Written by Alisa Siegel
Second Story Press
978-1-77260-119-0
176 pp.
Ages 9-12
March 2020
This is a story of generosity. Of how open-hearted strangers stepped into the life of a mother and a child. Of how remarkable coincidences, good fortune, and human connections rescued a young girl. And of how darkness became light.
With this preamble, Alisa Siegel, a radio documentarian, begins the story of nine-year-old Konisola and her mother Abimbola as they escape an abusive situation in Nigeria and attempt to make a new life in Canada.
After an especially brutal attack by Konisola's uncle, their male guardian since the death of the girl's father, Konisola's mother stealthily grabs her child from school and they travel to Toronto. Their first bit of good luck comes when they meet Ayo, a fellow passenger, who gives them her address so they'd have something to tell the Canada Border Services agents. When Abimbola tells them "We need protection" and gives them the address, she is reassured that they will receive a notice about appearing before the Refugee Protection Division.
While staying with Ayo, Abimbola collapses and is taken to hospital. With Ayo's return to Nigeria, Konisola goes to stay with another woman who expects the girl to take care of the household and not go to school. After many weeks, Konisola contacts her mother's nurse, Colleen, and learns that her mother has advanced colon cancer. Though Konisola is ever hopeful that her mother will be with her soon, it becomes evident that Abimbola will never leave the hospital.
Colleen arranges for another nurse, Darlene, to take Konisola home with her. This is surprising to Konisola, as Darlene is white and already has her daughter Sara and grandson Kayden living with her. But over time, Darlene begins to feel like home.
As rife as Konisola's life is with worries of her ill mother and foreign living situation, some fortuitous circumstances ensure Konisola's safety, which is everything her mother wanted for her daughter. From meeting Ayo and then Colleen, and then Darlene, the right people found their way into Konisola's life. Her mother stays well enough to attend the refugee hearing and even make sure her wishes for Konisola's adoption are clear. At the hospital, Konisola meets Willson whose wife is also ill and this man, a retired lawyer, who was once the Children's Lawyer of Ontario, advises them through the legal adoption process.
From abusive circumstances in Nigeria to finding a new home with a new family, Konisola's story is one of angst and uncertainty. The child endures worries about her mother's health, the strangers in whose care she has been placed, the opportunities of going to school and being with other children and whether she'll ever be able to just be herself and a child. Imagine being a child and worrying that any pleasure you take in life, from play or laughter, is inappropriate. Even when she finally gets adopted–and there is a photo of an older Konisola and Darlene that proves the story is based in reality–she wonders, "Is it possible to find and lose a family at the very same moment?" (pg. 150)
Still Alisa Siegel, a true documentarian, develops Konisola's story with objectivity and distinction for her young audience. She tells it with accuracy from the perspective of a child who is often kept in the dark about adult problems but who shows the resilience and fortitude to endure. I suspect Konnie has done well for herself, heeding her mother's sage advice:
After an especially brutal attack by Konisola's uncle, their male guardian since the death of the girl's father, Konisola's mother stealthily grabs her child from school and they travel to Toronto. Their first bit of good luck comes when they meet Ayo, a fellow passenger, who gives them her address so they'd have something to tell the Canada Border Services agents. When Abimbola tells them "We need protection" and gives them the address, she is reassured that they will receive a notice about appearing before the Refugee Protection Division.
While staying with Ayo, Abimbola collapses and is taken to hospital. With Ayo's return to Nigeria, Konisola goes to stay with another woman who expects the girl to take care of the household and not go to school. After many weeks, Konisola contacts her mother's nurse, Colleen, and learns that her mother has advanced colon cancer. Though Konisola is ever hopeful that her mother will be with her soon, it becomes evident that Abimbola will never leave the hospital.
Colleen arranges for another nurse, Darlene, to take Konisola home with her. This is surprising to Konisola, as Darlene is white and already has her daughter Sara and grandson Kayden living with her. But over time, Darlene begins to feel like home.
As rife as Konisola's life is with worries of her ill mother and foreign living situation, some fortuitous circumstances ensure Konisola's safety, which is everything her mother wanted for her daughter. From meeting Ayo and then Colleen, and then Darlene, the right people found their way into Konisola's life. Her mother stays well enough to attend the refugee hearing and even make sure her wishes for Konisola's adoption are clear. At the hospital, Konisola meets Willson whose wife is also ill and this man, a retired lawyer, who was once the Children's Lawyer of Ontario, advises them through the legal adoption process.
From abusive circumstances in Nigeria to finding a new home with a new family, Konisola's story is one of angst and uncertainty. The child endures worries about her mother's health, the strangers in whose care she has been placed, the opportunities of going to school and being with other children and whether she'll ever be able to just be herself and a child. Imagine being a child and worrying that any pleasure you take in life, from play or laughter, is inappropriate. Even when she finally gets adopted–and there is a photo of an older Konisola and Darlene that proves the story is based in reality–she wonders, "Is it possible to find and lose a family at the very same moment?" (pg. 150)
Still Alisa Siegel, a true documentarian, develops Konisola's story with objectivity and distinction for her young audience. She tells it with accuracy from the perspective of a child who is often kept in the dark about adult problems but who shows the resilience and fortitude to endure. I suspect Konnie has done well for herself, heeding her mother's sage advice:
Your present circumstances do not determine where you go, they merely determine where you begin. (pg. 133)
