brady, from a burning school in which everyone else perished, including Cole's mother. Now Choch expects payback though he doesn't tell Cole exactly what he needs of him.  After Ashley's murder and an illness hits the community, Cole is sure it is to make things right here at Wounded Sky.  But then two more murders and deaths from the illness have the community turning on Cole, whose arrival coincided with the newest tragedies.  How can he do right by Wounded Sky when it's obvious the community, except for a few, resent his return from the city and his earlier role in the fire in which he only saved two lives?

There are mysteries aplenty in Strangers and not all are able to be solved in this first book in the series.  Who murdered Ashley?  How is the research facility, now closed, involved in the tragedies at Wounded Sky? How did the fire at the school start? With the advice of his grandmother to find his peace and "If you accept yourself for who you are, you belong anywhere" (pg. 109), Cole faces the challenges of an angry community, the antics of an arrogant and reckless Choch, and his own anxiety to be the hero needed to heal himself and others.

All legends, Cole, come from some place of truth. Whether they're about Coyote or a sky that was cut and bled the heavens like tears, or a boy that saved others. Look at your own scars. (pg. 124)

Beyond David A. Robertson's intricate plotting, he creates a character of Wounded Sky itself.  He makes sure that readers, Indigenous or not, get an authentic glimpse of life on a reserve: remote, ignored, self-reliant, challenged, vulnerable and cohesive.  From Elder Mariah making hot muskeg tea and Cole's tobacco tie, to the northern lights of spirits playing and Coyote's pranks, Strangers is both singular and inclusive, educating readers and encircling many in its story. I look forward to Book 2 in The Reckoner series so that I can witness how David A. Robertson resolves mysteries first revealed in Strangers and undoubtedly creates a few more for Cole to confront.