Pipa:m̓: The Touch of the Frog

 

 

 

Written by Joseph Dandurand

Illustrated by Elinor Atkins

Nightwood Editions

978-0-889715004

32 pp.

Ages 6–8

June 2026 

 

As part of his series Kwantlen Stories Then and Now, author Joseph Dandurand, himself a member of the Kwantlen First Nation, tells the story of a clever young girl who helps her community through her relationship with a frog.

Illustration by Elinor Atkins from Pipa:m̓: The Touch of the Frog, written by Joseph Dandurand

The community is preparing for the first fish of the season. Fires are made and nets are mended. Tsa'kwi'ah is a small girl who tries to help but she is too small. After the men go out, Tsa'kwi'ah walks along the river and sees a green frog. She smiles at it and it at her. When she touches it, she becomes strong and tall. Now she can outrun the other children and she can carry heavy fish.

Illustration by Elinor Atkins from Pipa:m̓: The Touch of the Frog, written by Joseph Dandurand

Months later, when many of the villagers, including Tsa'kwi'ah's mother, are sick with red spots and high fevers, Tsa'kwi'ah recalls how the green frog helped her. Taking the frog to her mother and everyone in the village who was sick, Tsa'kwi'ah has them touch the frog and become healed. 

Illustration by Elinor Atkins from Pipa:m̓: The Touch of the Frog, written by Joseph Dandurand

It is known that there are naturally occurring antibiotics secreted from the skin of some frogs so the notion of the touch of a frog being therapeutic is not far-fetched. But, as in all storytelling, it's the germ of an idea that becomes a fuller story. As Pipa:m̓: The Touch of the Frog is told by a member of Kwantlen First Nation, I presume that this is traditional story that has been told many times and through many generations. Whether or not the details are exact—did Tsa'kwi'ah really become stronger and taller or just healthier and older?—is irrelevant. Joseph Dandurand tells the story about community, about healing from unusual sources, and about a connection with the natural world. It's about helping where and when you can, and finding your opportunities to be useful.  

Illustration by Elinor Atkins from Pipa:m̓: The Touch of the Frog, written by Joseph Dandurand

Pipa:m̓: The Touch of the Frog is a deeply traditional story, so Elinor Atkins's artwork complements it with her brightly coloured illustrations that blend the traditional with the organic. Elinor Atkins, also a member of the Kwantlen First Nation, tells more about the story and the community, using line, shapes and colour to take readers to Tsa'kwi'ah's home.

Though Pipa:m̓: The Touch of the Frog  is the first of the Kwantlen Stories Then and Now that I have reviewed, there are four earlier books with more stories to tell. I encourage young readers and those who teach them to look at the whole series. As traditional stories, they keep the stories of a people alive and put to paper that which is usually shared through oral storytelling. 

 

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Kwantlen Stories Then and Now

The Sasquatch, the Fire and the Cedar Baskets (2020)

A Magical Sturgeon (2022)

The Girl Who Loved the Birds (2023)

The Bears and the Magic Masks (2024)

Pipa:m̓: The Touch of the Frog (2026)

Kissing Frogs: Blog Tour

by Alisha Sevigny
Fierce Ink Press
978-1-927746-66-0
231 pp.
Ages 12+
For release November 18, 2014

According to a myriad of fairy tales, you have to kiss a lot of frogs before you find your prince, though Kissing Frogs protagonist Jessica seems to be convinced she's already met him in gorgeous Miles. Sadly it explains why she's failing Grade 12 biology, having missed a lot of those classes to spend time with him. Guess it was worth it to claw her "way up out of Geeksville and into the realm of the Socially Acceptable" (pg. 20) Except now she has to give up on a trip to South Beach with Miles and her other uber-popular friends, and instead join her biology teacher, Mr. A., and the conservation group on a trip to Panama to help some endangered frogs and complete a make-up research project.

It's evident to her trip mates that Jess would rather be elsewhere and, as they had needed to fundraise to take part in this amazing learning opportunity, there's some animosity towards her as a last-minute addition, especially from two snarky girls, Chrissy and Kiki. Moreover, she's surprised (shocked?) to learn that a former middle-school friend, Travis Henley, who'd teased her relentlessly, calling her Messy Jessie or Princess, is also on the trip, though he'd known her as the brainiac she was before she'd reinvented herself.  Other kids rounding out the group are a quiet girl Harp; Juan, a short funny guy who is friends with Travis; and Steven a.k.a. Shaggy.

While Jess vacillates between her new popular self (and desperately tries to connect with Miles and her friends) and the smart girl who'd dreamed of going to Berkley (and desperately wants the others to know she's neither mean nor an idiot), she draws the attention of Enrique, the very handsome son of the villas' owners, while Travis insists on taking her on non-dates to prove he's not the same annoying guy she'd known.

Photo by Brian Gratwicke. Retrieved from
http://commons.wikimedia.org/wiki/File:Atelopus_zeteki1.jpg

The emphasis for the school group may be the conservation of those species whose very existence is endangered, if not already extirpated, but Jess herself recognizes that the potential loss of her true self is not dissimilar to the plight of the golden frog.  She is willing to give up on university in favour of her new friends and popularity, not unlike the choices Panama has made in favour of growth and westernization: on the surface, very attractive, but the repercussions may be unpredictable, disastrous, and permanent.  Should she maintain her status as the popular girl, who has a gorgeous boyfriend and friends and doesn't care about university, or rejuvenate her smart self, who works hard and shows compassion and understanding for others, frogs and humans alike? Strangely, her mother prefers the former while her academician father would prefer her to be true to herself.

"You should just make sure that the people you give up your dreams for are worth it," he said finally, looking back at the computer screen. "We shouldn't have to compromise who we are for others." (pg. 71)

Alisha Sevigny has written a light and breezy YA novel whose only angst is that which the teens experience as they try to navigate through the treacherous dating roads of not knowing how to act around those they may be interested in.  Getting a first boyfriend or girlfriend, or perhaps the first one that really matters, is scary, especially if you're not sure who you are yourself.  Jess may have reinvented herself but it's clear that, without her supporting cast, the role doesn't quite fit her.  Alisha Sevigny certainly gets that right, demonstrating that it's easier to just be yourself.  So you trip a little bit and skin your knees here and there.  In the end, you're able to pick yourself up and know which way the role is taking you without becoming a farce or a tragedy. At the trip's onset, Jess' attitude indicated that she thought she was going to be stuck with a bunch of unattractive frogs in Panama, leaving her true prince, Miles, behind.  Thankfully, with sufficient time and a fresh perspective, it's amazing how cute those frogs can turn out to be.  Spoiler alert: happy ending!

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Check back tomorrow for my interview with Kissing Frogs author Alisha Sevigny.