Whale, That Was Unexpected

Written by Casey Lyall

Illustrated by Kathryn Durst

Tundra Books 

 978-1-77488-361-7

40 pp.

Ages 3–7

Releases June 30, 2026 

 

Maude believes she's seen everything. Going out on the sea in her little fishing boat with her dog Claude year after year, Maude doesn't expect anything different. But soon she learns that anything can happen. 

From Whale, That Was Unexpected, written by Casey Lyall, illustrated by Kathryn Durst

It's a typical day of fishing for Maude and Claude. Her boat, aptly called trusty little boat, has all she needs plus snacks, a cozy armchair, and tea service. Unbeknownst to Maude, there is a humongous whale beneath the boat.

From Whale, That Was Unexpected, written by Casey Lyall, illustrated by Kathryn Durst

Soon Maude and Claude and the little boat are tossed to and fro as they are swallowed by the whale. Maude doesn't waste time flipping out about their circumstances. Instead, she begins to prepare a goodbye party. 

From Whale, That Was Unexpected, written by Casey Lyall, illustrated by Kathryn Durst

She and Claude paint a big banner that proclaims, "Farewell Maude and Claude" and they recruit the writer to proclaim the official farewells. So begin the farewells. And there are many.

Farewell, Maude, a grand old dame.

Farewell, Claude, sixth of his name.  

Farewell, trusty little boat. (pg. 16-18)

And just as they prepare to say goodbye, there's a magnificent "whooosh" and a crab and an octopus are thrown onto the deck. Well, now there will more farewells that will need to be said. It's a cumulative story, that goes from farewells to Maude and Claude and a little boat, to include that crab and octopus, as well as a goat, a sea lion, and a puffin, before they can get to their party.

From Whale, That Was Unexpected, written by Casey Lyall, illustrated by Kathryn Durst

But how they revel in that farewell will be a whale of a story of another kind, and one that even Maude could not imagine.

 

Casey Lyall has made Maude the perfect curmudgeon. Her dour expression is only matched by her matter-of-fact attitude. Maude just does what she always does and is only mildly miffed when things go differently, but with a casual air. When she realizes that they've been swallowed by the whale, her response is, "Well, how about that." (pg. 11). Then she starts planning a farewell party to commemorate their imminent departure from the world. And with each new arrival, Maude takes it in strike, adds to their banner, and gets the author to add more farewells to their tribute. Maude is such a character, as is Claude in his own quiet way. Maude is folksy and unfussy, taking all in stride. Even near the end when Maude and her guests are immersed on a flooded deck, she berates the author to, "Speed it up a little. I'm hungry." (pg. 29) With Maude and Claude and a host of other characters, Casey Lyall brings the humour to a bleak situation. And, with her punny word choices and repetitive and cheeky farewells, Casey Lyall makes being swallowed by a whale less frightening and more inconvenience to Maude and more playful for readers.

 

My first impression of Toronto's Kathryn Durst artwork is amazement at how she makes Maude both grumpy and matter-of-fact about her circumstances. Nothing fazes her. (Maude, that is.) From the striking marionette lines on Maude's face, her no-nonsense work clothes, and practical hair braids, Maude is a woman who has lived a life on the water and is nonplussed about getting swallowed by a whale. Beyond the characters, Kathryn Durst gives us a richly textured landscape, both in and out of the whale. The maritime community is a colourful patchwork of colours and shapes, which Kathryn Durst brings to the limited deck of the trusty little boat. The inside of the whale may be dark but even it has character through line and colour. 

 

For a whale of a tale and word play at sea, Casey Lyall and Kathryn Durst's Whale, That Was Unexpected is a voyage of epic fun and colour. And coming from Casey Lyall, that was absolutely expected.

Last Chance Island

by Norma Charles
Ronsdale Press
978-1-55380-458-1
228 pp.
Ages 10+
March 2016

The cover art of Last Chance Island put me in mind of a maritime story that I was sure took place off the coast of Canada on the Atlantic side.  North Atlantic Ocean, perhaps, or the Celtic Sea, but Canada, definitely not.  Last Chance Island, the island of the title, is the journey’s end of  the two protagonists of Last Chance Island,  the book, which is told in the alternating voices of thirteen-year-old Kalu of Nigeria and fifteen-year-old Canadian Lily Spiekeford a.k.a. Spike.

While Kalu and his young cousin Aisha escape an attack on their African village by rebel soldiers, Spike is being sent home from boarding school upon learning  of her father’s death.  As much as both parties would love to stay put, unforeseen circumstances propel them away from their homes.  Kalu, with only a few pebbles and herbs and his bamboo flute as mementoes of home, takes Aisha to a small seaside village, hopeful of getting work on the boats.  Finding nothing, Kalu makes himself available to a less-than-honest fisherman he calls Mister Elliot, squirrelling Aisha away on board.  Meanwhile, the purple-haired, nose-ringed Spike is being sent away by her father’s live-in girlfriend to stay with Maureen Calhoun, a relative of Spike’s dead mother, who is a lighthouse keeper on Last Chance Island off the coast of Ireland, hopeful the girl will find a place “where you’ll belong.” (pg. 17)

Upon learning that the Irish coast guard is checking for illegal migrants and apprehensive about being caught with more than just his smuggled contraband, Mister Elliot drops the kids off at the island, promising to return when it’s safe.  On the other side of the small island, Spike is being delivered by the water taxi of old Seamus who recognizes her as Lela’s daughter and tells her of Lela’s family living on the island, which he calls the “Beginning Place.” (pg. 55)

You know that the two sides are going to meet and it is fortunate for them to do so, even though Kalu is desperate to survive while waiting for Mister Elliot’s return, and Spike is bidding her time until she can escape the island and return to Dublin to join a group of street musicians she’s met.  It’s the meeting of Spike with Kalu and Aisha that brings them all to realize that Last Chance Island has become their new home.

Norma Charles, whose book Run, Marco, Run (Ronsdale Press, 2011) also focuses on a young person escaping to a new home, contrasts the very different lives of Kalu and Spike as beginning places but demonstrates that circumstances can bring unlikely allies together in purpose and acceptance.  The stories of Spike and Kalu may be on different trajectories but these paths are destined to collide at Last Chance Island, which thankfully is more opportunity than just destination terra firma. Norma Charles ensures that Last Chance Island becomes more than just a beacon for marine travellers; it is safe haven for a few lost souls too.