Built Like a Bug: How Insects Inspire Everyday Inventions

Written by Anjali Joshi

Illustrated by Kathleen Ng

Annick Press

978-1-834020310

128 pp.

Ages 8–12

March 2026 

 

The natural world has always astounded. From within its plant and animal species, its landforms, its waters, and environmental factors like weather come examples for processes that work for adaptation, communication, farming, and more. In Built Like a Bug, Anjali Joshi, a science educator, focuses on insects and reveals all the ways they inspire important inventions and developments.

From Built Like a Bug: How Insects Inspire Everyday Inventions, written by Anjali Joshi, illustrated by Kathleen Ng

The table of contents to Built Like a Bug demonstrates the complexity of the book's content. It looks at mosquitoes and cockroaches, spiders and leafhoppers, termites and fireflies, ants, hawk moths, dung beetles, and bees and dragonflies. The assortment of insects is only matched by the contributions they have made to innovative research and development.

From Built Like a Bug: How Insects Inspire Everyday Inventions, written by Anjali Joshi, illustrated by Kathleen Ng

In addition to providing basic scientific information like common and scientific names, life and size, Anjali Joshi highlights key features of their behaviour that should be noted. For example, information on how the mosquito effectively jabs an animal and prevents clotting is being used by researchers to reduce pain from needles and to develop synthetic anti-coagulants.

From Built Like a Bug: How Insects Inspire Everyday Inventions, written by Anjali Joshi, illustrated by Kathleen Ng

Silk from spiders is inspiring researchers to develop sutures for stitches, to deliver medicines, to create bullet-proof materials, and to investigate it as a building material.

From Built Like a Bug: How Insects Inspire Everyday Inventions, written by Anjali Joshi, illustrated by Kathleen Ng

Insects are models for farming, for electricity, for flight, for navigation, for medicine, and so much more. They can inform us about engineering and building robots, as well as about energy efficiency and dealing with trash. There is so much information in Built Like a Bug that any reader—or teacher—will be able to get both a broad overview of how insects inspire innovation and the finer points about insects themselves and the research and development they generate. Regardless of the complexity of information, Built Like a Bug is organized so well that it is a pleasure to delve into the material. Tidbits of interesting facts are posted in info boxes called "Bug Bites" and the illustrations by Toronto-based artist Kathleen Ng give colour and details to strengthen the information and to keep the text from becoming overwhelming. Her digital art is specific enough to help convey key information, but it is not so detailed that a middle grade reader would get bored.

From Built Like a Bug: How Insects Inspire Everyday Inventions, written by Anjali Joshi, illustrated by Kathleen Ng

I know kids will enjoy this book, especially those interested in STEM activities, but teachers will adore it. Not only is it a prime example of a non-fiction book for middle-grade readers, offering opportunities for learning and creativity, teachers will appreciate the variety of features, from the glossary, full index, and references to the numerous experiments and activities. Built Like a Bug will give young readers lots to think about and to do, perhaps inspire them to see more within the natural world.

 

The Bee Mother (Mothers of Xsan, Book 7)

Written by Hetxw'ms Gyetxw (Brett D. Huson)

Illustrated by Natasha Donovan

HighWater Press

978-1-774920800

32 pp.

Ages 9-12

May 2024

Hetxw'ms Gyetxw (Brett D. Huson) and Natasha Donovan's latest volume in their illustrated non-fiction series, Mothers of Xsan, takes readers into the insect world for the first time, having previously highlighted mammals, birds, fish, and amphibians. Though the bee may be the smallest of the species showcased, it is no less significant.

From The Bee Mother, written by Hetxw'ms Gyetxw, illus. by Natasha Donovan

The story begins with the recession of winter and the awakening of the bee mother, Nox Ap. The bee mother first looks to make a new home in a burrow or hollow tree. Also making new homes for themselves are the yellow jacket wasps and introduced honeybees. With new moons, Nox Ap builds a nest and lays her eggs which pupate and emerge as worker bees to collect pollen and nectar to sustain the nest. And once pollination is done, the bumblebee queen, as well as those of the yellow jacket and honeybee, must find an overwintering space.  

 

As with all books in the series, the life cycle of the bee is paramount, but The Bee Mother goes beyond a compendium of natural history facts. It is a story, and it all takes place within the Gitxsan Nation, Indigenous Peoples of the unceded territories of the Northwest Interior of British Columbia. Hetxw'ms Gyetxw ensures that the reader understands that the bee mother's story is not one of isolation. It is a story that includes her connection with the environment and those within it. As such, Hetxw'ms Gyetxw speaks of the contributions of Nox Ap and the other bee relatives, from the provision of honey and the pollination of flowers to help provide fruits and vegetables, to pest control and providing food for other species. They are a part of everything.

From The Bee Mother, written by Hetxw'ms Gyetxw, illus. by Natasha Donovan

Hetxw'ms Gyetxw's text certainly speaks to life, as do Natasha Donovan's illustrations. They are vibrant, most especially in colour and shape. From the oomph of pinks and fullness of line and shape in the book's cover to the warmth of greens and golds in close-up art of the bees in their natural habitats, Natasha Donovan gives us stylized but realistic depictions of flowers and plants, bees and other animals, water and snow. Because the topic is the small bee, Natasha Donovan takes us up close to focus on the bee, creating art akin to macrophotography to ensure details are not missed.

From The Bee Mother, written by Hetxw'ms Gyetxw, illus. by Natasha Donovan

Because of the Indigenous roots of both the author and illustrator–Hetxw'ms Gyetxw is from the Gitxsan Nation and Natasha Donovan is Métis– The Bee Mother goes beyond a rehashing of STEM facts and takes on a new life of storytelling and appreciation for the connection of living things. In fact, because the Gitxsan Nation follows a matrilineal line which suggests that the stories come from the mothers, highlighting the mother of each species in the Mothers of Xsan series is both reasonable and respectful. (Hetxw'ms Gyetxw provides notes about the Gitxsan Nation and the Gitxsan Moons, along with a map of their territories.) And, by making the story specific and still broad, it demonstrates to readers  who the bee mother is and what she does and what happens every year, but also that she is part of something bigger. You can read it as a story of a life cycle but read beyond that and recognize that there is far more to the story that needs to be appreciated.

• • • • • • •

Mothers of Xsan series

The Sockeye Mother (2018)
The Grizzly Mother (2019)
The Eagle Mother (2020)
The Frog Mother (2021)
The Wolf Mother (2021)

The Raven Mother (2022)

The Bee Mother (2024)

This is a Tiny Fragile Snake

Written by Nicholas Ruddock

Illustrated by Ashley Barron

Groundwood Books

978-1-77306-784-1

36 pp.

Ages 3+

February 2024

 

This is a Tiny Fragile Snake is a nature walk, a stroll through different habitats to see a variety of animals but observed through human eyes and through our interactions with them. Nicholas Ruddock, Guelph writer and physician, gives us the perspective of children as they take in a snake, a bear, a hummingbird, a caterpillar, and more as their worlds intersect with ours. In rhyming verse, Nicholas Ruddock lets us see something different along with these children.

From This is a Tiny Fragile Snake, written by Nicholas Ruddock, illustrated by Ashley Barron

The first poem is "Snake" which, while it mentions what the snake eats, is more about the children protecting the snake from being trampled by moving it to a safer place via a coffee cup. Children being benevolent is a theme that also shows up in the poem about the hummingbird that has its beak stuck in a window screen, and a caterpillar saved from a lawnmower, as well as a chipmunk being stalked by a tuxedo cat.

I plucked it from its blade of grass

and placed it on a tree,

and a week ago a butterfly

came by and danced for me. ("Caterpillar")

From This is a Tiny Fragile Snake, written by Nicholas Ruddock, illustrated by Ashley Barron

Some poems reflect how we feel about the animals highlighted, whether disgusted, scared, impressed or something completely different. "Ants" speaks to dissuading ants from ruining a picnic by offering some sugary treats some distance away. "Skunk" suggests to children that, while we might see a skunk as a stinky animal, perhaps the skunk sees us with disdain too. Whether it be hornets, a moose, herons, a red squirrel, or a finch, wasp, worms, or loon, Nicholas Ruddock reminds us that people have a relationship with other animals. This might be because we have imposed ourselves on their habitats, or because they have encroached on ours, but there is an interrelationship as our dynamic worlds merge and separate.

From This is a Tiny Fragile Snake, written by Nicholas Ruddock, illustrated by Ashley Barron

By showing young readers how our actions can impact other species, Nicholas Ruddock demonstrates how we can ensure that those actions are always positive or at least harmless. There is wisdom in getting a raccoon out of house or how to free a loon trapped in ice which is delivered with a gentle awe of these animals and how they behave. There is a respect for them that is both explicit and implicit.

It turned out we were helpless,

there was nothing we could do,

for there seemed a steady stream of them,

and we were only two. ("Hornets")

I've admired Ashley Barron's cut-paper collage illustrations in earlier books that she's illustrated for others (e.g., Up! How Families Around the World Carry Their Little Ones, Chaiwala!, and Granny Left Me a Rocket Ship) and I believe that the texturing that comes with her technique lends itself well to outdoor settings. Like leaves that layer and feathers and fur, scales and petals of texture, Ashley Barron's art is rich in depth and colour, giving a three-dimensionality to the landscapes and their animals.

While This is a Tiny Fragile Snake will entice readers, young and old, to find the poetry in nature and how we interact with it, the poems within also remind us how, when our worlds merge, we can ensure those interactions remain copacetic.

So we gave up, threw up our hands,

defeated by a pest,

and for the rest of summer

she was treated as a guest. ("Squirrel")

Burt the Beetle Lives Here!

Written and illustrated by Ashley Spires

Kids Can Press

978-1-5256-1011-9

64 pp.

Ages 5-8

June 2023

Author-illustrator Ashley Spires introduced her readers to Burt the ten-lined June beetle (also known as a watermelon beetle) in Burt the Beetle Doesn't Bite! (Kids Can Press, 2021) and charmed us with his story as well as educating us on the natural habits of a variety of other insects. This time, Ashley Spires takes us into insect real estate to look at the nests and habitats of Burt and his insect friends as they seek shelter for short stints and longer periods.

From Burt the Beetle Lives Here! by Ashley Spires

Burt likes to spend short periods of time "snug as a bug" under a leaf. But when he realizes that it would be nice to have a place to call home, he looks at the homes of other insects. He considers the chrysalis of the monarch butterfly, the foam of the spittlebugs, and the silk web nests of tent caterpillars, but each doesn't work for him. So, he considers what materials he might use to build his own, taking his cues from wasps, bees, and weaver ants. Again, none work for him. 

Though he's ready to give up on finding a home within sight of his beloved porch light, Burt realizes soon enough that he needs shelter from weather and predators, and finds that protection, and even camaraderie, in a most familiar location. 

From Burt the Beetle Lives Here! by Ashley Spires

Kids love learning about science and living things, but it must be taught in a way that entertains through the inquiry process. As in all her Burt books, Ashley Spires has given young students, and their teachers, an easy source of relevant scientific information, here about insects and their habitats using Burt as an insightful guide. Through his very small eyes, readers are shown a bug's-eye view of a variety of different insect nests, with explanations for how the animals live in them or create them. And with her trademark humour, Ashley Spires will make kids chuckle at Burt's antics, as the adults in their lives will laugh at the analogies to human home-buying with places with stunning views, lots of potential, open floor plans and advertised as architectural masterpieces and those that are perfect for entertaining or impeccably renovated.

From Burt the Beetle Lives Here! by Ashley Spires

Ashley Spires, creator of Binky the Space Cat, consistently uses a clean illustrative style that is digitally rendered, never cluttering her illustrations with superfluous details that, while accurate, may detract from the key information about where the insects live and why. Because of the organic nature of the story, Ashley Spires's palette is primarily one of greens and browns, but she gives us enough shades and tints and tones to make it appear rich and varied, much like nature itself.

Whether you're a teacher of younger students who need to understand local habitats or how communities create nests, or you're a school librarian who loves providing quality creative non-fiction for the many children who prefer non-fiction or fiction, or a reader to appreciates fabulously illustrated books with a side helping of humour, Burt the Beetle Lives Here! has got you covered, perhaps even better than Burt's leaf!

 

🐛 🐞 🐜 🐝 🐛 🐞 🐜 🐝 🐛

 

Burt the Beetle Doesn't Bite! (2021)

Burt the Beetle Lives Here! (2023)

Daphne's Bees: Guest review

This review was written by Grade 9 student Bronte L.

 

Written by Catherine Dempsey

Illustrated by Veselina Tomova

Running the Goat, Books & Broadsides

978-1-927917503

48 pp.

Ages 7-11

2022

 

Daphne’s grandmother keeps honeybees, and she often lets Daphne inspect the hives. But on the morning of her 10th birthday, Daphne is treated with her very own hive, bee suit, and equipment. With the help of her dad and grandmother, Daphne builds her hive, and starts a new colony. She has drone bees, worker bees, and most importantly, a queen bee! Grandma teaches her all about their different jobs, how to maintain the hives, and their life cycles.

Daphne was so excited. Now she knew for sure that her queen had hatched, and was laying eggs. She also knew the bees were gathering pollen and nectar. The bits of pollen were the little bright colours and the nectar was the juice from the flowers that would become honey.

From Daphne's Bees by Catherine Dempsey, illus. by Veselina Tomova

Daphne soon discovers that keeping bees isn’t all flowers and honey. Bees are protective of their queen, and, if they think they’re under attack, they aren’t afraid to sting the intruder and die in the process. There are also wasps to worry about. Wasps are like pirates, flying around in search of new or vulnerable hives, looking to steal their honey. However, Daphne is protective of her hive, just like the worker bees, and makes sure that nothing is going to happen to it on her watch.

From Daphne's Bees by Catherine Dempsey, illus. by Veselina Tomova

Daphne’s Bees by Newfoundland author Catherine Dempsey and illustrator Veselina Tomova tells the story of Daphne, her hive, and everything she learns along the way to becoming a beekeeper. The book has loads of information, especially for a picture book, and could be enjoyed by kids from kindergarten to Grade 6. The book includes a glossary, background information, and plenty of puns. It’s a great book to build kids’ appreciation for honeybees.

Daphne’s Bees is an essential book for students learning about nature and the importance of pollinators. It’s informative and fun, and includes a lighthearted story with painted illustrations. The little bees and flowers look realistic, and you can tell that the illustrations are actual paintings, with their pencil outlines, canvas texture, and thick paint strokes.

From Daphne's Bees by Catherine Dempsey, illus. by Veselina Tomova

My grandfather used to keep bees, and I know that if I had read this book several years ago I would’ve immediately wanted to help him take care of his hives!

~ Bronte L., Grade 9

Burt the Beetle Doesn't Bite!

Written and illustrated by Ashley Spires

Kids Can Press

978-1-5253-0146-9

56 pp.

Ages 5-8

June 2021

While I may be cursing the mosquitoes and horseflies that are biting right now, award-winning author-illustrator Ashley Spires is showing her appreciation for the wealth of insect species inhabiting backyards and in particular a ten-lined June beetle called Burt.

From Burt the Beetle Doesn't Bite! by Ashley Spires

Showcasing Burt's attributes from his feathery antennae ("It's a style choice") to his all-natural furry belly, Ashley Spires introduces us to the insect often called a watermelon beetle. But when Burt notes the superpowers of ants, hawk moths, termites and stink bugs, he struggles to recognize what makes him so amazing. He tries to wink, tap dance, climb walls and fly but usually ends up on his back with legs flailing in the air. 

From Burt the Beetle Doesn't Bite! by Ashley Spires

But like any child looking to identify their own strengths rather than focusing on their weaknesses, Burt perseveres and finds his sticky legs and his huggable nature a gift to some insects trapped in a spider web.

From Burt the Beetle Doesn't Bite! by Ashley Spires

With colourful humour such as calling a spider web "fancy bum string" (pg. 43) and bold illustrations that are both charming and surprisingly accurate (except for their faces, of course), Ashley Spires teaches, entertains and grabs readers' attentions. There may be countless books about insects but Burt the Beetle Doesn't Bite! educates without droning on about insects' defining characteristics like habitat, eating, and reproduction. Instead kids will learn about the ten-lined June beetle but also about ants and dragonflies, the Australian tiger beetle, hawk moths, echolocation, spraying of toxins and more. And if that's not enough, the end papers display "cards" depicting insects according to their superpowers from "Super Stingy" and "Super Bright Bum" to "Super Annoying" (that's the mosquito!) and "Super Deadly Farts." Finding out what insect matches its superpower will be half the fun of Burt the Beetle Doesn't Bite!

From Burt the Beetle Doesn't Bite! by Ashley Spires

Ashley Spires has always known how to entertain us with her graphic novels and picture books, having won the hearts of young readers with Binky the Space Cat (see my review of Binky Takes Charge, 2012) and inspired them with The Most Magnificent Thing (2014) and The Thing Lou Couldn't Do (2016). Now with Burt the Beetle Doesn't Bite!, she teaches, informing kids about insects in a colourful and playful way that camouflages the learning. That, and her illustrations and her humour must be her superpowers and I'm so glad she uses them for good.

🐞 🐞 🐞 🐞 🐞

A downloadable activity package from Kids Can Press is available at https://www.kidscanpress.com/sites/default/files/products/assets/BurtTheBeetleDoesntBite_2685_activity.pdf

Hatch

Written by Kenneth Oppel

HarperCollins Canada

978-1-44345-688-3

416 pp.

Ages 10-14

September 2020

 

When readers first met Anaya, Petra and Seth in Bloom, Book 1 in Kenneth Oppel's The Overthrow trilogy, the three teens were helping to battle an alien invasion of plants–black grass, vines and pit plants–that threatened their community on Salt Spring Island and around the world. They had also discovered that they all dreamed of special powers–running, swimming and flying, respectively–that corresponded with the unusual growths that had plagued their bodies, namely claws and excessive hair for Anaya, a tail and scaly skin on Petra, and bony growths akin to wings for Seth.  Now a new threat has arrived.

From a weird rain that deposits eggs, strange new creatures develop that Dr. Weber and the others look to study. But then the military, as led by Colonel Pearson alongside the new Dr. Ritter, having learned of the kids' cryptogenic DNA, announce that brain scans reveal transmitters in their brains, and fear that they have been communicating with the cryptogens who intend to invade. The kids are "detained as a threat to national security under the War Measures Act" (pg. 33) at a secret underground bunker with other young hybrids who are numbered and classified as runners, swimmers and flyers. 

This did not seem like a good sign. If you gave someone a number, it was because you were taking away their home. And once you took away someone's home, it was a lot easier to take away whatever you wanted. (pg. 41)

Under the direction of Dr. Ritter, the young people are measured and tested and drilled to develop their skills. Meanwhile, Anaya, Petra and Seth make new friends within their groupings, with Petra meeting the muscular Darren who is convinced they are being trained to be soldiers and Anaya making the acquaintance of the brilliant Charles. But it's Seth fraternization with the quiet Esta that becomes the most intense, as he makes a real connection with her though she evokes dissension between the friends with claims of the flyers' superiority.

But everything changes when Anaya is taken to the surface and allowed to connect with the cryptogens to pinpoint their location. Instead she learns that they can communicate telepathically and she is able to do so with a cryptogen, learning why they are targeting Earth and involving the hybrids.

Kenneth Oppel got our attention with Bloom but he keeps us breathless with the unrelenting action in Hatch. From dealing with dangerous and toxic plants to evolving insects of massive destruction force (the worm has a mouth with "spiraling blades that looked like the turbine of a drilling machine"; pg. 10) and the protagonists learning more about their capabilities, and sadly also their shocking predilections, Hatch reveals a precarious world where aliens i.e., cryptogens look to communicate with humans through hybrid beings like Anaya, Petra and Seth. But who is friend and who is foe both on earth and from other worlds is ever-changing and poses problems for all as the kids try to do the right thing for their families, communities, planet and themselves.

Hatch, as did Bloom, brings one story to an end but introduces a new one with its last words. When the third book in the trilogy, Thrive, finally drops in May 2021, we hope Kenneth Oppel will finally share with young readers the true nature of the aliens and whether they, or even some of them, offer hope or harm. Eight months seems almost too long to wait when the world is in the balance because of an alien invasion.

 

The Overthrow series from Kenneth Oppel:

Bloom (February 2020)

Hatch (September 2020)

Thrive (May 2021)

Penguin Days

Written by Sara Leach

Illustrated by Rebecca Bender

Pajama Press

978-1-77278-053-6

104 pp.

Ages 7-10

November 2018

Eight-year-old Lauren of Sara Leach's Slug Days (Pajama Press, 2017) has returned and now the young child on the autism spectrum must find new coping strategies beyond the school and home situations with which she contended in her first book.

From Penguin Days by Sara Leach, illus. by Rebecca Bender

Lauren and her parents and baby sister Lexi have driven from western Canada to North Dakota for the wedding of her Auntie Joss, who is getting married to Almost-Uncle Charlie. It's a long drive but far better than a repeat of the screaming plane fiasco years earlier. But the travel stress is just step one in the journey that Lauren must take to act as Auntie Joss's flower girl. She must also prepare herself for the many people who will be present, including her cousins: Sophia, 12; Zoe, 10; and Kevin, 9.

I didn't want to have a restful summer. I wanted to have a fun summer with Irma ... I had to meet my cousins instead. Which wasn't restful at all. It made my insides feel like squirmy snakes. (pg. 25)

But Lauren's unrest moves into the realm of confusion when Kevin mentions that he has to wear a penguin suit (slang for a tuxedo) and Lauren thinks wearing a penguin onesie would be preferable to the itchy purple flower girl dress she must wear. Unfortunately, when she learns that Zoe and Sophia will also be flower girls, and she twirls in her dress like Sophia, she makes herself dizzy and throws up.

From Penguin Days by Sara Leach, illus. by Rebecca Bender

The reactions of those around her embarrass her and she dashes outside and encounters Kevin who takes her to see the cows in the barn. Though he warns her about being in the barn, she climbs onto fence and falls into a stall with calves. In the mayhem of her screaming, the calves run out and Almost-Uncle Charlie comes to the rescue.

From Penguin Days by Sara Leach, illus. by Rebecca Bender

From the dress to the barn and the rehearsal and its dinner, things always get resolved when Lauren remembers to use her strategies like square breathing or focusing on things she likes to talk about, like lizards and penguins, and when those around her consider how stressful new situations are for her and attempt to make things work for Lauren. But there are many circumstances which Lauren must endure first in order to get through to the other side of okay. Thankfully Sara Leach shows us that Lauren can have slug days when everything goes wrong, and penguin days when she has to dress up and get along with people she rarely sees, and still have wonderful butterfly days when all is right with the world. With the addition of Rebecca Bender's charming black-and-white illustrations that depict Lauren in all her moods, Penguin Days becomes a story of resiliency and overcoming anxiety and stressful situations for all children, with ASD and not.

From Penguin Days by Sara Leach, illus. by Rebecca Bender

The Doll's Eye

Written by Marina Cohen

Roaring Brook Press

978-1-62672-2040

208 pp.

Ages 8-12

February 2017

There’s a creepiness in the old house to which twelve-year-old Hadley Jackson and her mom, and mom’s new husband Ed Crenshaw and his six-year-old son Isaac have moved. 

A heaviness in the air seemed to press down on her.  And, despite the August heat, it was cold and clammy, like a years-unopened tomb. (pg. 2)

She even feels like she’s being watched, though it could simply be the doll’s eyeball she discovers beneath her bed.  But, with her mom giving the lion’s share of her attention to Isaac, a child with numerous food allergies, Hadley is feeling less than hospitable to Ed and Isaac.  When the girl discovers an old dollhouse, a replica of the actual house, with four carved dolls–a man, a woman, a little girl, and an older woman in the apartment over the garage– Hadley sees a perfect family, and wishes the same for herself.   But, as many a tale has taught us, you must be careful with wishes.

Though she still feels out of sorts–in fact, she’s feeling an odd numbness in her hand which is extending to other parts–Hadley meets a couple of individuals who make her start to feel at home: Gabe, a neighbour boy who knows everything about snakes and insects , and the elderly woman, Althea S. de Mone a.k.a. Granny, who lives over the garage.  Gabe comes over daily to play and take her on excursions into the ravine at the back and Granny invites her for tea and crumble and chats about the dolls which she admits to carving.

But things begin to get really strange when the people in her life begin to change as the dolls disappear and are replaced.  First, Ed and Isaac disappear like they’d never existed and all of Hadley’s mom’s attention is focused on her daughter.  Hadley knows it is related to her wish that Ed and Isaac had never come into her life and tries to make things right again but ends up with another more haunting scenario with a father she’d never known.  She knows it’s all tied to the doll’s eye and the dollhouse but making it right seems near impossible. 

Hadley barely made it to her bed before her knees gave out.  She lay for the longest time, thinking, rubbing her numb hands.  It was as though someone had wrinkled the fabric of reality, changing the pattern of its threads.  She closed her eyes.  Perhaps if she dozed off, she’d wake from the nightmare and things would be back to normal. (pg. 100)

As if.

In the subtle terror reminiscent of W.W. Jacob’s chilling short story "The Monkey’s Paw", Marina Cohen brings creepiness into making wishes and into a young girl’s desire for a perfect family.  Hadley is just a naïve young girl who thinks she knows what will make her life better, just like the young girl from the past whose reminiscences Marina Cohen includes throughout The Doll’s Eye. But, whether in the past or the present, the young girls in The Doll’s Eye make some selfish and poor choices that have impacts never imagined.

By implanting her story in the seemingly innocent entities of youth i.e., dolls and dollhouses, Marina Cohen will have young readers shocked when they enter the disturbing realm of horror. But I guess that’s what the genre is meant to do, frighten and disturb. Thankfully, it’s the right amount of fright for young readers, never too much or of the grotesque variety, and it will keep them edge-of-their-seats reading until the last page, never expecting the ending.  As a seasoned reader, I should have seen it coming, but I didn’t, and I expect younger readers won’t either, though they will be thrilled with Marina Cohen’s twisted take on making wishes and what a perfect family entails. But, more than anything, they will be beguiled with another offering by Marina Cohen to a genre rarely published for middle grade readers and a sensational and supernatural contribution at that.

The Mosquito Brothers

Written by Griffin Ondaatje

Illustrated by Erica Salcedo

Groundwood Books

978-1-55498-437-4

128 pp.

Ages 7-9

May 2015
(Reviewed from advance reading copy)

Humans may have silly inventions like glass.  But we have the power to pester them to total distraction. (pg. 41)

Can you think of a better time to review a book called The Mosquito Brothers than in July when our recent cool and wet days have me scratching for bug juice so that my face isn't littered with the very insects that don the cover of Griffin Ondaatje's latest from Groundwood Books?  I can't.

What Jonathan Livingston Seagull did for the gull, The Mosquito Brothers does for the much-maligned mosquito, giving a back story with family, flight, fancy and friends for one young mosquito named Dinnn (yes, triple n's).  Dinnn, one of 401 young born to Corrina Culiseta-Woo and Brad Needles, learns very early that flying is not his thing and vows to walk wherever.  Luckily being born in a puddle at the edge of the parking lot of the Lakeside Drive-In Theater provides convenient access to level ground and asphalt. Unluckily, walking is not a cool thing for a mosquito to do.  Not surprising, when Dinnn finds a leather jacket, he is convinced it makes him look cool, especially after his mother refashions its emblem to The Mosquito Brothers.  But, no one else seems to think it’s cool so while Dinnn follows all the mosquito protocols (e.g., going to school, studying life cycles, participating in Dragonfly drills), he dreams of having an adventure.

Knowing that his mother was from the Wild i.e., the countryside where she accidentally left behind her only surviving son from that batch of flying teeth, Dinnn sees the Wild as his chance to shine.  And when the red minivan that brought his mom from the Wild and picked his dad up at the gas station shows up at the drive-in, it’s Dinnn and the entire family’s chance for a road trip to the Wild.

Dinnn may be a mosquito but he’s every child who doesn’t fit in and wants desperately to be accepted, even popular.  He finds the means to be himself, much to the appall of his siblings and peers, but it’s only when the city mosquito reaches the country that he is able to be appreciated by others and appreciate himself as well.  With tongue in cheek (or is that proboscis in skin?), Griffin Ondaatje pokes fun, with sensitivity, to the need for most of us to fit in, even if it means putting on a heavy leather jacket that makes things even harder, and heavier, to assimilate.  (After all, just like Dinnn, we don’t always make wise choices as to what constitutes coolness, right?)

The Mosquito Brothers is a delightful story of accepting one’s strengths and weaknesses and finding ways to manage them.  Though the awareness that these insects hovering around brings me to distraction, Griffin Ondaatje and Erica Salcedo have created loveable individuals with quirky characteristics (for example, Dinnn's father is a floater who is drawn to the addictively large screen of the drive-in, and Gus is a stocky and hairy country mosquito who seems like more of a bruiser than a poker) who cause less irritation and more amusement than might seem possible in an early reader about mosquitoes.

Dinnn’s father sat in the school office for two days filling out registration leaves, but so many of his kids had pesticide allergies that the paperwork took all his energy, and he fell asleep in the hall by the juice machine. (pg. 36)

But, if you think The Mosquito Brothers is all fun and games, guess again because the plethora of valuable life cycle information, including an addendum of true or false questions, transforms the story into a dual-natured fact and fiction early reader perfect for laughs and learning in the classroom.