Songs for Ghosts

Written by Clara Kumagai

Penguin Teen Canada

978-1-774882825

399 pp.

Ages 14+

August 2025 

 

Reviewed from audiobook

Penguin Random House Canada Audio 

Narrated by Kenichiro Thomson and Susan Momoko-Hingley  

 

Each story from the past is one for the future. (p. 368)

There are two stories in Song for Ghosts. From different times and different places, these two stories run parallel until they converge. How they converge and why comes from the blending of music with family and the supernatural and Japanese culture. And in the end, a Japanese-American teen learns more about himself from a young Japanese woman from a century earlier. 

 

The story of seventeen-year-old Adam is a contemporary one. He hangs with friends—though he did just have a bad breakup with his boyfriend Evan—plays the cello, goes to Japanese school on Saturdays, and spends time with his family: stepmom Kate, baby half-brother Benny, and Dad when he's not away on military business which is often lately. The second story comes into play when Adam discovers an old book of letters in a wooden box with Japanese writing on it. Thinking it might be connected to his Japanese mom who passed when he was a baby, Adam begins to read the dated letters from a young woman who writes to her recently deceased Obasama (grandmother). And when a ghost begins to appear in his house, Adam is both terrified and intrigued. He wants answers, so he looks to the diary.

 

In this diary of letters, the young woman, who lives in Nagasaki, plays the biwa, a Japanese lute important in storytelling, and begins to take lessons from a blind biwa hōshi. Soon the diary writer is playing for ghosts in order to appease them. Meanwhile, her uncle decides it is time for her to marry, and, though not a man he has selected, she is courted by an American lieutenant. The connection she makes with him, and with his associate Mr. S–, changes the trajectory of her life. And when Adam is approved for a homestay in Nagasaki, he expands his search for information on the diary writer and her story. 

 

Songs for Ghosts, recently nominated for the White Pine award of the Forest of Reading, is a far more involved story than I can possibly recount here. First, Clara Kumagai immerses the reader, through both the diary writer's letters and Adam's visit to Japan, in the richness of Japanese stories and music, and of Japanese history, and of its culture from food to festivals. There is also romance, both for the diary writer and for Adam, though their relationships are complicated. Third, there is much to learn about Adam and his family, both in the U.S. and in Japan, and the bonds he has with them. Needing to learn more about his mother's family takes him to learn more about himself. Finally, I haven't even mentioned the correspondence of Adam's story and that of the diary writer to Puccini's Madama Butterfly. Even with all these distinct storylines and plot elements, Clara Kumagai is subtle and elegant in wrapping them together across time and place, and bringing Adam and the diary writer as well as other characters to merge in a satisfying and redemptive way. As such, readers as well as the ghosts who want to be remembered are appeased.

Never Silent: A Hiroshima Survivor's Story

Written by Setsuko Thurlow and Kathy Lowinger

Illustrated by Michelle Theodore

Annick Press

978-1-77321-985-1

64 pp.

Ages 11+

August 2025 

 

Setsuko Thurlow née Nakamura was born in Kojijn-machi, an eastern part of Hiroshima, in 1932. Her family had been samurai, and she'd had a rich childhood of family and education before the war came. With it, everything changed.

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

As happened worldwide, daily life had to accommodate the threat of attack and the rationing to support military efforts. Hiroshima, a bustling city, was an important transportation and industrial hub and, with its port, it became a critical military harbour. Young children were sent away, food was rationed, and the people were encouraged to make sacrifices for "the glory of the country." (p. 25) As a thirteen-year-old, Setsuko and other girls were recruited to decode messages. August 6, 1945 was her first day as a decoder. She was at army headquarters in Hiroshima when the first atomic bomb was detonated on their city.

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

Setsuko Thurlow's recollections of being buried in the rubble of a collapsed building, helping the countless burned and blinded, being reunited with some family and watching others suffer and die are horrific. And as a child, she lived this horror. Her parents set an unimaginable example of fortitude and courage. Still when those who had survived began to experience mysterious illnesses and die, there was new grief and confusion.

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

Setsuko Thurlow's story does not end with the bombing of Hiroshima. She speaks of the aftermath including Japan's surrender and the occupation by U.S. and British Commonwealth forces, and the call for the abolition of nuclear weapons by herself and other Hibakusha (Japanese for explosion-affected persons) and activist groups worldwide.

 

The story of the bombing of Hiroshima and also Nagasaki is not an easy one. With so much suffering and devastation, any discussion would be brimming with tragedy, emotional distress, and worse. This story is even more so because it is told from the perspective of Setsuko Thurlow, herself a survivor. But Setsuko Thurlow and Kathy Lowinger go beyond the bombing itself and give the reader history of Hiroshima, of World War II, and of Setsuko Thurlow's activism and the awarding of the Nobel Peace Prize to the International Campaign for the Abolishment of Nuclear Weapons (ICAN) with which she is involved. (She delivered the Nobel lecture upon receiving the prize.) 

From Never Silent: A Hiroshima Survivor's Story, written by Setsuko Thurlow and Kathy Lowinger, illustrated by Michelle Theodore

While much of Never Silent: A Hiroshima Survivor's Story is illustrated with countless photographs and images of newspapers and other documents, Edmonton's Michelle Theodore provides artwork that elevates the book from documentation to personal. She uses ink and watercolour markers to create sombre and evocative illustrations that depict both deeply personal and deeply poignant scenes. Her focus is on the Japanese setting and people, but all converges on what they are experiencing whether it be childhood joy, distress with tragedy, or compassion.

 

The 80th anniversary of the dropping of the atomic bomb on Hiroshima was commemorated this past August which is when this book was released. Because many of the Hibakusha are elderly, their stories are precious recollections to inform us and encourage action for peace. Setsuko Thurlow's story in Never Silent gives us a unique perspective but also a comprehensive one by embedding it in the history of Hiroshima, World War II, and the peace movements against nuclear weaponry. It is a touching and enlightening read, and it is one we would be wise from which to learn.

Ojiichan's Gift

Written by Chieri Uegaki

Illustrated by Genevieve Simms

Kids Can Press

978-1-77138-963-1

32 pp.

Ages 3-7

April 2019

When Mayumi was born, her grandfather built a special rock garden to celebrate.  Then each year, she would visit him in Japan for the summer months, spending time with her Ojiichan while learning to tend to the garden, including how to weed, water, prune and the all-important raking of the gravel. Over this task, grandfather and granddaughter would bond.

From Ojiichan's Gift by Chieri Uegaki, illus. by Genevieve Simms

Amidst the bustle of her own city, Mayumi would recall those special times and that Zen garden by studying her tin box of treasures: dried leaves, tiny pine cones and smooth rocks.

From Ojiichan's Gift by Chieri Uegaki, illus. by Genevieve Simms

But with time, things change. Little girls grow up and grandfathers grow older.  The summer comes when Mayumi's parents must visit Japan to pack up Ojiichan's house which, like his garden, cannot be cared for by the now wheelchair-bound man. Frustrated by her Ojiichan's new circumstances, Mayumi's tries to take on the garden. But it's only when she concedes, creating a Zen garden for Ojiichan in a lacquered bento box, that Mayumi can find calm again.

Chieri Uegaki has honoured her Japanese heritage once again, having already helped showcase it in Suki's Kimono (Kids Can Press, 2003) and Hana Hashimoto, Sixth Violin (Kids Can Press, 2014). In these previous stories, a young girl looks up to her Obachan who gifted her with a kimono or to a grandfather who plays Second Violin in a symphony orchestra. In Ojiichan's Gift, a girl is again looking up to a grandparent, here a grandfather who has gifted her with a garden that celebrates her birth. But when he can no longer care for that garden, that little girl, not so little anymore, gifts him with a portable garden that would enshrine his original forever.

... if she closed her eyes and listened, she was certain she could still hear the pebbles' soothing chatter.

From Ojiichan's Gift by Chieri Uegaki, illus. by Genevieve Simms

Genevieve Simms creates that same distinction of adoration and respect in her illustrations. While her artwork goes beyond the garden, including spreads of air travel and life in a Canadian city, it's Genevieve Simms's illustrations of the garden that favour Chieri Uegaki's message of serenity and connection. The rocks and the shrubs, the trees and gravel, bamboo and sparrow all create a living world in a dry landscape. It's a world perfect for meditation and companionship.

The garden may have been Ojiichan's gift to Mayumi and her bento box garden may be the gift she presents to him, but the greatest gift is the relationship between Ojiichan and granddaughter and that's something special to contemplate.

Stealth of the Ninja

Written by Philip Roy
Ronsdale Press
978-1-55380-490-0
225 pp.
Ages 10+
March 2017

When Alfred Pynsent set out in his twenty-foot, diesel-electric submarine three years ago, he was an explorer. He's navigated the Maritimes near his home in Newfoundland, the St. Lawrence River, the Atlantic, Arctic, Indian and Pacific Oceans, South Africa, India and saw more in a few short years, both travel-wise and experientially, than most people do in their whole lives.  And he's just on the cusp of turning seventeen.  But, Al has turned from explorer to eco-warrior having seen the desecration of the oceans first hand.

I know that the sea is dying.  I mean, the water will always be there, of course, but the life in it won't.  And even though there are still days when whales breach in front of my sub, and dolphins race playfully past, and flying fish soar over my head with the funny whispering of their fins, there are much longer stretches  when I see nothing on the water but garbage and torn nets with rotting sea animals, as if the sea were nothing but one humongous human garbage patch. (pg. 2)

Heading to Japan, Al is apprehensive, as months earlier (Eco Warrior, 2015) he had helped the Sea Shepherd Society prevent a tanker from refuelling Japanese whaling ships and he was accused of sabotaging a Japanese tanker in Australia (he didn't).  But, when he discovers an old barnacle-laden freighter, seemingly abandoned, six hundred miles southeast of Japan, it's the beginning of a new adventure for Al that has him learning the ways of ninjutsu, being tossed around in his sub by a tsunami, robbing a new acquaintance's home, and saving a life.

Aboard the rusty freighter, Alfred meets Sensei, a 100-year-old Japanese man, a ninja, who has made the ship his home, growing a garden and collecting the plastic detritus of the oceans within the holds.

His face was gentle, kind and wise.  It was cut with laugh wrinkles, which meant he had probably spent most of his life laughing.  And yet there was something about him that was sad, as if he carried happiness on the outside, but sadness on the inside. (pg. 11)

Sensei teaches Alfred the ways of the ninja– jumping, stealth, stick fighting–and instills in him the disciplines of meditation and exercise, though the perseverance and determination Alfred demonstrates are all his.  When they witness a tsunami encroaching, Alfred and his canine first-mate, Hollie, seek the shelter of the sub but cannot convince Sensei to join them.  Except for a few cuts and bumps on the sub explorers, the submarine survives but the old freighter has flipped and is sitting between 130 and 140 feet below the surface.  Alfred is convinced the plastics have buoyed the ship and that Sensei is still alive.  Heading to the port of Choshi for help, Alfred finds the streets almost deserted because, he soon learns, of the tsunami's impact, most notably on the Fukushima nuclear reactor.  How will he get the help he needs to save Sensei without putting his own life in jeopardy, without getting caught by the authorities looking for him, and without breaking an agreement he made with Ziegfried, his friend and engineer of the submarine?

Stealth of the Ninja is the eighth book (!) in the Submarine Outlaw series and it is as riveting and fresh as any book in the series.  Still amazing is that, although I encourage you to read the whole series because it is so engrossing, Stealth of the Ninja and all its predecessors can stand alone as adventure novels, rife with action and extraordinary characters.  And those characters are truly extraordinary.  From Alfred and his first-mates Hollie and Seaweed to Sensei (whose name we never learn or even need to know) and the Japanese men Yoshi and Hitoshi whom he meets, the characters are so real that I could imagine finding photos of them online and recognizing them instantly.  Moreover, Philip Roy always bathes his stories in such distinctive settings that they are virtual characters.  From the submarine and Sensei's ship to the ocean and the streets of Choshi and Okinawa, Philip Roy creates worlds to which readers can travel in their minds to experience Alfred's  ventures and vicariously face dangers beyond the norm.  Still, though they are wonderful adventure stories, Philip Roy has much to tell us about the oceans and the world and the impact we have on them.  Alfred may seem disheartened at times–though he finds some hope at the conclusion of Stealth of the Ninja–but I think Alfred himself is a source of hope that there are amazing young people out there who care about this world and, recognizing its problems, see themselves as part of the solution. They may not all do it as stealthily as Sensei and Alfred but there's still hope that it's getting done.  By telling the stories of the Submarine Outlaw, Philip Roy gives us all hope as well.

Submarine Outlaw series by Philip Roy

Strange Light Afar: Tales of the Supernatural from Old Japan

by Rui Umezawa

Illustrated by Mikiko Fujita

Groundwood Books

978-1-55498-723-8

144 pp.

Ages 10+

September 2015

Because Rui Umezawa’s eight Japanese folk tales all include some element of the supernatural–ghosts, monsters, magical creatures, or spirits of the dead–these stories are a perfect read for the month of October and Halloween when all things creepy come to reside in the media and in classrooms.  But these tales have several additional key elements to which educators and readers in general will be drawn.  First the stories are firmly embedded in a Japan of fishing villages, cherry blossoms, Buddhists, and mountains, alongside samurai, kimonos and kawauso, lending opportunities to examine an ancient civilization and another culture with which most of us are unfamiliar.  Secondly, these eight stories focus on important life lessons and avoidance of the deadly vices including greed, envy, wrath and sloth.

The first story is called “Snow” and recounts a terrible night when a young boy and his mother are trapped in a snow storm and visited by a Snow Woman who spares the boy’s life on the promise he would never reveal what he’d seen.  It is his betrayal of this promise many years later and without malice that turns his world upside down.  Another supernatural creature appears in “Trickster”, a story in which a peddlar who attempts to cheat his customers with an elixir of questionable efficacy is himself tricked.  Similarly, a young man attempts to keep a beautiful immortal with him by stealthy kindness in “Captive.”

While “Honor” includes a samurai’s horrific death by chopstick, it is an ethical tale of two warriors who take mutual vows of brotherhood and honor each other even after death.  On the other hand, “Envy” examines sibling rivalry in which a jealous brother uses violence to deal with a brother whose goodness repeatedly provides him with wonderful surprises.

In the final three stories, the young men suffer the pains of their own vices, never acknowledging their own roles in their downfalls.  “Vanity” has a young man who feels he loves far too easily given the gift of returning to the time of Buddha to witness his teachings.  In “Paradise”, a lazy, drinking man is given a chance to live in an underwater paradise with a beautiful woman, and though he is wise and compassionate enough to help an abused turtle,

When an animal knows there is no hope, it smothers its own will to survive.  Otherwise, life becomes too painful to bear. (pg. 121)

he is not wise enough to help himself.  And, in “Betrayal”, a married man poisons his wife when he begins to see her as less than perfect.

Each story brings the reader to the fishing villages or festivals or town of a Japan of another time, and Mikiko Fujita’s black and white pencil drawings convey this same other-worldly atmosphere impeccably.  But it is Rui Umezawa’s emphasis on the lessons to be learned and the enlightenment to be had just for reading that will beguile the reader.  The scare factor is minimal–usually associated with the appearance of supernatural beings–but useful in teaching caution, suggestive of the dreadfulness that could arise for living lives of selfishness and wickedness.

Delve into another time and place with these eight stories in Strange Light Afar: Tales of the Supernatural from Old Japan, and teach and learn life lessons that are guided by other-worldly entities who may or may not wish to frighten.

Hana Hashimoto, Sixth Violin

by Chieri Uegaki

Illustrated by Qin Leng

Kids Can Press

978-1-894786-33-1

32 pp.

Ages 4-8

2014

Having recently recommended Hana Hashimoto, Sixth Violin to a fellow teacher-librarian looking for picture books about perseverance, and then noting the numerous book award shortlists that have included this book, I was dismayed to realized I have never reviewed this little gem on CanLit for LittleCanadians.  My bad.  This omission is solely due to my negligence and the overwhelming number of great youngCanLit books I choose to read.  Hopefully this post will put some things to right.

During their summer trip to Japan to visit her grandfather, Hana becomes enthralled with the beautiful music he makes.  As the Second Violin in a symphony orchestra, Ojiichan plays the classical pieces of Mozart and Mendelssohn and Bach, but he could also play requests for his grandchildren and recreate sounds of the natural world like crickets, raindrops, and birds.  

Upon their return home, Hana begins to take violin lessons and, though her older brothers laugh at her efforts, she is determined and even signs up to play in the school talent show.  She may practise for her parents and her dog Jojo and even for her grandfather's photo, but she still feels nervous when her name is called, following five previous violinists!  In her mind, Ojiichan's words of encouragement, "Gambarunoyo, Hana-chan", help her to do her best and consequently captivate her audience, even her brothers.

From Hana Hashimoto, Six Violin by Chieri Uegaki, illus. by Qin Leng

Chieri Uegaki's message of trying to do your best is a global one but one that too often gets lost when children are told that they're great at everything that they endeavour.  That is a disservice we commit.  While Hana is never told she's the greatest and she can do anything to which she puts her mind, she chooses to persevere.  Her achievement in the talent show is not the success of many formulaic books that would have her winning or being showered with accolades (thank you, Chieri Uegaki) but rather in challenging herself to get up on stage and make magical music with her violin.  She does this rather successfully, just as Chieri Uegaki and Qin Leng do.  Qin Leng's illustrations have that light touch that works so well with the musical nature of Hana Hashimoto, Sixth Violin, the Japanese cultural landscape, and the little girl with the quiet strength.  

Without going over the top myself, I can sincerely attest to the faultlessness of including Hana Hashimoto, Sixth Violin on lists for the 2015 USBBY Outstanding International Book List, the Cooperative Children's Book Center 2015 Choices and on shortlists for the 2014 Governor General's Award for Illustration, 2016 Shining Willow, and the 2015 Christie Harris Illustrated Book Prize among others.  It seems that everyone appreciates Hana Hashimoto, Sixth Violin.


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I've posted KidsCanPressMovies book trailer for this lovely picture book here.

Peach Girl

by Raymond Nakamura

Illustrated by Rebecca Bender

Pajama Press

978-1-927-485-58-3

32 pp.

Ages 5-8

May 2014

Here is the story that will bring a smile to every reader's face and teach the value of seeking the truth rather than paying attention to rumours.  It's a sweet story about a brave little girl named Momoko who bursts forth from a peach deposited at the door of a childless farming couple, determined to make the world a better place.

Momoko waits only long enough for her new mother to make clothes for her from the peach skin, for her father to construct a helmet and shield from the peach pit, and for peach dumplings to be made to stave off hunger on her journey.  

"Peachy," said Momoko. "Now I'm ready to go."

Her first goal in making the world a better place is to locate an ogre purported to eat small children.  Along the way, Momoko encounters Monkey, then Dog and finally Pheasant, all who tell her where they believe the ogre lives and the horrors of his size, his teeth and his eyes.  Though each is nervous, the promise of dumplings that the animals can see and smell convince them to join her.

Working together to reach the ogre's island castle, the bravado each exhibits dissipates quickly, except for Momoko, whose sureness of purpose and diplomatic inquiries welcome the truth of the ogre.

Based on a traditional Japanese folktale about a peach boy named Momotaro who fights demons, Raymond Nakamura updates the story with a strong female protagonist as an activist, rather than a warrior.  Her no-nonsense attitude and tact are the armaments of her endeavour, ones she embodies rather than carries. 

However, I have to say that her outfit and accessories are rather peachy, and her face inspiring, all courtesy of illustrator Rebecca Bender, art director at Pajama Press.  The realism of Rebecca Bender's artwork is not weighed down with excessive detail, though it is sufficient to engage the readers in a storytelling that could be real, until the ogre shows up, of course.  

Momoko's disregard for rumours and the directness of her engagement with everyone, from her parents to the animals and the ogre, can certainly teach us all a lesson or two.  With fortitude and respect (she never negates the animals' stories of the ogre), and a healthy dose of trust, Momoko is able to make a start on creating a better world.

Kenta and The Big Wave

Written and illustrated by Ruth Ohi

Annick Press

978-1-55451-576-9

32 pp.

Ages 4-7

July, 2013 

Most Canadian young readers will recognize Ruth Ohi's distinct style of illustration which blends softness with gravity and whimsy. (I know, how is that possible?) Check out Hazel Hutchins' Nicholas at the Library (Annick Press, 1990) and The Sidewalk Rescue (Annick Press, 2004) and Joy Kogawa's Naomi's Tree (Fitzhenry & Whiteside, 2010) and Naomi's Road (Fitzhenry & Whiteside, 2005) to see how Ruth Ohi has taken others' text and magnified it into astounding stories.  With her own books, including Chicken, Pig, Cow (Annick Press, 2008) series, Clara and the Bossy (Annick Press, 2006) and Me and My Sister (Annick Press, 2005), Ruth Ohi has found the means to share compassionate stories that teach about getting along with others. While focusing on a historical event, Ruth Ohi brings these same virtues to her newest Kenta and The Big Wave.

Based on the tsunami that hit the coast of Japan in 2011, Kenta and his family are part of the population that responds to the sirens and evacuates to higher ground and the shelter of the school gym.  With each step of Kenta's family's journey to safety and in dealing with the aftermath of the devastation, Kenta's beloved soccer ball travels across the turbulent ocean.

While Kenta and The Big Wave may seem a simple story with a happy ending with regards to a boy's lost soccer ball, it has far greater depth in its story-telling and illustrations.  Ruth Ohi ensures that the reader understands the breadth of the tsunami's destruction and the effects on Kenta's community first and foremost. The overwhelming waves on double-page spreads fully engulfing the soccer ball are reminder enough.  But, although she never trivializes the context of Kenta's soccer ball story, she tenderly demonstrates how important that ball is to him.

I know that Kenta and The Big Wave will touch many readers, though I suspect there will be many a teacher who will recognize the multitude of teachable moments in the book: perspective, compassion, loss, grief, generosity and tsunamis.  Here is a story that explains, with kindness, that which seems almost inexplicable.

Neil Flambé and the Tokyo Treasure

Written and illustrated by Kevin Sylvester

Simon & Schuster

978-1-4424-4288-7

352 pp.

Ages 8-12

October, 2012

In Kevin Sylvester's fourth installment in his Neil Flambé Capers, Neil Flambé has gone manga, courtesy of his cousin, partner and sous-chef, Larry, who has been collaborating online with illustrator Hiro Takoyaki. Their comic, The Chef, starring our young gourmet prodigy, has even been offered a book deal.  So Larry is off to Tokyo and leaves Gary, the shabby bike courier, as his replacement.

As unconventional and careless as Gary may be, his Aboriginal heritage helps bring the restaurant, Chez Flambé, a new reputation as the place to go for seafood cuisine, and Neil almost prefers Gary to Larry's antics.  But when news comes that Larry and Hiro have been killed in a storm at sea, Neil is devastated.  That is, until he notes an almost inconspicuous change in the online comic which Neil takes as a message that Larry is alive.  So Neil arranges to participate in a series of kitchen duels in Japan so he'd have an excuse to search for Larry.  Unfortunately, the kitchen duels in which Neil agrees to participate are organized by Matsumoro Nori, a heartless mega-billionaire who makes his money illegally, even peddling in endangered species. 

In Tokyo, Neil competes against Nori's enslaved chef, Kong, while risk-taking judges play Russian roulette with their own lives.  Between rounds of haiku deciphering, ingredient searching and death-defying cooking, Neil works with his friends detective Nakamura, Isabella Tortellini and her chaperone/bodyguard Jones to locate Larry.  Ultimately, the group must discretely unravel the puzzle of an ancient scroll, evade ninjas, and manoeuvre a submarine, all within the sensual experience that is Japan.  The spices, the scents, the landscape, the people, the landscape - all enrich the adventure and mystery in Neil Flambé and the Tokyo Treasure.

If possible, Neil Flambé and the Tokyo Treasure may be Kevin Sylvester's best yet.  And, considering the fact that the first three Neil Flambé books (Neil Flambé and the Marco Polo Murders, Key Porter, 2010; Neil Flambé and the Aztec Abduction, Key Porter, 2011; Neil Flambé and the Crusader's Curse, Simon & Schuster, 2012) have all been nominated for Silver Birch Fiction awards, the first volume winning the award in 2011, that's astoundingly high praise.  Neil is growing into himself (that sounds rather painful, doesn't it?), becoming less arrogant and more compassionate, and Larry has become more sure of himself and even more prolific in his punny ways (earning this volume a place in my upcoming WordPlay book list).  And with the addition of quirky Gary and unethical gourmand Nori, Neil Flambé and the Tokyo Treasure is a bountiful buffet where dessert is the main course.