Story Boat

Written by Kyo Maclear

Illustrated by Rashin Kheiriyeh

Tundra

978-0-7352-6359-8

40 pp.

Ages 3-7

February 2020

A young girl and her little brother begin a journey with family and others, travelling from one "here" to another "here" and finding comfort where they may in a cup, a blanket, and especially in a story of hope.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

As they travel, the girl tries to explain the concept of "here" to her little brother. The concept can be a difficult one for very young children to grasp, especially as "here" is constantly changing for the travellers. But here becomes whatever is on hand that creates a permanency of people and emotion. It's the cup "Old and fine, warm as a hug" or a "song that every can sing." And, always, that cup or song, or blanket or lamp, or flower, becomes part of a story boat that takes the two children and their cat to see hope amidst a turbulent sea.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Kyo Maclear, author of my favourite Virginia Wolf (2012), consistently tackles big issues by making them personal and intimate. Leaving one's home for something safer, travelling into uncertainty, and looking for hope wherever it may reside will sadly be familiar to most refugees looking for new homes after violence, persecution, and instability compels them to leave the homes they've always known.

Here is our journey
That holds the warmth of a cup,
The softness of a blanket,
The brightness of a lamp,
The strength of a flower
And the openness of a story.

Imagine what it must be like for young children for whom the destination is a grey hole of nothingness, unable to anticipate where home may be or who will be there or what it will look like. Kyo Maclear's wonderful child's storytelling transports them to a new here.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Award-winning Iranian-born illustrator Rashin Kheiriyeh, who currently lives in Washington D.C., fuses the gravity of the refugees' lives with their comforts from home and hope for something good. She does this primarily through her palette of backgrounds of muted blue green and splashes of brightness in the oranges, though much is still black and white, not unlike their circumstances. However, Rashin Kheiriyeh's art, created with coloured pencil and watercolour, oil and acrylic paint, along with some cut paper and other media, also uses shape to infuse the story with the activity of movement, whether it is the travellers' journey on foot or on water or the children's jaunts by story boat. Thankfully, it's all forward from an old here to a new one.

Kyo Maclear and Rashin Kheiriyeh's Story Boat may be a story of those seeking refuge and children finding ways to cope with uncertainty but this story transports and guides just like their story boat. For them and for us, stories can save and illuminate new ways.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

A youngCanLit booklist for World Refugee Day: June 20

People fleeing their home countries to find shelter from both man-created and natural calamities is not new. From Jews fleeing Spain in the 1400s to avoid conversion to Christianity to Syrian refugees displaced because of a war which started in 2011, the plight of refugees is historical and contemporary. Though a day designated for refugees was only designated in 2000, the United Nations created the UNHCR, the UN Refugee Agency, in 1950 and its purview continues to expand in scope. I hope this subset of youngCanLit titles will help young readers appreciate the scope of experiences by those displaced by conflict, persecution and natural disaster in seeking new homes across borders.

PICTURE BOOKS

The Banana-Leaf Ball
Written by Katie Smith Milway
Illustrated by Shane W. Evans
Kids Can Press
32 pp.
Ages 8-12
2017
Reviewed here

From Far Away
Written by Robert Munsch
Illustrated by Michael Martchenko
Annick Press
24 pp.
Ages 4-7
1995

From Far Away (new edition)
Written by Robert Munsch and Saoussan Askar
Illustrated by Rebecca Green
Annick Press
32 pp.
Ages 4-7
2017

Mustafa
Written and illustrated by Marie-Louise Gay
Groundwood Books
40 pp.
Ages 4-8
2018

My Beautiful Birds
Written and illustrated by Suzanne Del Rizzo
Pajama Press
32 pp.
Ages 6-10
2017
Reviewed here

Out of the Blue
Written and illustrated by Wallace Edwards
Scholastic Canada
32 pp.
Ages 3-7
2018
Reviewed here

The Roses in My Carpets
Written by Rukhsana Khan
Illustrated by Ronald Himler
Fitzhenry & Whiteside
32 pp.
Ages 5-8
2004

Stepping Stones: A Refugee Family’s Journey
Written by Margriet Ruurs
Artwork by Nizar Ali Badr
Orca Book Publishers
28 pp.
All ages
2016
Reviewed here

Story Boat
Written by Kyo Maclear
Illustrated by Rashin Kheiriyeh
Tundra
40 pp.
Ages 3-7
2020
Reviewed here

The Walking Stick
Written by Maxine Trottier
Illustrated by Annouchka Gravel Galouchko
Fitzhenry & Whiteside
22 pp.
Ages 6-9
1998





NOVELS AND SHORT STORY COLLECTIONS

Blue Gold
Written by Elizabeth Stewart
Annick Press
304 pp.
Ages 13+
2014

A Cage Without Bars
Written by Anne Dublin
Second Story Press
160 pp.
Ages 10-14
2018
Reviewed here

Dance of the Banished
Written by Marsha Forchuk Skrypuch
Pajama Press
288 pp.
Ages 12+
2014
Reviewed here

The Garden
Written by Meghan Ferrari
Red Deer Press
109 pp.
Ages 12+
2018
Reviewed here

A Hare in the Elephant's Trunk
Written by Jan L. Cotes
Red Deer Press
274 pp.
Ages 12+
2010

Manuelito: A graphic novel
Written by Elisa Amado
Illustrated by Abraham Urias
Annick Press
91 pp.
Ages 13-17
2019

Masters of Silence
Written by Kathy Kacer
Annick Press
265 pp.
Ages 9-12
2019

Mud City
Written by Deborah Ellis
Groundwood Books
168 pp.
Ages 8-14
2003

Pieces of the Past : The Holocaust Diary of Rose Rabinowitz, Winnipeg, Manitoba, 1948 (Dear Canada)
Written by Carol Matas
Scholastic Canada
168 pp.
Ages 9-12
2013

Refuge Cove
Written by Lesley Choyce
Orca Book Publishers
128 pp.
Ages 12+
2002

Room for One More
by Monique Polak
Kar-Ben
232 pp.
Ages 12+
October 2019

Seeking Refuge
Written by Irene Watts
Illustrated by Kathryn Shoemaker
Tradewind Books
136 pp.
Ages 8-14
2016

Shanghai Escape
Written by Kathy Kacer
Second Story Press
240 pp.
Ages 9-12
2013

Walking Home
Written by Eric Walters
Doubleday Canada
304 pp.
Ages 9-13
2014

The Whirlwind
Written by Carol Matas
Orca Book Publishers
244 pp.
Ages 12+
2007







NON-FICTION

Children of War: Voices of Iraqi refugees
Written by Deborah Ellis
Groundwood
128 pp.
Ages 8-14
2009

Adrift at Sea: A Vietnamese Boy’s Story of Survival
Written by Marsha Forchuk Skrypuch with Tuan Ho
Illustrated by Brian Deines
Pajama Press
40 pp.
Ages 6+
2016
Reviewed here

The Bite of the Mango
Written by Mariatu Kamara and Susan McLelland
Annick Press
216 pp.
Ages 13+
2008

A Cave in the Clouds: A Young Woman's Escape from ISIS
Written by Badeeah Hassan Ahmed with Susan Elizabeth McClelland
Annick Press
232 pp.
Ages 16+
2019

Rescuing the Children: The Story of the Kindertransport
Written by Deborah Hodge
Tundra
64 pp.
Ages 8-4
2012

The Ship to Nowhere: On Board the Exodus
Written by Rona Arato
Second Story Press
176 pp.
Ages 9-14
2016

Stay Silent: A Refugee's Escape from Colombia
Written by Natalie Hyde
Clockwise Press
144 pp.
Ages 10-15
2016

Stormy Seas: Stories of Young Boat Refugees
Written by Mary Beth Leatherdale
Illustrated by Eleanor Shakespeare
Annick Press
64 pp.
Ages 10-14
2017

To Hope and Back: The Journey of the St. Louis
Written by Kathy Kacer
Second Story Press
204 pp.
Ages 11-14
2011

Too Young to Escape: A Vietnamese Girl Waits to be Reunited with her Family
Written by Van Ho with Marsha Forchuk Skrypuch
Pajama Press
152 pp.
Ages 8-12
2018
Reviewed here

What is a Refugee?
Written and illustrated by Elise Gravel
Schartz & Wade
32 pp.
Ages 8-10
September 2019

Where Will I Live?
Written by Rosemary McCarney
Second Story Press
24 pp.
Ages 5-9
2017
Reviewed here

The Garden

Written by Meghan Ferrari

Red Deer Press

978-0-88995-568-4

109 pp.

Ages 12+

October 2018

Often, he imagines his heart as a stereo, and his pain a volume knob that his memories control. The volume varies, depending on the day, the time, and the trigger. When the trigger is swift and unexpected, it feels as though the bass has been cranked, and a pain that almost blinds him reverberates throughout his entire body. (pg. 26)

While we might assume, incorrectly, that the path from war-torn Syria through refugee camp and immigration to Canada would be in a positive direction, that journey is rife with trauma, loss and changes that may shadow any positives and create stresses in the new experiences. Such is fifteen-year-old Elias's story, told in alternating chapters of pre- and post-immigration to Canada.

Elias lives with his little brother Moussa and his parents, one a doctor and the other a translator, in Syria. He goes to school, plays football and enjoys spending time with his little brother who loves to draw with his crayons. Then the civil war begins and schools are closed because of missile attacks, food is in short supply and humanitarian donations are being targeted. But Elias is most vigilant about keeping little Moussa and himself safe from rebels seeking to capture children for training and arming for war. In a hole dug in their mother's garden, beneath a piece of plywood, the two boys hide, with Elias making up games, like hide and seek or a role play of a jasmine seed planted in hope of growing, to avoid sharing the circumstances of their situation with his very young brother. The garden becomes a refuge for the boys as it has always been for their mother.

Alternating with Elias's reminiscences of life in Syria are his experiences as a new immigrant, wishful of returning to his homeland to help rebuild it while he is being bullied by boys who know nothing of his struggles. Though he is reluctant to make friends, soon two classmates, Sullivan, a small boy often victimized by bullies, and Liling, a girl whose own family sought asylum in Canada, come to support him without needing to know his back story.

But Elias is struggling with guilt, for choices he made and makes, and for circumstances he deems unfair after he and his family seek shelter in a refugee camp in Lebanon. Coupled with the trauma of things no young person should experience, Elias agonizes over how to look forward when it might mean forgetting those he left behind.

The Garden may be Meghan Ferrari's first book but she draws on her expertise in Social Justice Education to tell a convincing tale about one teen's experiences in the Syrian War, in a Lebanese refugee camp and as a new immigrant to Canada. Elias's disquieting realities, living in fear, with memories of the past and with his prospects for the future, are palpable, drenched in grief and trauma.

The people here might have fled the war, but they weren't free. They were imprisoned in this camp while they anxiously awaited verdicts on asylum claims, news of private sponsorships, or the end of the war. As with most prisons, there was solitary confinement. In this one, it existed in the mind–each inmate trapped in memories of loved ones: either dead, or left behind, or gone ahead on the harrowing journey across the Mediterranean Sea. (pg. 90)

Fortunately for Elias, a garden was and is his salvation, taking his story from one of war and loss, and culture shock and bullying, to the beginnings of healing, and Meghan Ferrari makes sure to let us observe Elias on his odyssey.

The Banana-Leaf Ball

Written by Katie Smith Milway

Illustrated by Shane W. Evans

Kids Can Press

978-1-77138-331-8

32 pp.

Ages 8-12

April 2017

Most picture books are thirty-two pages in length but packing a story that includes escape from war, near starvation, separation from family, life in a refugee camp, and troubles with gangs into those few pages is an accomplishment.  The Banana-Leaf Ball’s story has all of that and even reconciliation and hope for the future.

From The Banana-Leaf Ball 

by Katie Smith Milway 

illus. by Shane W. Evans

When Deo Rukundo and his family are driven from their farm by war in Burundi, the child becomes separated from them.  Rescued by a fisherman, Deo is taken to Lukole, a refugee camp in Tanzania.  The camp which is not dissimilar from a village with a marketplace and school also has limited resources like water and food and the presence of gangs.  Deo tries to avoid Remy, a gang leader, who steals and bullies but especially after Remy  steals some of Deo’s carefully worked banana twine for the banana-leaf ball he makes and hides away.  When a man arrives with a coveted leather soccer ball and puts the teams into Shirts and Skins to encourage a game,  Deo is made a captain and Remy is on his team.  With a little teamwork and a lot of encouragement, all the boys, Deo and Remy included, are able to put away their differences and learn a bit about playing soccer, making banana-leaf balls, and becoming friends.

From The Banana-Leaf Ball 

by Katie Smith Milway 

illus. by Shane W. Evans

The Banana-Leaf Ball is Kid Can Press’ newest addition to its CitizenKid series of books and Katie Smith Milway’s fourth book in the series. Like its predecessors, it’s a story of empowerment that comes from dire circumstances but told in terms of the children who rise above.  Though most young readers will have no first-hand knowledge of being driven out of their homes by war and separated from family, as well as living in a refugee camp, many will understand the conflict with a peer that pervades daily existence.  The message that play and sport can override that conflict and provide the basis for inclusiveness is a positive one that children the world over need to know.  To further that message, The Banana-Leaf Ball includes notes about the real Deo and an amazing section called “How Kids are Learning to Trust and Include Others” which includes links to relevant organizations and descriptions of games to foster working together.

From The Banana-Leaf Ball 

by Katie Smith Milway

 illus. by Shane W. Evans

Award-winning American illustrator Shane W. Evans (Underground: Finding the Light to Freedom, We March, and The Way a Door Closes) who primarily works in pen and ink and oils with computer lends a simple power to the story.  The illustrations are weighty but energetic with the strife of escape and bustle of life in a refugee camp.  Colour and shape and even size help convey Deo’s situation, dark and shadowy when escaping and isolated, while bright and larger, coming to life when playing soccer.

Through words and art, The Banana-Leaf Ball continues to fulfil CitizenKid’s mandate of inspiring global citizenship but, by basing it on a true story, it also demonstrates the potential for good to come from bad and the importance of empathy, teamwork and resilience to further that good.


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Check out Kids Can Press' book trailer for this new book:

The Banana-Leaf Ball - A New CitizenKid Book

Uploaded to YouTube by KidsCanPressMovies on March 28, 2017.

My Beautiful Birds: Book launch (Burlington, ON)

Join

artist 

Suzanne Del Rizzo

who illustrated

Skink on the Brink 

(by Lisa Dalrymple, Fitzhenry & Whiteside, 2013)

Gerbil, Uncurled 

(by Alison Hughes, Fitzhenry & Whiteside, 2015)

Sky Pig 

(by Jan L. Coates, Pajama Press, 2016)

for the launch of her first picture book 

as author and illustrator

My Beautiful Birds

Written and illustrated by Suzanne Del Rizzo

Pajama Press

978-1-77278-012-3

32 pp.

Ages 6-10

March 2017

Reviewed here

on

Sunday, March 26, 2017

2-4 p.m.

at

A Different Drummer Books

513 Locust St.

Burlington, ON

There will be:

• a book reading and signing

• plasticine activities

• making of hand-made welcome cards for arriving refugee children

and

• refreshments