The Moon's Journey

Written by Beryl Young

Illustrated by Sean Huang

Red Deer Press

978-0-889957473

32 pp.

Ages 6-8

November 2024 

 

When Faith and her family are set to leave Wales and join her father in Canada, Faith is devastated with all she must leave behind, from their home and their cat Blackie to her best friend and even the caterpillars she was nurturing. And what about the moon?

 

I especially can't leave the moon.

 

From The Moon's Journey by Beryl Young, illustrated by Sean Huang

   

But her brother Gareth has a way to reassure her.

 

After boarding the ship, finding their berths, and exploring the ship, Faith looks for the towline tethering the moon to the ship's funnel. And though she cannot see it and worries that the rope has come loose, Gareth always reassures her, as he does day after day and night after night of their journey.

From The Moon's Journey by Beryl Young, illustrated by Sean Huang

When they finally arrive in Canada and are picked up by the children's father, Faith's concerns continue.

Would the captain remember to untie the rope so the moon could stay in Canada?

And though their dad does everything to ensure that their new home feels like home, including a new kitten, it's not until the moon reappears, seemingly bigger and closer than in Wales, that Faith that knows she's home.

 

While Faith's family's experience aboard the ship may be far more upscale than those of most immigrants, with gleaming silverware and white serviettes, Beryl Young still encompasses the tenuous nature of migration from the familiar to the unknown. By tethering Faith's disquiet about the move with the moon, a familiar and ever-present entity, even when it's not always visible, Beryl Young gives a common feature to which all immigrants can relate. The sun and moon are forever present, no matter where we are. It's a shared experience and one that we can all rely on, at least most of the time. And by reconnecting with the moon in her new country, Faith gets the reassurance she needs that things would be okay.

In addition to coping with migration, Beryl Young includes a sweet brother-sister relationship that helps Faith persevere and look for the familiar. How lovely for Gareth to create a scenario in which the moon is dragged along by the ship to their new country just to comfort the young girl.

From The Moon's Journey by Beryl Young, illustrated by Sean Huang

For historical fiction, Saskatchewan artist Sean Huang's illustrations are an excellent fit. Previously he illustrated I Am Not a Ghost: The Canadian Pacific Railway, another picture book of historical relevance, and his realistic art here in The Moon's Journey just as capably transports us to the 1950s and post WW2 immigration by ship.  Even though his artwork is digitally rendered, it leans towards the realism of classic oil paintings from the 19th c., focusing on landscapes of the sea and the ship along with portraits of the children at play or contemplation. For the historical events of post-war immigration, Sean Huang's art is befitting.

 

The Moon's Journey is a simple tale of how a natural connection between places can make all the difference in easing the hardship of something like immigration. In this case, it was most fortuitous that the moon was able to join Faith and her family on their journey and in their new country.

Zander Stays

Written by Maureen Fergus

Illustrated by Scot Ritchie

Pajama Press

978-1-77278-296-7

36 pp.

Ages 4-7

October 2023

 

Zander is a goose, a lovely white goose with bright orange legs and an orange bill. He's like the other geese except for this autumn when Zander decides to stay. While the other geese pack up to fly south for the winter, Zander decides he's going to try something different this year.

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

After his compadres have left, Zander enjoys new endeavours like jumping in leaf piles, and racing the wind. He may be alone, but he never feels lonely. But then winter arrives. He's advised by a squirrel that he should prepare for winter by collecting and storing nuts. Too bad he doesn't eat nuts. The other animals have their own advice for surviving the winter, but none seem to quite work for Zander. And though he enjoys his first encounter with snow, he soon realizes that he is at a disadvantage, and there is no one to help him.

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

Miraculously, when Zander is about to give up, a little girl named Grace finds him and shows him what she does to survive the winter. Finally, Zander finds some adaptive techniques that work for him. And won't he have some wonderful stories to tell his friends when they return!

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

While it might not be recommended that wild geese like the snow goose not migrate as they normally would, Maureen Fergus has actually created a STEM story about migration and adaptation by having Zander stay. (Her "Author's Note" provides worthwhile information for young readers about how different animals adapt and what hibernation and migration mean.) It might be exciting to try something new but not migrating became a dangerous undertaking for Zander and one that he only survived with human help. With warm shelter and food, Zander learned from Grace that winter could be enjoyed but only with respite from the challenging conditions. Moreover, her compassion for Zander saves him, reminding children to be mindful of the needs of animals and their welfare.

From Zander Stays, written by Maureen Fergus, illustrated by Scot Ritchie

Scot Ritchie has illustrated both picture books and non-fiction texts (e.g., Federica; Dinos Driving; Follow That Map!; If You Can Dream It, You Can Do It; On the Line) and as such has demonstrated a deftness of touch for creating sweet and yet realistic artwork. In Zander Stays, Scot Ritchie gives us identifiable red squirrels, bats, a bear, a rabbit, and geese, but placed them in landscapes of lake shores, sunsets, and even a cozy home garnished with a fireplace, scattered winter clothing, artwork, and food. Any child reading this book will know the cool autumns of fallen leaves, the snowy cold winter days, and the warmth of being inside from Scot Ritchie's artwork. By using ink and digital watercolour art to give substance to Maureen Fergus's story, Scot Ritchie keeps it gentle–a story of a goose that might not survive the cold of winter definitely needs a light touch–and engaging, while still reminding us that survival is still an issue for animals in winter.

 

As different parts of Canada experience their own cold spells this winter,  help young children understand the basics of adaptation, about migration, and about animal welfare, while cheering for a silly goose who was fortunate to survive the winter with a little help from a friend.

If You See a Bluebird

Written by Bahram Rahman

Illustrated by Gabrielle Grimard

Pajama Press

978-1-77278-284-4

32 pp.

Ages 5-8

October 2023

 

When families are displaced, whether from war, natural disasters, persecution, or something else, making a new home is not always easy, especially for children. And the good memories of that original home may make one long for what once was. But home is not just a place. It is the family too, as an Afghan boy learns from his grandmother and a visiting bluebird.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

Ali and his parents and Nana had to flee Kabul, Afghanistan after war broke out. They travelled by foot, bus, and eventually escaped via plane, taking very little from their home. Now, in Canada, they live near an ocean, and Ali and Nana ride bikes to collect blackberries. But Ali misses Kabul, noting that the blackberries are not as deliciously sweet as the mulberries back home. Nana points out to him that though they are different they are not bad.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

When they take a break from their berry-picking, they see a bluebird, and Nana reminds him that if you see a bluebird and make a wish before it flies away, your wish will come true. Her wish, for their family to be together and safe, had already come true. But his wish is for the fighting to stop in Kabul so that they might return home. It is then that Nana reminds him that home "is the love we have for each other."

 

It would be tough for a child to give up the familiar and the sweetness of his life in Kabul, with his mother playing her ghichak, his toys on a swing, gathering mulberries, and sitting on the tree's branch to look out over his neighbourhood. But,when he is reminded by his Nana of what home really is, he sees his new situation in a different light. There are now blackberries, his mother has a new instrument, spruce trees line the driveway, and they are safe. He finally appreciates this, shouting out to his parents when they arrive back that, "I am home!"

Bahram Rahman, himself a refugee from Afghanistan, gives us a different perspective of war and escape from war and adjustment to a new living situation in If You See a Bluebird. He has already shared stories in The Library Bus (2020) and A Sky-Blue Bench (2021) but in his latest picture book story, Bahram Rahman demonstrates that escape from a dangerous conflict does not always translate into a rejection of that insecurity. Because there has been loss, of place, people, objects and connection, the substitution of a new home in safety is not necessarily embraced immediately or wholeheartedly. So, Bahram Rahman shows us that a little boy can miss the wonderful things he remembers of his Afghan home but learn to lean towards something different and new that is nonetheless home.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

Gabrielle Grimard, who also illustrated The Library Bus, has such a sensitive touch for making us feel Ali's hesitation at embracing the new place as home, holding such strong positive memories of Kabul. She gives us the bleakness of the danger when the soldiers come and the family flees but Gabrielle Grimard brings in the birghtness and colour when Ali and his family are safe and happy, whether in a Kabul without war or in Canada.

If You See a Bluebird offers the hope one needs when going through change and especially when challenged with hardships. It's a reminder that with love and family, all can be endured. And making a wish when a bluebird lingers might just help as well.

A Long Way Home

Written by Jean Little

Illustrated by Gabrielle Grimard

North Winds Press (Scholastic Canada)

978-1-4431-7091-8

32 pp.

All ages

February 2022

 

No matter how different they are, Maya and Jane become fast friends after Maya moves into the apartment building next to Jane's house. When they learn about animals like whales and polar bears under threat, the two girls vow to do something together.

From A Long Way Home by Jean Little, illus. by Gabrielle Grimard

Jane's grandfather suggests they start close to home and do what they can for the monarch butterflies.

"...wishes don't come true without help..."

Learning of the monarchs' need for milkweed plants, the girls decide to start some plants in Jane's grandfather's community garden. Like good gardeners, they choose their site carefully, plant the seeds and tend to them. The waiting is tough but the girls fill their summer days with cycling and swimming until one day "A bright orange-and-black butterfly was fluttering flower to flower." With new watching and waiting, the girls see an egg become a caterpillar and then a chrysalis.

From A Long Way Home by Jean Little, illus. by Gabrielle Grimard

Though they are anxious for the butterfly to emerge from the chrysalis and Jane considers helping it get out, they have learned that it will appear when it is strong enough to begin its long journey. It is then that Maya reveals that she knows about long journeys. And when the butterfly does emerge and the girls send it off with hearty goodbyes, anticipating its arduous migration to Mexico, Maya bravely discloses that she and her family traveled a long way over many years to escape hardships that threatened their lives. Her own experiences give them hope that their butterflies and others, including those they might save the following year, will arrive safely to their destination just as Maya did.

From A Long Way Home by Jean Little, illus. by Gabrielle Grimard

For many lovers of Canadian children's books, Jean Little is a legend. When she passed in 2020, there was a great sense of loss for her relentless spirit and for any new books, resplendent in their compassion and heart-warming plots. With A Long Way Home, we get Jean Little back for a little while in this story that parallels the plight of the monarch butterfly with that of an immigrant family. While A Long Way Home will be a useful book for teaching STEM with its emphasis on the butterfly's life cycle, it goes beyond the science and evokes compassion for those who must escape troubling worlds and find refuge elsewhere and far away, often after much waiting. But in her inimitable style, Jean Little juxtaposes the story of the butterfly and of Maya's family without being too obvious or deliberate, letting young readers find the connection themselves, so they might understand what both have had to endure.

Gabrielle Grimard's artwork, which has graced many picture books including The Library Bus (2020), Stolen Words (2017), and  Not My Girl (2014), uses a mix of watercolours, gouache and oil to create warm and inviting scenes of children learning, playing and gardening. Her children are very real, with their fly-away hair, joyful camaraderie, and empathetic demeanours, and their efforts to help the monarch butterfly are just as honest. 

A Long Way Home is a triumphant story of a friendship born of acceptance for differences, of a compulsion to learn and help a threatened species, and of journeys taken. Moreover, with A Long Way Home, we are graced once more with a story from Jean Little whose vision is given colour and shape by Gabrielle Grimard. How wonderful for all young readers.

Story Boat

Written by Kyo Maclear

Illustrated by Rashin Kheiriyeh

Tundra

978-0-7352-6359-8

40 pp.

Ages 3-7

February 2020

A young girl and her little brother begin a journey with family and others, travelling from one "here" to another "here" and finding comfort where they may in a cup, a blanket, and especially in a story of hope.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

As they travel, the girl tries to explain the concept of "here" to her little brother. The concept can be a difficult one for very young children to grasp, especially as "here" is constantly changing for the travellers. But here becomes whatever is on hand that creates a permanency of people and emotion. It's the cup "Old and fine, warm as a hug" or a "song that every can sing." And, always, that cup or song, or blanket or lamp, or flower, becomes part of a story boat that takes the two children and their cat to see hope amidst a turbulent sea.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Kyo Maclear, author of my favourite Virginia Wolf (2012), consistently tackles big issues by making them personal and intimate. Leaving one's home for something safer, travelling into uncertainty, and looking for hope wherever it may reside will sadly be familiar to most refugees looking for new homes after violence, persecution, and instability compels them to leave the homes they've always known.

Here is our journey
That holds the warmth of a cup,
The softness of a blanket,
The brightness of a lamp,
The strength of a flower
And the openness of a story.

Imagine what it must be like for young children for whom the destination is a grey hole of nothingness, unable to anticipate where home may be or who will be there or what it will look like. Kyo Maclear's wonderful child's storytelling transports them to a new here.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Award-winning Iranian-born illustrator Rashin Kheiriyeh, who currently lives in Washington D.C., fuses the gravity of the refugees' lives with their comforts from home and hope for something good. She does this primarily through her palette of backgrounds of muted blue green and splashes of brightness in the oranges, though much is still black and white, not unlike their circumstances. However, Rashin Kheiriyeh's art, created with coloured pencil and watercolour, oil and acrylic paint, along with some cut paper and other media, also uses shape to infuse the story with the activity of movement, whether it is the travellers' journey on foot or on water or the children's jaunts by story boat. Thankfully, it's all forward from an old here to a new one.

Kyo Maclear and Rashin Kheiriyeh's Story Boat may be a story of those seeking refuge and children finding ways to cope with uncertainty but this story transports and guides just like their story boat. For them and for us, stories can save and illuminate new ways.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh