A Little Halwa and a Big Family

Written by Farid Bazger

Illustrated by Sahar Abdallah

Running the Goat, Books & Broadsides

978-1-998802302

40 pp.

Ages 4–8

March 2026  

 

Halwa is a confectionery traditional to many countries from Central Asia to the Middle East and into Africa and Europe. And when Mama and Papa have a craving for it one night, but little in the way of ingredients for their large family, they plan a secret treat for themselves once their children are in bed. But, unbeknownst to them, everything will change when little Malala overhears their plan.

From A Little Halwa and a Big Family, written by Farid Bazger, illustrated by Sahar Abdallah

Malala tells her older brother Bahir, who tells his older brother Azmoon, who tells his older sister Lima, who tells her older brother Abasim, who tells his older brother Zareen, who tells his older sister Zala. And with that, seven children hatch a plan to be in on the late-night treat.

From A Little Halwa and a Big Family, written by Farid Bazger, illustrated by Sahar Abdallah

When the parents see the children have brushed their teeth and been tucked into bed, they head to the kitchen. But, when Mama starts to prepare all she needs for cooking the halwa, from matches to light the stove, and flour and sugar and other ingredients, she finds them all missing. The children obviously know what Mama will use, and with every staple needed, a child appears to deliver it. And with each delivery, the child is invited to sit and watch and wait to share in the halwa.

 

But the same problem that the parents recognized initially—insufficient ingredients to feed their large family the special treat—is still a problem, with every child getting a little halwa and the parents giving themselves none. Is there a way for a little halwa to feed a big family?

From A Little Halwa and a Big Family, written by Farid Bazger, illustrated by Sahar Abdallah

A Little Halwa and a Big Family is a version of a chain story in that there are seven children and a similar number of ingredients or elements needed to make the halwa. (A recipe is included.) With seven Afghan children to bring in the missing ingredients, it's a tale that emphasizes unity, sharing, and even teamwork, in a very playful way. Originally from Afghanistan, Farid Bazger blends his traditional culture with the mischief of children and the unselfishness of parents. From the tasty treat to the family dynamics, this is a large Afghan family rooted in affection and consideration. While the parents may initially seem a bit selfish hiding their planned treat from their children, they really aren't. It is just Papa having a craving and Mama happy to make it for him. And yet, when she finally starts cooking it, there is never any option other than sharing with their children. The parents are giving and caring and these same traits have been bestowed upon their children who want to do the same for their parents. 

 

Sahar Abdallah, an Egyptian-Canadian artist, uses pencil crayon, soft pastels, and powder pigments (see the video of her creating an illustration here) on brown Kraft paper. Her media give a softness of texture as well as colour, creating a homey feel within the illustrations. It's perfect for a story in an Afghan home with its large family of boys and girls wearing clothes of bright colours of green, orange, white, blue, and gold. Sahar Abdallah gives the story the warmth that Farid Bazger's family shows in its hospitality.

From A Little Halwa and a Big Family, written by Farid Bazger, illustrated by Sahar Abdallah

Whether you try the halwa recipe included or just enjoy being welcomed into this family's abode, A Little Halwa and a Big Family proves that, when there is kindness, there is always enough food to share.

Sophie Shares the Stars

Written by Heather Smith

Illustrated by Catherine Petit

Orca Book Publishers

978-1-4598-4015-7

32 pp.

Ages 3–5

September 2025 

 

Sophie has lived with her Michael since she was three years old. (She is eight now.) It's obvious that she adores her adopted father and he her. In fact, he's given her the universe both as a ceiling display and as a deeply felt sentiment.

My Michael says, "You are the whole universe."

I think that means he can't live without me. (pg. 3) 

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

The life they have together is filled with love. They spend time talking, playing, and going to beach, and, when she messes up, he helps do better. But when her father, affectionately called My Michael, becomes ill, things change. It doesn't change between them but around them. Sophie tries to help him as he helped her when she had been ill. But Michael's illness is not a flu or a cold or a broken leg or anything with a visible nature. He has one of the myriads of invisible illnesses that most people do not see. Not surprising that their neighbour, Mr. Donaldson, declares that he saw Michael the day before and he didn't look sick. The child never knows what to say—and she shouldn't have to explain for her father—and always changes the subject.

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

But the one thing Sophie can do is share her universe with him. By removing some of the glow-in-the-dark stars from her ceiling and creating the Big Dipper on the wall behind her Michael's bed, she shares the stars with him. Her Michael has good days and bad, but she's always there to hope he'll feel better, to make sure he knows he's loved, and to see him as the Michael is.

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

Sophie Shares the Stars is a touching story about a familial relationship, but it tackles more by including adoption and an invisible illness. In her "Author's Note," Heather Smith speaks to her personal connection with the story, but, even without that knowledge, I know that she would have treated the topics with sensitivity and understanding, never with judgement. Anyone with an invisible illness, particularly those which are chronic or a mental illness, can attest to the frustration and isolation that comes with dealing with the illness and with others. If those others cannot see a cast, an open wound, or bandages, many will not understand the complex symptoms with which the ill person is suffering. I appreciate that Heather Smith never reveals Sophie's Michael's illness, but it really is irrelevant to the story. It is invisible and that's all that needs to be said. Because the story is about Sophie and her relationship with her Michael, and how they became a family, and grow stronger each day as a family, regardless of the challenge of his illness.

 

Montreal illustrator Catherine Petit uses pencil and digital tools to create the upbeat artwork that is all about the relationship between father and daughter. This child is well loved, bursts with energy and wonder, and shares her goodness with her father, knowing that he would choose her again. His open arms, and his dedication to bringing her joy and safety, are visible in every illustration, even when he's not feeling his best. And her devotion to him is palpable. She may be his universe, but Catherine Petit lets us see her smile, her eyes, and her concerned hugs and soothing caresses that he is hers.

 

I know this picture book is aimed at young children, and those who have been fostered or adopted will appreciate how a new family can be created when a birth family is not available to care for a child. But Sophie Shares the Stars will also be a reminder to all readers that there are those who live with invisible illnesses who many appear unimpaired—"appear" is the operative word—but whose lives and those who love them are significantly impacted, even when symptoms wax and wane. Thankfully for both Sophie and her Michael, they are there for the other to make life not just bearable but bright.

Standoff (Kidnapped From Ukraine, #2)

Written by Marsha Forchuk Skrypuch

Scholastic
978-1-5461-0454-4
288 pp.
Ages 8–13
October 2025

 

As it had been for me reading Under Attack, the first book in Marsha Forchuk Skrypuch's Kidnapped From Ukraine series, delving into Standoff was a challenge. I knew to expect a sensitive but authentic story about the Russian invasion of Ukraine in 2022, but I also knew that it would be emotionally demanding of me because of my heritage. It was. But it was also eloquent and inspiring and well worth the read.

 

In the earlier Under Attack, readers are introduced to the Popkov family: dad Ivan who worked at the Azovstal steel plant in Mariupol, mom Yaroslava who worked at a nail salon, and twelve-year-old twin sisters Dariia and Rada. When the first attack occurs in February of 2022, Dariia and her mom are separated from Rada and their dad. The first book covers Dariia's perspective and experiences, while Standoff is told from Rada's point of view from the onset of the first attack. While Dariia and their mom find shelter at a salon and other commercial buildings, Rada and her dad head to the steel plant with its extensive bunkers, and from which he will join up with the Territorial Defense . With the wise words, "Be brave but not stupid" (pg. 42), her dad leaves Rada in the care of the Yanin family: Mr. Yanin, an engineer; his son Viktor, a classmate of Rada's; and his nine-year-old daughter Alina. (Mrs. Yanin was killed in the attack on their apartment building.)

 

Each day is a scramble for food, clothing, water, heat and more. Still, the make-shift family connects with another family when Rada meets Lesia Stepanova. Lesia is sheltering in another bunker at the plant with both her grandmothers (Baba and Babushka), her sister-in-law Maiia, and Lesia's baby nephew Oleh. Lesia's mother is also in the Territorial Defense, while Lesia's older brother is in Moscow on a business trip. After they attempt to evacuate Mariupol during a ceasefire—which the Russians failed to observe—they add nine-year-old Mychailo Voron and a woman named Svetlana Boyko to their little group.

 

Their lives become a series of routines to help them get through each day, whether it is doing lessons, or toileting, or preparing and sharing their meager provisions. Hope comes with the promise of a ceasefire—more than once—though the Russians are quick to apprehend and attempt to transport Ukrainians to Russia. It's only when the Red Cross, the UN, and other international observers and aid are involved that those efforts are stymied.

 

Life is tenuous. On the inside of the plant, Rada and her new family struggle and worry and grieve. Outside, their challenges are both the same and different: worried for their loved ones, grappling with a lack of resources, terrified of being injured or killed, and never knowing whom they could trust. 

 

The attack and war on Ukraine has sadly been part of the news cycle for almost four years, but for many it is a story from "over there." Marsha Forchuk Skrypuch's stories, both Under Attack and Standoff, take a distant conflict and make it personal. This isn't happening faraway to people we don't know. It's happening to children, to the elderly, to parents, and to shopkeepers, neighbours, and people we care about. We feel their horror, recognize their anxieties, grasp their grief, and acknowledge their needs to hold on to whatever might offer comfort, whether a cat or a Motanka doll. Whether it's a middle grader reading this book and stunned by the horrific circumstances that Rada and her families, born and made, endure, or an older reader who understands the cruelty of others and the grief of loss, Standoff will hit hard. But Marsha Forchuk Skrypuch knows how to tell a story of immense tragedy by pairing it with resilience, affection, and hope. Even the title of the third book in the series, which releases in April, tells us that there is more to the twins' stories and, even with more hardships and loss, they endure. 

 

For an authentic and very personal perspective on the war in Ukraine, Marsha Forchuk Skrypuch offers a story of Ukrainians from Mariupol and what they saw and felt when the Russians attacked. She even offers more background in her "Author's Note" and the Q & A with which she appends Standoff, helping young people gain greater understanding about the events and the history behind the Russian invasion. We can only hope that with awareness comes understanding, and with time there will be a favourable resolution for the people of Ukraine.  

 

 • • • • • • •

 

Under Attack (January, 2025)

Standoff (October, 2025)

Still Alive (April, 2026)
 

Death by Whoopee Cushion

Written by Vicki Grant

Tundra Books

978-1-77488-468-3

256 pp.

Ages 10–14

July 2025 

 

 Having parents who own a joke shop can be torture. (p. 3)

 

For twelve-year-old Manya, who hates the limelight, her parents' joke shop, Pranks-A-Million, is embarrassing. But Ronnie and Stephanie Brown love to laugh and make others laugh. Not only do they sell pranks that explode, smell, stain, and startle, they create new "artisanal pranks" like Barf-In-A-Bag, edible scabs, and the Gravy Blaster, a whoopee cushion filled with sulfur-scented gravy, in their backroom Funcubator lab. Manya likes serious science–she won last year's science fair–and is eager to take an after-school program called "Serious Science for Serious Kids" that is offered at the Museum of Natural History. Along with her best friend and neighbour, Isaac, the only other participants who attend Dr. Michael's course are Jack, another science kid from their school, and Brandon, a kid who wanted to do kickboxing but was forced to attend this instead. Together they learn about acids and bases and do fun experiments.

 

But when things that aren't a laughing matter happen, Manya is concerned, though her parents with their good-natured humour are not. First, they are questioned by police about a trick cigar that caused first-degree burns. Then, more seriously, when her parents are setting up for a presentation at Manya's school, the new custodian is killed by an explosion when handling their materials. Manya's parents are arrested, and Manya and their parrot Toots—who makes farting noises—go to stay with Isaac and his mother Delia next door. Now it's up to Manya and Isaac to put their STEM skills to work and determine who sabotaged her parents' Gravy Blaster that killed a man.

 

Vicki Grant is always known for the humour in her books (e.g., Hold the Pickles,  36 Questions That Changed My Mind About You, Short for Chameleon) but her stories are always more than cheap laughs. Her plots often look into deeper issues of family relationships or bullying, even loneliness or shame. Vicki Grant reminds us that even when there is much to laugh about, there are serious issues often lightened with humour. Manya may be a girl who has inherited a love of science and experimenting from her parents, but she is quite self-conscious and embarrassed by the silliness, and smells and noises, of the pranks her parents love. But when her parents are arrested, she realizes how much she loves them and how much the joke shop is a part of her. It's this realization, along with the application of some science, that helps her solve the mystery of the exploding Gravy Blaster and connect with those who care about her.

 

I don't want to give away too much—the mystery of the Whoopee Cushion Murder must be solved—but suffice it to say that the laughs will be had courtesy of a fart-noisemaker of a parrot, a poopy baby called Poppy, a plethora of pranks, and a pair of mischief-makers who drive around in a yellow Beetle adorned with googly eyes and a clown nose. But with a little science, a whole lot of fun, and much familial affection, the mystery is solved, along with a few welcome surprises, and only the culprit is left with egg on their face, figuratively of course.

Every Leaf on Every Tree

Written and illustrated by Lauren Soloy

Nimbus Publishing

 978-1-77471-423-2

20 pp.

Ages 0–3

June 2025 

 

How great is a parent's love for their child? For this rabbit, that love is vast, mighty, boundless, and endless. For this family, that love is everything.

From Every Leaf on Every Tree, written and illustrated by Lauren Soloy

In a poetic love song to their baby, this rabbit declares the extent of love they feel. Referring to the wonderful elements of their natural world, that love is extolled profusely. 

And every petal 

     on every flower

And every second 

     in every hour 

It's in the grass and the flowers, the ocean and the sand, and in butterflies, birds, and stars. But it's also in the personal touch and tickle. When a parent loves a child, that love is truly reflected in everything.

From Every Leaf on Every Tree, written and illustrated by Lauren Soloy

Every Leaf on Every Tree is a board book and aimed at the very youngest of our children, and so it will be a lovely baby gift for expectant parents. Lauren Soloy, who is best known to me as an illustrator of books such as Kathy Stinson's A Tulip in Winter, has an impressive collection of picture books in her bibliography. But with Every Leaf on Every Tree, she has become an author-illustrator to me, and one that can put words to her art in a heartfelt way. Every Leaf on Every Tree reads like a love song to a child who may or may not be too young to understand the depth of that affection. Regardless, the reading of this book can begin when a child is still a baby and progress to ages one and two and older and even until they are reading it for themselves. And they will always appreciate the comfort of knowing the magnitude of that closeness.

From Every Leaf on Every Tree, written and illustrated by Lauren Soloy

In addition to the text, Lauren Soloy also illustrated Every Leaf on Every Tree. While it's not always possible as a reader to identify the media the illustrator uses, I found that it was especially challenging to identify Lauren Soloy's medium. The art appears to include paint and pencil, perhaps digital rendering, and even cut-paper. Regardless, Lauren Soloy gives us a picture book in which parent and child are part of each other and a larger world of immense beauty and scope. In their own little world, they are everything. In the world at large, they are one.

The Warmest Blanket in the World

Written by Tamara Levine

Illustrated by Ellie Arscott

Second Story Press

978-1-77260-410-8

24 pp.

Ages 6-8

February 2025 

 

While most of us are already thinking about the warmth of spring and summer, there will be many, particularly the elderly, for whom the change of seasons will not necessarily bring that which would warm their fingers and toes. For those with poorer circulation and other health issues, particularly those associated with aging, cold feet and hands can be problematic. And young Frida wishes she could do something to help her amazing great-grandmother Ama who says she feels like she lives in a refrigerator.

From The Warmest Blanket in the World, written by Tamara Levine, illustrated by Ellie Arscott

Frida enjoys visiting her great-grandmother as much as the older woman relishes seeing the child, telling her each time, "Do you know you've made my day? You're one special kid!" Ama tells Frida stories about her life and the importance of women fighting for their rights. (Frida even attended a protest with Ama once.) They sing songs together and they snuggle under her blanket. But even that blanket doesn't keep Ama warm enough. So, Frida gets some advice from her mom, her grandmother and her aunt.

From The Warmest Blanket in the World, written by Tamara Levine, illustrated by Ellie Arscott

Frida recalls what she'd learned of muskoxen which reminds her aunt, a knitter, of a mill in Nisku, Alberta where Tanis, an Inuk woman from NWT, prepares qiviut, the wool that comes from muskoxen. This wool is said to be the warmest in the world. 

From The Warmest Blanket in the World, written by Tamara Levine, illustrated by Ellie Arscott

Frida writes Tanis and explains how much she loves her great-grandmother and how much Ama has done to make things better for girls and women. Now Frida wants to help her. The response she gets is far greater than some skeins of wool.

From The Warmest Blanket in the World, written by Tamara Levine, illustrated by Ellie Arscott

There are a lot of layers to Tamara Levine's story of The Warmest Blanket in the World. There is a sweet intergenerational relationship between Ama and Frida. There is a story of activism and doing good and supporting the rights of others, particularly women and girls. There is also a story of compassion and sharing. And there's the story of the muskoxen and how the Inuit have spun the wool of these Arctic animals into yarn and clothing. That's a lot of stories, and Ottawa's Tamara Levine weaves them all together in a story of family. This is more than a story of a blanket. It's about who needs what, who can help, and why we should help. 

Ellie Arscott, who illustrated the award-winning Night Walk, keeps the lightness of family and the warmth of a blanket and affection in her artwork, done in watercolour and ink. There is realism, when she depicts the muskoxen on the tundra and in the sepia images of suffragettes fighting for the right to vote. But there is a quaintness in the patterns of blankets and bed linens, in the calico cat and in the coziness of their homes. Ellie Arscott keeps it all bright and homey.

 

The Warmest Blanket in the World is a tender story of family and kindness. It's wrapped in qiviut and embedded with affection and humanity. It doesn't get any more warm-hearted than that.

I Would Give You My Tail

Written by Tanya Tagaq

Illustrated by Qavavau Manumie 

Tundra Books

978-1-77488-057-9

32 pp.

Ages 3-7

April 2025

 

What is the secret to happiness? For a child sent to bring his grandmother back to camp to help with the birth of his new sibling, Kalluk finds many answers and from those who enrich his own northern life.

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

On his journey, Kalluk encounters different animals and natural elements and asks each why they are so happy. The first, a pair of hares, find their happiness in being fast and clever but also from protecting the other. One hare even declares, "I would give you my tail if I could." A babbling brook delights in being cold and clean and enjoying the sensation of running over rocks and giving satisfaction to the fish. With each encounter, including with a mother fox and her pups, the boy feels gratitude for the food provided, the fresh water to be had, and the care and love his own mother had always given him. 

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

When he fetches his grandmother, Anaanattiaq, they travel together back to camp. Kalluk takes time on their journey to ask his grandmother the same question. The wisdom of her words are not lost on the child.

You get peace from inside. Every day, life gives you choices, and when you make the choice to be a kind person, the goodness inside of you grows.

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

An encounter with a conspiracy of ravens brings forth a discussion of wisdom and sharing, and ends with an airborne journey, a dialogue with the wind, and a swift delivery of Anaanattiaq and Kalluk to a home with a new infant. Now Kalluk has insight about gratitude and making good choices and more to share with his new baby sister.

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

I defy anyone not to feel a peacefulness while reading I Would Give You My Tail. It's not as simple a story as it may appear to be. It's loaded with the calm that comes with appreciation for what we have and are given and the relationships we have with others and the natural world. Tanya Tagaq, an Inuk throat singer and author from Nunavut, fills her words with weight, the weight of virtue and relevance, generosity and acknowledgement. Through Kalluk's grasp of the messages he hears from the wind, and the hares, the ravens and the brook, he and the reader vicariously are filled with thankfulness for what is given by family and the environment. And Tanya Tagaq does so without preaching or admonishment. Her message is borne on affection and honour.

 

Qavavau Manumie, an Inuit artist in Kinngait, Nunavut, created the artwork of I Would Give You My Tail with coloured pencil. As such, there is a simplicity in the shapes and colours of the illustrations but there is still a complexity of spirit. From the natural touch of a mother upon her child's head to a boy as he watches and inquires, the art of Qavavau Manumie both emphasizes the familiar and the unique in the way of family and Inuit life, respectively.

 

Perhaps there are messages in I Would Give You My Tail about gratitude and happiness, but I also took away a sense of peace, a sense that there is appreciation for life in the natural world and among the Inuit. There is no need for grand gestures or spectacles of PDA when there is honesty and happiness that comes from doing for others, from being good, from sharing, and even from just having breath and food and water. I Would Give You My Tail gives us more than a sentimental tale of family. It gives us hope that happiness is readily at hand.

What's in the Cookie Tin?

Written by Yolanda T. Marshall

Illustrated by Golnoush Moini

Chalkboard Publishing

978-1-77105-884-1

36 pp.

Ages 3-8

2024 

 

Who doesn't have an assortment of cookie tins kicking around the house? Whether they were the packaging in which biscuits were purchased or tins specifically purchased to store cookies, most people have at least a couple. But what is inside a cookie tin cannot be discerned until that lid is removed. And when a tin displays an assortment of tasty treats, what would most children anticipate? 

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Olivia and Benjamin head over to their grandparents' home, looking forward to their grandfather's wacky pranks and the hugs they get from Grandma. But they are especially keen to go through their father's childhood toys in the guest bedroom. That is, until Benjamin spots a blue and gold cookie tin on a shelf. Their struggle to open the tin–those tins can be a struggle for little hands–is interrupted by lunch.

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Surprisingly, they revisit that cookie tin when Grandma goes to mend a tear in Olivia's dress. But why would Grandma want cookies to repair a torn dress? The surprise is on Grandma, though, much to the delight of the children because Grandpa had another trick up his sleeve.

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Yolanda T. Marshall speaks to so many with this playful and yet innocent story of a cookie tin. That cookie tin, with which many who have ever enjoyed butter cookies from a tin will be familiar, brings joy and laughter through a little fun, a lot of tastiness, and a family-load of affection.  And Yolanda T. Marshall, who also wrote the recently reviewed Hot Cross Buns for Everyone!, not only tells a charming intergenerational story, but she also gives us a story of a black family. Though the number of stories with persons of colour are ever increasing, it's lovely to read a story that would allow black children to see themselves and their families as typical and sweet and lighthearted, as every child should.

 

Golnoush Moini, an illustrator and 2D animator from Vancouver, keeps that playfulness in her prominent colours and well-defined shapes. It's also refreshing how dark-skinned Golnoush Moini makes her characters, not trying to appease non-BIPOC who narrow-mindedly expect families of lighter skin. From the grandparents to the grandkids, the characters in What's in the Cookie Tin? are convincing real in appearance and activities.

This cookie tin is busy, getting opened by grandparents, children and parents, and swapped between cookie vessel and sewing kit. And yet it's a bigger story. Yolanda T. Marshall includes "Cookie Tin Memories" at the conclusion of her story in which educators share their own fond remembrances of cookie tins that held everything from buttons to craft supplies to loose change and even baked goods. (Butter cookies were often housed in these blue tins and Yolanda T. Marshall includes a recipe for them too.) But no one knows what's in the cookie tin until that lid is pried off and the secrets within revealed and share. So, what's in your family's cookie tins?

The Girl Who Loved Poutine

Written by Lorna Schultz Nicholson

Illustrated by Rachel Qiuqi

Sleeping Bear Press

978-1-534113169

32 pp.

Ages 5-8

2024

A story about poutine, about regional and cultural differences across Canada, and about a family get-together for a birthday on July 1st? It doesn't get much more Canadian than that.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

Zoey is looking forward to her fifth birthday, a day on which she will enjoy her favourite food: poutine.

Zoey closes her eyes and imagines . . .
french fries and gravy and squeaky cheese curds.
SQUEAK. SQUEAK. SQUEAK.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

Zoey may help her dad make his famous poutine but what she doesn't know is that all the relatives have decided to have a poutine contest to celebrate the special day. And with each entry and tasting by Zoey comes a story and a feeling. There's Aunt Janice's Newfoundland and Labrador poutine with breadcrumbs, onions, and salt meat. For Zoey, it brings back memories of a trip to St. John's and kitchen parties. Aunt Anne and Uncle Liam's PEI poutine has lobster while Aunt Celine's Montreal poutine has smoked bacon, onions and maple syrup.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

With each new dish, Zoey gets a different memory, travelling from Newfoundland to Saskatchewan and Yellowknife and elsewhere in Canada and in time with family. Who wins the poutine contest? It's the girl who loves poutine, of course.

From The Girl Who Loved Poutine, written by Lorna Schultz Nicholson, illustrated by Rachel Qiupi

Poutine is such a quintessential food from Quebec, though adopted and adapted across Canada and the world. But Lorna Schultz Nicholson doesn't just make this a book about the food–a recipe is included, as are facts about the dish–but she makes it a story of family and Canada. Zoey may love poutine, but she certainly has close bonds with all her family, and their poutines are memory cues for times spent together enjoying the cultures and people of different provinces and territories. It's marvelous that the reader can learn about the various poutines, and the story would be a fabulous lesson starter about the attributes of different Canadian provinces and territories. Lorna Schultz Nicholson may not have intended The Girl Who Loved Poutine to be a teaching prompt for social studies, but wouldn't this be a great way to be introduced to the places and people of Canada?

Toronto's Rachel Qiupi, who appears to blend digital with traditional techniques, ensures that Lorna Schultz Nicholson's story is both lighthearted and informative. From the wonderfully colourful scenes and characters to the detailed poutines–for example, Nona's pasta sauce and the bacon on Aunt Celine's are apparent–Rachel Qiupi establishes an authentic and sunny vibe to The Girl Who Loved Poutine.

Whether you're a teacher or parent who wants to use this story as a lesson starter or just a kid who loves poutine, The Girl Who Loved Poutine will tickle your taste buds and have you longing for squeaky cheese curds, or maybe something else atop your fries.

If We Tell You

Written by Nicola Dahlin

Kids Can Press

978-1-5253-1147-5

400 pp.

Ages 12-15

October 2024

 

A truth relies on what came before it. (p. 32)

 

There's something about the cover that tells you that If We Tell You is going to be a thriller. And if that doesn't give it away it then the first pages in which fifteen-year-old twin brothers Lewis and Cameron Larsen are running from a "serious event" at their home outside of Calgary and heading to the airport and then to Scotland definitely would. The "serious event"? It was a man and a woman who crashed their BBQ and held guns on the boys before Mom and Dad expertly put the strangers down with a knife and a gun. Mom and Dad have taken off and left the boys with a backpack of passports with new names and a load of money. Now the twins are heading to find Maggs, a woman who runs a guest house in Edinburgh, determined to find their parents again and figure out why this is all happening.

Because they had been told by their mother to stay together but avoid being seen together–they are identical twins–the boys experience things differently, not the least of which is because the two are not identical in dispositions. Cameron is the more impetuous boy but optimistic and more street savvy of the two, while Lewis is the smarter one and the one who does not believe that his parents have done anything wrong to get them to this state.

Though they hope getting to Maggs will answer all their questions, Lewis and Cameron just get more perturbed by what they learn and are left with more questions including finding out who their parents really are. The parents they knew as Jennifer Reid and David Larsen are known by different names. They're suspected of being terrorists and thieves and are still wanted by the police. It's going to take a whole host of characters, including family they never knew existed and an assortment of guests and neighbours at Maggs's, to keep the boys safe and help them figure out whether all their lives are based on lies.

 

Told in the alternating voices of Lewis and Cameron, If We Tell You is an action thriller that offers different perspectives on the same circumstances. They are twin teens who witness a terrifying situation and are separated from the only family they know, and they see their circumstances differently. Of course, they are both devastated but Lewis adheres strictly to what his parents told him to always do and not to trust anyone and is convinced that their parents are not the criminals they are assumed to be. Cameron jumps in and follows his heart, doing what he thinks is right and hoping that it will help them find their parents and the truth. As the two boys grapple with their circumstances, including posing as one boy Will, their trust of each other and others becomes limited. But Calgary author Nicola Dahlin brings the boys full circle, from only seeing their own perspectives to appreciating those of the other. In fact, it is only because of those differences that the two are able to face a myriad of challenges, including kidnapping, assaults, and romance, and come out the other side.

This is Nicola Dahlin's debut novel and, because of her own background, living in Calgary and growing up in Scotland, there is an authenticity of voice and place. Her placement of the bulk of the story in Scotland, a place of rich history, of the Edinburgh Festival, and more, adds a unique dimension, in language and landscape. Moreover, she brings in all sorts of characters, from teens to tourists, police and historians, some friend, some foe, such that it's difficult for the boys, and readers, to tell the difference. If We Tell You is as rich in storytelling as it is in people and place.

The title may be If We Tell You but there's not a whole lot of telling that is happening that is the complete truth, though for the boys and the readers, figuring it out when they're on the run and in a different country makes for a good story. And a good story it is with action and history, mysteries and even a little romance. In the end, it's a whodunit or maybe even a what-did-they-do story, and its ending promises more to come.

 

Getting Us to Grandma's

Written by Nadia L. Hohn

Illustrated by TeMika Grooms

Groundwood Books

978-1-77306-689-9

32 pp.

Ages 3-6

October 2024

When you're a child, a visit to your grandparents can be a very special outing. But for Nikki this visit is really special because her family has to travel to another country and they're going to attend the wedding of her Uncle Travis. But first they must get there.

Even before they hit the road, Nikki has been studying the globe and now their road atlas for the USA because they are travelling from Toronto to the Bronx in New York City. Sitting in the backseat with her mother who cradles the traditional Black Cake and her younger sister Maya in her car seat, Nikki has the map book before it's grabbed by her brother Langston who sits in the front seat. Now Nikki can only think about all the places her family now lives and where they once came from. She knows of Africa and Jamaica, England, and the US and who lives where. (Her map drawing skills on the window are especially impressive.)

From Getting Us to Grandma's, written by Nadia L. Hohn, illustrated by TeMika Grooms

Although she's desperate to get the map book back so she can track their progress, it's not till they take a break that Nikki can reclaim the guide and enjoy the front seat beside her dad. As everyone in the back seat sleeps, Nikki and her dad watch the road and the signs and drive into the rain.

From Getting Us to Grandma's, written by Nadia L. Hohn, illustrated by TeMika Grooms

But Nikki is an astute map reader and is sure her dad missed an exit, though he is convinced he's going the right way. Still when he finally recognizes that they're not where they want to be, Nikki is the one to help them get to Grandma's safely.

Getting Us to Grandma's is based on Nadia L. Hohn's own family travels from Toronto to the Bronx and her "Author's Note" tells us they are travels of which she has fond memories. It may be based on travel in the early 1980s–the use of a map, the clothing, her brother's Walkman, a Rubik cube, and the music may suggest that time–but travels with your family are timeless events. For Nikki, the memories are in the details, from co-piloting her dad's driving, bringing the bucket that would be used for toileting, and tracing family on a globe and maps. More importantly, for her it wasn't just about the destination. Sure, getting to visit with their Grandma and attend a family wedding were very important but the journey and her role in ensuring their arrival at Grandma's was equally important. Nikki was not going to sleep the journey away; she intended to be an active participant. And in tracking their progress through the map and the signage, and helping them get to the Bronx, this family trip was more than a Point-A-to-Point-B route. Nadia L. Hohn makes this a journey of family and discovery, as well as a celebration of a young girl's aptitude in map reading. And isn't it lovely to see her father trust the young navigator by his side.

From Getting Us to Grandma's, written by Nadia L. Hohn, illustrated by TeMika Grooms

American illustrator TeMika Grooms takes us along on that journey, keeping readers firmly in the car except for departure and arrival. The car is the environment for this family on this adventure, from its green exterior and interior, with wood trim and front bench seat. She does take us outside to see the rain and guardrails, a gas station and the roadways of graffiti and more. But the focus is that car and the family within. TeMika Grooms never lets us forget that her digital art is to ensure the story is Getting Us to Grandma's.

Getting Us to Grandma's may be a universal story, perhaps from a different time but still wholly topical, with which any family who travels any distance to visit relatives will be familiar. But while Nadia L. Hohn makes this a recognizable tale, she also makes this a story of her own heritage and those of others of Jamaican backgrounds. From the Black Cake and the patois spoken to listening to WBLS radio, Nadia L. Hohn makes her story reflect the experiences of the Caribbean diaspora who keep their culture and family close even when far apart in distance. Fortunately, a trip to Grandma's can bring everyone and everything together.

🚘🚘🚘🚘🚘

 

There's a great opportunity to partake in more than just a book launch of Getting Us to Grandma's because Nadia L. Hohn has a planned a special event.

On

 

Saturday, October 19

 

at 

 

1:30 -3:30 PM

at

 

Toronto Public Library - Oakwood Village Library and Arts Centre
341 Oakwood Avenue 

Toronto, ON

 

Nadia L. Hohn 

will be launching  

 

Getting Us to Grandma's

& 

celebrating her 10th book

 

with this free event 

(tickets are available at eventbrite here)

which will include the following:

• Scavenger Hunt and Craft (1:30-1:45 PM)

• Reading and Words (1:45-2:15 PM)

• Performance and Dance (2:15-2:30 PM)

• Book signing, refreshments, and Dance (2:30-3:30 PM)

Details from the eventbrite post include the following:

Come for a scavenger hunt, storytime, break dance, graffiti art, and rhyme.

Bring your bgirls, bboys, and family crew. Solo acts and grown folk are welcome too.

Below is a road map showing you the way.

There'll be refreshments and cake. You know, the deejay will always be playing your song.

Another Story Bookshop is the onsite book vendor where you can buy your copy of Getting Us to Grandma's and my other books. I'll even sign them for you.

Optional, dress code: 1980s. Wear your Adidas, kangol hats, jelly shoes, and let the groovy music play. 

Some books by Nadia L. Hohn