Benjamin Grows a Garden

Written by Melanie Florence

Illustrated by Hawlii Pichette

Kids Can Press

978-1-5253-0321-0

40 pp.

Ages 3–7

September 2025

 

Melanie Florence introduced us to Benjamin in Benjamin's Thunderstorm (2023), also illustrated by Hawlii Pichette, and we got to know the little boy who learns more about his Cree culture and language while partaking in ordinary activities like playing in the rain and listening to the thunder. By making connections with his Indigenous heritage, Benjamin's experiences are far richer and more meaningful. This time, in Benjamin Grows a Garden, it is spring, and the boy is back outside and enjoying preparing a garden with his mother.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

With spring birds accompanying their efforts, Benjamin and his mother prepare the soil for the seeds that will grow into a variety of fruits and vegetables that feed the family and their community. He's already anticipating the corn, beans, and squash that will go into Three Sisters Soup; the berries that will be served with bannock; and the zucchini, tomatoes, and pumpkins that will become stews and pies and salads. 

 

Into the rich tilled soil, Benjamin drops the corns seeds and waters them. Later on, when they have grown a bit, bean seeds are planted. And even later, the squash is planted, so that the corn supports the bean vines, and the squash beneath keeps the soil damp and cool.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

This is an impressive garden, diverse in its offerings and expansive in its magnitude. With sun and water and careful attention to the garden's needs, there is a bounty to enjoy and share.

  Benjamin loved springtime.

  Spring was when Benjamin and his mother planted 

their garden together and watched it grow. (pg. 29)

This book was released last fall, but I think it's a perfect time to think about the coming spring and the opportunities for making a garden. Many are perusing seed catalogues right now in preparation, and I suspect Benjamin's mother will be doing the same, unless she derives all her seeds from her own plants. But, more than just the planting of seeds, Benjamin and his mother partake in a traditional discussion of why they plant what they do and speaking Cree as they name that which is planted. (A "Pronunciation Guide" provided by Dr. Arok Wolvengrey of the First Nations University of Canada presents help with this vocabulary.) As such, Melanie Florence, award-winning author of Missing Nimâmâ (illustrated by François Thisdale, 2015) and Stolen Words (illustrated by Gabrielle Grimard, 2017), makes planting a garden more than just the mechanics of getting seeds into the ground. Melanie Florence makes it a bonding time for mother and son, and a preservation of culture, language, and tradition.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

Hawlii Pichette, the Mushkego Cree urban mixed-blood artist who illustrated the first Benjamin book, continues to support Melanie Florence's story with visuals while furthering the culture through her Woodland style of art. Hawlii Pichette may use digital tools to create her art, but she retains the distinct elements of bold colours, thick black outlines, and segmented interiors for vegetables, trees, shirts, and more. With her style and emphasis on Benjamin and his mother's work tending to the land, the organic connection is evident. There is a distinct warmth of relationship to nature and between family that comes through in Hawlii Pichette's illustrations.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

If land and opportunity presents, now is the time to start thinking about planting a garden in the spring. Whether you and your children follow in the traditions of Benjamin and many Indigenous Peoples in the planting of corn, beans, and squash, or consider the countless other fruits and vegetables that might be grown from seeds, your bounty will include far beyond a mouthful of food.

 

• • • • • • • 

Benjamin's Thunderstorm (2023)

Benjamin Grows a Garden (2025)

What's in Alanna's Secret Sauce?

Written by Sarah Jane Conklin

Illustrated by Venus Angelica

Monster House Publishing

978-1-99822-308-4

38 pp.

Ages 6-9

September 2024 

 

I can't think of a better picture book to share for Thanksgiving than What's in Alanna's Secret Sauce?, which will the first book I will have reviewed from New Brunswick's Monster House Publishing. I'm just thankful that I read it this week and was able to get a review out in a timely manner.

From What's in Alanna's Secret Sauce? written by Sarah Jane Conklin, illustrated by Venus Angelica

As a child, Alanna helped her Nan in her garden, sowing seeds and bulbs for tomatoes and onions, garlic and herbs, and more. When they harvested, it was time to bring out the great big pot and start cooking. As their sauce cooks, Alanna is amazed by the aromas, both proud and intoxicated. But the smells that waft from their kitchen drift onto the street and draw neighbours and even strangers to the house. Even before the sauce is done, Nan tells visitors to come back for supper.

More people came to taste the sauce,

Its scent spilled through the town.

Her Nan invited all to dine,

Despite Alanna's frown.

From What's in Alanna's Secret Sauce? written by Sarah Jane Conklin, illustrated by Venus Angelica

They all return, everyone bringing what they are able, whether it be drinks or spaghetti, bread or prayers of thanks. And, miraculously, there is enough for all. 

Later Alanna grows into a chef and holds dear that recipe, but she carries on the traditions of generosity and sharing, having learned that the secret ingredient was not something that had to be picked and chopped or squirrelled away in the pantry.

At 9 years of age, it was all about Alanna and what she wanted, from insisting that all the seeds were hers–"They're all mine!"–as is the sauce–"I picked clean each vine, the sauce is mine, I'll keep it all myself"–to her worry that there wouldn't be enough sauce for her if they shared with others. She couldn't see beyond herself. This isn't unusual for very young children who see everything that happens as it relates to them. Fortunately, Alanna has a very wise Nan who guides her to experience generosity and gratitude by opening her heart and her kitchen to all.

"If everyone would do their part–

Contribute what they're able,

There'll always be enough for all,

If just brought to the table."

Similar to the parable about the fish and the loves, What's in Alanna's Secret Sauce? isn't about cooking or a recipe. It's about feeding masses with very little, all courtesy of a miracle. Nan's pot, even cauldron size, should only feed a limited number of people but, by some marvel, there is plenty. And there always is plenty in our world. People should not be going hungry. Author Sarah Jane Conklin, who currently lives in Nova Scotia but hails from Newfoundland, opens her story with a quote from Bono: "If you want to eliminate hunger, everybody has to be involved." Sarah Jane Conklin takes that sentiment and lodges it at a grass roots level in Nan's kitchen which she opens to everyone and anyone. Her secret sauce may draw them in, but everyone shares something, whether it be food, drink or sentiment, to turn a little sauce into a phenomenon to feel the belly and soul. And it's a lesson she teaches her grandchild by example.

From What's in Alanna's Secret Sauce? written by Sarah Jane Conklin, illustrated by Venus Angelica

I didn't know the work of illustrator Venus Angelica, originally from Toronto and now of Fredericton, but, wow, did she take me into Nan's garden and her kitchen, and even onto the street from which strangers and neighbours alike are drawn in. Her palette of autumnal colours of red, orange, green and yellow reflect the time of the harvest and also the time of Thanksgiving. Moreover, though they are just cooking and eating, there is life in Venus Angelica's art, from the bounce of Alanna's long curly hair to the swirls of aromas wafting from their cooking pot. And there is always goodness in the smiles of those partaking in the sauce to those doing the dishes and especially for Alanna's Nan who gives without reservation.

 

Having recently filled my own kitchen with jars and jars of tomato sauce and salsa, What's in Alanna's Secret Sauce? reminds me of the busyness and creation of good food. But it's the sharing of that food, giving without expectation, that brings the greatest joy and achieves the greatest good. So, this Thanksgiving, give thanks for food and give food to share, so that all have enough. And that's not much of a secret.

Garden Wonders: A Guidebook for Little Greeen Thumbs (Little Explorers Series)

Written and illustrated by Sarah Grindler

Nimbus Publishing

978-1-77471-143-9

32 pp.

Ages 4-8

March 2023

 

While many in the US were celebrating National Gardening Day yesterday (April 14), our own National Garden Day takes place on the Friday of the week of Father's Day so June 16, 2023. Still, I'd rather not wait another two months to share Sarah Grindler's picture book Garden Wonders with its sweet illustrations and lessons about how to garden, from what to grow and what is needed to help plants grow.

From Garden Wonders: A Guidebook for Little Green Thumbs by Sarah Grindler

Whether you're on the west coast, as is author-illustrator Sarah Grindler, on the prairies, on the east coast or in an urban setting, a rite of spring is preparing a garden. It might be a large vegetable plot, or flower cutting garden, or perhaps containers of herbs for culinary endeavours. Regardless, starting a garden and sustaining it is pretty much the same.

From Garden Wonders: A Guidebook for Little Green Thumbs by Sarah Grindler

After taking us through the garden gate of her garden, which including a lovely tabby cat, Sarah Grindler starts with explaining the need for soil and the components that help things grow. She discusses nematodes and moisture, aeration and ensuring sufficient nutrients and minerals. 

Next, she discusses the planting of seeds for successful germination, giving helpful tips about watering and a visual example of how to plant. Sarah Grindler also delves into perennials, biennials, and annuals; veggies that are root vegetables or leafy greens; and all the creatures, both beneficial and harmful, that might be found in a garden.

From Garden Wonders: A Guidebook for Little Green Thumbs by Sarah Grindler

Garden Wonders: A Guidebook for Little Green Thumbs has a very retro feel to it, both in its text and illustrations. There is a nostalgic feel to the picture book, reminiscent of Little Golden Books, which relied on traditional storytelling rather than cartoons, sauciness, or issues-driven tales. Sarah Grindler's picture book is to inform but she does it with colour, using watercolour and more, and gentleness with the reality of her art and the modesty of her words. 

There are so many types of amazing gardens.

Creative gardens are everywhere, and you don't

need a lot of space to plant your very own.

What would you like to grow?

She's encouraging while thoughtful, understanding the breadth of opportunities–some limited, some vast–that young explorers might have to growing a garden. And, with an offering of several gardening projects for kids to try,  Sarah Grindler takes us into the garden to learn and grow in a calm and unassuming way.

• • • • • • •

 

If your little explorers might like to venture out into the forest or the seaside as well as the garden, I might recommend the other books in this series from Sarah Grindler.

Seaside Treasures: A Guidebook for Little Beachcombers 

(Nimbus, 2019)

Forest Magic: A Guidebook for Little Woodland Explorers 

(Nimbus, 2021)

Garden Wonders: A Guidebook for Little Green Thumbs 

(Nimbus, 2023)

The Bee Without Wings

Written and illustrated by Amberlea Williams

Princeton Architectural Press

978-1-797222509

40 pp.

Ages 4-8

March 2023

Though some parts of Canada will still be hit by significant snowfalls today, we'll all be anticipating spring and all that that season brings with it: bees, flowers, warmer temperatures, rain and so much more. But things aren't always as expected as Sasha learns.

From The Bee Without Wings by Amberlea Williams

While out with her cat Molly, Sasha finds a bee that is acting differently. She soon realizes it has no wings. She tries to help it, first by bringing it to a flower and then, when that is unsuccessful, by offering it sugar water. After a few sips, the bee is energized. But Sasha knows that, without wings, the bee's life will be very difficult. And so, Sasha takes responsibility for Bea, giving it shelter, food, and safety. Still Sasha knows that Bea longs to fly, and so she devises a contraption that would give Bea the pleasure of flight.

From The Bee Without Wings by Amberlea Williams

But bees do not live forever, and Sasha can see Bea slowing down and eating less. The loss is hard for Sasha and Molly, but they find a way to honour her, and, with much planning and research, Sasha does just that the next spring.

There are so many lessons that parents and teachers can take from The Bee Without Wings whether it be about a bee's life cycle or dealing with loss, but Ottawa's Amberlea Williams doesn't overwork those messages. Instead, she gives us a story of a compassionate child who loves being out in the natural world and recognizes a need to care for living things. In a world of "Me! Me! Me!" it's refreshing to see a child whose heart is full of wonder and empathy. From the child's words and actions to Amberlea Williams's gouache and coloured pencil illustrations, there is brightness and kindness. Even with the tragedy of a wingless bee and her inevitable passing, Amberlea Williams gives us lightness and joy, from eyes bright with curiosity and feeling, to landscapes magnificent in both flowers and snow.

From The Bee Without Wings by Amberlea Williams

Amberlea Williams appends her story with pages about caring for early spring bees and creating your own bee-friendly garden, thus giving young readers an opportunity to do good in the natural world themselves. But, even without those conservation efforts, young readers are encouraged to open their eyes and observe nature as it is. Sasha may have benefited serendipitously by her actions, making a friend in Bea, but her efforts were wholly altruistic, giving Bea sanctuary where her physical limitations may have hampered her. It's a feel-good story that confirms the insight of Laozi that "Great acts are made up of small deeds.”

• • • • • • •

 

An activity sheet from the book is available from the publisher for download here.

 

The Dog's Gardener

 

Written by Patricia Storms

Illustrated by Nathalie Dion

Groundwood Books

978-1-77306-256-3

36 pp.

Ages 4-7

April 2021

Depending on where you are located in Canada, Patricia Storms's story of The Dog's Gardener may already be in full swing or just starting, or perhaps a few weeks away if there are still occasional frosts. But, as the gardening season slowly ramps up, you know there are dogs like Dutch who are ready for the outdoors.

 

From The Dog's Gardener by Patricia Storms, illus. by Nathalie Dion

Told from a dog's perspective, The Dog's Gardener recounts a day of togetherness. From the early morning when Dutch hears her footsteps but waits for her to wake him up, pretending "to be asleep, just so I can hear her gentle voice."  And...

Then I wait for those beautiful words.

"Okay, Dutch. Let's go outside."

With that, the two companions make their way outdoors to an expansive garden of trees, flowers, and vegetables.

From The Dog's Gardener by Patricia Storms, illus. by Nathalie Dion

He knows her routines, from her heading to the dark and dusty shed that frightens him, to her midday rest at the great stump. And he has his own routines, waiting outside as she gets her tools from the little house, to rolling in the grass and napping at her feet when she rests, and anticipating the delight that comes with the turning on of the water hose.

From The Dog's Gardener by Patricia Storms, illus. by Nathalie Dion

Their day of gardening is a lesson in mindfulness, focusing on the task at hand, whether it be digging, watering, rolling or resting. And it's about being together with someone who is different and appreciates the same things but differently.

The Dog's Gardener is a lazy, summertime read of such depth of feeling between a dog and a human that the outdoors almost feels like another character in their story. Patricia Storms, whose picture books include Moon Wishes and Never Let You Go, conveys that contentment of task and company, together but separate, each pursuing outdoor joy, ending her story, as the pair head inside at the end of the day, with a single significant word: together.

Nathalie Dion, whose illustrations graced both The Big Bad Wolf in My House and I Found Hope in a Cherry Tree, does well in creating artwork for stories with emotional connections between characters, even if those characters are non-human. Because the relationship in The Dog's Gardener is one of serenity and affection, Nathalie Dion's illustrations, which are created with hand-painted gouache textures combined with painting using a digital pastel brush, are reflective of its uplifting nature. The colours are warm and bright, the activity of dog and human are distinct and harmonious, and the story moves gently from morning to end of day.

For dog-lovers and gardeners, The Dog's Gardener is a complete package of fellowship and appreciation for the now, of undertakings and of company, of surroundings and of inclinations. For those who are neither, The Dog's Gardener is what we should be: mindful of what we're doing and with whom and appreciating every positive moment.

What Grew in Larry's Garden

Written by Laura Alary

Illustrated by Kass Reich

Kids Can Press

978-1-5253-0108-7

32 pp.

Ages 4-7

April 2020

What Grew in Larry's Garden is far more than meets the eye, or the tongue, in this picture book about fruits and vegetables that help build community.

Larry, a teacher, has a small but impressive garden next door to young Grace who likes to help him.

From What Grew in Larry's Garden by Laura Alary, illus. by Kass Reich

There were buttery yellow carrots and purple potatoes. Rainbow chard and scarlet runner beans. Rosy tomatoes the color of ripe peaches. And black ones with red insides.

Together they garden, nurturing the plants and enjoying harvests. When problems arise, like bugs and squirrels, Larry always says, "We can figure this out." His positivity and efforts lead him to encourage his students to grow their own tomato plants from seed and to gift them to others, explaining in letters why they'd been chosen. From gifts of thanks or apologies or to helping them face their fears, Larry was actually allowing his students to connect with others.

From What Grew in Larry's Garden by Laura Alary, illus. by Kass Reich

But when a neighbour adds a big panel to the top of his fence, blocking the sun out of Larry's garden, it's Grace who figures out a way to make things right, echoing back to Larry that he will just need to "Wait and see" what her idea is.

From What Grew in Larry's Garden by Laura Alary, illus. by Kass Reich

Laura Alary based What Grew in Larry's Garden on Toronto teacher Larry Zacharko's project to use tomato plants to help his students connect with their community. Although this endeavour is but a portion of the story of What Grew in Larry's Garden, the whole story is supportive of the need to build community, whether it is by gifting a tomato plant, helping others, making compromises or reaching out to those who seem immovable. Laura Alary makes sure to communicate through her text that community comes with time and effort and is worth both.

Versatile artist Kass Reich–she has written and illustrated a series of Hamster concept books as well as provided art for the Megabat series and other picture books–uses gouache and coloured pencils to bring Larry's garden and his community to life. She uses colour and shape to embrace the reader in a neighbourhood of picturesque houses and arboreal splendour and a garden so textured with life that it's hard to believe there's room for Larry and Grace and a ginger cat to work and play. Fortunately, their efforts at creation and connection produce far more than a garden of fruits and vegetables. They also create a closeness of people and place.

What Grew in Larry's Garden is rosy reciprocity, budding bonds and sprouts of support. Ah, for every garden to be this lush. 

From What Grew in Larry's Garden by Laura Alary, illus. by Kass Reich

The Imperfect Garden

Written by Melissa Assaly

Illustrated by April dela Noche Milne

Fitzhenry & Whiteside

978-1-55455-408-9

36 pp.

Ages 4-8

2019

I know that it's still winter for many of us. Here in southern Ontario we have snow on the ground and below zero temperatures. But this is the time of year gardeners are perusing gardening catalogues and ordering seeds to germinate indoors or sketching out plans for their outdoor veggie gardens. Let Toronto's Melissa Assaly and Vancouver's April dela Noche Milne motivate you to start planning your own garden with The Imperfect Garden.

From The Imperfect Garden by Melissa Assaly, illus. by April dela Noche Milne

A child and his mother prepare a garden each spring, hopeful of growing their own food. In April they plant, and in June the first cucumbers are ready for picking. But Jay is fascinated by their shapes, so unlike the very straight cucumbers they see in the grocery stores. His mother explains that shoppers seem to prefer the straight ones so the unusually-shaped ones are thrown away.

In July, it's the carrots that are picked and again the child is intrigued by the odd shapes, so unlike those in the store, though they taste "crunchy and delicious." In August, it's apple-picking time and he delights in the assortment of colours and shapes. It doesn't matter what they look like as "Mom says all apples taste delicious in pies" and, by not discarding the less-than-perfect ones, they have sufficient for two pies.

From The Imperfect Garden by Melissa Assaly, illus. by April dela Noche Milne

When the growing season has passed and Jay and his mom go to the grocery store, he misses the variety of shapes they produced in their own garden.

Where are the two-legged carrots, the twirly-whirly cucumbers, and the funny-faced apples? Don't grownups know they all taste the same? Even better, maybe?

Fortunately, the imperfect ones are still available and at a reduced cost.

Melissa Assaly's The Imperfect Garden will raise interesting discussions about gardening with children but also about food wastage. She shares notes about both, providing tips for planting with children but also about how much food is wasted when so many go hungry.  In her inviting story about a mother and child growing their own food and appreciating whatever grows, however it grows, Melissa Assaly will make us all think about why we think some foods are considered "perfect" when they are still very edible and tasty, and how we can change that attitude with our children. Jay's pleasure in finding heart-shaped kiwis and other oddities suggests that we've learned and taught our children poorly when they think that only one kind is the right kind.

I like April dela Noche's earthy illustrations, from her misshapen fruits and vegetables to her characters' clothing to a yard that is less manicured and more wild and real. At this time of year, it's lovely to see what will be and can be and to feel the warmth and green of the natural world growing, producing and feeding. In The Imperfect Garden, everything is perfect.

From The Imperfect Garden by Melissa Assaly, illus. by April dela Noche Milne

And Then the Seed Grew

Written and illustrated by Marianne Dubuc

Kids Can Press

978-1-5253-0207-7

32 pp.

Ages 3-7

September 2019

Above ground, a seed falls onto the soil and, observed by a green sprite and a gnome, begins to grow. But its impact below ground is as impressive as what the world sees sprouting above for And Then the Seed Grew is as much about a plant's life cycle as it is about community.

From And Then the Seed Grew by Marianne Dubuc

In a garden above ground live little Jack and Mr. Gnome, though the inhabitants below ground–Yvonne the mole, the Field Mouse family, Paulie the earthworm and Colette the ant–often make their way up there too. When a new seed begins to grow, it sends its root into the bathroom of the mole's home–she has a multi-chamber abode–and blocks Colette's path. Though Yvonne sets to work with her tools to repair the damage, the root continues to grow, repeatedly blocking the ants' paths and even interrupting Susie's birthday party at the Field Mouse home.

The below-ground animals are not pleased with the changes they have to make and are exhausted in trying to deal with the encroaching plant. Yvonne can no longer use her bathroom, the Field Mouse family have to move and the ants are dizzy with the detours they've had to make. Even Mr. Gnome is impacted by the growth of the plant's stem and leaves and now yellow flowers, all virtually trapping him in his house. At an emergency meeting, they agree to cut the plant down. That is, until little Jack helps them see the plant's value in shade, in sight lines and in its newly formed fruit.

From And Then the Seed Grew by Marianne Dubuc

Teachers will find And Then the Seed Grew a charming way to teach a plant's life cycle. From the breaking of the seed coat to the first root and leaves to the flowers and fruit and then seed again, young readers will learn about how a plant grows. And though there are supernatural elements–I have yet to see a sprite or gnome around my tomato plants–there are important lessons about the interrelationship of living things and the complexity of ecosystems below ground. Marianne Dubuc's cutaway illustrations make a segment of the natural world, albeit a fantastic one, up-close and revelatory. But there is so much more to And Then the Seed Grew than just a science lesson.

Marianne Dubuc's story, originally published in French as Le jardin de Jaco (2018),  does much to support Ralph Waldo Emerson's idea that a weed is but a plant whose virtues have not yet been discovered. All the creatures of this community are feeling the impact of a new arrival, so different than anything they've known, but they all benefit from its presence, not the least of which is the building of that community to one of friendships. I know it's just a tomato plant and just a few mythical and some earthly creatures, but And Then the Seed Grew could be an allegory of accepting new members into our community who may be unfamiliar and even initially unsettling because of our own perceptions of their impacts. But, the creatures of And Then the Seed Grew recognize in time that with tolerance comes fruitful blessings. It's a universal lesson of acceptance.

From And Then the Seed Grew by Marianne Dubuc

Double Trouble (Orca Currents)

Written by Joanne Levy

Orca Book Publishers

978-1-4598-2133-0

132 pp.

Ages 9-12

August 2019 

While many of us display different personalities depending on the circumstances–reserved, outgoing, chatterbox, leader, etc.–Victoria Adelman takes it to a whole different level when she meets Jazzy, the granddaughter of her neighbours and a potential new best friend. She actually becomes her own twin.

With her best friend Anna having moved away, Victoria fills her time cultivating her organic garden, feeding her family–her Dad and grandmother Bubby–and their neighbours and tending to her compost. But when she meets the Patels' granddaughter Jasvitha (Jazzy) shortly upon returning home from synagogue, Jazzy gets the impression that Victoria likes fashion and dressing up. Later when she spots Victoria wearing her grubby gardening clothes and working with her worm bin, Jazzy apparently does not recognize her and keeps asking for Vicky. Victoria, desperate for a friend, pretends to be Tori, Vicky's twin sister, and launches the charade of switching between the garden-loving Tori and the fashionista Vicky, depending on when she sees Jazzy.

But you know things cannot go smoothly when you attempt to deceive and must alter your personality and dress for one person and keep all the others in the dark.

I suddenly felt guilty. Because not only had I made up a sister, but now I was trash-talking her. To the girl I'd lied to. (pg. 68-69)

From a trip to the Royal Botanical Gardens with Mr. and Mrs. Patel and Jazzy, and a shopping trip with Bubby and Jazzy, Victoria is torn between being herself and the person she thinks will win her a new friend in Jazzy.  And then there's the sleepover which Jazzy expects to have with Tori and Vicky. Will it all blow up for Victoria or will she get the friend she is desperate to have?

While Joanne Levy has brought us stories with extraordinary circumstances (see Small Medium at Large, 2012), she does equally well with middle-grade stories that are typical of most young people. Whether it's friendships or family, bat mitzvahs or first crushes (Crushing It, 2017 and Yael and the Party of the Year, 2018, writing as Tamsin Lane), Joanne Levy brings the humour to everyday ups and downs in a middle-grader's life. Moreover, she gets that eagerness to be accepted by your peers, when you'd try just about anything to be liked. The farce that becomes Victoria's life is so representational that I could imagine a young reader wondering if they could pull off faking being twins too. (My advice based on Victoria's experience: Don't.)

Readers will enjoy the ridiculousness of Victoria's deception, which is never spiteful nor mean-spirited, and the farcical scenes of her attempting to pretend to be both Vicky and Tori in this short, hi-lo novel. Still, fortunately, they'll be left with the honest message that self-acceptance will always triumph over pretending to be someone you're not, though you might get a few laughs, plus some heartache, along the way if you do.

Me, Toma and the Concrete Garden

Written by Andrew Larsen

Illustrated by Anne Villeneuve

Kids Can Press

978-1-77138-917-4

32 pp.

Ages 3-7

May 2019

There will be many kids whose summer vacation will include hanging out with relatives, away from home. But if that away-from-home holiday is also based in the wide-openness of unstructured time without benefit of anchors such as immediate family and friends, it may seem insurmountable or boring. Still, sometimes it's necessary to take a chance on beginning something new for growth to happen.

From Me, Toma and the Concrete Garden by Andrew Larsen, illus. by Anne Villeneuve

Vincent has been sent to stay with his Aunt Mimi for the summer while his mother recuperates from an operation. A box of dirt balls from a secret admirer–"Are you sure this secret person even likes you?" I say. "They gave you a box of dirt!"–adds to the grayness of Vincent's new surroundings until he makes the acquaintance of Toma. As an icebreaker, Vincent brings down some of the dirt balls and suggests they throw them over the tall brick wall into the empty lot. An elderly man whom Toma calls Mr. Grumpypants  is watchful of their distraction.

From Me, Toma and the Concrete Garden by Andrew Larsen, illus. by Anne Villeneuve

What begins as a tiresome holiday becomes a summer with a new friend, playing ball, reading comics, visiting the ice cream truck and more when Mr. Grumpypants points out to the boys, balcony to balcony, that the empty lot is starting to green. In fact, Mr. Grumpypants whose name is Marco is a kindly gardener who helps the boys water the garden through the fence and teaches them about the flowers that had been sheltered in the dirt balls.

But when Vincent's mother feels well enough to have him home, he's saddened to leave everyone and the garden behind. Thankfully there's much to occupy a child before their next summer holiday and it will be a wonderful surprise when Vincent and Toma are reunited again and extend their gardening into something even more special.

From Me, Toma and the Concrete Garden by Andrew Larsen, illus. by Anne Villeneuve

Like his earlier picture book, See You Next Year (Owlkids, 2015), Andrew Larsen gets into the head of children on summer holidays. In Me, Toma and the Concrete Garden, Andrew Larsen emphasizes the turnaround from the gloomy unknown of new place to a brightness that comes from belonging. That goes for both Vincent and the apparently worthless dirt balls. It is the unknown that makes for the dullness. But, with time and a little nurturing, the new friendship and the piles of dirt blossom into something invaluable.

Though I know that Anne Villeneuve, author-illustrator of Loula is Leaving for Africa (Kids Can Press, 2013) and other books, typically uses ink and watercolour, it seems highly appropriate to use those two media in a picture book in which colourful blooms sprout from soil balls. By emphasizing the black ink in her opening illustrations with only celadon and rose to relieve the gloom, Anne Villeneuve hints at the coming of verdant green and colourful florals. Moreover, with her wonderful assortment of people and animals, from a toddler with his mother to other children, middle-aged persons and the elderly Marco, Anne Villeneuve brings life to a community in which children and flowers can grow.

Many may dismiss unstructured summers in urban settings as flat and uninspired for children but Me, Toma and the Concrete Garden makes it clear that sometimes the incredible can sprout from very little.

Ojiichan's Gift

Written by Chieri Uegaki

Illustrated by Genevieve Simms

Kids Can Press

978-1-77138-963-1

32 pp.

Ages 3-7

April 2019

When Mayumi was born, her grandfather built a special rock garden to celebrate.  Then each year, she would visit him in Japan for the summer months, spending time with her Ojiichan while learning to tend to the garden, including how to weed, water, prune and the all-important raking of the gravel. Over this task, grandfather and granddaughter would bond.

From Ojiichan's Gift by Chieri Uegaki, illus. by Genevieve Simms

Amidst the bustle of her own city, Mayumi would recall those special times and that Zen garden by studying her tin box of treasures: dried leaves, tiny pine cones and smooth rocks.

From Ojiichan's Gift by Chieri Uegaki, illus. by Genevieve Simms

But with time, things change. Little girls grow up and grandfathers grow older.  The summer comes when Mayumi's parents must visit Japan to pack up Ojiichan's house which, like his garden, cannot be cared for by the now wheelchair-bound man. Frustrated by her Ojiichan's new circumstances, Mayumi's tries to take on the garden. But it's only when she concedes, creating a Zen garden for Ojiichan in a lacquered bento box, that Mayumi can find calm again.

Chieri Uegaki has honoured her Japanese heritage once again, having already helped showcase it in Suki's Kimono (Kids Can Press, 2003) and Hana Hashimoto, Sixth Violin (Kids Can Press, 2014). In these previous stories, a young girl looks up to her Obachan who gifted her with a kimono or to a grandfather who plays Second Violin in a symphony orchestra. In Ojiichan's Gift, a girl is again looking up to a grandparent, here a grandfather who has gifted her with a garden that celebrates her birth. But when he can no longer care for that garden, that little girl, not so little anymore, gifts him with a portable garden that would enshrine his original forever.

... if she closed her eyes and listened, she was certain she could still hear the pebbles' soothing chatter.

From Ojiichan's Gift by Chieri Uegaki, illus. by Genevieve Simms

Genevieve Simms creates that same distinction of adoration and respect in her illustrations. While her artwork goes beyond the garden, including spreads of air travel and life in a Canadian city, it's Genevieve Simms's illustrations of the garden that favour Chieri Uegaki's message of serenity and connection. The rocks and the shrubs, the trees and gravel, bamboo and sparrow all create a living world in a dry landscape. It's a world perfect for meditation and companionship.

The garden may have been Ojiichan's gift to Mayumi and her bento box garden may be the gift she presents to him, but the greatest gift is the relationship between Ojiichan and granddaughter and that's something special to contemplate.

Macy McMillan and the Rainbow Goddess

Written by Shari Green
Pajama Press
978-1-77278-033-8
240 pp.
Ages 8-12
May 2017

Why do we think
we can know anything about a person
by how they look
what they can do
what life is like for them now?
Because it turns out
we really can’t.
The only way to know that stuff
is if someone
tells you the story. (pg. 152)

Truer words were never spoken. And these from an 11-year-old Macy McMillan, a child who lost her hearing at age 4 and rarely enunciates words verbally but feels deeply, speaking volumes through signing and in her narration in Shari Green’s latest middle grade novel in verse.

Reluctantly, Macy is preparing for a new chapter in her life, leaving her garden and reading window seat at the pretty house she shares with Mom on Pemberton Street to the home of Mom’s fiancé Alan and six-year-old twin daughters Bethany and Kaitlin. Macy's elderly neighbour Ms. Iris Gillian is also moving, her to a seniors’ facility called Rosewood Manor, and Macy’s mom volunteers Macy for the task of packing Iris’ books and other bits and bobs. Though Macy is initially uninterested in helping, she needs someone with whom she can communicate, even if only by notes, since there are few persons available who can sign, after a falling out with her best friend Olivia and her mother far too busy with her wedding. With a school project based on students’ family trees, Macy is feeling even more untethered, never having known her father and uninterested in her future family.

…and I’m feeling more and more
like a dried-up
all-alone-on-my-branch
leaf. (pg. 26)

But Iris, named for the Goddess of the Rainbow, becomes the grounding that Macy needs to help her find her story. Though Iris, lover of books and baking cookies, is struggling with her memory and health, she is able to share with Macy, often through writing and with some signing, the story of her life, rife with adventures and tragedies, new chapters aplenty, some with endings more sad than happy, but always the right ending.

As Macy struggles with the upcoming wedding, even trying to stop it, and with completing her school project, she is beginning to see her world in terms of the connections she has and is making, all learned courtesy of the Rainbow Goddess next door.

Ever since Steven–the man in the bookshop–
I make a point of connecting with people
who come into my life
because even if only for a moment
their story connects with mine.
That should mean something…
even if there’s not chapter in a café next door. (pg.  67) 

Shari Green, author of Root Beer Candy and Other Miracles (Pajama Press, 2016), has found her story as a writer of extraordinary middle grade novels in verse. Though I suspect she can write just about anything–middle grade, young adult, speculative fiction, non-free verse–her talent is definitely in writing insightfully poignant tales in the impassioned and crisp free verse style. As in her earlier book, Shari Green uses few words, but the right ones, to grow a story of such sensitivity for and awareness of her characters and readers that all will leave the story fulfilled. Her characters’ stories connect with us in ways we cannot put into words. I was astounded that a little girl could gain so much wisdom, courtesy of Iris and Shari Green of course, about life’s stories that she has a middle-aged woman such as myself in tears and heeding her advice.

Hearts are waiting, worrying, hurting
–in need of a message
you can send. (pg. 226)

Macy McMillan and the Rainbow Goddess is a message from the writing goddesses that everyone’s life is just a story or series of stories that need to be told to be fully appreciated but no worries here because one of their scribes, Shari Green, has taken on that task capably and, like Iris, with wholehearted extravagance.

Tokyo Digs a Garden

by Jon-Erik Lappano

Illustrated by Kellen Hatanaka

Groundwood Books

978-1-55498-798-6

32 pp.

Ages 3-7

March 2016

Imagine a small house that was once part of a countryside lush with forests and meadows and wildlife now dwarfed by skyscrapers and hidden among the overdeveloped city buildings and billboards.  This is the house of Tokyo and his parents and his grandfather, the original owner of the country home, and Kevin the cat.

When an elderly woman on a bicycle hands Tokyo three seeds, telling him “…they will grow into whatever you wish”, the boy removes a brick from their yard and plants them in the soil beneath. The next day, there are three small wildflowers. After breakfast, there is moss covering the bricks.  By dinner, there are trees and shrubs and more wildflowers. And by the next day, “the garden had grown up and over the buldings, across the streets, dwon the road, over the cars and into the expressway.” With time, the city is made over into a wild entity of rivers and forests and wildlife and the people adapt to these changes because “Gardens have to grow somewhere, after all.”

From Tokyo Digs a Garden
by Jon-Erik Lappano, illus. by Kellen Hatanaka

The message is clear.  Mother Nature will not be stopped and, no matter how much humans develop the land into unrecognizable entities, it will grow and become what it should.  Tokyo and his grandfather’s honest acceptance of this phenomenon is both educational and calming.  Jon-Erik Lappano gets the tone just right, never preachy, always intuitive, and even playful. (Kevin’s love of ice cream is quite clear.)  And Kellen Hatanaka, whose artwork first decorated Work: An Occupational ABC (Groundwood, 2014), dignifies that tone with his astute and beautiful illustrations.  Think of a Henri Rousseau jungle but with an art deco flair and you’ll get an idea of the lushness of Kellen Hatanaka’s garden in Tokyo Digs a Garden.  More brilliant in colour and stronger in line, the artwork carries the story from message to revelation.

Tokyo Digs a Garden plants the seeds for discussion of nature and land development and sows the dramatic beauty of transformation.

From Tokyo Digs a Garden by
Jon-Erik Lappano, illus. by Kellen Hatanaka