Songs for Ghosts

Written by Clara Kumagai

Penguin Teen Canada

978-1-774882825

399 pp.

Ages 14+

August 2025 

 

Reviewed from audiobook

Penguin Random House Canada Audio 

Narrated by Kenichiro Thomson and Susan Momoko-Hingley  

 

Each story from the past is one for the future. (p. 368)

There are two stories in Song for Ghosts. From different times and different places, these two stories run parallel until they converge. How they converge and why comes from the blending of music with family and the supernatural and Japanese culture. And in the end, a Japanese-American teen learns more about himself from a young Japanese woman from a century earlier. 

 

The story of seventeen-year-old Adam is a contemporary one. He hangs with friends—though he did just have a bad breakup with his boyfriend Evan—plays the cello, goes to Japanese school on Saturdays, and spends time with his family: stepmom Kate, baby half-brother Benny, and Dad when he's not away on military business which is often lately. The second story comes into play when Adam discovers an old book of letters in a wooden box with Japanese writing on it. Thinking it might be connected to his Japanese mom who passed when he was a baby, Adam begins to read the dated letters from a young woman who writes to her recently deceased Obasama (grandmother). And when a ghost begins to appear in his house, Adam is both terrified and intrigued. He wants answers, so he looks to the diary.

 

In this diary of letters, the young woman, who lives in Nagasaki, plays the biwa, a Japanese lute important in storytelling, and begins to take lessons from a blind biwa hōshi. Soon the diary writer is playing for ghosts in order to appease them. Meanwhile, her uncle decides it is time for her to marry, and, though not a man he has selected, she is courted by an American lieutenant. The connection she makes with him, and with his associate Mr. S–, changes the trajectory of her life. And when Adam is approved for a homestay in Nagasaki, he expands his search for information on the diary writer and her story. 

 

Songs for Ghosts, recently nominated for the White Pine award of the Forest of Reading, is a far more involved story than I can possibly recount here. First, Clara Kumagai immerses the reader, through both the diary writer's letters and Adam's visit to Japan, in the richness of Japanese stories and music, and of Japanese history, and of its culture from food to festivals. There is also romance, both for the diary writer and for Adam, though their relationships are complicated. Third, there is much to learn about Adam and his family, both in the U.S. and in Japan, and the bonds he has with them. Needing to learn more about his mother's family takes him to learn more about himself. Finally, I haven't even mentioned the correspondence of Adam's story and that of the diary writer to Puccini's Madama Butterfly. Even with all these distinct storylines and plot elements, Clara Kumagai is subtle and elegant in wrapping them together across time and place, and bringing Adam and the diary writer as well as other characters to merge in a satisfying and redemptive way. As such, readers as well as the ghosts who want to be remembered are appeased.

Ghost Circus

Written by Adrienne Kress

Illustrated by Jade Zhang

Union Square Kids

978-1-4549-4829-2

256 pp.

Ages 9–13

August 2025 

 

When Casey, a living boy, finds himself in the stands of a ghost circus, he is confused, as is Creepy Girl, a ghost with hollow eyes, who finds him. He'd already had a weird day where the school bus driver didn't see him and his classmate Emily presented their project without him. Now he's at the circus, which is filled with ghost performers, and Creepy Girl, with a little friend called Polterghost, is trying to help him, though not understanding herself why a boy who is not dead can interact with the ghost world.

From Ghost Circus, written by Adrienne Kress, illustrated by Jade Zhang

Being the only ghosts who can leave the circus, Creepy Girl and Polterghost follow Casey as he heads home. There he finds his distraught parents and a clue that leads him to the hospital where Casey lays in a coma. But he cannot re-enter his body, though he tries. When Casey realizes the Headless Horseman is following him, he and his new friends return to the Ghost Circus  where the Horseman cannot enter. 

 

At the Ghost Circus, Creepy Girl introduces Casey to several performers, hoping they might help them. First, there is Madame Avenire, the fortune teller, who had always told Creepy Girl that she had a mission to help a lost child. 

In my living days I told people their future. Now I tell them their pasts. 

The living and the dead are the same in that way...never existing in the present. (p. 79)

From Ghost Circus, written by Adrienne Kress, illustrated by Jade Zhang

It's only when they speak with the Elephant, who reveals how he joined the circus and how it has evolved over time, that Casey and Creepy Girl realize what has been happening, who the Headless Horseman seeks, and what they must do.

While Ghost Circus is in essence a ghost story, it has greater depth to it. Both Creepy Girl and Casey are on the hunt for answers. Creepy Girl doesn't know who she was and why she cannot cross over while Casey wants to know if he is going to die because he can't re-enter his body. Both are immersed in fear for what has happened and what will happen. That fear pervades their attitudes in different ways. At the onset, Casey is rude, annoyed that Creepy Girl doesn't understand what he's feeling and that she doesn't have all the answers he needs. Creepy Girl, on the other hand, seems to be nonchalant about his situation, not understanding what's happening and why she's involved when she's not a part of his story. But with time, Creepy Girl begins to understand her mission and Casey sees that others have their own stories and fears. By seeing beyond themselves and helping others, the two with Polterghost, who always has a benevolence to others, gain in understanding and start to make things right. 

From Ghost Circus, written by Adrienne Kress, illustrated by Jade Zhang

It's been too long since I've reviewed an Adrienne Kress story, and I'm so pleased to review Ghost Circus, her debut graphic novel. (Her bibliography to date includes young adult novels like The Friday Society and Outcast, and middle grade series like The Explorer Society, Ticket to Ride and Bendy.) She does have a wonderful penchant for the fantastical and I'm seeing a little more creepiness in her stories, but it's not creepy. It's the kind that titillates and entertains and will engage young readers completely. While not a horror story, Ghost Circus has the supernatural elements that might evoke unease, especially when dealing with the ghosts—Creepy Girl has hollow eyes, there's a guy with a giant hole in his torso as if from a cannon ball, and the Headless Horseman is definitely one to fear—but never scares. Rather, Adrienne Kress and Ghost Circus make us think. They make us think about the Between, that space between living and crossing over; about those who take all our energy for themselves; and how by helping others we can do much to help ourselves.  

From Ghost Circus, written by Adrienne Kress, illustrated by Jade Zhang

Jade Zhang, a Toronto visual artist, keeps the chill of Adrienne Kress's story but she makes it playful and fresh with her choice of colours and softness of line and shape. Creepy Girl has creepy elements to her, as do most of the ghosts, especially when depicted in their blueness, but Creepy Girl generally looks like a naive girl with big eyes. And Polterghost is adorable. He's small and friendly and helpful. (See him try to give an apple to the Headless Horseman's horse in the illustration above.) Jade Zhang keeps the yucky for those characters that are truly vile. 

 

Though Adrienne Kress resolves Casey's story, and relatively happily, it looks like there will be a sequel to Ghost Circus. Casey tells Creepy Girl that "We'll figure out what's going on" (p. 247) and I foresee another "lively" story (pun intended) starring our new favourite trio of characters, perhaps to discover Creepy Girl's origin story. (I'll just be happy to call her something other than Creepy Girl.)

The Little Ghost Quilt's Winter Surprise

Written by Riel Nason

Illustrated by Byron Eggenschwiler

Tundra Books

978-1-774885376

48 pp.

Ages 3–7

Releases August 26, 2025 

 

It might seem odd reviewing in August a book that involves winter but, when it's nearing 30°C outside, it's nice to think about the loveliness of snow and cold temperatures and the celebrations that bring us joy. For the little ghost quilt, introduced in Riel Nason and Byron Eggenschwiler's first collaboration The Little Ghost Who Was a Quilt (2020), winter brings new experiences and joys too.

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

While his ghost sheet friends are shivering with the cold, the little ghost quilt is able to comfortably withstand the temperatures and the snow. He enjoys the same indoor activities as they do—making crafts, playing games and reading "boooooks"—but he wishes they could share in outdoor adventures as well. One December evening while visiting a human neighbourhood, the little ghost quilt is drawn to bright lights and joyous celebrations. He sees decorated trees, inside and outside; people skating and singing and baking cookies; and everything looking shiny and bright. He is saddened to think his friends are missing out on all this. So, the little ghost quilt with his big heart plans to do something for his ghost sheet friends. 

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

But on his way back home, the little ghost quilt is caught in a terrible winter storm and is snagged on the branch of a birch tree. He does get free, but the storm and that tree give him an idea about how to implement his plan with what they have available.

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

I'm delighted to review a picture book by Riel Nason whose only books that I have reviewed to date have been YA (i.e., All the Things We Leave Behind and The Town That Drowned). But, just as she demonstrated in those young adult novels, Riel Nason gives her characters depth of feeling for others. For the little ghost quilt, he's quite cognizant of the fact that his quilt gives him warmth and protection while his friends, in their skimpy sheets, have neither and must stay indoors. Yet, with his freedom to engage in outdoor activities, the little ghost quilt still wants to share his experiences with his friends. He doesn't gloat about his opportunities. Instead, he appreciates what he is able to witness and thinks about how he can share with others. Riel Nason has given a patchwork-quilt ghost the benevolence to which we should all aspire.

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

It's impossible not to feel the weather and the joy that the little ghost quilt experiences on his winter outing. Byron Eggenschwiler's pencil and digitally-rendered artwork takes us into the dullness of winter and makes the colours of the holiday season shine. By emphasizing the dreariness of the winter with a muffled environment of snow and dirt in colours of grays and browns, Byron Eggenschwiler keeps the focus on the goodness and the cheerful, in other words on the quilt colours of the little ghost and on the Christmas celebrations and those enjoying them. 

While you may not be thinking of winter or Christmas yet—times when The Little Ghost's Quilt's Winter Surprise will be a must-read—this picture book is more than a seasonal tome to share with young children. It's a story of kindness and compassion; it's a book about understanding what others are experiencing and how to help expand the scope of their lives. (Can I use the word "lives" for ghosts?) Because of the little ghost quilt's good will, he's able to bring the light to the actuality of his ghost friends both in spirit and in illumination and thus bring the essence of Christmas to all.

The Puzzle of Doom (The Lunch Club, Book 8)

Written and illustrated by Dom Pelletier

Scholastic Canada

978-1-0397-1102-0

136 pp.

Ages 7–10

July 2025 

 

You know there will be laughs to be had if the secret club called the Lunch Club is meeting again. This time Leo and Tia, along with their club advisor Mr. Peabody, are pulled into a ghostly puzzle that comes from England.

From The Puzzle of Doom, written and illustrated by Dom Pelletier

In the prologue to Dom Pelletier's latest volume in his The Lunch Club series, readers are witness to Lord Puzzlegood who, while working outdoors on a puzzle at his club in 1890 London, is killed by lightning. His fellow puzzlers, threatened by his ghostly demands to find the final puzzle piece, lock him away with the puzzle while his earthly possessions are exiled to Canada.

 

In the present day, Leo and Tia, along with Mr. Peabody, are enjoying a local street fair where Madame Celeste (from an earlier adventure) gifts them with a protection amulet and crystal ball respectively. Tia also ends up with a piggy bank left behind by another vendor, Fred, a neighbour of Madame Celeste's.

From The Puzzle of Doom, written and illustrated by Dom Pelletier

At school, they meet new student Dale Picklesworth III who is on exchange from the Puzzle Collector's Club of England, another secret club. Leo is not especially friendly to Dale who is bright and athletic, talented and partnering with Tia. 

Everything becomes a little wackier when Leo and Mr. Peabody open a box hidden in the gym's storage area and Tia gets a message about the piggy bank being haunted. With that, Lord Puzzlegood rears his ghostly head in an effort to complete his final puzzle.

From The Puzzle of Doom, written and illustrated by Dom Pelletier

Dom Pelletier always brings the wacky and the fun with The Lunch Club, and, with The Puzzle of Doom, he introduces a new character and an ongoing story. (The puzzle is going to lead into a new adventure in Book 9 of The Lunch Club.) He gives us the supernatural, school- and friend-based tensions that all children will recognize–except for the ghosts, of course–and laughter through the puns, the clever repartee, and zany panic. I love everything about The Lunch Club, from the characters as they act and as they are drawn (by Dom Pelletier) to the humour of their situations and of their interactions, and to the silliness of the

extraordinary plots. In The Puzzle of Doom, Dom Pelletier makes readers laugh but still think about how we get along with others, about how to work together to find solutions to problems, albeit supernatural ones here, and about what the next adventure might be for the "Philately" Club. And by giving us eye-catching art and nutty cartoon characters, Dom Pelletier continues to hook young readers and keep them returning to the Lunch Club.

 

 • • • • • • •

The Lunch Club series

#1 It Came From the Basement
#2 The Curse of the Scarewolf
#3 The Mutant Mouse from Outer Space
#4 Revenge of the Bigfoot
#5 The Return of the Mummy

#6 The Swamp Thingy

#7 Night of the Living Rocks

#8 The Puzzle of Doom

Little Moons

Written by Jen Storm

Illustrated by Ryan Howe

Coloured by Alice RL

Lettered by Nickolej Villiger

HighWater Press

978-1-774921074

64 pp.

Ages 12–18

September 2024

 

Little Moons is a story of great loss. It's also a story of family and connection, even after loss. Sadly, it's also a story based too much in reality.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Reena lives on the reserve with her mom, Andrea, 15-year-old sister Chelsea, young brother Theo and grandmother Koko. The kids' dad, Anthony, also lives there though Mom and Dad are not together anymore. Mom works tirelessly at traditional bead work which Chelsea learned to do, beading her own regalia after her woman's ceremony. 

 

And then Chelsea does not return from going shopping after school. Even with a community helping in the search and getting news out via social media and with involvement of the police, she is not found. The seasons come and go and still no Chelsea. 

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

But what changes is the family. While Reena tries to connect with Chelsea, wearing her regalia to a Pow Wow, beading, and watching flickering lights that may mean Chelsea's spirit is around, Mom has gone beyond her depression and has headed to the city. First, it's just for a break but then she decides to move there. 

"I don't want to live and die on the Rez." (p. 23)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Mom may think this will work to alleviate her grief, meeting new people, getting a non-Indigenous boyfriend–who is both a jerk and racist–and getting a job away from the Rez but Dad convinces her to let the kids remain with him. And Theo reveals to Reena that he sees ghosts that look like little moons, and that "Sister" has told him that she's sorry.

When Chelsea's bag is found buried in the forest near the highway, the family finds a way to connect with each other and to follow their traditions "to light her way to the other side." (p. 52)

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

Little Moons may be another story of another missing or murdered Indigenous woman but it's not just another story. Jen Storm, an Ojibwe writer from Couchiching First Nation, has put her own experiences with a loved one who went missing and was later found dead into her story. She witnessed the range of expressions of grief and guilt and coping that family and friends showed. Most just do their best with what they have available and with what is familiar. Running away, looking for answers, insulating from others, these are just some ways, and Jen Storm does not judge. She just shows what it can be like. But she always shows that there is solace in spirituality and in traditions. Theo, based on Jen Storm's own son, is reassured when he connects with Chelsea who approaches him via his toys and the orbs that he sees. Reena buries medicine pouches, burning her cut braid in the sacred fire, and more. We all know there is no one way to grieve but it all changes when it is a missing and then presumed murdered Indigenous woman. Connecting with their sacred traditions and each other worked for this family.

From Little Moons, written by Jen Storm, illustrated by Ryan Howe, coloured by Alice RL, lettered by Nickolej Villiger

A lot of talent went into the creation of the graphics for Jen Storm's story. Saskatoon's Ryan Howe has created people and places that reflect the reserve on which this family resides, as well as the city to which Andrea moves. He gives us a family of a wise elder, a young and playful child, a forlorn Reena, and a restless Andrea, as well as a present but reserved Anthony. We see a community that sits around a fire but will take to social media when needed. He's given us the traditional and the urban, and his concepts of people and place evoke both the familiar and the less familiar. Ryan Howe's artwork is brought to life by the colouring of Alice RL, a non-binary Ojibwe artist living in Winnipeg, and the lettering of comic book artist and illustrator Nickolej Villiger of Lethbridge. Without these, the book would not be the graphic novel that is both heartrending and uplifting. There is no happy ending but there is still family and traditions that bind and elevate.

Misadventures in Ghosthunting

Written by Melissa Yue

HarperCollins

978-1-4434-7091-9

367 pp.

Ages 8-12

Releases August 27, 2024

 

Life had done nothing to prepare me for what to do if a ghost was trying to burn your house down. Even worse, I'd got no advice on what to do if your entire family didn't believe you could see ghosts but Grandma snuck you protective talismans like it was a black market dealing. (p. 19)

Emma Wong thought her greatest worry was the D she got on her Grade 9 math exam. But when a ghost of a young man shows up, calling her Lin Wai–her Chinese name is actually Yan Ling–and threatening to expose her exam if she didn't go with him, things get a little dicey. When she doesn't, Ghost Boy uses a calligraphy brush to write something in the air and starts a fire on the family's ancestral altar. She tells her family about the ghost-like boy but, for a family who doesn't believe in ghosts, she gets no support. Fortunately, best friend Michelle Zhang knows that Emma can see ghosts and wants to help. 

 

It's also fortunate–or is it?–that Emma meets Leon, a boy in a long peacoat with a messenger bag who claims to be a guardian whose job it is to help maintain stability in the world by monitoring ghosts in the Mortal Realm and he's there to help her. He confirms that she has the Sight i.e., the ability to sense ghosts, seeing them and getting physical sensations like headaches and nausea when they are near. He warns her about geoi hau gwai or hungry ghosts who were ungenerous mortals who search the Mortal Realm for offerings to sustain themselves. When Ghost Boy returns–his name is Henry–Emma unwittingly sends him back to the Underworld by striking him with a paper talisman her Mah Mah had always given her. Surprisingly Leon confirms that Emma is using a ghosthunting tool. 

Emma is so confused. Her family does not believe in ghosts and yet her grandmother always gave her protective talismans to ward off evil at entrances to buildings. Now she has Leon who is trying to protect her from Henry, a ghost hunter of the Underworld who works for one the Ten Lords there and whose job it is to rein in unruly ghosts who cause trouble. But why pick on Emma?

With Leon's protection and direction, Emma learns more about her family history and her own abilities, all with the objective of helping her much-loved grandmother and ultimately making things right for spirits in the Underworld.

 

I wish I could tell you everything that happens in Melissa Yue's debut novel but Misadventures in Ghosthunting is a big story. It's a story of family, familial expectations, and a grandmother-granddaughter relationship. It's one of Chinese culture and superstitions and the Ghost Festival and magic and glorious food. It's one of history, including a love story. And it's about making things right, even when you aren't responsible for making them wrong. Oh, and there's a splattering of robotics too. As I said, it's a big story, with layers in the present and in the past, in the Mortal Realm and in the Underworld, in the mundane teen world of school and parental expectations and in one of needle-mouth ghosts and immortals. And Melissa Yue tells it with humour, cultural respect, and familial devotion. 

A family is built from shared memories. (p. 342)

Through all her characters, mortal and not, Melissa Yue embeds us in their stories, finding goodness in some that might appear evil and flaws in some that are generally good. All her characters are fully developed. They make mistakes, take chances, have weakness and lack in confidence. They also do their jobs, even unusual ones, make connections with others, have pasts, and always look for something more. They are human, even if they're immortal.

 

It's hard to parse out everything in Misadventures in Ghosthunting because there is so much but Melissa Yue gives middle-grade readers a story that is full and intricate with characters and subplots and history and that little bit of magic. Whether you believe in ghosts or not, you'll cheer for Emma and her allies in their attempts at righteousness and for the defeat of evil. I don't know if anyone was celebrating the Ghost Festival just over a week ago but honouring the dead with offerings sounds like a wise rite to observe, especially when the consequences of not doing so could be overwhelming. Emma knows.

• • • • • • •

 

Look for my interview with author Melissa Yue tomorrow here on CanLit for LittleCanadians. She reveals much about her writing and the story, as well as some important background about the cultural traditions and framework used as a basis for Misadventures in Ghosthunting.

Hugo's Haunted Handbook

Written and illustrated by Dave Whamond

Owlkids Books

978-1-77147-587-7

32 pp.

Ages 5-8

Releases March 15 2024

 

Who better to help others get rid of their unwanted ghosts than Hugo? After all, he got rid of his ghost. Or did he?

From Hugo's Haunted Handbook, written and illustrated  by Dave Whamond

Hugo's first instruction is to ensure that you really have a ghost, so he has devised three simple experiments. The first involves cookie crumbs, the next uses a camera, and finally there's locating any ectoplasm.  (He also notes that the pros use EMF Readers.)

From Hugo's Haunted Handbook, written and illustrated  by Dave Whamond

So, if you have a ghost, the next step is to learn about them. Did you know that they watch us, have bad days, get static cling, and love practical jokes?

Darn! They short-sheeted me again! You guys...

The problem for Hugo isn't that ghosts are necessarily scary; they are just annoying. (No one wants to be interrupted in the bathroom!) So, Hugo has 5 useful tips that the reader can use to get rid of their ghost forever.

With Tip #1, to yell "Bam shicka lam shicka boom boom bam" three times, Hugo gets to work. Trouble is that the ghost doesn't seem to respond as Hugo wishes.

Yep, still here.

Now what? Hugo tries several other fixes, all things that kids can do. (Okay, cooking up the Ghoul Begone potion might be tricky if you can't get your hands on maggot snot or aardvark poop, though raisins always seem to be plentiful when you're a kid.)

From Hugo's Haunted Handbook, written and illustrated  by Dave Whamond

Sadly, Hugo's ghost gets his feelings hurt with Hugo's claims about the supernatural being. Will their relationship ever be the same? Or should it?

Hugo is so earnest in his endeavours that it's hard not to take him seriously. But, with his quirky suggestions, coupled with an uncooperative ghost who is always peeking out, listening, commenting, and just being present, Hugo doesn't quite cut it as an aficionado at ghost elimination. What's worse is that instead of getting rid of his ghost, Hugo has offended the little guy who thought they were friends. By turning the tables on Hugo and his ghost, author-illustrator Dave Whamond just adds another dimension to an already amusing interaction, taking Hugo's Haunted Handbook from funny to side-splitting.  

From Hugo's Haunted Handbook, written and illustrated  by Dave Whamond

Dave Whamond can always get his readers laughing, both through his text filled with word play, and his cartoon illustrations. (Check out Muddle School, Alien Nate, and Nick the Sidekick for three previous examples.) With a ghost who feels down–"You haven't said BOO all day!"– or who complains about getting Cheeze Doodles' orange dust all over his white outfit, or with Hugo remembering their game of Hide-and Ghost Seek, Dave Whamond plays with his words and makes us laugh. But then the words are accompanied with Dave Whamond's comic artwork and all the scenes become wilder and yet still familiar. Kids, and their parents, will laugh at the scary recorder practice, the "ghost slime" at the bottom of Hugo's backpack, and Hugo lamenting the ghost ruining his sales pitch. 

If you have a ghost, reading Hugo's Haunted Handbook might be helpful but it might just offer suggestions to being a good friend, still an admirable endeavour. Now, about those monsters.

Night of the Living Zed: Q & A with authors Basil Sylvester and Kevin Sylvester

Recently, I reviewed Basil Sylvester and Kevin Sylvester's newest middle grade novel, Night of the Living Zed, a sequel to their wildly successful The Fabulous Zed Watson!

Night of the Living Dead

Written by Basil Sylvester and Kevin Sylvester

HarperCollins Canada

978-1-4434-6920-3 

256 pp.

Ages 8-12

Released January 16, 2024

Review here

 

 

Today, it gives me great pleasure to post a Q & A I did with authors Basil Sylvester and Kevin Sylvester about their new book. 

 

Authors Basil Sylvester and Kevin Sylvester

 

• • • • • • •

 

HK:   Congratulations on Night of the Living Zed. It’s another great mystery embedded with the supernatural and notable characters. Did you experience any challenges in writing a sequel to The Fabulous Zed Watson!?

 

Kevin Sylvester:  We knew the characters well, so writing scenes with Zed and Gabe and the crew was fun. The toughest part, I think, was making it a different mystery with a different feel. I love escape rooms, so used those as inspiration for the types of codes our intrepid duo would have to crack. Then when Basil started writing the letters that lie at the (literal) heart of the story, the emotional side of the mystery began to just fall in place. After that, it felt like the challenge was paying due respect to the type of hidden relationship many people had to have (and still do) to be accepted.

 

Basil Sylvester:  Echoing what my co-author said. We wanted to have a story that doesn’t feel like we wrote it just to bring back characters we liked. There had to be something new. I really like the way the two books compliment (complement? Oh dear) each other. Fabulous Zed Watson had a lot of travel, so it was fun to write a sequel where they are mostly in one place. We also worked hard to make sure you could read it without having read the first one, sort of like a classic mystery series like Sherlock Holmes stories or similar. 

 

HK:   How does your collaboration work? Do you each write one chapter or section of the story, or do you write together?

 

Kevin Sylvester:  In the first book we split up a lot of the work by theme – so related chapters on a specific part of the mystery, or location for that clue, might fall to me. Basil would write the scenes, such as the border scene, where Zed has to face some real fear and discomfort.  But we’d always read the whole thing out loud to make sure there was a consistency of tone and voice. So by the end the whole book was truly a co-written work. We even collaborate on the illustrations.

     This time, I think, was more “both of us at the same time” writing with essentially the same result. But Basil wrote and researched the letters the kids discover… and those are beautiful.

Basil Sylvester:  the first book was much more methodical—we made the best outline I’ve ever made in my life, by far, haha. Then we split up and came back together to write everything out. Night of the Living Zed was a stranger creature. We did a lot more writing side by side but also writing alone—I wrote the letters completely without input, for instance, but as Kevin said, the best part is reading out loud. You instantly get a sense of what works and what doesn’t, especially in the jokes and banter.
 

 

HK:   Plotting any story can be challenging but I wonder if plotting a mystery is especially so. Did you plot out the whole mystery from the outset or did you develop it one step at a time, perhaps with each new room that Zed and Gabe encounter in Glyndebourne Manor?

 

Kevin Sylvester:  We had a general idea a good year before we started writing… so the idea was always cooking in our heads.  Then we tried to decide how the reveal would happen from the presumed mystery (spending three days in a spooky house) to the true mystery (who was Charlotte and why did she build this bizarre house?). So there are two layers happening all the time. I would say that was more fun than tough to figure out. 

     The frustrating part is always when you think you have a good bit and then look at it later, or have someone else look at it, and say the code didn’t make sense, or wasn’t revealed to the reader in a way that they could also solve the mystery. So we tried to make sure that all the clues are there, so that the reader can either go “I saw that coming” or “oh! Now I see what the code was!”. Both offer a fun payoff.

Basil Sylvester:  Oh my gosh I found this really hard to do! I’m not a big mystery reader—I love middle grade mysteries, but I don’t read like Janet Evanovich kind of things—so I really struggled with making stuff plausible and consistent. Kevin is old hat at mysteries so he really helped but making escape room puzzles that made sense and that I hoped the readers would be able to pick up clues on was the hardest part of this book. Also plotting with a co-writer can be hard, especially getting on the same page about the hard and fast rules of the contest. We were working in Scrivener, which allows for research and planning docs, so we made sure to write out the rules early on and referred to them often!

HK:   Though many might not see it, Night of the Living Zed is a celebration of romantic love. Although the two romances had very different outcomes being from different times, they were both triumphant in their own ways. Why did you choose to include these romances in the story?

Kevin Sylvester:  Basil is the best one to answer this, but I will say that I am always intrigued by stories where someone builds something as a living memory of someone, or to honour them.  

     Think Citizen Kane, the Taj Mahal… my Apartment 713.

Basil Sylvester:  Honestly, Sam and Jo were some of my favourite characters in the first book, so I wanted to bring them back. And their wedding sort of works as a plot device for Zed and Gabe to specifically need money, encouraging them to go for the Gylndebourne contest. In terms of the other romance, I loved the idea of a multi-layered mystery. We sort of have that with the first book, where Zed is looking for the manuscript, and along the way they discover a whole supportive community in some unexpected places, showing us that the world is ready emotionally for Taylor’s book.
     In Night of the Living Zed, I wanted to pay homage to historical romantic relationships that weren’t read as such for a long time. I also love the idea that a spooky scary haunted house is actually not scary at all, but beautiful. That it’s just misunderstood, like the romance itself. So I wanted to have layers of meaning, as any good ghost story should.

 

HK:   Music, particularly opera, is a significant element of the story, directing Zed and Gabe’s solving of the mystery of Glyndebourne Manor, but the broad knowledge of opera needed is certainly not derived from Wikipedia. Moreover, your acknowledgements suggest that you both have some appreciation for opera. Are you both opera buffs or did one inspire the other or did someone else boost your awareness of this theatre form?

Kevin Sylvester:  We both love opera, but don’t expect us on the Saturday Afternoon at the Opera quiz anytime soon. I’m partial to Italian operas. Rigoletto and the Barber of Seville get a lot of play in my house. But I also love the Magic Flute… and one of my fave experiences was seeing Maurice Sendak’s sets for the Hansel and Gretel a few years back.

Basil Sylvester:  I mean, growing up with the parents I had, it was inevitable. My dad loved opera and played it ever since I was a kid. So that made me … tolerate it. Then I went to university and took a class on Russian opera and fell in love with Eugene Onegin, Boris Godunov, The Nose…I even let Kevin put some Wagner in this one.

 

HK:   I’m a big fan of humour and Night of the Living Zed is filled with it, from puns and wordplay to silliness and blunders. Do you each have your own specialty when it comes to embedding humour in the story, whether through voice or actions?

Kevin Sylvester:  We are a family of joke-tellers and punsters. This includes our immediate family and friends. So the scenes with back-and-forth dialogue and jokes is a glimpse into the dining room of our houses on any gathering. Noisy. Boisterous. Snarky. Then Basil and I test-drive the jokes on eachother to make sure they work.

Basil Sylvester: I’m not as good at jokes, but growing up, especially at my grandparents’ houses, it was jokes zinging across the dinner table at breakneck speed, so I was always trying to keep up. I’m better at comebacks, so Kevin will often start riffing and then I join in. We are also tough critics, so we would cut jokes if only one of us was laughing. I would say I lean more towards silly gestures, and Zed is fun to write because they are very boisterous and always moving.

 

HK:   I know the book was released in January but it’s going to be a popular story come October with its Halloween theme. Zed obviously goes big for Halloween, ensuring the best neighbourhood Halloween with a pre-Halloween inspection at all homes. Is Halloween as big a deal in the Sylvester house as it is for Zed?

Kevin Sylvester:  All I can say is that you can go back and look on my Facebook page where we do a themed Halloween porch each year. This year was a haunted construction site. Last year was Scar-bucks coffee shop. The year before that was a haunted greenhouse… you get the idea. Christmas is great, and man do I need bright lights by late December, but dressing up and playing make-believe? Halloween can’t be beat.

Basil Sylvester: We never did Halloween-O-Ween, but it is 100% inspired by our love of Halloween and our dedication to creative and fun porch displays every year. It’s also a holiday that really resonates with me, since you can dress up and be someone else and get creative, which was a great outlet for me figuring out my identity in a low-stakes and fun way.

 

HK:   The illustrations add much to the story, just as they did in Kevin’s Neil Flambé series. I recognize Kevin’s style but wonder if Basil is also an artist and contributed to the art in Night of the Living Zed.

Kevin Sylvester:  Yes. Certainly in the sense that we work on the illustrations together. I’m often drawing as we write and read passages out loud. Basil is my immediate art director and continuity officer (need to make sure Zed is wearing the same sweater in connected timelines). Also, Basil is in charge of the lettering on the spine and covers.
 
Basil Sylvester:  I’m not an illustrator but I do consider myself a creative person. I like crafts and DIY. As Kevin says, I’m the first art editor and can be pretty critical. He shows me all his illustrations before submitting them and I often have notes. I also came up with the ideas for both covers, and did the silly hand lettering on the covers and spine.

From Night of the Living Zed, written by Basil Sylvester and Kevin Sylvester, illustrated by Kevin Sylvester

HK:   My favourite illustration of Zed is the one on page 68 when they are in their pumpkin onesie. Do you each have a favourite illustration of Zed from Night of the Living Zed?

Kevin Sylvester:  SPOILERS…. My fave is the one of Hyacinth as she’s about to turn the faucet on the final challenge. She looks both anticipatory and a little fearful. After all they’ve been through, and learned, will this prove to be the right decision? Or will everything come crashing down?

     It’s quiet and active at the same time.

Basil Sylvester:  I love this question! I really like the one where they’re excited to say hi to the ghost. But the pumpkin onesie is great too. Also any illustration where they have their coffin backpack. I have a friend who has one and I messaged them the second they posted a picture of it, asking if I could include it for Zed in the book because it was just so perfect!

 

HK:   Now that we know that The Fabulous Zed Watson! will not be a stand-alone and that Zed and Gabe are becoming known for solving mysteries, are there plans for additional books beyond Night of the Living Zed?

Kevin Sylvester:  Hmmmmm. We are always ready to cook up new missions for Zed and the gang. But that is, of course, a team decision involving a lot of people. If enough kids read the books and want more… I’m willing and able!

Basil Sylvester:  Who can say? It’s not off the table. We have a lot of fun writing these, so I hope you have as much fun reading as we do writing!

• • • • • • •

I've so enjoyed reviewing Night of the Living Zed and learning more of Basil Sylvester and Kevin Sylvester's experiences with writing this sequel to The Fabulous Zed Watson!

Many thanks to Basil Sylvester and Kevin Sylvester for answering my questions about Night of the Living Zed. And thanks also to Rebecca Silver, Senior Publicist at HarperCollins Canada, for facilitating this interview and sharing a review copy of Night of the Living Zed.

 

Night of the Living Zed

Written by Basil Sylvester and Kevin Sylvester

HarperCollins Canada

978-1-4434-6920-3 

256 pp.

Ages 8–12

January 16 2024

 

Sure, everyone gets ready for Christmas. There's the tree decorating, the shopping, the baking. But what about the "super-duper-stupendousest of all holidays" (p. 3): Halloween! Zed Watson, star of Basil Sylvester and Kevin Sylvester's highly-acclaimed first collaboration The Fabulous Zed Watson! (2021) is all about Halloween, so it's going to be a shame if they miss it because they're heading out of town with best friend Gabe to solve the mystery of Glyndebourne Manor, the house once owned by the rich and famous opera costume and set designer, Charlotte Scherrer. But it's all in support of a good cause: getting a reward that could help elevate the upcoming nuptials of Gabe's sister Sam and partner Jo.

So, determined to spend the required 3 days and 2 nights in the supposedly-haunted house and search for Charlotte's treasure, Zed and Gabe set off on October 29, hopeful of solving the mystery before Halloween. Well, Zed is convinced of it. Gabe is less sure about it, but the operatic flavour of decorations in Charlotte's century-old, 4-storey house gets him interested. Things become more complicated when the rules state that they must move from room to room but never exiting through the door they entered. Only by solving complicated clues related to Charlotte's life and memorabilia do Zed and Gabe have any chance of making it through this challenge. Of course, there's also the ghosts and copious booby traps to trick them, so solving the mystery is a lot less obvious than finding a pile of gold.

 

With humour and compassion, the two friends, face each challenge head on. They carefully scrutinize curious rooms filled with opera collectibles, they construct maquettes, they read personal journal entries, and they piece together Charlotte's life to help them uncover hidden means of egress. But, as long as the ghosts don't impede their progress and they don't runaway, they've got a good chance to find...something?

Night of the Living Zed has all the colour of Basil Sylvester and Kevin Sylvester's first book, The Fabulous Zed Watson!, but it's a fresh new mystery with a different set of characters. Readers will be pleased to visit again with the quirky Zed and Gabe, a pair of young friends with strong but different personalities.  There's non-binary Zed who approaches life at break-neck speed, enthusiastic about vampires and ghosts, eager to interact with the supernatural, and lover of all things Halloween. Gabe is less forward, but still fascinated by and knowledgeable about opera and plants, and loves playing the piano and wearing multi-pocketed clothes. And he's a little ghost-shy. In addition to a host of regulars, like Ph. D. candidates Sam and Jo, and a plethora of named inanimate objects–there's Sam's vehicle Carssandra, Zed's stuffed jackalope Aloysius, and their pumpkin nightlight Willoughby–readers meet Bertie and Hyacinth who are Charlotte's relatives, and a pair of treasure seekers called Soraya and Dean (often called Dan by Bertie).

The characters are wacky and the dialogue between them is priceless. It's this humour, including their gaffes that take Night of the Living Zed from mystery to a romping good time. From doing their Halloween-O-ween inspection–and learning Mrs. Gianelli is upgrading from licorice sticks to candy bars–or Gabe explaining to Zed that "i.e." is Latin for "Id est" and they answer, "You dest? What's a 'dest'?" (p. 80), there's a rich but underlying humour that will make readers smile and laugh out loud. And then there's the mystery. It is not easily solved, neither by Zed and Gabe nor the readers, so we have to hang in through all the ups and downs, and twists and turns, to get our "Aha!" moment.

I know it's a long way off until Halloween–maybe we can look at January as pre-pre-pre-Halloween-O-ween–but a mystery is a great read anytime, and Night of the Living Zed is a great one. With their open heart and enthusiasm for life and for exploring the unknown, Zed can take us and Gabe along on any new adventure they want, ghosts or no ghosts.

 

 • • • • • •

 

The Fabulous Zed Watson (2021)

Night of the Living Zed (2024)