Still Alive (Kidnapped From Ukraine, Book 3)

Written by Marsha Forchuk Skrypuch

Scholastic Press

978-1-5461-0457-5

320 pp.

Ages 8–12

April 2026 

 

 

While the war on Ukraine by Russia continues to this day, Marsha Forchuk Skrypuch is ready to resolve the story of twins Dariia and Rada Popkova. The story that began with Dariia's perspective on the attack and invasion of Ukraine in Under Attack (2025) after the girls' separation, and that led to Rada's story in Standoff (2025) comes full circle with a story that brings families together. They are still alive and fighting for themselves, each other, and their country.

 

Still Alive begins in November of 2022 with Rada and her mom living in a ski village in the Carpathian Mountains. Mom works as a manicurist at the Hotel Karpaty, and they are preparing to move into their prefab home in a new refugee area in nearby Prytulok. They receive unexpected messages from Dariia, who has been "adopted" by a Russian family in a Moscow suburb, with details about her "new" name and birthday, as well as those of other Ukrainian children who had been kidnapped to Russia. So begins their fight to get Dariia and the other children back to Ukraine.

 

With the help of Save Ukraine, a Ukrainian charitable organization whose initiatives includes rescue and reunification of children taken from Ukraine, Mom and Rada and their new family of friends get to work trying to find families of others so that they might rescue as many as possible. But it's an arduous task as all must be done legally, finding legal guardians, obtaining powers of attorney, and more.

 

The second part of the story comes after Dariia is rescued and comes to live with Mom and Rada. She may be back with much of her own family—the whereabouts of her soldier father are still unknown—but she must navigate a new reality. She and Rada may be twins but they have always been different. With the traumas that they have endured, it's not just being together like it had been. Here's healing that has to happen but still with the mission to help their country. In fact, they do even more. They find a way to...

...take a shattered world and make it into something beautiful. (pg. 273) 

A series titled Kidnapped From Ukraine does not intimate a story of joy.  Of course, a story based in the ongoing war on Ukraine could be nothing less than horrific. While Marsha Forchuk Skrypuch is an author who tells real stories, she is also one who handles them with sensitivity, aware that there is a way to tell an impactful story and still offer reassurance. With Still Alive, Marsha Forchuk Skrypuch remind us that this war is not over, and that people are still suffering. Rada's question about the senselessness of this war—"How much hate does it take to kill your neighbour with missiles aimed at churches, children, hospitals?" (pg. 43)—resonates throughout the book as Ukrainians consider atrocities, new or repeated. Their reactions are as diverse as their experiences but their resolve to do what they can—build drones, sew camouflage nets, feed abandoned animals—to save Ukraine is unmistakable. 

 

The Kidnapped From Ukraine trilogy may be disheartening in the nature of its story, but Marsha Forchuk Skrypuch heartens it by comforting young readers with a narrative of families, made and found, and hope for a new future.

 

Under Attack (2025)

Standoff (2025)

Still Alive (2026)

Birds on Wishbone Street

Written and illustrated by Suzanne Del Rizzo

Pajama Press

‎ 978-1-77278-219-6

40 pp.

Ages 5-8

November 2021

Wishbone Street is more than just a bunch of houses. It's a multicultural community, welcoming and supportive of all. And when a cardinal is injured, that community brings them all, newcomers and long-time residents, together to do good.

From Birds on Wishbone Street by Suzanne Del Rizzo

Moe loves her street, her neighbours, the parkette and all the things she can do there: bird-watching, tree-climbing, and treasure-finding. There's the elderly Ms. Francesca and her caregiver Ms. Frieda, Mei and her little brother Omari, and Mable, the massive maple tree in their neighbourhood parkette. When Syrian refugees Sami and his family (from Suzanne Del Rizzo's My Beautiful Birds) arrive on the street, Moe drops off a welcome box for the young boy. Moe and Sami realize soon enough that they share a love of birds so when winter's first snowfall comes and they discover a female cardinal stunned in the snow, they and their neighbours spring into action: Sami provides the box, Moe brings a blanket, and Ms. Frieda drives them to the vet.

From Birds on Wishbone Street by Suzanne Del Rizzo

Taking the bird home to recuperate, Sami shares with Moe his story and his treasures, memories from his homeland, and he teaches Moe and her friends to make suet treats and roosting pockets. (Directions are included at the end of the book.) With a happy ending, Moe and Sami and all their friends on Wishbone Street demonstrate that good things happen when we work together and show compassion for everyone.

Suzanne Del Rizzo's polymer clay art has always impressed, giving new textures and colours to already-strong stories. But when she illustrates her own stories, Suzanne Del Rizzo shines. There is a synergy of her words and art that elevates both into something truly extraordinary. In Birds on Wishbone Street, Suzanne Del Rizzo honours her own family and those of all immigrants to Canada, and upholds the idea that communities are based on an appreciation for our differences and acknowledgement of our commonalities. With that sense of community, great things can happen: a newcomer feels at home, a bird is helped, and important learning can happen. And with her magnificent art, created with polymer clay, acrylic glaze and other mixed media, Suzanne Del Rizzo takes us to Wishbone Street, into the parkette and into the snow, to bird-watch with Sami and Moe, to yearn for cannoli and churros shared between neighbours, and to feel those first snowflakes on our faces. We're there on Wishbone Street, watching as a world unfolds and enfolds, making one community out of many.

From Birds on Wishbone Street by Suzanne Del Rizzo

There may be snow in Birds on Wishbone Street and on our streets today but this picture book will serve as inspiration year round to promoting the joys of including everyone in our communities to the benefit of all.

Traitors Among Us

Written by Marsha Forchuk Skrypuch

Scholastic

978-1-338-75429-2

288 pp.

Ages 8-13

September 2021

 

Do what you can, Maria, instead of worrying about what you can't. (pg. 21)

Everyone has their story. But is it the one they lived or just a story? Among the refugees from the Nazis, there are both kinds of stories, and sisters Krystia and Maria Fediuk from Marsha Forchuk Skrypuch's earlier books, Don't Tell the Nazis and Trapped in Hitler's Web, can only be sure of what they've lived through and what they are willing to share.

It's June 1945 and the two Ukrainian sisters have made their way, separately and then together, from their town of Viteretz through Austria and now into the Karlsfeld camp in the American Zone in Germany, hopeful that this stop will help get them to their aunt and uncle in Toronto. But the Soviets, under the guise of repatriating refugees from Eastern Europe but really to punish them as traitors and silence them, take Krystia and Maria and several others into the Soviet Zone for interrogation before choosing how to deal with them.

With fellow prisoners Sophie, a former Hitler Girl, and Volksdeutsche father and son Elias and Finn, they are locked away, fearful that their roles in helping both the Ukrainian Insurgent Army and Jews escape will have them sent to Siberia or worse. Drawing strength from their memories of their father and their mother, the girls make sure that they tell only one story, regardless of threat of death or worries for the other. But will it be enough to keep them alive? And who can they trust? When anyone can be a traitor, whether lowly prisoner, local cook or NKVD officer, the girls know only that they can rely on each other. They may only be 14 and 16 years of age, but Maria and Krystia have a lifetime of strength and suffering to help them survive.

Don't Tell the Nazis (2018)

Trapped in Hitler's Web (2020)

Traitors Among Us (2021)

If you've read the first two books in Marsha Forchuk Skrypuch's trilogy about the Fediuk sisters, and I encourage all readers to immerse themselves in these earlier stories, you'll know the depth of heartache and hardship that Krystia and Maria and others have endured at the hands of the Nazis and the Soviets. Their experiences are not foreign to most in western Ukraine who were wedged between two dangerous oppressors and hoped that immigration to other countries might help them survive. Old enemies or new enemies are still enemies. From the girls' terror of Soviet and Nazi occupation in Ukraine, their enslavement by the Nazis and finally their seeking refuge with the Allies before imprisonment as traitors to the Soviets, Marsha Forchuk Skrypuch informs young readers about stories seldom told of World War II. War is not just for soldiers and sometimes the civilians living through it are young people and their stories are compelling and tragic. But Marsha Forchuk Skrypuch, a master storyteller of historical fiction as well as of picture books, non-fiction and realistic middle-grade and YA, takes us to those war-torn countries to travel with the girls as they walk dusty roads with thousands of refugees, toil on farms, hide from dangerous people, and find and offer support, even as they endure hunger, cold, fear and uncertainty. Every atmospheric scene is one of edge-of-your-seat nerves, worry that the next ally they make may not be one, shock at executions witnessed, and solace from a sisterly bond and fleeting memories of home.

 

There have always been traitors among them, but Krystia and Maria are able to find the hope and strength to achieve an ending to their story that satisfies, courtesy of Marsha Forchuk Skrypuch, and young readers will appreciate that ending, acknowledge the stories that took them there and learn the history that started them on those journeys.

 

• • • • • • •

 

Author Marsha Forchuk Skrypuch will launch her new book virtually through the Brantford Public Library on December 1st. Register at calendar.brantfordlibrary.ca for an opportunity to hear this acclaimed author speak and read from Traitors Among Us.

 

The Library Bus

Written by Bahram Rahman

Illustrated by Gabrielle Grimard

Pajama Press

978-1-77278-101-4

32 pp.

Ages 5-8

November, 2020

While education should be a right for all everywhere, sometimes someone has to step up to make sure those without access because of gender inequality or location or some other restriction get the schooling they should be receiving. That someone in The Library Bus is Pari's mother.

From The Library Bus by Bahram Rahman, illus. by Gabrielle Grimard

Little Pari, who will not be starting school until the following year, is going to help her mother on the library bus she takes around to villages and refugee camps without access to schools. Pari knows this is a privilege and takes her role seriously, repeating to herself that she should, "Arrange the books...clean up...be nice to the other girls." For the girls who wait patiently for the bus's arrival and cherish their time with the books and their teacher, the library bus is their school.

From The Library Bus by Bahram Rahman, illus. by Gabrielle Grimard

They exchange their library books for new ones and sit down with Pari's mother who teaches them the alphabet and their numbers in English. For the children of the refugee camps, they provide school supplies like notebooks and pencils. Pari is impressed by how much the girls know and want to learn. As she helps, she listens and learns too, ably reading the important acronyms of WFP and UNHCR by the time they leave the camp.

From The Library Bus by Bahram Rahman, illus. by Gabrielle Grimard

When Pari asks her mother where she learned the alphabet, she is told how Grandpa taught her mother in the basement as girls were prohibited from attending school. For that reason, she insists that Pari study well when she gets to school so that she might experience the freedom that learning gives.

The encouragement of learning is always powerful but by embodying it in Afghanistan, a country impacted by war and restrictive policies, Bahram Rahman's first children's book tells it gently but with influence. Many Canadian children will not appreciate the privilege that attending school and receiving an education entails. It is the norm for them. But for Bahram Rahman's characters, education is everything, and the generosity and impact of the library bus and its in-house teacher are significant.

From The Library Bus by Bahram Rahman, illus. by Gabrielle Grimard

Illustrated by award-winning artist Gabrielle Grimard with watercolour and digital media, Bahram Rahman's gentle strength of message is emulated. The softness of the watercolour and the openness of Gabrielle Grimard's character's faces invite the readers in to the story and the bus, allowing them to travel with Pari and her Mama and join the girls to be part of something bigger and meaningful.

While Bahram Rahman claims to have taken liberties to rearrange the details in the telling of the story of The Library Bus, based on his own experiences and meeting others in Afghanistan, I see only the truth about the hope gifted to the girls with the books and teaching that came with the bus's weekly visits. Now, by Bahram Rahman and Gabrielle Grimard's hands, the travels of The Library Bus will lead to even greater learning.

The Paper Boat: A Refugee Story

Written and illustrated by Thao Lam

Owlkids Books

978-1-77147-363-7

40 pp.

Ages 6-10

September 2020

 

Told exclusively in the glorious collage art of Thao Lam, The Paper Boat follows the flight of a little girl and her mother away from Vietnam, a journey paralleled by an army of ants who strive for their own survival.

From The Paper Boat by Thao Lam

As the front endpapers illustrate, The Paper Boat begins amidst a history of the war in Vietnam. The conflict between South Vietnam and the North Vietnamese escalates until April 30, 1975 when Saigon falls and the South Vietnamese surrender. While a family tries to curtail an invasion of ants with sugar water, and a little girl uses her chopsticks to rescue them and send them on their way, the Vietcong tanks roll past their window. Soon the family is packing up and saying their goodbyes, with mother tearing her daughter away from her father and grandparents who have their own journeys.

From The Paper Boat by Thao Lam

As mother and daughter escape through long grass, hiding from soldiers, they follow a parade of ants in the moonlight to the water's edge. But while they wait for Vietcong patrols to leave, the mother distracts the child by fashioning a paper boat from the wrapping around their food. When their escape boat arrives, the paper boat is left behind but discovered by ants who will begin their own escape by boat.

From The Paper Boat by Thao Lam

The ants endure a multitude of hardships–undoubtedly mirroring what the child and her family bear on their own boat–from limited food and water, to calamitous weather and the capsizing of the boat before making landfall. Even as they help each other, some are lost, before they come together at a new table in a new place.

From the clues in Thao Lam's story, as well as her "Author's Note," it becomes evident that The Paper Boat is based on the author-illustrator's own family history of escape from Vietnam. This tale of migration is laced with trauma and danger and, by telling it through the parallel story about the ants, Thao Lam tells us so much without the reader witnessing the horrors of their fleeing. They, like the ants, come to make a new home, with the child together with both parents and even a new little one–though a photograph with incense on a side table suggests a grandmother who did not survive–in a city teeming with families undoubtedly with some of their own stories of migration.

By creating her story without text, Thao Lam invites the reader to delve into the story and make connections between the two families, one ant and one human, finding the similarities and differences in their plights and the relationships between and within. By using her collage art with images on cut paper layered to create depth and texture, Thao Lam brings us to a table, onto a boat, and into a city. Moreover, by using a limited palette, mostly sombre colours like dark blues and black with splashes of pink and golden for hopeful elements like the sun, the boats and food, Thao Lam makes us see where hope lies. Reassuringly, their new home is filled with the colour of promise.

From The Paper Boat by Thao Lam

Story Boat

Written by Kyo Maclear

Illustrated by Rashin Kheiriyeh

Tundra

978-0-7352-6359-8

40 pp.

Ages 3-7

February 2020

A young girl and her little brother begin a journey with family and others, travelling from one "here" to another "here" and finding comfort where they may in a cup, a blanket, and especially in a story of hope.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

As they travel, the girl tries to explain the concept of "here" to her little brother. The concept can be a difficult one for very young children to grasp, especially as "here" is constantly changing for the travellers. But here becomes whatever is on hand that creates a permanency of people and emotion. It's the cup "Old and fine, warm as a hug" or a "song that every can sing." And, always, that cup or song, or blanket or lamp, or flower, becomes part of a story boat that takes the two children and their cat to see hope amidst a turbulent sea.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Kyo Maclear, author of my favourite Virginia Wolf (2012), consistently tackles big issues by making them personal and intimate. Leaving one's home for something safer, travelling into uncertainty, and looking for hope wherever it may reside will sadly be familiar to most refugees looking for new homes after violence, persecution, and instability compels them to leave the homes they've always known.

Here is our journey
That holds the warmth of a cup,
The softness of a blanket,
The brightness of a lamp,
The strength of a flower
And the openness of a story.

Imagine what it must be like for young children for whom the destination is a grey hole of nothingness, unable to anticipate where home may be or who will be there or what it will look like. Kyo Maclear's wonderful child's storytelling transports them to a new here.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Award-winning Iranian-born illustrator Rashin Kheiriyeh, who currently lives in Washington D.C., fuses the gravity of the refugees' lives with their comforts from home and hope for something good. She does this primarily through her palette of backgrounds of muted blue green and splashes of brightness in the oranges, though much is still black and white, not unlike their circumstances. However, Rashin Kheiriyeh's art, created with coloured pencil and watercolour, oil and acrylic paint, along with some cut paper and other media, also uses shape to infuse the story with the activity of movement, whether it is the travellers' journey on foot or on water or the children's jaunts by story boat. Thankfully, it's all forward from an old here to a new one.

Kyo Maclear and Rashin Kheiriyeh's Story Boat may be a story of those seeking refuge and children finding ways to cope with uncertainty but this story transports and guides just like their story boat. For them and for us, stories can save and illuminate new ways.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

My Name is Konisola

Written by Alisa Siegel

Second Story Press

978-1-77260-119-0

176 pp.

Ages 9-12

March 2020

This is a story of generosity. Of how open-hearted strangers stepped into the life of a mother and a child. Of how remarkable coincidences, good fortune, and human connections rescued a young girl. And of how darkness became light. 

With this preamble, Alisa Siegel, a radio documentarian, begins the story of nine-year-old Konisola and her mother Abimbola as they escape an abusive situation in Nigeria and attempt to make a new life in Canada.

After an especially brutal attack by Konisola's uncle, their male guardian since the death of the girl's father, Konisola's mother stealthily grabs her child from school and they travel to Toronto. Their first bit of good luck comes when they meet Ayo, a fellow passenger, who gives them her address so they'd have something to tell the Canada Border Services agents. When Abimbola tells them "We need protection" and gives them the address, she is reassured that they will receive a notice about appearing before the Refugee Protection Division.

While staying with Ayo, Abimbola collapses and is taken to hospital. With Ayo's return to Nigeria, Konisola goes to stay with another woman who expects the girl to take care of the household and not go to school. After many weeks, Konisola contacts her mother's nurse, Colleen, and learns that her mother has advanced colon cancer. Though Konisola is ever hopeful that her mother will be with her soon, it becomes evident that Abimbola will never leave the hospital.

Colleen arranges for another nurse, Darlene, to take Konisola home with her. This is surprising to Konisola, as Darlene is white and already has her daughter Sara and grandson Kayden living with her. But over time, Darlene begins to feel like home.

As rife as Konisola's life is with worries of her ill mother and foreign living situation, some fortuitous circumstances ensure Konisola's safety, which is everything her mother wanted for her daughter. From meeting Ayo and then Colleen, and then Darlene, the right people found their way into Konisola's life. Her mother stays well enough to attend the refugee hearing and even make sure her wishes for Konisola's adoption are clear. At the hospital, Konisola meets Willson whose wife is also ill and this man, a retired lawyer, who was once the Children's Lawyer of Ontario, advises them through the legal adoption process.

From abusive circumstances in Nigeria to finding a new home with a new family, Konisola's story is one of angst and uncertainty. The child endures worries about her mother's health, the strangers in whose care she has been placed, the opportunities of going to school and being with other children and whether she'll ever be able to just be herself and a child. Imagine being a child and worrying that any pleasure you take in life, from play or laughter, is inappropriate. Even when she finally gets adopted–and there is a photo of an older Konisola and Darlene that proves the story is based in reality–she wonders, "Is it possible to find and lose a family at the very same moment?" (pg. 150)

Still Alisa Siegel, a true documentarian, develops Konisola's story with objectivity and distinction for her young audience. She tells it with accuracy from the perspective of a child who is often kept in the dark about adult problems but who shows the resilience and fortitude to endure.  I suspect Konnie has done well for herself, heeding her mother's sage advice:

Your present circumstances do not determine where you go, they merely determine where you begin. (pg. 133)

A youngCanLit booklist for World Refugee Day: June 20

People fleeing their home countries to find shelter from both man-created and natural calamities is not new. From Jews fleeing Spain in the 1400s to avoid conversion to Christianity to Syrian refugees displaced because of a war which started in 2011, the plight of refugees is historical and contemporary. Though a day designated for refugees was only designated in 2000, the United Nations created the UNHCR, the UN Refugee Agency, in 1950 and its purview continues to expand in scope. I hope this subset of youngCanLit titles will help young readers appreciate the scope of experiences by those displaced by conflict, persecution and natural disaster in seeking new homes across borders.

PICTURE BOOKS

The Banana-Leaf Ball
Written by Katie Smith Milway
Illustrated by Shane W. Evans
Kids Can Press
32 pp.
Ages 8-12
2017
Reviewed here

From Far Away
Written by Robert Munsch
Illustrated by Michael Martchenko
Annick Press
24 pp.
Ages 4-7
1995

From Far Away (new edition)
Written by Robert Munsch and Saoussan Askar
Illustrated by Rebecca Green
Annick Press
32 pp.
Ages 4-7
2017

Mustafa
Written and illustrated by Marie-Louise Gay
Groundwood Books
40 pp.
Ages 4-8
2018

My Beautiful Birds
Written and illustrated by Suzanne Del Rizzo
Pajama Press
32 pp.
Ages 6-10
2017
Reviewed here

Out of the Blue
Written and illustrated by Wallace Edwards
Scholastic Canada
32 pp.
Ages 3-7
2018
Reviewed here

The Roses in My Carpets
Written by Rukhsana Khan
Illustrated by Ronald Himler
Fitzhenry & Whiteside
32 pp.
Ages 5-8
2004

Stepping Stones: A Refugee Family’s Journey
Written by Margriet Ruurs
Artwork by Nizar Ali Badr
Orca Book Publishers
28 pp.
All ages
2016
Reviewed here

Story Boat
Written by Kyo Maclear
Illustrated by Rashin Kheiriyeh
Tundra
40 pp.
Ages 3-7
2020
Reviewed here

The Walking Stick
Written by Maxine Trottier
Illustrated by Annouchka Gravel Galouchko
Fitzhenry & Whiteside
22 pp.
Ages 6-9
1998





NOVELS AND SHORT STORY COLLECTIONS

Blue Gold
Written by Elizabeth Stewart
Annick Press
304 pp.
Ages 13+
2014

A Cage Without Bars
Written by Anne Dublin
Second Story Press
160 pp.
Ages 10-14
2018
Reviewed here

Dance of the Banished
Written by Marsha Forchuk Skrypuch
Pajama Press
288 pp.
Ages 12+
2014
Reviewed here

The Garden
Written by Meghan Ferrari
Red Deer Press
109 pp.
Ages 12+
2018
Reviewed here

A Hare in the Elephant's Trunk
Written by Jan L. Cotes
Red Deer Press
274 pp.
Ages 12+
2010

Manuelito: A graphic novel
Written by Elisa Amado
Illustrated by Abraham Urias
Annick Press
91 pp.
Ages 13-17
2019

Masters of Silence
Written by Kathy Kacer
Annick Press
265 pp.
Ages 9-12
2019

Mud City
Written by Deborah Ellis
Groundwood Books
168 pp.
Ages 8-14
2003

Pieces of the Past : The Holocaust Diary of Rose Rabinowitz, Winnipeg, Manitoba, 1948 (Dear Canada)
Written by Carol Matas
Scholastic Canada
168 pp.
Ages 9-12
2013

Refuge Cove
Written by Lesley Choyce
Orca Book Publishers
128 pp.
Ages 12+
2002

Room for One More
by Monique Polak
Kar-Ben
232 pp.
Ages 12+
October 2019

Seeking Refuge
Written by Irene Watts
Illustrated by Kathryn Shoemaker
Tradewind Books
136 pp.
Ages 8-14
2016

Shanghai Escape
Written by Kathy Kacer
Second Story Press
240 pp.
Ages 9-12
2013

Walking Home
Written by Eric Walters
Doubleday Canada
304 pp.
Ages 9-13
2014

The Whirlwind
Written by Carol Matas
Orca Book Publishers
244 pp.
Ages 12+
2007







NON-FICTION

Children of War: Voices of Iraqi refugees
Written by Deborah Ellis
Groundwood
128 pp.
Ages 8-14
2009

Adrift at Sea: A Vietnamese Boy’s Story of Survival
Written by Marsha Forchuk Skrypuch with Tuan Ho
Illustrated by Brian Deines
Pajama Press
40 pp.
Ages 6+
2016
Reviewed here

The Bite of the Mango
Written by Mariatu Kamara and Susan McLelland
Annick Press
216 pp.
Ages 13+
2008

A Cave in the Clouds: A Young Woman's Escape from ISIS
Written by Badeeah Hassan Ahmed with Susan Elizabeth McClelland
Annick Press
232 pp.
Ages 16+
2019

Rescuing the Children: The Story of the Kindertransport
Written by Deborah Hodge
Tundra
64 pp.
Ages 8-4
2012

The Ship to Nowhere: On Board the Exodus
Written by Rona Arato
Second Story Press
176 pp.
Ages 9-14
2016

Stay Silent: A Refugee's Escape from Colombia
Written by Natalie Hyde
Clockwise Press
144 pp.
Ages 10-15
2016

Stormy Seas: Stories of Young Boat Refugees
Written by Mary Beth Leatherdale
Illustrated by Eleanor Shakespeare
Annick Press
64 pp.
Ages 10-14
2017

To Hope and Back: The Journey of the St. Louis
Written by Kathy Kacer
Second Story Press
204 pp.
Ages 11-14
2011

Too Young to Escape: A Vietnamese Girl Waits to be Reunited with her Family
Written by Van Ho with Marsha Forchuk Skrypuch
Pajama Press
152 pp.
Ages 8-12
2018
Reviewed here

What is a Refugee?
Written and illustrated by Elise Gravel
Schartz & Wade
32 pp.
Ages 8-10
September 2019

Where Will I Live?
Written by Rosemary McCarney
Second Story Press
24 pp.
Ages 5-9
2017
Reviewed here