Last Chance Island

by Norma Charles
Ronsdale Press
978-1-55380-458-1
228 pp.
Ages 10+
March 2016

The cover art of Last Chance Island put me in mind of a maritime story that I was sure took place off the coast of Canada on the Atlantic side.  North Atlantic Ocean, perhaps, or the Celtic Sea, but Canada, definitely not.  Last Chance Island, the island of the title, is the journey’s end of  the two protagonists of Last Chance Island,  the book, which is told in the alternating voices of thirteen-year-old Kalu of Nigeria and fifteen-year-old Canadian Lily Spiekeford a.k.a. Spike.

While Kalu and his young cousin Aisha escape an attack on their African village by rebel soldiers, Spike is being sent home from boarding school upon learning  of her father’s death.  As much as both parties would love to stay put, unforeseen circumstances propel them away from their homes.  Kalu, with only a few pebbles and herbs and his bamboo flute as mementoes of home, takes Aisha to a small seaside village, hopeful of getting work on the boats.  Finding nothing, Kalu makes himself available to a less-than-honest fisherman he calls Mister Elliot, squirrelling Aisha away on board.  Meanwhile, the purple-haired, nose-ringed Spike is being sent away by her father’s live-in girlfriend to stay with Maureen Calhoun, a relative of Spike’s dead mother, who is a lighthouse keeper on Last Chance Island off the coast of Ireland, hopeful the girl will find a place “where you’ll belong.” (pg. 17)

Upon learning that the Irish coast guard is checking for illegal migrants and apprehensive about being caught with more than just his smuggled contraband, Mister Elliot drops the kids off at the island, promising to return when it’s safe.  On the other side of the small island, Spike is being delivered by the water taxi of old Seamus who recognizes her as Lela’s daughter and tells her of Lela’s family living on the island, which he calls the “Beginning Place.” (pg. 55)

You know that the two sides are going to meet and it is fortunate for them to do so, even though Kalu is desperate to survive while waiting for Mister Elliot’s return, and Spike is bidding her time until she can escape the island and return to Dublin to join a group of street musicians she’s met.  It’s the meeting of Spike with Kalu and Aisha that brings them all to realize that Last Chance Island has become their new home.

Norma Charles, whose book Run, Marco, Run (Ronsdale Press, 2011) also focuses on a young person escaping to a new home, contrasts the very different lives of Kalu and Spike as beginning places but demonstrates that circumstances can bring unlikely allies together in purpose and acceptance.  The stories of Spike and Kalu may be on different trajectories but these paths are destined to collide at Last Chance Island, which thankfully is more opportunity than just destination terra firma. Norma Charles ensures that Last Chance Island becomes more than just a beacon for marine travellers; it is safe haven for a few lost souls too.

A Sea of Sorrows: The Typhus Epidemic Diary of Johanna Leary, Ireland to Canada East, 1847

by Norah McClintock
Scholastic Canada
978-1-4431-0710-5
175 pp.
Ages 9-12
September 2012

Norah McClintock, three-time Arthur Ellis award-winning author for Best Juvenile Crime Book, surprising treats readers with this first foray into historical fiction.  However, this should not be surprising as Norah McClintock graduated with a degree in history from McGill University and shows great skill in bringing the past in Dear Canada's newest title, A Sea of Sorrows, to reside comfortably amongst her more contemporary award-winning volumes.

A Sea of Sorrow follows the story of thirteen-year-old Johanna Leary and her family from the blight-ravaged potato fields of Ireland to Canada in 1847.  Sorrows will plague the Learys, Ma, Da, fourteen-year-old Michael, Johanna and baby Patrick, each step and nautical mile of their journey from the hunger and poverty of their homeland to the farm of Da's brother, Liam, in the New World.  From their long walk to Dublin to catch a steamer for Liverpool and then boarding the sailing ship for Canada, the journey is arduous, sorrowful and forlorn.

Although never recognized at the time, the ships carrying the Learys and other families became known as coffin ships for the rabid spread of cholera and typhus that claimed the lives of young and old alike.  By the time the ship comes into the Gulf of the St. Lawrence, Johanna's family has lost little Patrick, and Connor Keenan, a young man who'd disguised himself as a girl to evade arrest for threatening and robbing some landlords, has lost his father, sister Colleen, and brother Kevin.  But arriving in Canada does not lead to landing and disembarking in Canada, as the countless line of ships anchored in the harbour indicate.  Those who are deemed ill, including Ma and Mrs. Keenan, are sent to the hospital on Grosse Isle.  The others must remain on the ship in quarantine to contain the spread of the disease.  Not surprising that during their days in quarantine, without fresh food or water, and waiting for medical inspection, even more people fall ill.

Following ten days in quarantine, only Da, Michael and Johanna with Connor and his little brother Daniel, are sent by steamer to Montreal. Again, the sorrows of separation and loss overtake the joys of officially arriving in Canada, as Da, who is ill, is taken away to the immigrant sheds, and Johanna and Daniel are taken with all the girls and youngest boys to an orphanage to be cared for by nuns.

And so, for the Learys, their new life in Canada alongside Uncle Liam has dissolved with each death and separation, just as it did for so many who travelled from Ireland at that time.  The mass exodus contributed to the horrific conditions on board the ships, which in turn led to illness and death.  Unfairly, the Irish immigrants were seen as bringing disease with them and became a spectacle and deemed worthy of prejudice and discrimination from the Canadians.  Even their starvation was twisted to be indicative of laziness by some.

A Sea of Sorrows is not a happy story, although Norah McClintock's epilogue offers some tidbits of happiness for some characters. But, it is a dramatic glimpse into the ghastly situations many Irish immigrants experienced circa 1847, leaving one horrific situation of poverty, starvation and discrimination for another that offered a glimmer of hope but within similar circumstances.  And Norah McClintock never sugar-coats Johanna's accounts, just as the girl would not have been able to do so; there was no sweetness to spare for her tale.  As rotten as the potatoes they fled, many of the Learys' lives festered along with numerous of their countrymen, with only the occasional murphy or Leary able to survive, albeit scarred.

A powerful telling of a historic tragedy.