Go

Written by Deborah Ellis

Groundwood Books

978-1-77946-133-9
224 pp.
Ages 9–12

June, 2026 

 

What does the word "go" mean to you? Is it related to travel, to movement, or to leaving somewhere? Is it having a go at something, or playing the game? Is it the euphemistic word for passing away? Or does it relate to how something is functioning? Deborah Ellis, as she did in her earlier short story collections Sit (2017) and Step (2022), examines what a single word can and does mean in the lives of young people.

In three sections, titled "On Your Mark," "Get Set," and "Go," Deborah Ellis tells eleven stories. Each story is named for its main character, though three stories, one in each section, are related to one character named Brodie. Brodie's story begins with his incarceration for an accident on a stolen ATV that led to the injury of a farm worker. His story goes from court to four-month detention and finally release. For Brodie, "go" means going to juvenile detention, thinking about where he might like to go with his life, and choosing to go on.

 

Other stories in the "On Your Mark" section have Joan learning more about herself by dealing with her miserable grandmother and self-absorbed parents, and Janine who finds out about secret family and chooses to go forward with that knowledge and not stay silent. Their goings are just beginnings.

 

In the second section, "Set," Deborah Ellis's stories introduce injustices of the past in Diego Garcia, of the present with a boy in foster care when fires hit a community, and of Uyghurs detained in boarding schools, internment camps, and worse. In the final section, "Go," an unaccompanied Libyan boy is forced into the counterfeit trade, a family reconfigures itself after the death of both parents, and a boy's half-marathon run inspires others to action.

 

Deborah Ellis's protagonists may vary in their circumstances and their locations, but they all live with circumstances generally beyond their control. As young people, some barely teens, they are limited to the circumstances determined by their parents, their guardians, their foster families or the state, regardless of the choices they may make for themselves. It's this uncertainly of care that may quietly or publicly compel them to action. But Deborah Ellis gives them the resolve to decide which way they might like things to go. As in all her books, from her highly-acclaimed The Breadwinner series to more recent My Story Starts Here: Voices of Young Offenders (2019) and The Outsmarters (2024), Deborah Ellis gives voice to those who cannot be heard. Whether they are fictional or not is irrelevant. What is relevant is that they are making decisions about where their next steps go. They may be challenging  themselves to grow or to leave, to help others or to counteract the actions of others. But Deborah Ellis gives them the opportunity to express themselves and go wherever those next steps will take them.

 

• • • • • • • 

 

Sit (2017)

Step (2022)

Go (2026)

 

An Unbalanced Force

Written by Valerie Sherrard

DCB 

978-1-77086-764-2

200 pp.

Ages 12+

November 2024

 

When your family gives you everything, from a comfortable lifestyle and money to support and love, it's not unusual to feel beholding to them, even if they don't make you feel like it's a transactional relationship. (Sadly, there are families that do this.) But imagine if you owe your life to a dad who saved you when you'd snuck into an abandoned house and were bleeding out from an injury? Would you feel indebted forever? Or would there be a point where doing the right thing would feel like the wrong thing?

Seventeen-year-old Ethan Granger has a pretty nice life. He and his parents live in a gated community in Ottawa near enough to the Gatineau that he can take his trail bike there regularly. He just got a new bike, and his parents are talking about taking him to do the Inca Trail in Peru. His dad who became rich with his company, The Granger Group, is generous with his cash, especially whenever he goes on a business trip, which is frequently. Part of Ethan's circle include his best friend, Owen, who enjoys getting away from his alcoholic mother by hanging at Ethan's, and Ethan's girlfriend Nora with whom he often has an on-again-off-again relationship.

When he sees his dad in a parking lot near a strip mall in town when he's supposed to be on a trip, Ethan has questions, even more so when he texts his dad and his dad claims he's just getting off his flight. Recalling an earlier incident in which Mom claims to have seen someone driving Dad's car when he was out of town, Ethan decides to hire a private investigator to check things out. Ethan knows his dad is a smooth talker and a great storyteller but is he really a liar? Ms. Abboud, the investigator, reminds Ethan that, "It's important to realize that whatever you find out, it's going to be something you'll carry for the rest of your days." (p. 36)

 

Working with Ms. Abboud and his friends, Ethan discovers where Dad is spending time during his supposed business trips, and what Ethan learns puts him in an uncomfortable position. Does he stand by his father, a man who'd saved his life, or does he go to the police? Does he jeopardize all he and his family have or consider the needs of others?

Being a teen is often a balancing act of following the rules of the adults in your life–parents, teachers, coaches, guardians–and your own inclinations, whether for interests, friends, ambitions or just independence. And even though Ethan is fortunate that he comes from a wealthy family in which his wants are rarely limited, Valerie Sherrard gives us a typical teen who looks for support in his peer group, and who wants to have a good relationship with his family and girlfriend. He's also honest with himself, seeing things he doesn't like, whether in the way Nora treats him, in his father's lies, or in his own responses to disappointment and confusion. He's a teen and he's an insightful one.

Valerie Sherrard, who was recently named the 2024 Literary Arts Laureate of the New Brunswick Lieutenant Governor’s Award for High Achievement in the Arts, is an accomplished writer of all genres, from picture books and middle grade novels to YA and non-fiction. (See a few of my reviews of some of her books, including A Bend in the Breeze, Counting Back from Nine, Standing on Neptune, Driftwood, Random Acts, and Rain Shadow, to see the range of her writing.) While she can write everything from funny to angsty, novels in free verse to information texts, I think Valerie Sherrard excels at realistic YA in which young people are challenged by ordinary feelings in perhaps uncommon circumstances. In An Unbalanced Force, Ethan is challenged with doing what's right which may be at odds with what his family might want. His choice could also impact others around him. Perhaps the circumstances are exceptional but his reactions, from confusion to disappointment and even rage, are all legit, as are the means by which he decides upon his response.

With the overload of decisions which young people must make before reaching adulthood, with respect to their careers, their relationships, and even the risks they take, it's reassuring to know that, even when given circumstances beyond their control, like Owen's alcoholic mother and Ethan's deceitful father, they can see different perspectives and make good choices for themselves. Best of all, they can remain open to possibilities and stay confident in their choices, regardless of what others may toss at them.

If We Tell You

Written by Nicola Dahlin

Kids Can Press

978-1-5253-1147-5

400 pp.

Ages 12-15

October 2024

 

A truth relies on what came before it. (p. 32)

 

There's something about the cover that tells you that If We Tell You is going to be a thriller. And if that doesn't give it away it then the first pages in which fifteen-year-old twin brothers Lewis and Cameron Larsen are running from a "serious event" at their home outside of Calgary and heading to the airport and then to Scotland definitely would. The "serious event"? It was a man and a woman who crashed their BBQ and held guns on the boys before Mom and Dad expertly put the strangers down with a knife and a gun. Mom and Dad have taken off and left the boys with a backpack of passports with new names and a load of money. Now the twins are heading to find Maggs, a woman who runs a guest house in Edinburgh, determined to find their parents again and figure out why this is all happening.

Because they had been told by their mother to stay together but avoid being seen together–they are identical twins–the boys experience things differently, not the least of which is because the two are not identical in dispositions. Cameron is the more impetuous boy but optimistic and more street savvy of the two, while Lewis is the smarter one and the one who does not believe that his parents have done anything wrong to get them to this state.

Though they hope getting to Maggs will answer all their questions, Lewis and Cameron just get more perturbed by what they learn and are left with more questions including finding out who their parents really are. The parents they knew as Jennifer Reid and David Larsen are known by different names. They're suspected of being terrorists and thieves and are still wanted by the police. It's going to take a whole host of characters, including family they never knew existed and an assortment of guests and neighbours at Maggs's, to keep the boys safe and help them figure out whether all their lives are based on lies.

 

Told in the alternating voices of Lewis and Cameron, If We Tell You is an action thriller that offers different perspectives on the same circumstances. They are twin teens who witness a terrifying situation and are separated from the only family they know, and they see their circumstances differently. Of course, they are both devastated but Lewis adheres strictly to what his parents told him to always do and not to trust anyone and is convinced that their parents are not the criminals they are assumed to be. Cameron jumps in and follows his heart, doing what he thinks is right and hoping that it will help them find their parents and the truth. As the two boys grapple with their circumstances, including posing as one boy Will, their trust of each other and others becomes limited. But Calgary author Nicola Dahlin brings the boys full circle, from only seeing their own perspectives to appreciating those of the other. In fact, it is only because of those differences that the two are able to face a myriad of challenges, including kidnapping, assaults, and romance, and come out the other side.

This is Nicola Dahlin's debut novel and, because of her own background, living in Calgary and growing up in Scotland, there is an authenticity of voice and place. Her placement of the bulk of the story in Scotland, a place of rich history, of the Edinburgh Festival, and more, adds a unique dimension, in language and landscape. Moreover, she brings in all sorts of characters, from teens to tourists, police and historians, some friend, some foe, such that it's difficult for the boys, and readers, to tell the difference. If We Tell You is as rich in storytelling as it is in people and place.

The title may be If We Tell You but there's not a whole lot of telling that is happening that is the complete truth, though for the boys and the readers, figuring it out when they're on the run and in a different country makes for a good story. And a good story it is with action and history, mysteries and even a little romance. In the end, it's a whodunit or maybe even a what-did-they-do story, and its ending promises more to come.

 

Spider in the Well

Written and illustrated by Jess Hannigan

Katherine Tegen Books (An Imprint of HarperCollins)

978-0-063289475

48 pp.

Ages 4-8

March 2024

 

The people of Bad Göodsburg have a problem: their wishing well is broken. The newsboy who delivers the papers–and sweeps the chimneys, delivers the milk, and shines the shoes–is tasked with one more job: find out what is wrong with the well. And when he hears about the charitable wishes of the baker, the doctor, and the shopkeeper, he is determined to ensure those wishes are granted.

From Spider in the Well, written and illustrated by Jess Hannigan

Making his way to the well, the boy learns that a spider in the well has been responsible for the well not working. But, though the spider was just being a spider, building a web that happens to catch the coins, it's what he reveals to the newsboy that truly gets the boy irate and screaming, "Unbelievable!" and demanding justice.

From Spider in the Well, written and illustrated by Jess Hannigan

But what justice needs to be achieved? And how will the town's newsboy and lackey ensure that righteousness prevails?

Without giving away the story of Spider in the Well, let me assure readers that this is more than a cautionary tale about being careful what you wish for. And it's not because wishes might be ill-advised. It's because people and their wishes are not always benevolent. Sometimes wishes are selfish and rooted in vanity, greed, and worse, and no one wants to be seen as less than virtuous. The fine citizens of Bad Göodsburg hide behind false virtues and are taken down by a spider and a boy who may be or may not be similarly ethically challenged.

From Spider in the Well, written and illustrated by Jess Hannigan

Jess Hannigan's tale of wishes gone wrong has the tone of a fable or even a fairy tale. It's told with a host of archetypes, from the self-righteous townspeople to the put-upon boy who overcomes unjust treatment to be rewarded in the end. There's even the anthropomorphic spider who helps the boy triumph. And for each one of these characters, Jess Hannigan gets the voices right, and gives the story a tone of reparation rather than of grifting. (You'll see what I mean when you read the ending.)

From Spider in the Well, written and illustrated by Jess Hannigan

Hamilton's Jess Hannigan is an illustrator–this is her first picture book as author-illustrator–and her digital artwork, strong in shape and colour, makes the story even more powerful. By creating characters and scenes that are both simplified and complex in content and perspective, Jess Hannigan draws us into the story and helps us to see the circumstances as the boy does. She has a striking style of soft but bold lines that create tension while keeping the reader sympathetic to the boy, something that is more easily achieved by drawing the townspeople as oddly shaped and weirdly coloured.

 

So, if there's a moral to the story of Jess Hannigan's Spider in the Well, it's to be careful what you wish for because you never know who may be listening. On the plus side, sometimes one person's wishes result in just rewards for another. Just ask the newsboy of Bad Göodsburg, now happily retired.

• • • • • • •

Consider checking out one of several book launches Jess Hannigan will have in Ontario for Spider in the Well.

 

Thursday, March 21, 2024

6:30 PM

Type Books Junction

2887 Dundas St. W., Toronto

 

Sunday, April 7, 2024

1 PM

Epic Books

226 Locke Street S., Hamilton

A Green Velvet Secret

Written by Vicki Grant

Tundra 

978-0-7352-7012-1

256 pp.

Ages 10–14

March 2023

Twelve-year-old Yardley has a rather original family, and she wouldn't have it any other way. Her grandmother and best friend Gidge, a retired fashion design teacher, lives her life to the fullest, dressed and accessorized to the nines. Yardley's parents, Pa and Mima, run The Hoof & Mouth Theatre, along with performing in its productions. They all offer Yardley opportunities to be creative and independent and inventive in her dress and activities, though they wish she'd make friends with kids her own age. And then Gidge drops the bombshell that she has terminal cancer and is thrilled that she has been "given the chance to go out in my own perfect way." (p. 6)

Yardley is angry at her grandmother's attitude but agrees to help Gidge "get her karma in order." (p. 8) Two important tasks Gidge undertakes are the writing of numerous cards and letters, some to be sent immediately, others after her death, and sorting her diverse wardrobe for donation and consignment. With that intent, they head to the Over Easy Vintage Emporium, the shop of a former student, Conrad Kim. In between running errands that include chemo, Gidge and Yardley help out at Over Easy, along with Con's twelve-year-old nephew, Harris, a sullen boy who spends his time working on puzzles.

 

Then "Gidge's big day" comes, as she has elected for medical assistance in her dying. Her death hits Yardley especially hard, and she works at honouring Gidge's directive to "make the most of each glorious moment." (p. 75) Yardley continues to help out at Over Easy, feeling a special closeness to Gidge there, through her clothes, including a long green velvet dress which Gidge had said did not bring out the best in her. When an older woman, Mrs. Margaret Johnson, comes to the store saying she'd won a prize, and she's given the green dress, everything goes awry. Mrs. Johnson says the dress was hers and she doesn't want it; Yardley is convinced Mrs. Johnson is Gidge reincarnated; and Harris gets caught in the middle, even more so when he tries to hide a small ballerina that had fallen from the dress.

For a book about a death from cancer, A Green Velvet Secret is surprisingly light-hearted but that's because it's about life and living life and make the most of life. Vicki Grant always, always, always finds a way to put a light touch to her stories, whether they are dealing with hoarding (Betsy Wickwire's Dirty Secret), scammers (Short for Chameleon) or unknown heritage (Small Bones), finding a way to show compassion and affection and even humour in challenging situations. Like Gidge who takes a graceful approach to her cancer diagnosis and the opportunity to orchestrate her own death and tie up any loose ends she has left, Vicki Grant takes an elegant way to telling Yardley and Gidge's story, and even that of Harris whose own secret causes him shame and a disconnect with his family. Vicki Grant finds the colour in the greyness of death and, though Gidge couldn't make it all right in her lifetime, Vicki Grant helps make it all right for her and Yardley and even Harris, without giving us a predictable ending and the happily-ever-after that rarely happens.

The Fort: Guest Review

 This review was written by Grade 8 student Hasini K.

Written by Gordon Korman

Scholastic Press
978-1-338-62914-9
256 pp.
Ages 8-12
June 2022

In The Fort, written by best-selling author of Restart, Gordon Korman, a group of middle-school kids discover an abandoned bomb shelter and decide to turn it into their secret hideout. Keeping a secret isn’t easy; however, sharing your secrets isn't always easy either. But what if that’s the only choice you have? As the fort walls close in, the friends are forced to share crucial secrets with each other to keep the fort safe. What begins as a fun place to escape to quickly becomes a serious refuge for one of the kids attempting to flee a dangerous situation from home.

The story begins with the residents of Canaan waking up to alarming and widespread destruction after Hurricane Leo rips through their town. There are power outages, broken windows, damaged roofs and fallen trees. Evan, Jason, Mitchell, and CJ, four eighth-grade friends, gather to investigate the devastation. However, Evan is forced to bring along Ricky, who has just moved into town and has therefore not made any friends. The rest of the group of friends are less than thrilled about this new addition to their gang. But, can they put aside their differences to do what’s right?

Gordon Korman comes back with another absolutely heart-touching and compassionate story about friendship, family, and especially being there for someone through hard times. I would recommend this book to readers in Grade 4-8; however, it can be enjoyed by any kids from Grade 4 on. Each chapter switches between characters, giving us different perspectives of the unique characters who differ in their personalities and backgrounds making it very interesting to read!

I would rate this book a 9 out of 10, because it really is worth a read! I guarantee that you’ll be able to sympathize with many of the characters. I enjoyed reading this book, especially because although there were lots of different things happening and it was all tied together in the end, and very well at that! I’ve always loved Gordon Korman books, from Restart to Ungifted, and find it easy to relate to the characters and their problems. After reading this book, if you think that small towns have nothing interesting going on, you might have to reconsider! 

~ Written by Hasini K., Age 13

The Fort

Written by Gordon Korman

Scholastic Press

978-1-338-62914-9

256 pp.

Ages 8-12

June 2022

 

When is a shelter not a shelter? When it's a secret that is in danger of being exposed. And when four friends and their unexpected tag-a-long discover the ultimate shelter, it becomes their fort and they'll do anything to keep it safe.

The day after a hurricane rolls through the town of Canaan, thirteen-year-old Evan Donnelly is tasked with looking after newcomer Ricky Molina while their families deal with the aftermath of the storm. The boys meet up with Evan's friends C. J. Sciutto, Mitchell Worth and Jason Brax to check out their man-made shower-curtain and plywood fort in the woods but discover that it has been demolished by the storm. But clever Ricky–he may be a year younger than the boys but he's gifted and has come from a magnet school–unearths a newly-exposed trapdoor into a massive underground bomb shelter, fully stocked with furniture, food, chemical toilet, lights, music records, and VCR and videos. A video reveals the shelter was constructed by the now-deceased Bennett Delamere, founder of one of the town's key industries, now closed, in anticipation of an attack during the Cold War. The boys realize quickly the enormity of their find and vow to keep it secret.

But each of the boys has a complex life going on outside the fort. Evan and his seventeen-year-old brother Luke live with their grandparents ever since the boys were abandoned by their parents for their addictions. Mitchell has always struggled with OCD and now cannot get help from his psychiatrist since his mom lost her job, and benefits, at DelaCraft Auto Parts, and has had to take on three jobs to make ends meet. While Jason is enjoying his first relationship with Janelle, daughter of police Officer Jaworski, he's caught in a nasty divorce in which his parents use him as a pawn. Even C. J., who seems to have everything he wants courtesy of his stepdad Marcus, keeps getting into scrape after scrape on his skateboard or hoverboard or pogo stick, calling his exploits "death-defiers." As for Ricky, who is reluctantly allowed to enjoy the fort he found, is determined to study hard and get into the local magnet school and make the best of things until he does.

The fort becomes a refuge for them, to watch classic movies like Jaws and Star Wars, to eat 40-year-old canned food, listen to records and play games like Fort Olympics. It's even a source of funds as the boys learn the blackened cutlery is solid silver and can be pawned for money. But, their fort is in danger of discovery from scary local teen Jaeger Devlin and his sidekick, Evan's brother Luke, who threaten, steal, coerce and worse and would do the same to the boys if they thought there was something in it for them.

The Fort is Gordon Korman's 100th book, an astounding feat. And it's as fresh and meaningful to young readers as his first, This Can't Be Happening at Macdonald Hall!, was in 1978. Think of the movie Stand By Me without the dead body and you'll have The Fort. Gordon Korman has given us a coming of age story about a group of boys with different backgrounds and home situations and personal issues who find a way to come together for each other and become something stronger and cohesive. Because The Fort is told in the alternating voices of the five boys, their perspectives on their friendships, school, families and the fort are unique and relevant. The boys make the story because it is their story. In fact, it's all their stories. Like the fort, it's one thing but it's so many different things too. It's acceptance and anonymity, protection and vulnerability, and it's solidarity and individuality. Gordon Korman has made the fort a foundation for the boys to learn more about themselves and each other and build new bonds of friendship and support. And like a fort, their friendships will be a stronghold against life's inevitable challenges and foibles.

Valley of the Rats

Written by Mahtab Narsimhan

DCB

978-1-77086-628-7

232 pp.

Ages 9-12

September 2021

Twelve-year-old Krish Roy has taken himself out of his comfort zone of the indoors, books and cleanliness when he suggests (or perhaps agrees) to an outdoor camping trip with his nature photographer father. Always cognizant of what a disappointment he is to his father who holds Krish's cousin Anjali as an example of how he wishes Krish would be i.e., optimistic, adventurous, outdoorsy, Krish is determined to bond with his dad, even if he has to arm himself with plenty of hand-sanitizer and candies to calm him.

But from the onset, everything seems to go wrong. In the bamboo forests of the Ladakh Range (India), their GPS gets busted and they get lost, they can't get a cell signal, Krish loses his pocket hand sanitizer, a thunderstorm hits and there are rats. Oh, there are rats, and plenty of them. Hopeful that the rats will lead them to people, Krish and his Dad follow them to a village of huts. There they are given shelter by the villagers of Imdur but warned not to leave their guest house or wander the village. In fact, they are adamant that Dad cannot take photos as they do not want people knowing of them.

However, Krish learns soon enough that this camping trip is actually an assignment Kabir Roy has undertaken, hopeful of a blockbuster photo story about a rumoured village of rat worshippers. But all Krish wants to do is fix their radio and get out of Imdur, a community rife with rats and unhygienic conditions. As Krish and his father both try to meet their own needs, the villagers of Imdur, lead by the shaman Imma and her daughter Tashi, try to maintain their secretive community. With a clash of cultures, between father and son, and the reclusive Imdur and those beyond its borders, there may be no happy ending here.

Each time Mahtab Narsimhan takes us into India as she did in several of her earlier middle-grade novels, including her Silver Birch award-winning The Third Eye (2007), The Tiffin (2011) and Mission Mumbai (2016), she drops us into cultures resplendent in myths, food, celebrations, and even superstitions. In Valley of the Rats, she again takes us into a world that is different and even surreal (there is an element of the fantastic in Imdur) and makes it credible. Because Mahtab Narsimhan's fictional village of Imdur was founded after the ecological event called Mautam, there is plausibility to communities like it finding unusual means of survival. Whether or not there really is an Imdur, perhaps by a different name, Mahtab Narsimhan has taken us there, to live with these people who wear rat-skin coats and feed what we consider vermin as if they are their pets or deities. As such, readers should know that they will truly be entering the valley of the rats, and there are no shortage of the creatures.

Still, Valley of the Rats is about survival. It's about the villages of Imdur seeking to survive in a world that gave them famine and rats and no government help. And it's about Krish enduring incredible anxiety to make his father accept him as he is–imagine a germaphobe in a community of rats–and the two of them surviving their encounter with a community that has secreted itself away from the world. Survival by its very nature is precarious; if it was easy, it wouldn't be so uncertain. Who survives and how in Mahtab Narsimhan's story is yet another secret–the plot is rife with them–that will only be revealed in the climatic last few pages but it's worth the wild adventure that is Valley of the Rats.

The Mystery of the Black Hollow Lane (Order of Black Hollow Lane, Book 1)

Written by Julia Nobel

Sourcebooks Jabberwocky

978-1-4926-6464-2

320 pp.

Ages 8-14

2019

For a parenting guru, Emmy Willick’s mom seems to relinquish much of her responsibilities, telling her daughter that she always knows what’s best for her (does she?) when sending her an English boarding school, Wellsworth.  But before Emmy heads out, she uncovers a metal box with 12 medallions with a note from her father, Thomas Allyn, who’d left when Emmy was three. As her parents met in England, Emmy is determined to use the opportunity at Wellsworth to learn as much about him as she can.

At Wellsworth, she meets Lola Boyd, her housemistress’s daughter, and Jack Galt with whom she becomes fast friends. Because she has had no schooling in Latin, she is encouraged by Madam Boyd to join the Latin Society, a club headed by Master Larraby.  When the trio begin to study the Dissolution of the Monasteries, and learn that Wellsworth Hall used to be Blacehol Abbey, Emmy discovers a secret society called the Order of Black Hollow Lane using the same symbol as the Latin Society, a skull with a cross and dagger. But Jack tries to dissuade her against learning about the Order to which his father and older brothers, as well as Lola’s nasty cousin Brynn, belong and which Jack believes is dangerous.

After being slipped several old messages ostensibly from the files of Thomas Allyn, Emmy realizes that her father, the school and the Order of Black Hollow Lane are all tied together. But what Emmy doesn’t know is how and why.

Boarding schools are a favourite location to set mysteries, just as English countryside villages are home to so many cozies. Schools like Wellsworth are ripe with a myriad of characters, good and bad and some misunderstood, from among their student and adult populations. There are roomies, classmates, teachers, administrators, custodians and more in these enclaves of apparent decorum. Their relationships are a tangled web of support, bullying, distrust, affection and malevolence. For Emmy, whose self-absorbed mother loves to dictate but not engage and without a father present in her life, Wellsworth offers her an opportunity to find family. She may be driven to find her father and have him become part of her life, if she can, but with Lola and Jack and a gaggle of other characters who may be of assistance in their own ways, Emmy is able to make a new life and solve a mystery or two.

•••••••

Tomorrow I review The Secret of White Stone Gate, Book 2 in the Order of Black Hollow Lane series.

The House of One Thousand Eyes

Written by Michelle Barker

Annick Press

978-1-77321-071-1

354 pp.

Ages 14+

2018

The House of One Thousand Eyes is a dark book but 1980s East Berlin was a dark time and place. It was a time of the Berlin Wall and the Stasi (the State Security Service) and repression of thought, opportunity and interaction. It was a time of oppression and control and secret-keeping. It was dark and even more so for seventeen-year-old Lena Altmann.

When she lost her parents in a factory explosion, Lena was sent to an asylum. After three years of treatment, she was released into the care of her aunt, a Party member, who treats Lena as a simpleton in need of direction to prevent her readmission to the hospital.

... but Auntie was a good citizen, and goodness was rewarded.
     Badness, however, got you a one-way ticket to smartening up ... (pg. 57)

Unfortunately, her Uncle Erich, whom she adores and visits weekly, is a writer and a man of opinions and insight. 

Paper could get a person in trouble. When you wrote something down, you gave it life and made it yours. (pg. 22)

When she witnesses the removal of his things from his flat and finds a new tenant in place who tells her he has lived there for five years, Lena wonders whether she is delusional. She is told by all that she has no uncle. She cannot locate any of his books at the bookstores or library (her own have disappeared as have her photos of him) and is told there is no birth record of such person.

Working as a night cleaner at Stasi headquarters, also know as the House of One Thousand Eyes, Lena tries to determine what happened to her uncle and cut through the deceit and illusion that all is right in the "Better Berlin." But will the wall she has built up in her own mind continue to protect her from harmful thoughts and brutality such as that she suffers nightly at the hands of one Stasi officer? Or is it like the real Berlin Wall, still in place in 1983, doing more harm than good or in danger of crumbling?

The House of One Thousand Eyes is a brilliant novel of historical fiction. The setting may only have been thirty-six years ago, still in my lifetime, but it's of a time and place so inaccessible, concealed in the propaganda disseminated by those in power and perpetuated by those choosing to survive at all costs, that it will seem far more distant.  It is a hard and dark time for East Berliners who had to choose whether to deceive themselves about the inequities perpetrated by a corrupt regime or to suffer the consequences, as does Lena's uncle, for free thought and disapproval. Just as Uncle Erich knows about veiling one story in another, Michelle Barker's subtext about mental health, social inequalities and the freedom of expression is never lost in the story of Lena as she searches for her uncle and tries to make sense of a world that often made no sense at all. But Michelle Barker builds up Lena's worlds, real and "schrullig," into a monument that honours lives lived with courage and conviction, never blocking the light of truth, and she does so with strength of words and greatness of style.

Past Tense

Written by Star Spider

HarperCollins

978-1-443452113

304 pp.

Ages 13+

April 2018 

When you're fifteen years old (Julie) and you think you're in love with your best friend (Lorelei) and dreaming of that first kiss while your mother (Olive) is acting weird, telling you her heart is gone, and your best friend's ex (Henry) whom you never liked is hanging around and Dad (Max) is always working and your baby brother is only six months old, everything is a worry.  Your world is beyond tense, it's almost unendurable.

This is Julie's present. Her friendship with Lorelei has always been solid, though probably more so because Julie usually accommodates her popular and assertive friend, more so now that she is crushing on her.  But Lorelei is keeping secrets and making choices that Julie is questioning, at least to herself, so Julie doesn't confide in her best friend when her mother starts acting really, really weird.  Julie has discovered her mom, a former firefighter, is barely eating, thinks she no longer has a heart, and driving out to the cemetery at night with the baby. Stranger yet, when Julie insists on going with her on these excursions, her mom wants her to play out a game called Rest in Peace where Julie eulogizes her mother.  Does she tell her father? No. He's too busy and just contends that her mom is tired.

And into the mix comes Henry, Lorelei's ex. At first, Julie is convinced Henry just wants to reconnect with Lorelei, but it soon becomes obvious to all that Henry likes Julie. Julie doesn't know what to think. Maybe she just likes girls. Maybe she likes both boys and girls. Still, Henry who has his own worries is the one person she can talk to about everything. But can she reveal everything to her new ally when Mom is trying out caskets and Lorelei may be hiding a secret about their teacher Mr. Gomez?

Though a writer of some acclaim, Past Tense is Star Spider's first novel, and it's a doozy. Having a young teen questioning her sexuality is not unusual, though the path Star Spider takes her on to help understanding it–watching others, listening to her heart, and pondering what her head is telling her–is fresh. But when mixed in with her mother's mental illness, later diagnosed as Cotard's delusion, and a family on the edge, along with friend who is both secretive and affectionate, Julie's story is far more angsty. Fortunately, by looking back through the past–each chapter begins with a memory of Julie and her mother–the reader will realize the past shapes our relationships and our future but does not determine it.  Julie's friendship with Lorelei does not have to remain as it was when they were younger, just as her relationship with Henry can be something different than it was when he dated Lorelei.  And her strong and capable mother is no less because of her illness or status as a stay-at-home parent.  Living in the past is futile. Moving forward is a necessity.

Road Signs That Say West

Written by Sylvia Gunnery
Pajama Press
978-1-77278-023-9
216 pp.
Ages 12+
May 2017

Three sisters. One road trip.  No regrets?

When their parents go off on their European holiday, 19-year-old Hanna convinces her sisters Megan, 17, and Claire, 15, to head west on a summer road trip from Nova Scotia to Vancouver.  But the Three Sisters' Road Trip, with multiple stops at roadside attractions, camping and hostelling and the meeting of new friends, becomes more of an unloading of secret baggage and a clash of personalities than a sisterly bonding experience.

From their photo at the statue of Glooscap, to Montreal where their clubbing leads to Megan's hospital visit and her wrist in a sling, Hanna directs, Claire worries and Megan remonstrates her sisters.  Meeting a group travelling from PEI, Hanna accepts an invitation to a wedding they're attending in North Bay.  Onto Marathon and the Terry Fox memorial, the girls pick up the hitchhiking teen named Bear with his beagle Jake and end up driving them all the way to Pinawa, Manitoba to the home of his aunt and uncle where he intends to help out since his cousin Lenny joined the armed forces.  Bear and Megan make a connection but around that swirls unrest with a man sexually harassing Hanna and the fears Bear's uncle has about his son's safety.

Manitoba leads to Saskatchewan and Alberta where they meet a flutist-busker named Charley who encourages Hanna in her song-writing as healing for Claire's grief before the three head to BC where their road trip takes a sudden turn from which the three sisters may or may not find their way back.

It's evident from the onset that Hanna and Claire have back stories that affect their current interactions with others and between the sisters, though there's a lot more story to how the three became who they are than is ever told.  Hanna had gone to university but had left mid-term to take on an au pair position in Italy from which her parents had to involve lawyers to extricate her safely.  Though involved in scandalous circumstances beyond her control, Hanna parcels out little bits about it to her sisters, and still manages to keep mum about that of which she is most ashamed or embarrassed.  Claire is dealing with the recent suicide of her boyfriend Matt's best friend and still coming to terms with what Caleb had done.  Worried about leaving Matt behind and trying to resolve Caleb's death in her own mind leads Claire to contemplate depression and her own grief.  Megan is given no back story, except for having given up a summer job and anticipating starting university and continuing with her swimming.  Sadly, she is continuously vilified by her bossy and self-centred older sister and complacent younger sister for her cautious, more rational approach.  And, even though Sylvia Gunnery has written Road Signs That Say West from third-person omniscient point of view, critical commentary about Megan, the "grouchy complainer" (pg. 128) skews the narration for me.

The road trip scenario is an irresistible plot line, forcing the three sisters to interact (haven't we all been trapped in cars with those we may or may not like?) while they experience life and meet new people of all backgrounds and take in the diversity of places that make up Canada.  Roads Signs That Say West could be a travel commentary of places east to west (I found myself looking up information about Glooscap, Weyburn, and more) but it's really a story of family, a real family, of siblings with secrets, weaknesses, strengths and ambitions that they may or may not share.  The baggage that the girls take with them is far greater than their back stories and drives them to behave in complex and justifiable ways.  Though I would have preferred if Megan had been developed more as a character and not delivered as a scapegoat, especially since middle children are more often cooperative team players than embittered sulkers, young adult readers will appreciate the three different personalities Sylvia Gunnery has created as well as her story which takes the three to new places in their relationships within a colourful national landscape.

The Secrets We Keep

by Deb Loughead

Dundurn

978-1-459737297

184 pp.

Ages 12-15

December 2016

Not all secrets are bad; in fact, The Secrets We Keep ends on a very sweet one.  But the secrets being kept in Deb Loughead's newest young adult novel are the destructive kind, the kind that destroy relationships and souls, the kind that erode slowly the edges of what is good until it becomes a slippery slope with a pit at the bottom.

Ever since that field party at the quarry last June when challenged teen Kit Stitski disappeared and was later found dead, drowned in the water, fifteen-year-old Clementine has been tortured with guilt, convinced that she played a role in his death.

It’s like his ghost will not go away and leave me alone.  And now that I know his mother’s still hunting for answers, my secrets are spooking me even more. (pg. 15) 

Worse than her own guilt, Clem’s supposed best friend, Ellie Denton, who had also been secretly at the quarry, partying with Mac, a boy on whom she’d been crushing, is manipulating Clem with the threat of exposure.  With excessive demands on Clem to always be available to cover for her and Mac, Ellie becomes a menace that Clem can’t seem to shake.  Though Clem wishes she could speak to her family about this, she finds some relief when she convinces her tech-addicted parents and younger brother to agree to put aside their devices regularly for some quality family time, including at night when Ellie regularly texts Clem.

That might get Ellie somewhat off her back but Clem is still plagued by a guilty conscience and a crush on Grade 10 student, Jake Harcourt, with whom she’d once been part of a Circle of Friends support group for Kit in middle school.  When the two finally reconnect as friends who've both taken on blame for Kit’s death and recognized how the circumstances have changed them, Clem and Jake look for ways to be something positive in the lives of Kit’s mother and younger brother, as well as expose a lot more secrets concerning the young man’s death.

Though The Secrets We Keep is not a mystery, there is a problem to be solved and secrets to be exposed and Deb Loughead never lets the reader’s adrenalin levels subside.  The tension that Clem suffers at the hands of her friend drives the story and her to find some resolution, one with which she can live.  And though it is never obvious, Jake, the boy who defends another teen rumoured to have fought with Kit that night, is the means to that resolution, as well as a sweet respite from the strain of keeping secrets and harbouring guilt.  The Secrets We Keep has both the strong plot and character development to hook teen readers but its strong message about connecting and disconnecting, both personally and digitally, makes the story one worth reading and heeding.

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Reviewed just in time, The Secrets We Keep launches this Wednesday, December 14, 2016 at Harbourfront's Lakeside Terrace in Toronto.  Details here.

The Secrets We Keep: Book launch (Toronto)

Deb Loughead

author of 

numerous young adult CanLit

will be launching her newest title

The Secrets We Keep

by Deb Loughead

Dundurn

978-1-459737297

184 pp.

Ages 12-15

December 2016

on

Wednesday December 14th, 2016

7:00 p.m.

at

Harbourfront Centre

Lakeside Terrace

The book is described as follows, on Dundurn's website:

First she blamed herself. Now she doesn’t know who to trust. 

When Kit disappeared at a party and was found drowned in the quarry the next day, Clem knew who to point the finger at: herself. She was the last person to see him alive, the last person who could have helped. If she had just kept a closer eye on him instead of her crush, Jake, maybe Kit would still be here. She knows she made a mistake, and wishes she could just forget about it — but Clem’s friend Ellie says she’ll expose Clem’s secret if she doesn’t play along with Ellie’s lies. 

Jake seems to have his own difficult secrets, and when he and Clem start to talk, they make a plan to help themselves move on. But when an unexpected discovery at the quarry makes everyone question what they thought they knew, Clem and Jake decide it’s up to them to uncover the truth.

Retrieved from https://www.dundurn.com/books/Secrets-We-Keep on November 29, 2016. 

Beware That Girl

by Teresa Toten

Delacorte Press

978-0-553-50790-4

336 pp.

Ages 14+

May 2016

Kate and Olivia.  Two eighteen-year-old seniors at a private school known as Waverly in New York City.  It’s hard to tell which girl is “that girl” mentioned in the title Beware That Girl.  Kate, the brilliant, manipulative liar who plans out every step she takes to ensure she gets the “big life she wants” or Olivia, rich and beautiful but emotionally fragile “just messed up enough” (pg. 4) for Kate to befriend.  The two secretive girls are “Two unlikely peas in a pod” (pg. 47) in more ways than one.

Kate O’Brian, a high-achieving Waverly scholar, is determined to get to Yale regardless of her current status as a basement boarder and employee at Chen’s Chinese Market and Apothecary.  Also working mornings at the school office, Kate searches for her ticket out of her miserable situation and targets Olivia Sumner whose record indicates missed school due to psychological issues.  The two girls become acquainted and, when charmed by the new director of fundraising, the charismatic Mark Redkin, to start a Student Advancement Committee, Kate gets Olivia, as well as classmates Serena, Morgan and Claire on board.  Soon Olivia has asked Kate to move in to the penthouse she shares with her globe-trotting lawyer father and their housekeeper Anka.

“Becoming friends was a kind of courtship.  A ritual of presenting your best self to the other.  Each knew not to push too much, too fast.  In their conversations, the girls reached for all their similarities willfully ignoring the differences.” (pg. 38)

It’s the differences and secrets that still separate the girls, neither being completely honest about their pasts and fears and desires.  They each have an agenda for their friendship, which becomes all the more complicated when Olivia becomes involved in an intimate relationship with Mark Redkin.  Recognizing him as a “player of biblical proportions” (pg. 120), Kate sees Redkin as more than a threat to their friendship, realizing that “Redkin was going for power, information and amusement.  What a trifecta.” (pg. 155)

Beware That Girl is a suspense-laden, surprise-ending story that provides a glimpse of a friendship based on the instability of secrets and schemes.  And even though there are moments of affability and benevolence–usually involving the irascible Mrs. Chen, the girls’ shared mutt Bruce, and the thoughtful Johnny who is crushing on Kate–Teresa Toten’s intimate portrayal of a friendship initiated in manipulation will disquiet the reader.  From the onset of the book, a scene in which one girl sits at the hospital bed of another while the police wait to question them, Beware That Girl is dominated by uncertainty and foreboding.  Teresa Toten may tease the reader with storylines that intimate which character should be heeded but you’ll never know for certain.  That is, until her crushing ending that reveals the strength of Teresa Toten’s plotting, story-telling and characterizations.  Don’t be alarmed if you have to reread the final four-page chapter–I did–just to assure yourself that this masterful writer has truly reconciled all those secrets and agendas in a bombshell of an ending.  She does and it is.

Don't Tell, Don't Tell, Don't Tell

by Liane Shaw

Second Story Press

978-1-927583-95-1

272 pp.

Ages 12-16

April 2016

Frederick, 16, in Don’t Tell, Don’t Tell, Don’t Tell, would loathe to be lumped into a group of individuals with Asperger’s syndrome or labelled with his “disorder”.

Giving me a label groups me together with many others who share a cerain number of common characteristics that would then define me as a syndrome or a disorder rather than a person with a mind of my own.  I don’t want to be a syndrome, and I am far too orderly to be a disorder.
     I just want to be me. (pg. 50)

Though Frederick is different from many of his peers in his love of numbers and math, of routines, and of the dictionary and in the difficulties he has interpreting idioms and slang with which he is unfamilia, he is relatively comfortable in his own skin, having developed some stellar coping strategies for dealing with verbal abuse,  and ensuring that he is able to meet his needs for quiet and routines.  But, when he is befriended by another awkward teen, his routine becomes far more  tenuous and Frederick is taken outside his comfort zone.

Don’t Tell, Don’t Tell, Don’t Tell begins with Frederick being questioned by the police about the disappearance of the teen who’d befriended him, Angel Martinez.  Though their friendship had been discreet and primarily involved Angel using Frederick as a sounding board, Frederick gets lassoed into keeping a secret for her.  Questioning by the police, however, has Frederick carefully choosing his words, always reminding himself “Don’t tell, don’t tell, don’t tell.” When it seems that Angel’s secret plan isn’t as perfect as anticipated, Frederick begins to rethink that promise and find a way to stay true to himself and bring order to a very disordered situation.

The mature situations that have Angel scrambling for a way out makes Don’t Tell, Don’t Tell, Don’t Tell more appropriate for a young adult audience but the issue of labelling and keeping secrets are far more universal.  Liane Shaw, whose previous books Fostergirls (Second Story Press, 2011) and The Color of Silence (Second Story Press, 2013) capably dealt with difficult issues of foster care and guilt, continues to demonstrate the empathy needed to understand and help teens with the emotional, behavioural and physical problems.  Don’t Tell, Don’t Tell, Don’t Tell takes us into the world of a boy with Asperger’s and a girl whose efforts to make friends take a bad turn and demonstrates that we all are looking to find a way to fit into the world, whether it’s a world we make for ourselves or one into which we try to insinuate ourselves.


(A version of this review, in conjunction with one about Everyday Hero by Kathleen Cherry, was originally written for and published in Quill & Quire, as noted in the citation below.)



Kubiw, H. (2016, May). [Review of the book Don't Tell, Don't Tell, Don't Tell by Liane Shaw]. Quill & Quire, 82 (4): 37.

The Finding Place

Written by Julie Hartley
Red Deer Press
978-0-889-95533-2
244 pp.
Ages 10-14
September 2015

Thirteen-year-old Kelly, the narrator of The Finding Place, knows only that she’d been found outside a village school in Yangshuo, China before she’d been taken to an orphanage from which her parents adopted her at a few months of age. Other than being Chinese by birth, Kelly knows little of her beginnings and herself.  But this was always okay with her, until her dad leaves.  Not knowing why he left, where he was, and if he was coming back, Kelly is left filling in the blanks of that story with various possibilities, all that make her mom the bad guy.  Moreover, Kelly is starting to feel lost, unaware of who she truly is.

My Canadian identity came from my parents but, with Dad gone, how much of that was left? (pg. 44)

Like a typical teen, Kelly lashes out at her mother, Auntie Lou and best friend Raziel whenever they question her about what she’s thinking or doing.  Not surprising that Mom wants to find a way to connect with Kelly, so she plans a March break trip to China, hoping that it will help Kelly clarify some things about her birth place and ultimately herself.

But Mom’s debilitating headaches often leave Kelly alone and exploring–without permission–outside the hotel.  At times, she feels Chinese, empowered by trying out her Mandarin and being understood, and participating in a Tai Chi activity in a park.  But then the confusion returns.

Back in the lobby of our hotel, I stood for a moment among the American business peple and the western tourists with their cameras slung around their necks, and I thought, where do I belong? Here, where everyone except the desk staff looks like my parents, but thinks and speaks the way I do? Or out there in the real China where everyone looks like me, even though I can’t understand a single word they say? (pg. 110)

Her mom’s annoyance and anger with Kelly reveals her plan to move them from Toronto to Brantford to live with her Auntie Lou, giving them a fresh start.  Kelly is devastated, believing that her father would never come home then, disregarding the countless emails she’s sent him without response.

Their arrival in Yangshuo, ever closer to her finding place i.e., the spot where she’d been abandoned, brings them in contact with other parents picking up their adopted children, including a Toronto woman Clare whom Kelly met at the Bejing hotel and was adopting a child from the very orphanage that Kelly had resided in before her own adoption.

But, just like life, things do not run smoothly. Clare’s baby, Phoenix, is ill and may be kept from adoption; Mom did not apply for permission to visit the orphanage; and Kelly, who’d been convinced that her mother had been keeping her dad away, learns the real reason for his absence.  A life-threatening situation finally helps Kelly realize what she has in the way of an identity and that what seems like an end might just be a beginning.

I have always believed that every child should be able to see themselves somewhere in the books, hence the push for diversity in literature.  The Finding Place opens up that door to children who became part of new families through international adoption, here specifically from China.  Kelly’s story and perhaps that of Clare and Phoenix may or may not be similar to those of other girls adopted from China but it provides a starting place for filling in the blanks of their adoption and heritage.  Julie Hartley’s rigourous research (an interview with Julie Hartley at the end of the book will attest to this) provides a more complete background for Kelly’s story, though The Finding Place is still much more than a story of a child’s adoption.  It’s her story, absolutely, but it’s of finding herself: her beginnings, her place as a daughter, friend and niece, and as a part of a broken family.  Her struggles with self-determination and self-acceptance are the greater story of The Finding Place, though China does become the finding place by definition in a far greater manner than mother and daughter probably could ever have imagined.

A Big Dose of Lucky

by Marthe Jocelyn

Orca Book Publishers

978-1-4598-0668-9

249 pp.

Ages 12+

October 2015

"You may discover that going backward–discovering your past–will be the best route to the next chapter in your life." (pg. 31) 

This is what Malou, 16, is told as she and the other Seven girls in Orca’s Secrets books are released from the Benevolent Home for Necessitous Girls after a fire destroys it and they are given the barest of clues to their heritage.  Malou has never dreamed of having parents who might be monarchs or celebrities; she has only wanted an ordinary family that did things together.  The baby bracelet from St. Joseph's Hospital in Parry Sound with the name "Baby Fox" is her only clue to that family.  Though reluctant to leave, Malou heads by bus to Parry Sound, via Toronto, impressed by the diversity of people–her own skin colour had made her an anomaly in town where she was routinely identified as “the dark one or the little darkie or the colored girl” (pg.1)–and the newness of everything from pink popcorn to lemon meringue pie and grilled cheese.

In Parry Sound, Malou gets a bed at the local women's hostel and a job as a cleaner at the hospital, surprising considering her well-known untidiness at the Home, but "All it takes to be a cleaner? Don't be white." (pg. 70)  By way of a young orderly, Frankie, who shows an interest in her, Malou locates the stored records at the hospital and specifically the one for Sherry Fox who gave birth in 1948.  Along with an address, Malou finds a list of seven names which includes Sherry Fox's on the doctor's stationery and identified as A. B. cases.  Though her encounter with Sherry Fox, an Anishnaabe on the local reserve, reveals the bracelet was not Malou's but that belonging to, and taken from, Sherry's son Jimmy at birth, Malou makes an important connection with Jimmy and his classmate Pete and Pete's twin sister, Lucy, whose mother's name also appears on the list.

So begins a hunt by Malou and her new friends to locate the women whose names are on the list and find their connection.  A significant breakthrough comes from Pete's noting the physical similarity between Malou and a girl, Abby, who works summers at the marina.  And, with that, Malou and the other sixteen-year-olds are led to discover a program of artificial insemination at the hospital that involved an Jamaican intern named Andy Bannerman and probably others.  But this still does not reveal who Malou's mother may be.  Secrets long hidden may be being uncovered but it's only Sherry Fox's recollection of her own hospital visit that leads Malou to a mother she had long assumed dead.

The plotting by which Malou finds her mother is not as simple as that baby bracelet initially suggests, and for that I am thankful.  I should have given Marthe Jocelyn far greater credit, having read enough of her other books, including her young adult titles like How It Happened on Peach Hill (2007), Would You (2008), Folly (2010) and What We Hide (2014), to know the depth of her writing and the complexity of her storylines.  That plot is intense but secondary for me compared to Malou's experiences to become part of a world outside of the Benevolent Home for Necessitous Girls. Having  lived within the sheltered confines of the Home, Malou had little understanding, except via Joe the cook's small television, to glimpse the world of racial discrimination and the civil rights movement and multiculturalism, and her few experiences in town did little to expose her to all that world entailed.  Her discovery of the world and the freedoms that come with her departure from the Home are as much an eye-opener for the reader as they are for Malou.  She learns many things, none less than the price one must pay for freedom.

Freedom is harder than I expected.  Not the freedom part, but the making-decisions part.  Having a choice. (pg. 121)

All the girls in the Secrets series define themselves at the onset as orphans of the Benevolent Home for Necessitous Girls.  But ultimately, Malou learns “I’m not an orphan.  Not even half.” (pg. 249) and that she is very fortunate–there's A Big Dose of Lucky–having a family that is far more inclusive than ever imagined, except by Marthe Jocelyn.


SH...H...H...
Other books in the Secrets series are:

• Innocent by Eric Walters 
• My Life Before Me by Norah McClintock (Reviewed here)
• Shattered Glass by Teresa Toten (Reviewed here)
• Small Bones by Vicki Grant (Reviewed here)
• Stones on a Grave by Kathy Kacer
• The Unquiet Past by Kelley Armstrong