The Imposter

Written and illustrated by Kelly Collier

Clarion Books (An imprint of HarperCollins)

978-0-358697060

40 pp.

Ages 4-8

November  2023

 

In her newest picture book, author-illustrator Kelly Collier addresses the efforts we go to in order to belong, whether to a family or a peer group.  And it doesn't matter if you're human, dog, or skunk, belonging brings comfort, protection, and even resilience. It's no wonder that Skunk doesn't like being alone.

 

From The Imposter, written and illustrated by Kelly Collier

Skunk sees all the love and attention dogs get at the park and he is envious of them and their relationships with their people and other dogs. When he sees a notice for a lost dog, he's flummoxed that a dog, Max, would run away from the very life for which Skunk yearns. Although he is chastised by a squirrel, a raccoon, and a cat for even wanting to be a dog, they agree to help him pretend to be the missing dog.

From The Imposter, written and illustrated by Kelly Collier

First they paint away his stripe, and dress him up with fake ears, a collar and more. Then they teach him how to act like Max. But just as he's on the threshold of presenting himself to Max's family, his conscience takes over and he thinks about Max being lost. Not only does he blow his chance for a family in a very skunky way, but he also decides that he must find Max and return him to his people. Together the quartet of new friends find a happy ending for Max and Skunk and his new friends.

From The Imposter, written and illustrated by Kelly Collier

Why do we always think that being something else or attaining something will make us happier? Why do we believe the grass is always greener on the other side? Skunk truly believes that dogs have better lives, being loved and cared for. It's no surprise he wishes for that same comfort and affection. But Skunk has a conscience that prevents him from usurping Max's role. He has empathy and compassion. He realizes what he is doing is wrong and, instead of taking advantage of Max's disappearance, Skunk tries to make things right by finding the missing pooch. As such, Kelly Collier has given us a skunk with heart.

 

From The Imposter, written and illustrated by Kelly Collier

Even though Skunk was looking for a better life, not unlike the lead character in Kelly Collier's first book, A Horse Named Steve, Skunk lacks Steve's hubris. Skunk can see beyond himself and thus recognize the need to give rather than just take. He could've stepped into Max's comfortable doggie boots–though we know it would never have worked–but instead gave up his chance in a big and smelly way when he realizes he wasn't being honest or true to himself. And though it looks like he's given up on his dream, Kelly Collier makes us feel for Skunk through her illustrations. She makes us see him sagging in posture and spirit until he finds a purpose and friends with whom he can work for that purpose. She's gives us the greens of hope and the softness of line and colour in her artwork as she takes Skunk on his journey from desperation to contentment.

Self-acceptance is a tough concept for young people when they see others living what may appear to be better lives. Skunk just needed to be accepted by others to see his own self-worth, though his new friends already knew that he was a creature who mattered. He is no imposter and never was. He was always the real thing.

Thrice Burned: A Portia Adams Adventure

Atlantic Canadian publisher Fierce Ink Press has generously included me in the blog tour Blog on Fire for the release of Angela Misri's sequel Portia Adams Adventure, Thrice Burned.  Please check out additional blog posts at Fierce Ink Press. And, for those of you who have forgotten the deals of Portia Adam's first cases, read my review of Jewel of the Thames and get some additional background from my interview with Angela Misri at the time of its release.

Thrice Burned 

A Portia Adams Adventure

Written by Angela Misri

Fierce Ink Press
978-1927746691
281 pp.
Ages 12+
For release March 24, 2015
Reviewed from advance reading copy ePub

The shocking revelation at the conclusion of Jewel of the Thames (Fierce Ink Press, 2014) that her grandparents on her father's side are ex-criminal Irene Adler–currently known as Irene Jones–and Sherlock Holmes may have hit Miss Portia Adams hard but she won't let it distract her from her law studies at Somerville College or from honing her detection skills.  She continues her lessons in self-defense from Bruiser Jenkins, and studying alongside Chief Inspector Archer of Scotland Yard.  But she's also learning more about London's landscape, both topographical and invisible, and about lie detection from the formidable lawyer Mr. Ian Meyers.  Having established her own group of Irregulars, street children whom she pays with money, food and treats, Portia undertakes three new cases, Casebooks Five through Seven : Thrice Burned, Box 850*, and Truth Be Told.

In Casebook Five, arsons at three different locations, but with no damage to adjoining buildings, have Portia making the acquaintance of Miss Anne Coleson, a reporter looking to salvage a marred reputation and earn a living to care for her younger siblings.  While Portia is reluctant to oblige, she begins to see some positives to Annie's proposal, especially once Annie becomes romantically involved with Constable Brian Dawes, a young man for whom Portia has romantic feelings.  Ultimately the two women work together somewhat to solve the perplexing arsons, though it is truly Portia with her sharp mind and doggedness who brings the criminals to justice.  And all that while she tries to balance her affections for Brian, the intriguing forensic scientist Dr. Whitaker, and her grandmother's choice of suitor, Dr. Beanstine, coroner and a lord's son.

While the title Thrice Burned does refer to the trio of arsons in which Portia becomes involved in solving, it can also refer to the multitude of circumstances by which her own reputation is injured, through antagonism, humiliation, disappointment and revelation.  Of course, the criminals whose crimes Portia reveals are always a potential threat to her, but the involvement of a reporter, Mr. Dick McGregor, whose fabricated and outlandish stories refer to her and her activities without any veracity, leads to endangering her work and privacy.  Though she has allowed Annie Coleson to refer to her activities as those of Consulting Detective P.C. Adams–without any reference to her gender or ancestry–McGregor puts Portia's actions into question with the police who begin to believe that Portia is taking credit for their work. Fortunately, the support of Brian Dawes, Chief Inspector Archer and Sergeant Michaels helps to right those incorrect insinuations.

In Casebook Six, Angela Misri effortlessly takes Portia into the darkness, that occasionally enveloped her grandfather Holmes, when flummoxed with a case of potential theft, an antagonistic British Secret Intelligence Service agent and her affections for Brian Dawes. 

"This is not an ordinary ennui, Portia.  The excitement and adrenaline of a case–a really engaging, difficult case–that was the high.  The solution and then the time between that and the next exciting case...that was the low.  And for Sherlock, the high was higher than anything else in his life, and, therefore, so was the low." (pg. 150)

Regardless of the complexity of the Box 850 case and the subsequent case involving the disappearance of women of ill-repute upon their public damnation at the Matfelon Church, Portia is able to focus her detection skills on solving the mysteries with scientific elegance.  Though struggling with amorous feelings with which she is wholly unfamiliar, Portia conducts her sleuthing with the eye for details and labyrinthine problem-solving of one grandfather i.e., Sherlock Holmes, and the humanity of the other, Dr. Watson. Angela Misri has created Portia Adams to be a true incarnation of the great detective and his friend and biographer, while ensuring the Canadian consulting detective is wholly her own person too.

Reading A Portia Adams Adventure, whether it be Jewel of the Thames or Thrice Burned, is like revisiting the writings of Sir Arthur Conan Doyle. Just as Sir Arthur Conan Doyle often chose to recount several of Sherlock Holmes' cases in a single tome, Angela Misri follows suit, extending the authentic and complementary nature of the series to those of the famous detective.  Thrice Burned is like having new Sherlock Holmes mysteries to read, only now starring an inquisitive and astute young woman (without the Asperger's Syndrome tendencies) and in a London of the 1930s.  And it works so, so well.  Elementary, wouldn't you say?

The Almost Truth

by Eileen Cook
Simon Pulse
978-1-4424-4019-7
248 pp.
Ages 14+
2012

Sadie has big plans.  Now that she's finished high school, she's determined to leave her trailer park life on Bowton Island and head to Berkley to study architecture.  Although she's most upset about leaving her best friend, the very hot Brendan, she's been saving her money–often from small cons she pulls, as learned from her father who is currently in jail–and finally has enough.  That is, until her mother, a hotel maid who is always pinching pennies, guiltlessly tells Sadie that she took it for Dad's lawyer.  (Nice parents, eh?)

A poster of a three-year-old child, Ava McKenna, who went missing 15 years earlier gives Sadie an idea for a con that would help her get the money she needs for school.  The wealthy McKenna family who is offering $250,000 for information about Ava's disappearance from the island is slated to attend a big fundraising event for their McKenna's Children's Foundation and Sadie, with Brendan's help and information she gleans from hotel staff, devises a way to get close to the family.

While working to insinuate herself close to Chase Parker, the young man in charge of organizing the charity event, Sadie finds herself at a crossroads with Brendan and navigating her own family obstacles, including her mother who has difficulties with the truth.

For years I thought I was going crazy, since I didn't remember all these things, but then I realized she just made them up.  Cut out any parts of her life she didn't like and squished in a new and better memory to fill the gap. (pg. 59)

The mystery of what happened to little Ava becomes wrapped up in Sadie's desire to know herself better, though she's running from Brendan and can't trust her parents to think about anyone but themselves.

Though the reader might be chagrined by some too-obvious coincidences, the story of Ava McKenna's disappearance is a true mystery that is not solved until the very end, so don't be so sure that you've got the whole truth at any time before then.  Often the truth is tailored for those receiving it and can be interpreted far too many ways.  The Almost Truth makes it clear that sometimes the truth is hidden by a strong desire to make that truth a reality, rather than as a result of omission or outright lies.  But when untruths are piled upon untruths by different parties, it is vey difficult to discern the truth under the burden of imagined realities.  

Having previously reviewed Eileen Cook's Unraveling Isobel (Simon Pulse, 2012), I knew I could expect a well-crafted plot that involved some mystery, romance and teen angst, but I was impressed by the depth of the plotting in The Almost Truth.  While I wondered why Sadie could not see how much Brendan cared for her–I suspect that this is not unusual among teens–and I was convinced that the solution to Ava's disappearance was obvious, I soon realized that there was much more to the story.  And that's because Eileen Cook has established characters who choose to see circumstances that work best with their own interpretations and that become their reality.  They're not living lies, at least they don't all know they are, but they're working with the reality they see.  It can be confusing and sometimes you want to shake one of them and yell, "Don't you see it?" but it wouldn't do any good.  The Almost Truth demonstrates that sometimes the almost truth is the only truth there is, until one person pulls out a single truth that allows the burden of imagined realities to collapse.