The Crow That Wouldn't Go

Written and illustrated by Matea Drljepan

The Pictou Bee Press

978-0-920297-07-0

32 pp.

Ages 3-7

June 2025 

 

This may be a story of a crow but it's also the story of a Nova Scotian town, because the place the crow won't leave is Antigonish. So, as the other crows wonder why it won't leave—this partial migration whereby some crows migrate and others don't is quite real—the crow counts off, in rhyming verse, all the things he likes to do in the town of Antigonish.

There was a crow who wouldn't go

He hung around, through hail, rain, and snow.

He wouldn't leave, and he wouldn't fly,

Tied to home, he refused to say bye. (pg. 5)

From The Crow That Wouldn't Go, written and illustrated by Matea Drljepan

The other crows ask what makes this location so special that he'd want to stay, and, in rhyming verse, the crow that wouldn't go tells them. He mentions some places by name like Cape George, Spook Farm, and Keppoch Hill but it's Matea Drljepan's illustrations that give us more of the story. Her text speaks of pizza, ice cream, ghosts, a Cellidh, and a powwow, but her illustrations show us Koala Cone, the Keating Centre, and the Victorian Inn.  There are so many landmarks, historical and cultural, popular and personal, that it becomes evident why this crow doesn't want to leave. Antigonish is home. He is so convincing that Antigonish becomes a little more because of his travelogue.

From The Crow That Wouldn't Go, written and illustrated by Matea Drljepan

It's been many years since I've visited Antigonish, but for those who live in the Maritimes and those who have attended St. Francis Xavier University or the Highland Games, Antigonish offers a little bit of everything. Its character is one of community, history, and culture, and Matea Drljepan's picture book reflects her admiration for the town. But not only does she speak to the town's richness of place and people, she also speaks to the nature of crows in her text and appended note.  

From The Crow That Wouldn't Go, written and illustrated by Matea Drljepan

Beyond Matea Drljepan's depiction of Antigonish and the crows in her boldly-outlined and colourful artwork, young readers will be treated to some very clever references to everything beyond those worlds. For example, when the crow admits that he sometimes feels lonely when all his friends are gone, there is an art parody of Picasso's The Old Guitarist (1903, from his Blue Period). So, not only does she take us to Nova Scotia, she also makes us see beyond it. 

So whatever your family name may be

Whether Ross, Wong, Benoit, Hadhad, or Phee,

This special place was built with love and care,

To welcome all people from everywhere. (pg. 25)

Perhaps you won't be visiting Nova Scotia until we're through with winter, but The Crow That Wouldn't Go would be a delightful accompaniment to your travels with young children. If you've been fortunate enough to have visited before, you will be able to recount the sights you enjoyed then. And, if you're a teacher, I can imagine using this story as a template for children writing their own stories about the places they've visited or the special place they call home. After all, these crows have a lesson or two to teach us about appreciating places near and far.

Owl

Written by Kara Griffin

Illustrated by K. Shawn Larson

Acorn Press

978-1-773661971

32 pp.

Ages 5-8

November 2025 

 

When a grandfather tells his grandson about a beautiful barred owl who lives in the forest nearby, the child is determined to see the bird. The grandfather explains how she hunts for food and where she lives and the sounds she makes. The two even practise calling the barred owl. But no matter how often the child looks and listens for the bird, he is disappointed. 

From Owl, written by Kara Griffin, illustrated by K. Shawn Larson

Learning that the owl is out at night when the boy is sleeping, he finally catches a glimpse of it but only a flash before it disappears. Surprisingly, the bird has seen the boy and even watched him as he sleeps. They are both intrigued with the other. 

 

When the two finally meet, it is because the barred owl has come to the child's window and the two connect in an unexpected and sweet way that the child will never forget.

From Owl, written by Kara Griffin, illustrated by K. Shawn Larson

Seeing any owl–barred, barn, great horned, screech, snowy or another–is always an amazing experience. There is a mystery to them, wrapped up in their magnificence of morphology and their behaviour. For this child, seeing a barred owl that had a connection to his grandfather would be especially prized. Kara Griffin, an author from Prince Edward Island, reminds us of the importance of our connections to the natural world. Her earlier picture books, Flitt's Call (2023)—also illustrated by K. Shawn Larson—about a bank swallow, and The Sea That Sings To Me (2023), both emphasize that powerful connection. In Owl, Kara Griffin tells the story beyond a kid wanting to see a majestic bird. It's a story that speaks to an interrelationship.

 

K. Shawn Larson, also from P.E.I., uses watercolours with an earnestness that addresses the authenticity of this story. It seems very real. I know it's astonishing to imagine an owl purposefully covering a child with a blanket but the way K. Shawn Larson paints it, and Kara Griffin tells is, it all seems very plausible. But K. Shawn Larson doesn't give up any of the whimsy of the story, including some unusual residents in her scenes along with a plethora of local flora and fauna. It's a place you want to visit and to appreciate the beauty of its scenery and the diversity of its wildlife.

From Owl, written by Kara Griffin, illustrated by K. Shawn Larson

I know that there are numerous STEM lessons that could be derived from Owl, but, if you have a little one who is enamoured with these impressive creatures, Owl will teach as well as delight and is sure to have them looking for one in a forest or in their dreams soon enough.

Birds Life Size: Up Close and Personal with 47 Bird Species

Written by Chris Earley

Firefly Books

978-0-2281-0487-2

112 pp.

Ages 9–12

Releases September 15, 2025

 

While many people got into birding during the pandemic, watching birds and studying their behaviours has long been a pastime of anyone who has a window or who steps outside. Regardless of whether we're enjoying urban or rural landscapes, wooded areas or open fields, there are birds that pepper our skies, our feeders, our balconies and allow us to glimpse their worlds from afar. This time, though, Chris Earley, a University of Guelph biologist and educator, brings us a little closer to seeing 47 different species of birds.

From Birds Life Size: Up Close and Personal with 47 Bird Species, written by Chris Earley

For each of these species, Chris Earley provides key info like the scientific name, size, habitat, diet, and location as well as migration movement. Several images are included but always one that is a life-size representation of the whole bird or a part of the bird for larger species. There is definitely a ton of information in info boxes, text and photographs but those photos that are deemed life size are perhaps the most compelling. Whether it's the head of a Trumpeter Swan, a portion of the American White Pelican's beak—the longest of North American birds—or the tiny body (13 cm) of the Elf Owl, the life-size depictions are the most fascinating.

From Birds Life Size: Up Close and Personal with 47 Bird Species, written by Chris Earley

In addition to the many profiles of birds, Chris Earley also includes information about how birds are classified, how they are measured, how they are studied, and even how to get into birding. 

From Birds Life Size: Up Close and Personal with 47 Bird Species, written by Chris Earley

The 47 species presented in Birds Life Size are all North American with the majority found in Canada. So, for any STEM lessons dealing with life cycles, adaptation, habitats and such in a Canadian school—and for any in American schools as well—Birds Life Size offers a visually-stunning and thorough presentation. It has the content to make it a comprehensive resource but also the visuals to captivate and perhaps even attract young readers, and their families, to launch their own birding pursuits.

The Tufted Puffins of Triangle Island (Wild By Nature)

Written by Deborah Hodge

Illustrated by Karen Reczuch

Groundwood Books

978-1-773067186 

32 pp. 

Ages 3–7 

August 2025 

 

Children's non-fiction books generally take two formats: one as a story, and the other as an information book with graphs, maps, info boxes, a glossary and more. Both formats work but some stories work better one way than the another. For the Tufted Puffins of Triangle Island, Deborah Hodge and Karen Reczuch's chose to tell their story as a narrative, taking readers right onto the island and making them witness to the lives of these seabirds. 

From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch

First, Deborah Hodge transports us to Triangle Island, an isolated island off the northwestern tip of Vancouver Island. This Ecological Reserve is protected, as is the Marine Wildlife Area around it, offering safety for millions of seabirds from people and land predators. Each year, more than 50,000 Tufted Puffins return in the spring and, after finding their mates, prepare burrows in which nests are created.

From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch

In addition to recounting the life cycle from the laying of the egg to it hatching six weeks later, Deborah Hodge discusses the food and feeding of the Tufted Puffins, the fledging of the birds, and their end-of-summer departure to the North Pacific. It's not until the birds are mature that they will return to Triangle Island to start new lives with the laying of eggs.

From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch

While Deborah Hodge does append her story with a graphic list of other seabirds of Triangle Island and extensive information about the island itself—an extraordinary place of seabird diversity and national and provincial protection—including further reading, she stays true to a narrative. From their arrival to their breeding, departure and return, the lives of the Tufted Puffins of Triangle Island are told with simplicity but heart. It is evident that Deborah Hodge has a deep appreciation for this place and its wildlife and the need to protect them all.

From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch

The remarkable beauty of Triangle Island and its uncommon accommodation of seabirds, among which the Tufted Puffins are but one species, is gloriously portrayed in Karen Reczuch's watercolour and coloured pencil illustrations. The scientific accuracy is there but it's Karen Reczuch's style of creating textures in the birds, in the landscape and with her perspective that generates an elegance of graphic storytelling.  

 

Karen Reczuch and Deborah Hodge have collaborated on previous picture books in their West Coast Wild series (e.g., West Coast Wild Rainforest and West Coast Wild ABC) and, as in The Tufted Puffins of Triangle Island, they have always given us reality with feeling. Even as they tell us about plants and animals and Canadian landscapes, they make us feel for the places they portray. I anticipate no less for this new series Wild By Nature if The Tufted Puffins of Triangle Island is any indication.

Mystery at the Biltmore: The Vanderhoff Heist

Written by Colleen Nelson

Illustrated by Peggy Collins

Pajama Press

978-1-77278-327-8

136 pp.

Ages 7-10

2024

 

Multi-family residences like hotels, resorts and apartment buildings are fabulous settings for elaborate mysteries, in which a host of suspects can be found within the residents, and Colleen Nelson has found a spectacular setting in her fictional historical residence, the Biltmore, on New York City's Upper West Side. It's loaded with character and characters that make the story rich in personality, both straightforward and intricate in its plotting, and playful in its delivery.

 

It's summer and Elodie LaRue has once again been abandoned to her nanny Miss Rosa by her globe-trotting art crime investigator parents. Determined to make something interesting out of her summer, Elodie posts notices that she is a detective available for hire. The very next day, she is contacted by Agnes, the housekeeper for the world-famous landscape architect Mrs. Vanderhoff whose sapphire earrings have disappeared from a velvet tray in her room. As Agnes is being blamed, the housekeeper encourages Mrs. Vanderhoff to hire Elodie and find the real culprit. 

From Mystery at the Biltmore: The Vanderhoff Heist, written by Colleen Nelson, illustrated by Peggy Collins

With the help of Carnegie, her West Highland Terrier, and a new resident and aspiring stunt person Oscar Delgado, Elodie sets out to solve the mystery of Mrs. Vanderhoff's missing jewels. Along the way, readers meet a menagerie of extraordinary people at the Biltmore, both employees and residents and visitors, as well as an assortment of furry and feathered friends. With so many potential suspects, Elodie and Oscar must put their little grey cells to work and sift through the clues to find the thief.

From Mystery at the Biltmore: The Vanderhoff Heist, written by Colleen Nelson, illustrated by Peggy Collins

I've often declared how challenging it is to write for early and early middle-grade readers. Getting the right mix of appropriate vocabulary and plot to meet their needs and interests without talking down to or above them is difficult. However, if Colleen Nelson has shown us anything, it's that she can write it all. She's written picture books, YA, non-fiction, and middle-grade novels. She's been nominated for countless awards, including the Governor General's Award, and won several readers' choice awards such as the Silver Birch award of the Forest of Reading and the Shining Willow award of the Saskatchewan Young Readers' Choice Awards. Her skill in getting the voice of her characters right, whether kindergarteners (Teaching Mrs. Muddle), middle graders (e.g., The Undercover Book List) or teens struggling with violence, addictions and bullying (e.g., Finding Hope, The Fall, Blood Brothers) or even a dog (e.g., Harvey Comes Home) allows her to create a plethora of worlds in which kids and teens face challenges, some more troubling than others, and find something inside that allows them to prevail. Here, Colleen Nelson has given readers a child whose world may be one of comfort, living at the Biltmore, having a nanny, loving her dog, and feeling secure enough to explore solving mysteries in safety but she also lets us see Elodie as a child who misses her parents and wants to have friends and not waste her summer doing nothing. Fortunately, Elodie's a go-getter and solving a mystery or two is what she's interested in doing. And she's good at it. She knows how to ask questions, how to look at the evidence, even outside-of-the box, and how to follow through. She's going to be an amazing detective. (Hopefully her parents will notice too.)

 

The plot, which feels very much like Only Murders in the Building without the murders, is both intricate and straightforward, perfect for the audience. But adding to Colleen Nelson's story is the darling spot art of Peggy Collins, the author-illustrator of the award-winning Harley the Hero. The art adds little bursts of colour to the book and helps readers envision the Biltmore and all its characters, improving readability and comprehension.

 

The second book in the Mystery at the Biltmore series releases in April (The Classified Catnapping) and I'll be reviewing it next so you can see where the series is going. Colleen Nelson has confidently transitioned Elodie from a potentially bored child to an emergent detective who is willing to help those in her building get the answers they need to their pressing mysteries. With Carnegie, Oscar, Miss Rosa and the others at the Biltmore, she'll be busy and gratified that the LaRue Detective Agency will have new mysteries to solve.

 

🏢 🏢 🏢 🏢 🏢

 

Mystery at the Biltmore #1: The Vanderhoff Heist (2024)

Mystery at the Biltmore #2: The Classified Catnapping (April, 2025)
 

Unsinkable Cayenne

Written by Jessica Vitalis

Greenwillow Books (HarperCollins)

978-0-06-331445-0

304 pp.

Ages 8-12

October 2024

 

 

But in middle school

there are two choices:

fit in

or

stand out. (p. 69) 

 

It's 1985 and Cayenne has always lived a nomadic life with her Mom and Dad and now six-month-old sibs Sossity and Bear. They've travelled throughout the U.S. in their van, living off Dad's small disability check from the VA, with Mom homeschooling Cayenne. Cayenne knows that some people may look down on them for being poor and living a hippie lifestyle, but she feels a closeness with her family, especially when she plays her harmonica and Dad plays his guitar and Mom dances, even though Mom has been distracted with the babies. Still Dad decides to settle them down in a Montana town where he's gotten a job at the sawmill, and Cayenne feels like it's where they finally belong and maybe she can feel normal, even if Mom isn't necessarily happy. 

I agreed to this move.

I did not agree 

to sell my soul. (p. 31) 

Still Cayenne is all in. At Sandstone Middle School, Cayenne is determined to make friends. She's keen on the popular girls who play flute in band but she's not quite up to their skills and she is separated from them while she learns the instrument. And though she isn't eager to attach herself to a "loser," she is befriended by Dawn, an awkward girl who is always reading, wearing outfits that reflect her reading, and who plays drums. She also meets Tiff, a popular chatterbox of a girl from art class, who lives on the wealthy side of town. And then there's Beau, a new boy whom Cayenne met while walking their dog, George. Cayenne is smitten and when others suggest that Beau likes her, Cayenne is sent into a tizzy of how to act and what to say. So, as Cayenne desperately tries to fit in, choosing with whom to associate and hide the reality of her family's circumstances, things become even more tenuous. Fitting in becomes even harder when you don't feel like you have the means to belong, whether the money, the family, the clothes, the opportunities, anything. 

Jessica Vitalis, whose earlier middle-grade books The Rabbit's Gift, The Wolf's Curse, and Coyote Queen made quite a splash, doesn't just give us a novel about pre-teen angst. She gives us a story enfolded in many layers of storytelling which add context and insight into Cayenne's own life. From their Titanic-themed social studies unit in which they learn of the disparities between first- and third-class passengers, particularly with respect to their survival, and Cayenne's love of birds and her knowledge of their behaviours, Unsinkable Cayenne goes beyond a kid trying to fit in with her new classmates. She's trying to fit in to her life, her new one and the one she has always had with her family, and she sees it through multiple lenses. She is the new kid but also a poor kid and a kid whose family is atypical in their circumstances. They might not have money to replace her holey shoes and the electricity might have to be turned off to save for rent money, but they also don't have a phone or a TV. Cayenne doesn't complain or see it as a problem; it's just different. Her perspective is both insightful and revealing, and Jessica Vitalis does not sugar-coat their poverty with a happy ending or lottery winning or change in financial circumstances. She makes and keeps it real.

 

The writing is exceptional. Unsinkable Cayenne, told in free verse, flows through Cayenne's days at school and her thinking about her life with vigour and subtlety.

I don't understand why the amount of money

someone has determines how much they are worth. (p. 182)

Jessica Vitalis tells a story for middle-grade readers but with sophistication and lyricism. She's given us a real kid who not only exemplifies the famous Unsinkable Molly Brown of Titanic fame in her tenacity and humble beginnings but also in seeing others beyond class and wealth.

Puffin and Penguin

Written by Helaine Becker

Illustrated by Kevin Sylvester

Kids Can Press

978-1-5253-0654-9

80 pp.

Ages 6-9

October 2024

 

Who knew that Puffin's life would change so much when his mom got a new job at the United Avian Nations in New Stork City?! But a move from Iceland to their new home in Brookloon must also include the making of new friends, so there is that. 

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

At his new school, Puffin is introduced to a diverse group of students, from Eaglet the nervous Nellie; King Penguin, the cool kid; Screech Owl,the coding whiz; and Canada Goose, the fashionista. When his teacher, Ms. Grey, buddies Puffin up with Penguin, it's not a perfect match. Penguin already has so many responsibilities and activities that taking on one more, especially the enthusiastic Puffin for whom he has little time, is just too much.

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

 Initially Puffin is annoyed about being abandoned and with everyone calling him a "funny-looking lil' penguin" (p. 27) but his father advises him that there's no need "to get so hot under the feathers" (p. 29) and to give his new classmates a bit of "puffin pedagogy." (p. 31)

 

So Puffin hatches a plan–lots of fun word play in Puffin and Penguin–to inform his classmates about himself and puffins and to make some new friends by joining the Drama Club. But his efforts come across as bragging and he realizes he often comes on too strong and appears to be trying too hard. Still when there's a glitch with the lighting during the performance of "King Midas and the Golden Pinkie," it's Puffin's fluorescent beak that saves the day. 

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

Puffin and Penguin has this amazing blend of science–who knew puffins' beaks fluoresced?–and word play and humour and plain old fun. Helaine Becker's story of two birds who are unlikely buddies shows young readers ways to make friends and to accept differences. And by telling her story with a plethora of puns, Helaine Becker actually makes you laugh while demonstrating ways to be a friend and make a friend while being true to yourself. (Puffin makes it clear, for example, how much he dislikes being called Puffy.)

 

And then there's Kevin Sylvester's artwork that adds even more humour. From making Penguin truly look overextended and weary to Puffin ranting about Penguin's neglect and Puffin's "Too Cool for School" backpack–highly relevant for a bird coming from Iceland–Kevin Sylvester's cartoon illustrations tell more about the story, intensifying the fun and revealing more about the characters than words alone could. 

From Puffin and Penguin, written by Helaine Becker, illustrated by Kevin Sylvester

Because it's an early reader graphic novel, Puffin and Penguin has to work for younger readers in the 6 to 9-years-old audience, giving them more than a picture book but less than a middle grade novel. But Helaine Becker and Kevin Sylvester have found a perfect combo of message and medium, giving readers a relatable story of moving to a new place and making friends with the chuckles and brightness of an illustrated book. Puffin and Penguin is a perfect bundle of everything to entertain and even inform. They don't need more Penguin and Puffin to complete their story but I think young readers would be delighted if Helaine Becker and Kevin Sylvester would take us on a few more adventures with our new avian friends. Do I see a cultural exchange in their future perhaps?

Sea Snooze

Written by Sarabeth Holden

Illustrated by Emma Pedersen

Inhabit Media

978-1-77227-442-4

28 pp.

Ages 3-5

July 2024

 

While a mother reads a bedtime story to her children perched in their bed, their imaginations are invited to soar.

From Sea Snooze, written by Sarabeth Holden, illustrated by Emma Pedersen

All aboard our little boat!

We'll sail all night. Let's see where we float!

In their dream boat, they travel far and wide, over mountains and icy seas, where the stars shine bright and guide their way. They see gulls and guillemots, minke whales and belugas, and seals.  As the animals play and feed, the children sail across the waves.

Minkes in the sound exhale from their spouts,

spraying drops of sparkling water all about.

From Sea Snooze, written by Sarabeth Holden, illustrated by Emma Pedersen

These are but their dreams, spurred on by their mother's reading and their own lives in an Arctic environment. In fact, their bedroom provides all the setting elements, from the animals in a mobile near the bed, to a wallpaper border of water and starry sky, and stuffed bears and narwhal. (If readers look closely, they'll see the patches on the balloon tethered to their boat match those of the well-loved stuffed narwhal toy on the bed.) Their dreams come from their lives: the bed is their boat, its blankets their sails, and their experiences, from snacking on seaweed and fish to watching the wildlife of their Arctic home, give texture to their dreams.

Soon the morning will come,

the sunshine glittering gold,

with all the wonders that

the new day holds.

What a lovely rhyming text to send your own young ones into their nightly respite! They may not know of an Arctic home with an ocean rich with wildlife both in the water and above it, but they'll appreciate taking a boat to a wondrous place with familiar elements from their own lives. Author Sarabeth Holden, who also wrote Please Don't Change My Diaper! and Benny the Bananasaurus Rex, both of which were also illustrated by Emma Pedersen, may currently live in Toronto but her experiences living in Nunavut and being a mother feed her stories. Sea Snooze speaks to parents putting little ones to bed and to those same little ones visiting dreamland via their own experiences. A co-founder of the Toronto Inuit Association, Sarabeth Holden embeds this story in modern Inuit life whose homes could be anywhere in Canada. But, by emphasizing the landscape that only those of the far north would understand and the inclusion of an occasional Inuktitut word, Sarabeth Holden helps us see that the dreams of these children are unique to their home, and all the richer for their familiarity with it. Yet, with her energetic rhyming that has us travelling with the children on their dream boat, Sarabeth Holden is singing a lullaby for children to rest, imagine, and enjoy their lives in a different way.

From Sea Snooze, written by Sarabeth Holden, illustrated by Emma Pedersen

Emma Pedersen keeps the playful in the soothing tranquility of children heading to sleep and into their dreams. From their colourful pajamas and bedding to their assortment of toys and art, these kids have wonderful energy to feed those dreams. And though their dreamworld is mostly one of dark turquoises and blues, not unlike the Arctic Ocean and a night sky, Emma Pedersen infuses those scapes with warmth in the playfulness of the animals and the whimsy in their faces and in the clouds. 

 

You might want to read Sea Snooze to your own little ones, perhaps before bedtime, so that they might be encouraged to use their imaginations to discover their own sleep journeys. Their beds may be different, their toys unlike those in Sea Snooze, and the animals they have seen a far cry from the narwhal and the minke whale, but hopefully they'll have their own foundation for dreams to bring joy and contentment and, of course, sleep.

This is a Tiny Fragile Snake

Written by Nicholas Ruddock

Illustrated by Ashley Barron

Groundwood Books

978-1-77306-784-1

36 pp.

Ages 3+

February 2024

 

This is a Tiny Fragile Snake is a nature walk, a stroll through different habitats to see a variety of animals but observed through human eyes and through our interactions with them. Nicholas Ruddock, Guelph writer and physician, gives us the perspective of children as they take in a snake, a bear, a hummingbird, a caterpillar, and more as their worlds intersect with ours. In rhyming verse, Nicholas Ruddock lets us see something different along with these children.

From This is a Tiny Fragile Snake, written by Nicholas Ruddock, illustrated by Ashley Barron

The first poem is "Snake" which, while it mentions what the snake eats, is more about the children protecting the snake from being trampled by moving it to a safer place via a coffee cup. Children being benevolent is a theme that also shows up in the poem about the hummingbird that has its beak stuck in a window screen, and a caterpillar saved from a lawnmower, as well as a chipmunk being stalked by a tuxedo cat.

I plucked it from its blade of grass

and placed it on a tree,

and a week ago a butterfly

came by and danced for me. ("Caterpillar")

From This is a Tiny Fragile Snake, written by Nicholas Ruddock, illustrated by Ashley Barron

Some poems reflect how we feel about the animals highlighted, whether disgusted, scared, impressed or something completely different. "Ants" speaks to dissuading ants from ruining a picnic by offering some sugary treats some distance away. "Skunk" suggests to children that, while we might see a skunk as a stinky animal, perhaps the skunk sees us with disdain too. Whether it be hornets, a moose, herons, a red squirrel, or a finch, wasp, worms, or loon, Nicholas Ruddock reminds us that people have a relationship with other animals. This might be because we have imposed ourselves on their habitats, or because they have encroached on ours, but there is an interrelationship as our dynamic worlds merge and separate.

From This is a Tiny Fragile Snake, written by Nicholas Ruddock, illustrated by Ashley Barron

By showing young readers how our actions can impact other species, Nicholas Ruddock demonstrates how we can ensure that those actions are always positive or at least harmless. There is wisdom in getting a raccoon out of house or how to free a loon trapped in ice which is delivered with a gentle awe of these animals and how they behave. There is a respect for them that is both explicit and implicit.

It turned out we were helpless,

there was nothing we could do,

for there seemed a steady stream of them,

and we were only two. ("Hornets")

I've admired Ashley Barron's cut-paper collage illustrations in earlier books that she's illustrated for others (e.g., Up! How Families Around the World Carry Their Little Ones, Chaiwala!, and Granny Left Me a Rocket Ship) and I believe that the texturing that comes with her technique lends itself well to outdoor settings. Like leaves that layer and feathers and fur, scales and petals of texture, Ashley Barron's art is rich in depth and colour, giving a three-dimensionality to the landscapes and their animals.

While This is a Tiny Fragile Snake will entice readers, young and old, to find the poetry in nature and how we interact with it, the poems within also remind us how, when our worlds merge, we can ensure those interactions remain copacetic.

So we gave up, threw up our hands,

defeated by a pest,

and for the rest of summer

she was treated as a guest. ("Squirrel")

Once, a Bird

Written by Rina Singh

Illustrated by Nathalie Dion

Orca Book Publishers

978-1-4598-3143-8

32 pp.

Ages 3-6

September 2023 

 

I know many people are trying to forget a time of lockdowns and restricted movements during the early years of the pandemic. But Rina Singh and Nathalie Dion's story reminds us of the gifts of nature and community that were revealed during those tenuous times. And though their story takes us out of those times, it never lets us forget what discoveries were made when tensions were high, isolation was the norm, and health was insecure.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

Without words, Rina Singh tells a story of the arrival of a robin to a land of complexity and quiet. There may be snow on the ground but as the bird travels over parks, highways, and agricultural fields, there is no one to be seen. It is people-less and still. It could be a dystopian landscape, but Nathalie Dion gives us hope and light in the greenness of the fields, the blues of the skies and the unscathed infrastructure.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

The bird finds its way to a budding tree outside a walk-up apartment building where an elderly woman spots it. She alone is looking out her windows as her neighbours keep their blinds and curtains closed. But then others take in the sight of the robin, each in their own way. Whether it be a grandson and grandfather watching it with binoculars, or a young person taking photos with her phone, or two children chatting between windows. Even a new puppy dog is held up to witness the bird.

 
As life goes on for the bird, building its nest, laying its eggs, and feeding its young, the neighbourhood begins to open up: a door, a window, a walk with the dog. And, with time, the neighbourhood returns to normal as the bird and its young fly off, having taken the people through the tough times.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

Although the audience for Once, a Bird is listed as 3-5 years of age, the depth of the storytelling is far greater, and could be for all ages. Rina Singh has given a nuanced story of isolation and connection with nature that may have been born of a pandemic, and all who have been living with solitude and/or withdrawal, whether because of distance, mental health, or even personality, will also understand. She offers hope that separation does not mean desolation, and that opening oneself to the natural world can help sustain us.

I've reviewed a number of picture books illustrated by Montreal's Nathalie Dion (e.g., The Big Bad Wolf in My House, I Found Hope in a Cherry Tree, The Dog's Gardener) and her watercolour and gouache art lends itself well to contemplative stories such as Once, a Bird. There is an intangible, almost divine, sense of beauty that comes from both introspection and deep relationships depicted in her illustrations. Her art is sensitive to the ephemeral nature of challenges, keeping her colours subdued but calm, and introducing brighter colours, initially only on the robin, as the people emerge, and the neighbourhood returns to life.

 

For hope through difficult times, take note of how once a bird brought a community together, and how Rina Singh and Nathalie Dion were able to do the same to tell its and our story.

 

• • • • • • • 

A French-language edition is also available as Il était une fois un oiseau.

 

 

The Bird Feeder

Written by Andrew Larsen

Illustrated Dorothy Leung

Kids Can Press

978-1-5253-0483-5

40 pp.

Ages 3-7

October 2022

As I watch the birds seek food at our feeders–2 nyjer feeders, a hopper, a tray and two suet holders–I am reminded how much joy is derived from just watching the birds. It's sitting back and observing their feeding, their interactions with other birds, and making a connection with the natural world, often from the confines of our man-made one. But this connection can be far greater than at first glance as Andrew Larsen shows us in his latest picture book The Bird Feeder.

From The Bird Feeder by Andrew Larsen, illus. by Dorothy Leung

After their grandmother comes to live with them, a child spends special time with her: chatting about their secret wishes, drawing, and enjoying the birds at the bird feeder Grandma brought with her. But when Grandma is taken into hospice, the child is initially bereft, not wanting to fill the bird feeder as they'd done for her.

From The Bird Feeder by Andrew Larsen, illus. by Dorothy Leung

After seeing the big picture window in Grandma's hospice room, the child surprises their grandmother by hanging the bird feeder on the tree outside.

"Oh, my! says Grandma. "You brought the birds!"

Together they watch the birds, eat purple Jell-O, draw, and visit with Suki, the therapy dog. And the next spring, as three tiny beaks poke out of a nest, Grandma passes.

From The Bird Feeder by Andrew Larsen, illus. by Dorothy Leung

In a touching story of a special grandmother-grandchild connection and the cycle of life, Andrew Larsen shows us that even in great sadness there can be joy and comfort. With that extraordinary bond between the two generations comes learning, art, togetherness, and support. Both give and take from the other, filling their lives with affection and contentment. And though Grandma is in hospice, that connection is re-established via a bird feeder, which gives Grandma solace and the two of them a link of focus, purpose, and appreciation. I must admit that I shed a tear with Grandma's passing, so subtly handled with Andrew Larsen's text that evokes love and loss without the fear and despair that often accompany death. It's this simplicity of message and story that Dorothy Leung emulates in her digital artwork. There is a clarity in her illustrations that conveys tenderness and caring and family while giving readers just enough detail in a framed family photo or leaves on a tree or weariness on a face to scaffold a memorable story.

I know there are birds in the story, but The Bird Feeder is more than a grandmother and grandchild sharing a love of birds. There is an intimacy here that transcends all. It's a tender story of life and love and the blessings that come with both.