Once, a Bird

Written by Rina Singh

Illustrated by Nathalie Dion

Orca Book Publishers

978-1-4598-3143-8

32 pp.

Ages 3-6

September 2023 

 

I know many people are trying to forget a time of lockdowns and restricted movements during the early years of the pandemic. But Rina Singh and Nathalie Dion's story reminds us of the gifts of nature and community that were revealed during those tenuous times. And though their story takes us out of those times, it never lets us forget what discoveries were made when tensions were high, isolation was the norm, and health was insecure.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

Without words, Rina Singh tells a story of the arrival of a robin to a land of complexity and quiet. There may be snow on the ground but as the bird travels over parks, highways, and agricultural fields, there is no one to be seen. It is people-less and still. It could be a dystopian landscape, but Nathalie Dion gives us hope and light in the greenness of the fields, the blues of the skies and the unscathed infrastructure.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

The bird finds its way to a budding tree outside a walk-up apartment building where an elderly woman spots it. She alone is looking out her windows as her neighbours keep their blinds and curtains closed. But then others take in the sight of the robin, each in their own way. Whether it be a grandson and grandfather watching it with binoculars, or a young person taking photos with her phone, or two children chatting between windows. Even a new puppy dog is held up to witness the bird.

 
As life goes on for the bird, building its nest, laying its eggs, and feeding its young, the neighbourhood begins to open up: a door, a window, a walk with the dog. And, with time, the neighbourhood returns to normal as the bird and its young fly off, having taken the people through the tough times.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

Although the audience for Once, a Bird is listed as 3-5 years of age, the depth of the storytelling is far greater, and could be for all ages. Rina Singh has given a nuanced story of isolation and connection with nature that may have been born of a pandemic, and all who have been living with solitude and/or withdrawal, whether because of distance, mental health, or even personality, will also understand. She offers hope that separation does not mean desolation, and that opening oneself to the natural world can help sustain us.

I've reviewed a number of picture books illustrated by Montreal's Nathalie Dion (e.g., The Big Bad Wolf in My House, I Found Hope in a Cherry Tree, The Dog's Gardener) and her watercolour and gouache art lends itself well to contemplative stories such as Once, a Bird. There is an intangible, almost divine, sense of beauty that comes from both introspection and deep relationships depicted in her illustrations. Her art is sensitive to the ephemeral nature of challenges, keeping her colours subdued but calm, and introducing brighter colours, initially only on the robin, as the people emerge, and the neighbourhood returns to life.

 

For hope through difficult times, take note of how once a bird brought a community together, and how Rina Singh and Nathalie Dion were able to do the same to tell its and our story.

 

• • • • • • • 

A French-language edition is also available as Il était une fois un oiseau.

 

 

When the Owl Calls Your Name

Written and illustrated by Alan Syliboy

Nimbus Publishing

978-1-77471-246-7

32 pp.

All ages

November 2023

 

While many children will be familiar with the depiction of owls as wise, old creatures, there are many cultures that associate the beautiful, majestic owl with death. In many Indigenous cultures, the owl may be seen as a harbinger of an impending death, a messenger of the Creator calling someone home. This is the premise of Mi'kmaw artist Alan Syliboy's story of When the Owl Calls Your Name which is based on "The Owl Song" performed by Alan Syliboy and the Thundermakers. (A video of this spoken word performance with music and dance is appended to this review.)

From When the Owl Calls Your Name, written and illustrated by Alan Syliboy

When the Owl Calls Your Name is not a typical picture book for children. It does not have a plotted story, moving from initiating conflict to resolution. It is a lyrical exploration of what it means when the owl calls your name. In text that is so beautiful that it is almost sorrowful, Alan Syliboy tells us that when the owl is heard to call our name, he will lead our spirit to the place of the ancient ones. But the owl is very quiet, flying on silent wings, so you never know when it is coming for you. With that recognition, Alan Syliboy reminds us we can't always be prepared for death so we must live our lives as if it could happen at any moment.

From When the Owl Calls Your Name, written and illustrated by Alan Syliboy

There is a unique essence to When the Owl Calls Your Name that speaks to both the Mi'kmaw culture, in content and art, and the spiritual beliefs of life beyond the corporeal. The messaging is straight-forward, both informative of beliefs and inspirational with regards to life paths, even beyond death. But the artwork will draw readers in, especially with the uniqueness of Alan Syliboy's shapes and line that are very reminiscent of ancient petroglyphs, though far more elaborate. The stylized people have upside-down trapezoid heads without facial features and ferns projecting from their heads, while the spirits are softer, in line and shape, with swirls of a different life within. And the owl is gorgeous, ornate in its face, feathers, and body. Alan Syliboy is very strategic with his use of colour, using greys and white, with only hints of purple, for much of the story when the owl visits and the spirit is leaving the body. But when living in the now or joining ancient ones who would embrace the new arrival, there is warmth and colour within.

From When the Owl Calls Your Name, written and illustrated by Alan Syliboy

When the Owl Calls Your Name is both a book that shares cultural beliefs and an inspirational poem that tells readers what the appearance of the owl means. The owl both portends death but reassures that death heralds the beginning of a new journey, according to the signpost that brought us to this life. It reminds that there is a place for us after death with the ancient ones but also that we never know when the Creator will be calling us home.

 So you must live your life in such a way

That you will be ready for the owl

when he calls your name.

 

• • • • • • • 

The video of the spoken word performance of "The Owl Song" by Alan Syliboy and the Thundermakers, along with members of Symphony Nova Scotia and an interpretive dancer, can be viewed at https://youtu.be/_3THnJGNqPk?si=3PH_q_CQZ0VKy1sc.

 

The Owl Song – Alan Syliboy and the Thundermakers with Symphony Nova Scotia (The Fusion Sessions)

 Posted on April 29, 2021 by Symphony Nova Scotia on YouTube.

Scaredy Squirrel Gets Festive (Scaredy's Nutty Adventures)

Written and illustrated by Mélanie Watt

Tundra Books

987-0-7352-6961-3

88 pp.

Ages 6-9

October 2023

 

In six perfect chapters, Scaredy Orville Squirrel (abbreviated appropriately as S.O.S.) prepares for Christmas. Starting in July, he makes a checklist to ensure a perfect holiday. Once December arrives, it's time to start checking things off his list. With a little help from his friends– Ivy, a rabbit, Rash, an armadillo, and Timber (Tim), a beaver–Scaredy gets to work with decorations. A mishap with a toboggan almost has their tree festooned in pickles and clown noses, but with some effort and a lot of paint, they get the perfect decorations.

 

Next Scaredy Squirrel enlists his friends to secure the area from holiday troublemakers like nutcrackers, abominable snowmen, last-minute shoppers, and elves.

 

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

His plan for a gingerbread house that will last forever–though Ivy questions that intent with "Seriously? I doubt gingerbread can last past Easter"–is put into action to construct a sturdy, albeit inedible, masterpiece.

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

While Scaredy has already gotten the perfect gifts for his friends, he gets to wrapping them as they debate what to get for him. Then it's only his Christmas Eve get-together, prepping for Santa's visit, and waking to Christmas morning surprises. Though he couldn't plan for everything, it still is a perfect Christmas for Scaredy Squirrel.

Two things about Scaredy: he's always prepared, and he always does things with safety in mind. Scaredy Squirrel Gets Festive is loaded with checklists, plans, files, instructions, and profiles that ensure that things get done and done well and in a timely fashion. From "Scaredy's Christmas TO-DO List" to his instructions on "How to Wrap the Perfect Gift," Scaredy has it covered. (Mélanie Watt even gets the reader primed for Scaredy's predilections with "The Holiday Reader Quiz" before the story even starts, just to make sure the reader is prepared to proceed to the next pages. I got 5 points.)

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

As we learned in the first Scaredy Squirrel book, Scaredy is always scared about his safety, and that's why he insists his friends wear painter's suits when painting, why there's a fire extinguisher handy, why they wear masks while varnishing, and why he's so prepared. Still, with his friends who are all a little bit different, whether calm and wise, or bold and impetus, Scaredy is both given reasons to continue to be cautious and reasons to indulge a bit more.

Mélanie Watt has always taken a tongue-in-cheek approach to Scaredy's overcautious nature. Children reading her stories, whether the original picture books or whether the chapter book graphic novel series Scaredy's Nutty Adventures, will both see the wisdom of Scaredy's caution but will laugh at his extreme reactions, from panicking and playing dead when supposedly exposed to a pointy elf or wearing gloves to prevent paper cuts when wrapping gifts. They'll be familiar with many of activities Scaredy and his friends undertake in Scaredy Squirrel Gets Festive and so will understand both the nature of his fears and the silliness of his responses, regardless of whether they are brash like Rash or guarded like Scaredy.

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

The stories and the humour within have and will always delight young readers, but it's all so much more when Mélanie Watt adds her artwork. Her heavily-outlined characters and objects make them pop off the page but also complement the bold text of Scaredy's lists and instructions. There is nothing subtle about the illustrations or Scaredy so anything less than bold, bright, and lively just wouldn't work. Moreover, Mélanie Watt knows how to add the humour into her drawings, like the helmet Rash undoubtedly needs to wear to keep him safe, the cat mask Rash dons when he can't find a respirator mask when they're varnishing, or Rash's roving toad Chucky who seems to pop up in unexpected places. 

 

It's just the right time now to start your holiday season off, and, with Scaredy and his friends, it'll be easy to get festive. Just watch out for those pointy elves, and Gary the germ, and those last-minute Christmas shoppers, and...

• • • • • • • 

 

Scaredy's Nutty Adventures series

Scaredy Squirrel in a Nutshell

Scaredy Squirrel Gets a Surprise

Scaredy Squirrel Gets Festive

Death & Sparkles and the Sacred Golden Cupcake

Written and illustrated by Rob Justus

Chronicle Books

978-1-7972-0638-7

316 pp.

Ages 10-14

November 2023

 

When Death first met Sparkles, the last unicorn and media sweetheart, in Death & Sparkles (2021), it was a difficult relationship. Death had never had a friend–how could he when whomever he touched would die?–and Sparkles was all about his celebrity. But they found a way to work together and give support as needed. But in their newest adventure, their friendship will be challenged by a quartet of moles who may know a little more about unicorns–or 'corns as they call them–and are accordingly less than impressed by Sparkles and his ancestors.

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

Rob Justus, who apparently rendered the illustrations "in magical cupcakes with a sprinkle of digital art" develops his story along two parallel subplots. In the first, four moles, identified by their colours of Purple, Brown, Pink, and Blue, are obligated to tend the unicorns' sacred garden resplendent in golden colossal statues. When the  moles turn sixteen, they are sure that they will be invited to the ceremonial coming-of-age party held for uni-colts becoming unicorns. Instead, they are unceremoniously excluded by the unicorns. To exact their revenge, the moles intend to steal the sacred golden cupcake. Instead, they are discovered and banished to the darkness of the underground.

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

The second subplot revolves around our two titular protagonists. Sparkles is not feeling quite right. His horn is glowing and his body is tingling. When Death suggests a growth spurt, Sparkles opens a suitcase left to him by his late parents and discovers a letter about the journey he must go on as well as a golden cupcake on a chain that compels him to dance. Regardless of what Death wants, Sparkles drags his friend to club after club, looking for the right one. When they are transported to an underground cavern and a golden-gated garden, and they must make choices as to where they should go, there is a clash of personalities, as the egocentric Sparkles plows on ahead, ignoring Death and following his "super-mega important unicorn family quest." (pg. 134) Separated, Death meets the moles and, feeling welcomed and appreciated, befriends them, unknowingly becoming part of their scheme to get the scared golden cupcake.

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

There may be a lot of pink and purple and bling in Rob Justus's second book starring Death and Sparkles but within all the sugary sweetness and sparkling flashiness there are important messages about being different, empathizing with others, true friendship, and humility (something Sparkles lacks). By juxtaposing the subdued and cautious Death with the look-at-me, self-absorbed Sparkles, Rob Justus lets us see that both extremes can be tiresome. However, a bit of risky taking with some judicious caution makes for a great partnership. And, though the mistreatment of the moles by the unicorns shows Sparkles that his heritage is not as noble as he'd imagined, it does inspire him to do better. (Now, if he just wasn't so over-confident and pushy. Sigh.)

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

Although Death & Sparkles and the Sacred Golden Cupcake only releases tomorrow, I'm already looking forward to Book 3 in this series. (Please let there be more books coming.) Judging by Rob Justus's Acknowledgments, he has lots of ideas. Maybe the ghost pirates didn't show up here, but I think Death and Sparkles have lots more adventures, and calamity, to experience, and more revelations to make about themselves.

 

• • • • • • •

 

Death & Sparkles (2021)

Death & Sparkles and the Sacred Golden Cupcake (2023)

Next Door

Written by Deborah Kerbel

Illustrated by Isaac Liang

Kids Can Press

978-1-5253-0658-7

32 pp.

Ages 3-7

October 2023

 

Wordless picture books have a general hush about them. In wordless books, i.e., ones in which the stories are told through illustrations alone, no one is speaking and there is no text to distract. It's all rather subdued. In fact, it's a perfect reflection of what the main character, a young boy with hearing aids, must experience much of the time. But don't be fooled into thinking that there is no story to be told or personal connection to be made.

From Next Door, written by Deborah Kerbel, illustrated by Isaac Liang

A boy and his mother head out from their home just as a moving van arrives and begins unloading boxes. It's evident these are not their goods as the boy is familiar with the places and people he encounters on their walk. Though he may have limited hearing, as evidenced by his hearing aids, he notices everything, from the musician busking, the construction workers at work, and even baby birds in a high nest. It's unfortunate when a cyclist races past the boy, startling him into dropping his teddy bear. But, after confirming he is okay, communicating via American Sign Language, his mother settles the boy.

From Next Door, written by Deborah Kerbel, illustrated by Isaac Liang

Returning to their building, they visit their new neighbours in the apartment next door. Using her own way of communicating, with hand movements and an Arabic/English dictionary, the woman welcomes them. But the boy spies a little girl hiding from them. When he approaches her, it is evident that neither can understand the other. But through the sharing of food and art, the two children find their own way to communicate.

 

This story is deeply personal for Toronto author Deborah Kerbel whose own sister had been born profoundly deaf. Deborah Kerbel's Author's Note speaks of her sister's abilities to connect, and Next Door's story reflects that ability for children who find different ways to communicate because of hearing and language differences. Undoubtedly a child who has a hearing impairment and one whose language is different than those around them may both feel at a disadvantage when trying to communicate. But, as the boy demonstrates, his disability is not a hindrance to living a good life, one in which he communicates with others, just in his own way. He successfully uses American Sign Language and his hearing aids to enable connection with others. But, when he meets the new little girl next door, he's on an equal playing field as she struggles to get him to understand her. But, with some effort and the common ground of art, along with a tasty cookie, a connection is made.

From Next Door, written by Deborah Kerbel, illustrated by Isaac Liang

Deborah Kerbel opens up about her sister's story to help convey the possibility that communication does not cease with hearing or a different language. We find new ways to communicate when the customary route is not available. By juxtaposing the boy's circumstances with that of his new young neighbour, Deborah Kerbel has found a way for any child for whom communication is challenging, because of, for example, cultural differences, emotional barriers, or physical barriers, to accept that different can still be effective. 

 

Isaac Liang is a deaf illustrator from Singapore who imbues the art of Next Door with knowledge and sensitivity. Because of his personal experiences with hearing impairment, Isaac Liang has found a way to bring the quiet and the connection for the children through his digital art. Because comprehension through the sense of hearing is compromised, his emboldens the story with colour and shape. Perhaps words are unnecessary but meaning still comes through with every building, person, and detail. 

Next Door is a great picture book for helping children develop their visual literacy skills and their empathy and acceptance for those who communicate differently. Hopefully it will help them to recognize that we do not all hear or see or understand the same way–the cyclist who almost collides with the child assumed the boy could hear him coming–and to find new ways of communicating that might work better for others. And, when it all comes down to it, kindness always works.

The Three Little Mittens

Written by Linda Bailey

Illustrated by Natalia Shaloshvili

Tundra Books

978-1-77488-011-1

32 pp.

Ages 4-7

October 2023

 

This story may start with "Once there were two little mittens..." but I can assure you that this is not a story of "once" but of "often" or "always" as winter sets in and we scramble to find our mittens and gloves. This is a story that has played out many times and will continue to play out wherever hand coverings are needed. For this one time, there is a very happy and inclusive ending.

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

Dotty and Other Dotty are two fluffy, pink, cozy mittens with yellow dots, and they are identical. Stripes is another mitten, but Dotty and Other Dotty give her the cold shoulder for not matching anyone and reminding her that the Little Girl will never wear her. Stripes is devastated by her loneliness, trapped in a pocket, unable to touch a dog or make a snowball.

 

And then Other Dotty is abandoned in the snow. Suddenly Dotty and Stripes are forced to become partners when the Little Girl decides to wear them together.

And here's the surprise. As they got to know each other, they began to like each other. In fact, they almost became friends.

But then Other Stripes reappears after having been dragged under the couch by the dog.  Now together, the two Stripes reject Dotty since she doesn't match them.

In a surprise, the Little Girl overhears their discussion and wonders why they have to match, because "There's always a mitten who doesn't match."

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

With that, she excavates the box of mittens and discovers a brilliant assortment of colours, patterns, sizes, and shapes, freeing everyone with the opportunity to be worn and get out. From then on, she wears unmatched mittens every day, giving all mittens a turn. Better than just getting out and about and serving a purpose again, the mittens find themselves making new friends and having fun.

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

But, like all great ideas, the Little Girl's equity in mitten-wearing is noticed and appreciated by her school mates and soon they too are wearing wonderful mixed-up mittens. Imagine what will happen when the socks hear about this!

I love how Linda Bailey has taken a familiar circumstance i.e., missing mittens and having a collection of mismatched ones, and given us a heartfelt story of acceptance and inclusiveness. In The Three Little Mittens, what starts as animosity and discrimination, becomes friendship and support, with all the mittens belonging, and, even better, being welcomed as part of  a new configuration. 

England's Natalia Shaloshvili creates acrylic paintings that are as warm and fuzzy as the mittens and children she includes in The Three Little Mittens. The softness of the edges reflect the linty nature of the woollens and other fabrics, but Natalia Shaloshvili extends that to the kids' hair and even a wheelchair, giving the story the fluffiness of snowflakes.

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

Linda Bailey has given us so many wonderful picture books over the years, from her award-winning Stanley books (like Stanley's Party) to her recent picture biographies (like Arthur Who Wrote Sherlock), that it's impossible to label her stories in any way as anything but her own. And now she's given us one with an important life lesson. With The Three Little Mittens, Linda Bailey, with much graphic support from Natalia Shaloshvili, has now taken us to the global closet to see that all mittens belong and can get along with everyone else. Who knew we could learn so much from three (or thirteen) little mittens?

When Rabbit Was a Lion

Written and illustrated by Eugenie Fernandes

Owlkids Books

978-1-77147-518-1

32 pp.

Ages 3-7

August 2023

 

A rabbit in a red-striped shirt lives in the backyard of our narrator, a little girl with whom he sometimes has tea. Though Rabbit and the little girl know that he doesn't like parties, he wants to make one for his friends, whom he does like.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

So invitations are sent out for a costume party and Rabbit busies himself cleaning and decorating, baking and preparing his own costume. And when the jitters pop in that his party might be a flop, his human friend asks him, "What if it's good?".

 

All Rabbit's friends arrive, costumed and lively. There is music and dancing, laughter and conversation, and he is so pleased that his friends are happy. But, though he does partake a little, it grows too loud and too boisterous for Rabbit and he slips away for a bit of quiet. His friends, realizing that Rabbit has withdrawn, find a way to have fun and include him without causing Rabbit discomfort.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

This could be a picture book of restraint, in colour and in story, much as how an introvert such as Rabbit might be seen. But, Eugenie Fernandes knows that Rabbit is more than his introversion. He is also a friend, and enjoys the company of his friends, though in moderation. So, that joy of friendship comes through in Eugenie Fernandes's paintings, resplendent in joyful colours of warm yellows and greens, and bright in its diverse palette. Rabbit is not sad because he needs to withdraw; he is just taking care of himself. And isn't it nice that his friends are kind enough to want to make him happy too? Eugenie Fernandes's artwork tells us this.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

Thank you, Eugenie Fernandes, for giving a sensitive and authentic voice to the many introverts who have had to fit into a predominantly extroverted world. As a strong introvert who has learned to fit in as needed and become more comfortable in social situations–and then withdrawing to my comfort zone in order to recover–When Rabbit Was a Lion speaks to me and undoubtedly to many children who've been told to be more social and that they need to get out more. Children need to see that not everyone craves attention and busyness, loudness and interaction. And they need to not be misunderstood because they are different from others in their circle. I'm very glad that Rabbit's friends are astute enough to realize that his need for quiet is not him being shy or angry, depressed or stuck-up, or even interpreted as a criticism of how they like to socialize. But socializing takes energy from introverts, unlike for extroverts who are energized by social interactions. For Rabbit, some quiet gives him fortitude. And by giving Rabbit the voice to speak his feelings and the friends who are willing to listen, Eugenie Fernandes has honoured the introverts who are so often overlooked.

If You See a Bluebird

Written by Bahram Rahman

Illustrated by Gabrielle Grimard

Pajama Press

978-1-77278-284-4

32 pp.

Ages 5-8

October 2023

 

When families are displaced, whether from war, natural disasters, persecution, or something else, making a new home is not always easy, especially for children. And the good memories of that original home may make one long for what once was. But home is not just a place. It is the family too, as an Afghan boy learns from his grandmother and a visiting bluebird.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

Ali and his parents and Nana had to flee Kabul, Afghanistan after war broke out. They travelled by foot, bus, and eventually escaped via plane, taking very little from their home. Now, in Canada, they live near an ocean, and Ali and Nana ride bikes to collect blackberries. But Ali misses Kabul, noting that the blackberries are not as deliciously sweet as the mulberries back home. Nana points out to him that though they are different they are not bad.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

When they take a break from their berry-picking, they see a bluebird, and Nana reminds him that if you see a bluebird and make a wish before it flies away, your wish will come true. Her wish, for their family to be together and safe, had already come true. But his wish is for the fighting to stop in Kabul so that they might return home. It is then that Nana reminds him that home "is the love we have for each other."

 

It would be tough for a child to give up the familiar and the sweetness of his life in Kabul, with his mother playing her ghichak, his toys on a swing, gathering mulberries, and sitting on the tree's branch to look out over his neighbourhood. But,when he is reminded by his Nana of what home really is, he sees his new situation in a different light. There are now blackberries, his mother has a new instrument, spruce trees line the driveway, and they are safe. He finally appreciates this, shouting out to his parents when they arrive back that, "I am home!"

Bahram Rahman, himself a refugee from Afghanistan, gives us a different perspective of war and escape from war and adjustment to a new living situation in If You See a Bluebird. He has already shared stories in The Library Bus (2020) and A Sky-Blue Bench (2021) but in his latest picture book story, Bahram Rahman demonstrates that escape from a dangerous conflict does not always translate into a rejection of that insecurity. Because there has been loss, of place, people, objects and connection, the substitution of a new home in safety is not necessarily embraced immediately or wholeheartedly. So, Bahram Rahman shows us that a little boy can miss the wonderful things he remembers of his Afghan home but learn to lean towards something different and new that is nonetheless home.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

Gabrielle Grimard, who also illustrated The Library Bus, has such a sensitive touch for making us feel Ali's hesitation at embracing the new place as home, holding such strong positive memories of Kabul. She gives us the bleakness of the danger when the soldiers come and the family flees but Gabrielle Grimard brings in the birghtness and colour when Ali and his family are safe and happy, whether in a Kabul without war or in Canada.

If You See a Bluebird offers the hope one needs when going through change and especially when challenged with hardships. It's a reminder that with love and family, all can be endured. And making a wish when a bluebird lingers might just help as well.

How to Make a Peanut Butter Sandwich in 17 Easy Steps

Written and illustrated by Bambi Edlund

Owlkids Books

978-1-77147-516-7

32 pp.

Ages 4-7

September 2023

 

Making a peanut butter and banana sandwich may never have been so complicated but it was probably also never so much fun and inclusive. 

 

As with any recipe, there is a list of ingredients. We might have suggested bread, peanut butter, and bananas would have sufficed for this sandwich but that's just not enough, apparently. Because it's a group effort, Bambi Edlund lists 19 things you will need, including a variety of animals to undertake the various steps. 

From How to Make a Peanut Butter Sandwich in 17 Easy Steps, written and illustrated by Bambi Edlund

It is a complicated recipe–17 steps, after all–but it's not just putting stuff on bread. Nope, you need to get the bread first. How are these animals going to get the bread? These enterprising, and talented, creatures are going to work for it. The crows grab a hat (which they will ultimately return) in which the juggling raccoon will gather tips. The coins are used to purchase bananas, bread, and nuts. Now with the ingredients in hand, the peanuts are shelled and smooshed by a clog-dancing miniature mule, a knife whittled by a toothy beaver, and bananas peeled and sliced by crows and a badger. Then it's an assembly line to make enough for an all-inclusive park party.

From How to Make a Peanut Butter Sandwich in 17 Easy Steps, written and illustrated by Bambi Edlund

I like how Bambi Edlund has kept her "recipe" story playful but nice. I've tired of movies, commercials, and stories in which bad behaviour, like lying, cheating, stealing, and rudeness, has become normalized to be seen as cute and funny. But Bambi Edlund keeps the cuteness without the foulness. Here she gives us an assortment of animals who work together, who earn the money to pay for the ingredients they take from the bakery, produce and nut stores, and who return things like a hat that they borrow. You can't convince me that that isn't charming in its sweetness and goodness.

From How to Make a Peanut Butter Sandwich in 17 Easy Steps, written and illustrated by Bambi Edlund

Beyond Bambi Edlund's straightforward text, easily read by young children and understood by them, are her illustrations. Vancouver's Bambi Edlund keeps her art simple–each animal is easily recognizable–and the settings, whether outdoors or in a shop, are uncluttered and familiar. Young readers will be able to put the words with the pictures and see more in the story. It will entertain, give them smiles, and make them feel part of the process, especially the next time they might make their own peanut butter sandwich.

The Yellow Leaves Are Coming

Written by James Gladstone

Illustrated by François Thisdale

Red Deer Press

978-0-889956834

32 pp.

Ages 4-9

November, 2023

 

While some may think that reviewing a book titled The Yellow Leaves Are Coming in November, after many of our leaves have already fallen, may be ill-timed, the story within tells another story. That story starts now, as indicated by this first line:

The yellow leaves are coming, thought the last leaf just fell.

From The Yellow Leaves are Coming, written by James Gladstone, illustrated by François Thisdale

As a young boy and an even younger girl stand out in the grayness of a cool day, they watch a single yellow leaf fall. But as they walk away, accompanied by one of François Thisdale's ubiquitous animals, they anticipate the next seasonal change. They wait and watch as the empty branches do.

From inside they watch the snow come.

I see it falling, growing thick on a hundred cold arms

reaching out for a warm, winter-coat friend.

As the grayness of winter, still magical, passes into the melting season with old leaves revealed to return some colour, the children are again wearing bright rain gear.  Then kids are outside playing baseball without coats and the trees are festooned with green leaves. Even on the balcony of the children's plex, clay pots are again filled with greenery and flowers. And François Thisdale ensures that there's always animal to watch over the seasonal scene, from a black-and-white cat to a rabbit, a butterfly, and blue jay.

From The Yellow Leaves are Coming, written by James Gladstone, illustrated by François Thisdale

The seasons may be changing, with summer transitioning to a return to school and ultimately the return of the yellow leaves, but James Gladstone continues to give us a sensory experience of seeing, hearing, and feeling. He reminds us with every poetic revelation, of the kids listening to the soft rustle of new leaves, slopping through the melting, or watching old leaves floating down curb rivers. And everything will be familiar to many Canadian children, from feeling the weather changing, watching the natural world transform, and altering their own clothes and activities with those changes. But more than telling us about those changes, James Gladstone, who has always blended science with storytelling in a compelling way (see Turtle Pond and A Star Explodes: The Story of Supernova 1054), makes us feel the seasons' changes.

From The Yellow Leaves are Coming, written by James Gladstone, illustrated by François Thisdale

The illustrations have been created by artist  François Thisdale, a recent finalist for the Governor General's Literary Award for Children's Illustration (French language) for Boucar Diouf's book Le Bourlingueur de Matungoua. Blending drawings with photographs and acrylic painting as well as digital art, François Thisdale makes the illustrations both surreal and very personal. He makes us look closely but just as fittingly he makes us see the big picture. It's quite extraordinary. By giving us both the perspective from the children and of the children, François Thisdale evokes time and place while helping us see and feel what the children might. 

Our own yellow leaves are mostly on the ground now here in southern Ontario but, like the seasons that come and go and come again, I trust that they will appear again. No matter where young readers may be situated, they will recognize the cycle of seasons and nature, and anticipate the next, personalizing what they see just as James Gladstone and François Thisdale have done in The Yellow Leaves Are Coming.