The Cedar Mother (Mothers of Xsan)

Written by Hetxw'ms Gyetxw (Brett D. Huson)
Illustrated by Natasha Donovan
HighWater Press
978-1-77492-158-6
32 pp.
Ages 9–12

February 2026

 

Eight years ago, Hetxw'ms Gyetxw, who is also known as Brett D. Huson, started his Mothers of Xsan graphic novel series to share his knowledge of the stories of the Gitxsan Nation of the Northwest Interior of BC. This series, now of eight books, has covered insects, fish, birds, amphibians, and mammals, and now I'm delighted to share his book about the cedar tree. Not only does The Cedar Mother speak to the life cycle of a cedar tree and its connection with other living things, but Hetxw'ms Gyetxw also shares his knowledge of the Gitxsan Nation and their Moons.

From The Cedar Mother, written by Hetxw'ms Gyetxw, illustrated by Natasha Donovan

This story of the western red cedar begins in April and the Spring Salmon's Returning Home Moon (Lasa ya'a). This tree, which has been around for over 300 years, now sits by a road that was "only a trail used by the Gitxsan, who had never seen a car, wagon, or horse." (pg. 2) Its growth from a tiny seed is helped by nutrients, rain, and sun. (Words that might be new to young readers, including nutrients, foliage, photosynthesis, and reverence, are defined in info boxes throughout the book.) 

 

But Hetxw'ms Gyetxw also explains how Nox Sim Gan (the cedar mother) is connected to other organisms in the ecosystem. She provides shelter and feeds animals with foliage and oxygen. She gives materials to the Gitxsan for clothing, for home-building, for medicines and, at the end of her life cycle, she will become a story pole. Because of her persistence and vitality, "she is a beacon of hope and a symbol of the enduring strength of the natural world. (pg. 15)

From The Cedar Mother, written by Hetxw'ms Gyetxw, illustrated by Natasha Donovan

Hetxw'ms Gyetxw writes with reverence for Nox Sim Gan in The Cedar Mother and for the role she plays in the environment and for the Gitxsan Nation. From birth through death, she provides. And, because of this, Hetxw'ms Gyetxw gently reminds us that attention must be paid, and our stewardship is required so that she may continue to share herself with the earth and its living things. Not a boring life cycle story, The Cedar Mother tells us how a western red cedar is a part of something far greater. It is part of a community.

From The Cedar Mother, written by Hetxw'ms Gyetxw, illustrated by Natasha Donovan

Natasha Donovan, who illustrated the earlier books in Mothers of Xsan series and Tasha Spillett's Surviving the City series, takes readers into the forests where Nox Sim Gan grows and flourishes, giving and sharing. Its majesty is evident from the scale at which she draws it, and the benevolence of its presence is clear in all illustrations as it interacts with other species. Natasha Donovan keeps the focus on Nox Sim Gan always, whether at the base of its trunk or buried in its foliage, preserving the natural elements in earthy colours of browns and greens. With Natasha Donovan's illustrations and Hetxw'ms Gyetxw's occasional contributions of formline art (see the spirit pole above), as well as his text, The Cedar Mother is a respectful acknowledgement of the connection between the natural world and the Gitxsan, and the reverence necessary to appreciate and to sustain its place.

 • • • • • • •

 

Mothers of Xsan series

The Sockeye Mother (2018)

The Grizzly Mother (2019)

The Eagle Mother (2020)

The Frog Mother (2021)

The Wolf Mother (2021)

The Raven Mother (2022)

The Bee Mother (2024) 

The Cedar Mother (2026) 

The Weedflower

Written by Elizabeth Davaze
Illustrated by Marianne Ferrer
Owlkids Books
978-1771475884
32 pp.
Ages 4-8
August 2024

In a busy schoolyard, with children jumping and climbing, sliding and clapping, one child sees a plant with a yellow flower growing in the crack between the cement and rubber turf. Only Sam sees it and watches it and sings to it and admires it.

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

But, as with most living things, the "alien bud" grows. It grows into a tall, bright yellow flower and then it catches the attention of the other children who join Sam to admire the flower. (Or is it a weed?) Not only do they admire it, but they also protect it and nurture it. They stop balls from hitting it and squirrels from nibbling at it. And the flower thrives. "Before long, the entire blossom had changed into one perfect, dreamy fluffball."

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

But when the adults at the school finally notice the "fluffball flower," they do not appreciate it the way that the children do.

    "They did not see the magic."

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

After much tugging by many adults, including the large principal, "the weedflower’s roots broke free, the stem came loose, and all the fluff floated away with all the students’ wishes in the breeze." It is only with time that Sam and the other children will see the weedflower has not gone because that fluff was actually filled with the promise of new life.

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

 Adults may see a plant that is growing where they don't want it whether it be a dandelion in a lawn, or volunteer trees that grow to close to a house's foundation. But children don't see that. Ralph Waldo Emerson, who had much to say about nature, is quoted as saying, "A weed is simply a plant whose virtues we haven't yet discovered” and many children have no problem finding the virtues in the dandelion. They bring home bouquets for their mothers, and blow the dandelion fluff and watch it travel like fairies on wind currents. They delight in their spread on lawns to become fields of green dotted with yellow brightness. (We used to braid the stem and flowers into crowns.) To nurture any plant and have it destroyed for its inconvenience to another would be devastating. Kincardine author Elizabeth Davaze takes the perspective of children seeing the dandelion as a flower, a thing of beauty and wonder, and makes us realize the loss they feel when the weed, according to the adults, is eradicated. It's all about perspective, isn't it? Too bad the adults aren't enlightened enough to realize that the dandelion would not be stopped by pulling one out.

 

Montreal's Marianne Ferrer, whose illustrations I have long admired (e.g., Carmen and the House That Gaudí Built, Racines, and Le Jardin Invisible), knows where to put the emphasis on her illustrations. Green and gold, the dandelion's only colours, along with the brown of the dirt, are the basis of all Marianne Ferrer's artwork in The Weedflower, regardless of whether she's drawing the dandelion or the children. The attention is on the plant, just as the children want it to be. Moreover, her use of watercolour and gouache give The Weedflower its organic texture, prioritizing the natural world. 

 

I know some teachers will use The Weedflower as an introductory story to teach the life cycle of a plant–too many kids don't know that seeds come from flowers–but I think it's a wonderful exploration of perspective and seeing things through a child's eyes to appreciate all living things as extraordinary, even the seemingly lowly dandelion.

The Bee Mother (Mothers of Xsan, Book 7)

Written by Hetxw'ms Gyetxw (Brett D. Huson)

Illustrated by Natasha Donovan

HighWater Press

978-1-774920800

32 pp.

Ages 9-12

May 2024

Hetxw'ms Gyetxw (Brett D. Huson) and Natasha Donovan's latest volume in their illustrated non-fiction series, Mothers of Xsan, takes readers into the insect world for the first time, having previously highlighted mammals, birds, fish, and amphibians. Though the bee may be the smallest of the species showcased, it is no less significant.

From The Bee Mother, written by Hetxw'ms Gyetxw, illus. by Natasha Donovan

The story begins with the recession of winter and the awakening of the bee mother, Nox Ap. The bee mother first looks to make a new home in a burrow or hollow tree. Also making new homes for themselves are the yellow jacket wasps and introduced honeybees. With new moons, Nox Ap builds a nest and lays her eggs which pupate and emerge as worker bees to collect pollen and nectar to sustain the nest. And once pollination is done, the bumblebee queen, as well as those of the yellow jacket and honeybee, must find an overwintering space.  

 

As with all books in the series, the life cycle of the bee is paramount, but The Bee Mother goes beyond a compendium of natural history facts. It is a story, and it all takes place within the Gitxsan Nation, Indigenous Peoples of the unceded territories of the Northwest Interior of British Columbia. Hetxw'ms Gyetxw ensures that the reader understands that the bee mother's story is not one of isolation. It is a story that includes her connection with the environment and those within it. As such, Hetxw'ms Gyetxw speaks of the contributions of Nox Ap and the other bee relatives, from the provision of honey and the pollination of flowers to help provide fruits and vegetables, to pest control and providing food for other species. They are a part of everything.

From The Bee Mother, written by Hetxw'ms Gyetxw, illus. by Natasha Donovan

Hetxw'ms Gyetxw's text certainly speaks to life, as do Natasha Donovan's illustrations. They are vibrant, most especially in colour and shape. From the oomph of pinks and fullness of line and shape in the book's cover to the warmth of greens and golds in close-up art of the bees in their natural habitats, Natasha Donovan gives us stylized but realistic depictions of flowers and plants, bees and other animals, water and snow. Because the topic is the small bee, Natasha Donovan takes us up close to focus on the bee, creating art akin to macrophotography to ensure details are not missed.

From The Bee Mother, written by Hetxw'ms Gyetxw, illus. by Natasha Donovan

Because of the Indigenous roots of both the author and illustrator–Hetxw'ms Gyetxw is from the Gitxsan Nation and Natasha Donovan is Métis– The Bee Mother goes beyond a rehashing of STEM facts and takes on a new life of storytelling and appreciation for the connection of living things. In fact, because the Gitxsan Nation follows a matrilineal line which suggests that the stories come from the mothers, highlighting the mother of each species in the Mothers of Xsan series is both reasonable and respectful. (Hetxw'ms Gyetxw provides notes about the Gitxsan Nation and the Gitxsan Moons, along with a map of their territories.) And, by making the story specific and still broad, it demonstrates to readers  who the bee mother is and what she does and what happens every year, but also that she is part of something bigger. You can read it as a story of a life cycle but read beyond that and recognize that there is far more to the story that needs to be appreciated.

• • • • • • •

Mothers of Xsan series

The Sockeye Mother (2018)
The Grizzly Mother (2019)
The Eagle Mother (2020)
The Frog Mother (2021)
The Wolf Mother (2021)

The Raven Mother (2022)

The Bee Mother (2024)

The Old Oak Tree

Words by Hilary Briar

Music by Reid Briar

Art by Angela Doak

Nimbus Publishing

978-1-77471-199-6

24 pp.

Ages 3-7

April 2024

 

With the spring, children will bear witness to many elements in nature undergoing change that will both delight and surprise. They will see robins busily at work, building their nests and then tending to their young. There will be oak trees and other deciduous trees leafing out. There will be animals born and growing. And they will all converge intermittently. In Hilary Briar's story and lyrics, that point of converge is The Old Oak Tree.

From The Old Oak Tree, words by Hilary Briar, music by Reid Briar, illustrated by Angela Doak

Based on their song, The Old Oak Tree, Hilary Briar and Reid Briar give us a story of the life cycle of an old oak tree as it changes through the seasons and the lives it impacts. Told in rhyming verse, the life of a robin and oak tree are intertwined, reflecting what each experiences. If the robin is happy, so is the oak. When the robin is tender, so is the oak. If there is sweetness in the robin's life, so is there for the oak.

In her nest so cozy

The robin dreamed so sweet

That she woke up every morning

Singing tweet tweet tweet

In the old oak tree

The strong oak tree

The sweetest old oak

That you ever did see

From The Old Oak Tree, words by Hilary Briar, music by Reid Briar, illustrated by Angela Doak

As the seasons change and the animals that use the oak tree come and go, from a fawn, a raccoon, a fox and birds like the woodpecker and blue jay, both the robin and the tree deal with weather until a lightning strike takes down the old oak tree. And though there is sadness for the robin "to say goodbye to a friend so dear," that old oak tree still has life to offer. 

From The Old Oak Tree, words by Hilary Briar, music by Reid Briar, illustrated by Angela Doak

It is never too early for children to learn about life cycles of plants and animals, especially as that learning will help them understand our own life cycle. Still, the loss of a tree is always a tragedy. For a life force that gives so much to others in its environment, from shelter and food to mitigating deficiencies in physical surroundings, trees are still, like other living things, ephemeral. Even so, Nova Scotia's Hilary Briar's rhyming verses, put to music (appended to the story) by partner Reid Briar, blends the appreciation and heartache with hope. Even after the tree is no longer standing, it serves a significant role, perhaps a little different but important just the same.

Halifax's Angela Doak gives The Old Oak Tree an organic feel to the art through her collage work that blends fabric and found objects to give texture and depth. Just as the robin integrates grass and twigs, roots and moss, to construct an effective nest, Angela Doak combines a variety of materials, all of a realistic and natural colour palette, to create outdoor seasons that are both uncluttered and sophisticated. (See the austere scene in which the tree is struck by lightning but look deep into the multi-layered sky that evokes menace and light.)

From The Old Oak Tree, words by Hilary Briar, music by Reid Briar, illustrated by Angela Doak

Like the old oak tree that can do it all, The Old Oak Tree story, with its rhyming verses, music, and art is a fine package of lessons about the circle of life and the interrelationships of living things. These are lessons that are broad and far-reaching but delicate when taken down to the level of one tree which will help children see beyond the forest and deeply into it.

Sun in My Tummy

Written by Laura Alary

Illustrated by Andrea Blinick

Pajama Press

978-1-77278-241-7

32 pp.

Ages 5-8

April 2022

 

What might you see in a bowl of oatmeal? Sure, there will be the cereal and the milk and perhaps, as in this child's bowl, some lovely blueberries. But, if you look a little closer, you'll see the seeds that grew, the bushes that caught the sun's energy, and a cow "munching sweet green grass, that grew in soil, watered by rain, that came from clouds, formed by oceans, warmed by the sun." There's a lot of sunshine and goodness in that bowl of oatmeal and it all ends up in this child's tummy.

From Sun in My Tummy by Laura Alary, illus. by Andrea Blinick

Just as she was snug in her bed, a child thinks about oat grains that grew deep in the earth to produce the oats that are basis for the oatmeal her mother is making for their breakfast. With the sun, both she and the grains awoke, thirsty and hungry.

From Sun in My Tummy by Laura Alary, illus. by Andrea Blinick

What follows is a look at how the oats grew with the sun and the rain. And those lovely blueberries? The magic that we know of as photosynthesis happened in order to produce the plant that would produce the berries.

The leaves of that blueberry bush 

caught the sun energy and used it 

to break apart gases in the air.

Then they put the pieces back together

to make something new: sugar.

Food from thin air!

Laura Alary then speaks to the pollination and life cycles and with each cereal ingredient she helps children connect the natural world with the deliciousness in their food. Too many children and adults have a disconnect between what they eat and where it came from. They either don't know about milk cows and grains and fruit and how they are raised or cultivated or harvested or cannot see the connection between farms and how the food gets into the stores from which we often buy. By associating the sun of our environment with the warmth in our belly from hearty food, Laura Alary relates science concepts like photosynthesis, energy and life cycles with the familiar events like waking in the morning, having breakfast, and growing. Connecting the familiar with the unfamiliar is always an important means to forge learning.

From Sun in My Tummy by Laura Alary, illus. by Andrea Blinick

Like Laura Alary whose earlier picture book, What Grew in Larry's Garden (2020), focused on the outdoors, Andrea Blinick takes her artwork into the natural world to shine. As it did in Outside, You Notice (2021), Andrea Blinick's illustrations bring the sunshine and the rain and the animals and plants to flourish with energy. Whether that energy is solar or metabolic or spiritual, it carries the importance of sustaining life in its many forms and Andrea Blinick's art which is a combination of gouache, coloured pencil, collage and chalk pastel gives the text of that message the brightness and textures of that life and energy.

 

Perfect for STEM lessons about plants and life cycles, Sun in My Tummy will brighten any classroom or library and help young children understand how the sun in their tummies, whether oatmeal or another cereal, got there.

My Book of Butterflies: Guest review

The following review was written by 

teacher-librarian Elizabeth Cook.

 

Written and illustrated by Geraldo Valério

Groundwood Books

978-1-77306-335-5

48 pp.

Ages 3-6

2021

I was instantly drawn to My Book of Butterflies when I saw its cover. The bright yellow and oversized butterfly wing will capture the attention of everyone when they see My Book of Butterflies by Geraldo Valério. The lively cover made me feel like this was going to be such a happy book that I couldn’t wait to open the cover to discover what the book was all about. The inside cover is equally spectacular with drawings of all of the caterpillars of the book and the back cover has all of them drawn in their chrysalis stages too. I explored these images for a surprisingly long time as I was drawn in by their illustrations and their names (Itys Leafwing and Common Jezebel are my personal favourites).

From My Book of Butterflies by Geraldo Valério

The book begins with Geraldo Valério recounting his childhood experiences watching the caterpillars and butterflies in his home in Brazil. His fascination with these beautiful creatures never ceased and he wanted to share the beauty of the butterflies with all of his readers. The book depicts, with detailed drawings, the metamorphosis from egg to butterfly and the parts of the butterfly, as well including a map of the world where butterflies can be found and a glossary to help inform the reader.  To help organize the various butterflies depicted, Geraldo Valério uses different coloured backgrounds to identify the part of the world where the butterflies can be found. It is a bright and fun way to engage readers with the book.

From My Book of Butterflies by Geraldo Valério

The pages which focus on each butterfly are gorgeous. Simply stunning. The double-spreads are filled with oversized artwork of the butterflies with impressive details demonstrating the delicacy of the wings. Each page turn had me gasping at how pretty each butterfly was. Surrounding the enormous butterfly is a highly modern and almost geometric representation of what the environment looks like for that particular butterfly (I was very fond of the geometric tall grasses and yellow flowers of the Queen Alexandra’s Birdwing in Papua New Guinea). 

From My Book of Butterflies by Geraldo Valério

While the artwork of the book is clearly the star, the information on each page is also fun to read. Each butterfly is identified by its Latin name and there is a short paragraph with important facts. Most paragraphs focus on one unique fact about the butterfly and would be a great starting point for further research. I enjoyed learning how the European Peacock butterfly hibernates over winter and can hiss to scare away predators such as small rodents.

As a teacher-librarian, I can already tell that this book will be hard to keep on my shelves. However, the students will have to try to be quick to check out this book, as I know a lot of teachers will want to use this book for their science curriculum, particularly the Grade 2 Growth and Changes in Animals unit in Ontario.  Moreover, I know that the art teachers will be checking out the book for students to create some beautiful masterpieces using the illustrations in My Book of Butterflies for inspiration. I will definitely need to get more than one copy for my library...and perhaps one for my home collection!

~Elizabeth Cook is a teacher-librarian in the Halton District School Board. She is an avid reader and fan of Canadian literature. 

A Long Way Home

Written by Jean Little

Illustrated by Gabrielle Grimard

North Winds Press (Scholastic Canada)

978-1-4431-7091-8

32 pp.

All ages

February 2022

 

No matter how different they are, Maya and Jane become fast friends after Maya moves into the apartment building next to Jane's house. When they learn about animals like whales and polar bears under threat, the two girls vow to do something together.

From A Long Way Home by Jean Little, illus. by Gabrielle Grimard

Jane's grandfather suggests they start close to home and do what they can for the monarch butterflies.

"...wishes don't come true without help..."

Learning of the monarchs' need for milkweed plants, the girls decide to start some plants in Jane's grandfather's community garden. Like good gardeners, they choose their site carefully, plant the seeds and tend to them. The waiting is tough but the girls fill their summer days with cycling and swimming until one day "A bright orange-and-black butterfly was fluttering flower to flower." With new watching and waiting, the girls see an egg become a caterpillar and then a chrysalis.

From A Long Way Home by Jean Little, illus. by Gabrielle Grimard

Though they are anxious for the butterfly to emerge from the chrysalis and Jane considers helping it get out, they have learned that it will appear when it is strong enough to begin its long journey. It is then that Maya reveals that she knows about long journeys. And when the butterfly does emerge and the girls send it off with hearty goodbyes, anticipating its arduous migration to Mexico, Maya bravely discloses that she and her family traveled a long way over many years to escape hardships that threatened their lives. Her own experiences give them hope that their butterflies and others, including those they might save the following year, will arrive safely to their destination just as Maya did.

From A Long Way Home by Jean Little, illus. by Gabrielle Grimard

For many lovers of Canadian children's books, Jean Little is a legend. When she passed in 2020, there was a great sense of loss for her relentless spirit and for any new books, resplendent in their compassion and heart-warming plots. With A Long Way Home, we get Jean Little back for a little while in this story that parallels the plight of the monarch butterfly with that of an immigrant family. While A Long Way Home will be a useful book for teaching STEM with its emphasis on the butterfly's life cycle, it goes beyond the science and evokes compassion for those who must escape troubling worlds and find refuge elsewhere and far away, often after much waiting. But in her inimitable style, Jean Little juxtaposes the story of the butterfly and of Maya's family without being too obvious or deliberate, letting young readers find the connection themselves, so they might understand what both have had to endure.

Gabrielle Grimard's artwork, which has graced many picture books including The Library Bus (2020), Stolen Words (2017), and  Not My Girl (2014), uses a mix of watercolours, gouache and oil to create warm and inviting scenes of children learning, playing and gardening. Her children are very real, with their fly-away hair, joyful camaraderie, and empathetic demeanours, and their efforts to help the monarch butterfly are just as honest. 

A Long Way Home is a triumphant story of a friendship born of acceptance for differences, of a compulsion to learn and help a threatened species, and of journeys taken. Moreover, with A Long Way Home, we are graced once more with a story from Jean Little whose vision is given colour and shape by Gabrielle Grimard. How wonderful for all young readers.

The Wolf Mother (Mothers of Xsan)

Written by Hetxw'ms Gyetxw (Brett D. Huson)

Illustrated by Natasha Donovan

HighWater Press

978-1-55379-978-8

32 pp.

Ages 9-12

September 2021

The Mothers of Xsan series from Hetxw'ms Gyetxw (Brett D. Huson) and Natasha Donovan are a series of illustrated non-fiction books for middle-grade readers that examine one animal species in depth and with an Indigenous perspective. The Wolf Mother is the fifth volume in the series and focuses on the life of one wolf pup as she grows into a wolf mother and on the communities and ecosystem in which she thrives.

From The Wolf Mother by Hetxw'ms Gyetxw, illus. by Natasha Donovan

Beginning in the Gitxsan Moon of Lasa'Yan'tsa, The Wolf Mother's story opens with a description of the young wolf pups' capabilities and needs, focusing on a small charcoal black female.

The smallest of the pups is a charcoal black female, who has a tiny strip of white fur above her left eye. The black wolf already has a sense of smell 100 times better than any human, and even domesticated dogs cannot compare to her ability. Right now, she only has a nose for mother’s milk. Her ears grow larger every day, her eyesight gets sharper, and her legs stretch farther, and she is beginning to desire to explore beyond their cozy den among the pines.

From The Wolf Mother by Hetxw'ms Gyetxw, illus. by Natasha Donovan

With each new lunar cycle (the list of Gitxsan Moons is appended to the story), the grey wolves develop new skills, hunting prey like gax, the rabbit, and venturing further and further into their habitat.

From The Wolf Mother by Hetxw'ms Gyetxw, illus. by Natasha Donovan

After two years, the small black pup is now ready to become Nox Gibuu, the Wolf Mother. She sets out alone, eventually welcomed by another pack and bonding with a young male, ready to grow her own family.

From The Wolf Mother by Hetxw'ms Gyetxw, illus. by Natasha Donovan

As she grows that family, the Wolf Mother along with her pack become a community of caregivers, each with a role to play with respect to the young and their environment, keeping all in balance and thriving.

From The Wolf Mother by Hetxw'ms Gyetxw, illus. by Natasha Donovan

Though the text of The Wolf Mother reads as a story, rather than organized as much children's non-fiction, the wealth of its information about the grey wolf's biology and behaviour cannot be disputed. By telling it as a natural history story, Hetxw'ms Gyetxw invites us to witness the wonders of these animals and their communities and place in the world. There are still several non-fiction features, like the purple-boxed footnotes to identify new words like "natal" and "domesticated" and a map of the Gitxsan Nation of their unceded territories of the Northwest Interior of British Columbia, but that information sweetens the story rather than impedes it. There is no distraction from the Wolf Mother's story from pup to mother and leader.

Natasha Donovan's artwork continues that gentle storytelling, giving us the real depictions of the animals and the land, appropriate for a non-fiction book, but also embedding elements of West Coast art. From a stylized moon or a wolf, Natasha Donovan reminds young readers of the First Nations' framework for the story, brightening that realism with a sense of connection between the grey wolves and the land and its people.

The Mothers of Xsan series is a popular one for children, especially for those who love non-fiction and are too often told they're not reading if they're not reading fiction. With this series, they are reading, they're learning about an animal and its place in a bigger world and they're gaining an appreciation for the richness of a First Nation in terms of its community and customs. As the newest addition to that series, The Wolf Mother echoes that storytelling, taking the book beyond information book, and treating readers to textual and graphic art that is dramatic both in its content and heart.

The Sockeye Mother (2018)

The Grizzly Mother (2019)

The Eagle Mother (2020)

The Frog Mother (2021)

The Wolf Mother (2021)

And Then the Seed Grew

Written and illustrated by Marianne Dubuc

Kids Can Press

978-1-5253-0207-7

32 pp.

Ages 3-7

September 2019

Above ground, a seed falls onto the soil and, observed by a green sprite and a gnome, begins to grow. But its impact below ground is as impressive as what the world sees sprouting above for And Then the Seed Grew is as much about a plant's life cycle as it is about community.

From And Then the Seed Grew by Marianne Dubuc

In a garden above ground live little Jack and Mr. Gnome, though the inhabitants below ground–Yvonne the mole, the Field Mouse family, Paulie the earthworm and Colette the ant–often make their way up there too. When a new seed begins to grow, it sends its root into the bathroom of the mole's home–she has a multi-chamber abode–and blocks Colette's path. Though Yvonne sets to work with her tools to repair the damage, the root continues to grow, repeatedly blocking the ants' paths and even interrupting Susie's birthday party at the Field Mouse home.

The below-ground animals are not pleased with the changes they have to make and are exhausted in trying to deal with the encroaching plant. Yvonne can no longer use her bathroom, the Field Mouse family have to move and the ants are dizzy with the detours they've had to make. Even Mr. Gnome is impacted by the growth of the plant's stem and leaves and now yellow flowers, all virtually trapping him in his house. At an emergency meeting, they agree to cut the plant down. That is, until little Jack helps them see the plant's value in shade, in sight lines and in its newly formed fruit.

From And Then the Seed Grew by Marianne Dubuc

Teachers will find And Then the Seed Grew a charming way to teach a plant's life cycle. From the breaking of the seed coat to the first root and leaves to the flowers and fruit and then seed again, young readers will learn about how a plant grows. And though there are supernatural elements–I have yet to see a sprite or gnome around my tomato plants–there are important lessons about the interrelationship of living things and the complexity of ecosystems below ground. Marianne Dubuc's cutaway illustrations make a segment of the natural world, albeit a fantastic one, up-close and revelatory. But there is so much more to And Then the Seed Grew than just a science lesson.

Marianne Dubuc's story, originally published in French as Le jardin de Jaco (2018),  does much to support Ralph Waldo Emerson's idea that a weed is but a plant whose virtues have not yet been discovered. All the creatures of this community are feeling the impact of a new arrival, so different than anything they've known, but they all benefit from its presence, not the least of which is the building of that community to one of friendships. I know it's just a tomato plant and just a few mythical and some earthly creatures, but And Then the Seed Grew could be an allegory of accepting new members into our community who may be unfamiliar and even initially unsettling because of our own perceptions of their impacts. But, the creatures of And Then the Seed Grew recognize in time that with tolerance comes fruitful blessings. It's a universal lesson of acceptance.

From And Then the Seed Grew by Marianne Dubuc

Growing Up in Wild Horse Canyon

Written by Karen Autio

Illustrated by Loraine Kemp

Crwth Press

978-1-7753319-0-2

48 pp.

Ages 7-10

October 2018

For lovers of trees, history, horses and British Columbia, Growing Up in Wild Horse Canyon will appeal to all.

Growing Up in Wild Horse Canyon is about the history of Wild Horse Canyon, a hidden canyon in British Columbia's Okanagan Valley, alongside the Okanagan River. The story, told as a series of dated vignettes in text and pictures, begins in 1780 with an Okanagan man communing with the natural world of the steep-walled canyon. Listening to the flora and fauna, he leaves behind a red-ochre and bear-grease paint pictograph.

Through the years, the Okanagan people find shelter and home in this valley, as do wild horses, alongside the growing ponderosa pines (also known as yellow pines) whose growth the reader observes in every illustration of this book. From seedling, as witness to the community of Okanagan people, and their taming of the horses for transport and carrying heavy loads, to saplings, the yellow pines and other flora give life and assistance to these first peoples. With the arrival of the first Europeans, the Okanagan people offer horses and temporary shelter and the Okanagan Brigade Trail becomes a route for fur traders, explorers and pack-trains.

From Growing Up in Wild Horse Canyon by Karen Autio, illus. by Loraine Kemp

Like the seedlings and saplings of yellow pine growing into majestic trees, the canyon is evolving, specifically from a wholly natural element to one impacted by human development. Settlers move into the Okanagan Valley, displacing the Syilx/Okanagan people who are shamelessly shoved onto reserves. Trees are cut, a railway is built and more settlers establish themselves. But, with the onset of World War I, horses are being trapped for military purposes and still more rounded up to be trained, sold or killed because they compete with ranchers' animals. "Soon few wild horses are left in the Okanagan." (pg. 22) Forests are cut, land is cleared, and Wild Horse Canyon is being changed forever.

From Growing Up in Wild Horse Canyon by Karen Autio, illus. by Loraine Kemp

Still the ponderosa pines grow and reproduce amidst Wild Horse Canyon.  As with any story in which humans begin to exert their will on the natural environment, Karen Autio recounts that critical time when development begins to be reined in, and the establishment of the Okanagan Mountain Provincial Park heralds the recovery of the area to its humblest beginnings. Even wildfires like the firestorm of 2003 that destroyed a 223-year-old ponderosa pine in Wild Horse Canyon is still a new beginning.

From Growing Up in Wild Horse Canyon by Karen Autio, illus. by Loraine Kemp

Don't misinterpret the story of Growing Up in Wild Horse Canyon from its title as I did. It is a historical account of a Canadian region unique in its heritage.  Karen Autio makes sure to tell the story of Wild Horse Canyon from all perspectives: First Nations, European settlers, and Mother Nature. By using a ponderosa pine as her focus for the unfolding of the canyon's history, both natural and human, Karen Autio keeps the story fundamental.  She could be critical of the canyon's evolution–I'm thinking of the treatment of the First Nations and wild horses–but she presents its history as simply a timeline of events, warts and all. That completeness of story is likewise achieved by Karen Autio's inclusion of additional details like maps, photos and notes about the Syilx People upon whose lands the story unfolds. With Okanagan Valley artist Loraine Kemp's accurate and appreciative paintings as illustrations for the story, Growing Up in Wild Horse Canyon becomes a history book that young readers will welcome and enjoy for its realism and truthfulness.

Hungry for Science: Poems to Crunch On

Written by Kari-Lynn Winters and Lori Sherritt-Fleming

Illustrated by Peggy Collins

Fitzhenry & Whiteside

978-1-55455-396-9

32 pp.

Ages 6-9

June 2018

It's Science Literacy Week in Canada and Kari-Lynn Winters and Lori Sherritt-Fleming use rhyming verses and inclusive and diverse perspectives on biology, chemistry and physics in Hungry for Science: Poems to Crunch On to help children see the science in everything.

There are poems about geology, structures, life cycles, chemistry at work, seasons, magnetism, brain waves, senses, botany, force and differentiating between living and non-living things. It's the primary curriculum plus in a fun package of poetry and dynamic illustrations by Peggy Collins. And everyone is doing science: girls, boys, monsters, armadillos, physically-challenged individuals, kids with braces, kids with glasses, and kids of all hues and abilities.  It's science learning at its best and most lively.

She's hungry for science.
Her hunger's so great.
Stirring her mixtures
who'd guess that she's eight?

It's the manner in which the concepts are shared that makes Hungry for Science so entertaining. The life cycle of a flea in "An Ode to Flea" details the birth and death of Little Miss Pesky Flea who

Lived three months and caused such strife
a doggone long and itchy life!

Captain Chemistry helps unclog a sink drain with an all-purpose cleaner of baking soda and vinegar, and Scary Miss Mary shares how her odd garden of "carnivorous snappers and large creepy wrappers and that stinky, zombie-faced rose" grows.

From Hungry for Science: Poems to Munch On by Kari-Lynn Winters and Lori Sherritt-Fleming, illus. by Peggy Collins

With a glossary and descriptions of the concepts taught in each poem, Kari-Lynn Winters and Lori Sherritt-Fleming complete Hungry for Science with the expository text perfect for a book on science. Peggy Collins, who also illustrated Kari-Lynn Winters and Lori Sherritt-Fleming's earlier STEM picture book, Hungry for Math: Poems to Munch On (Fitzhenry & Whiteside, 2015), ensures the lightness and brightness of tone is reinforced in her artwork, adding quirky creative details like a rainbow of plumes from the primary sense organs and an evil below-ground carrot in Scary Miss Mary's garden.

From Hungry for Science: Poems to Crunch On by Kari-Lynn Winters and Lori Sherritt-Fleming, illus. by Peggy Collins

Have some fun with teaching simple science concepts to children with Hungry for Science: Poems to Crunch On and inspire a child to become a scientist everyday.