Our Corner Grocery Store

Written by Joanne Schwartz

Illustrated by Laura Beingessner

Tundra Books

978-1-77488-791-2

32 pp. 

Ages 3–7 

September 2025 

 

When Our Corner Grocery Store by Joanne Schwartz and Laura Beingessner was first published in 2009, it was heralded as a tribute to  neighbourhood shops and the communities they supported. It was a finalist for the Marilyn Baillie Picture Book award. Now with a new cover, Our Corner Grocery Store will introduce new readers to Anna Maria and her nonna and nonno as they work and bring their community together.

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

On Saturdays, Anna Maria visits her Nonno Domenico and Nonna Rosa's corner grocery store. This is her favourite day of the week. After her nonna feeds her a hearty breakfast in their home which is behind and above the store, Anna Maria gets to work in the small shop. She sorts freshly-delivered bread and sweeps. She plays outside with her friend Charlie and watches her nonno and nonna serve customers. They make fresh sandwiches and watch as the neighbourhood kids pick out their sweet treats. And with only a few breaks to help make dinner and play with Charlie, Anna Maria enjoys a full day at her grandparents' corner store.

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

For those who've enjoyed a local grocery store, where you were served by familiar faces and chatted with friendly staff, Our Corner Grocery Store is a reminder of the community that is rarely enjoyed in our world of big box stores and chain supermarkets. While there are still wonderful examples of these corner stores, they are fewer and far between now. So, for many, Our Corner Grocery Store is a reminder of a different time. It was a time when children could go alone to the corner store and pick up a freezie and sit on a stoop and enjoy it with their friends. It was a time when candies were selected and placed in small paper bags, rather than in pre-packaged bundles. Many children will not know these times, but their parents may, and their grandparents definitely would and Our Corner Grocery Store will open discussions about how things have changed and how they're still the same. (Most children will still recognize the freezies—even if called ice pops or something else—and the joy of picking one out on a hot summer day.)

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

Joanne Schwartz, who wrote the award-winning Town Is by the Sea (illustrated by Sydney Smith, 2017), captures a sense of community and family in Our Corner Grocery Store. That community is both one of neighbours and family with Anna Maria helping all of them. It's refreshing to see a child helping her grandparents without whining that she'd rather be on her tablet or demanding to do something else. Joanne Schwartz has reminded us that there is still an innocence in children that makes them want to be with their family and do modest things like sort fruit and help make meals. I know those kids are out there but too often we get the books of precocious children who do silly and outrageous things for laughs and just because they can. It was lovely to visit Nonno Domenico and Nonna Rosa's grocery store, especially as Laura Beingessner captures the very essence of a neighbourhood store and a child's place in it.

 

There's a freshness and simplicity to Laura Beingessner's illustrations. Using ink and paint, she gives details but doesn't lose the sensibility of the store and its neighbourhood. Most of us will recognize a store with its wooden-slat bins holding a collection of fruits and veg with hand-printed price signs, and a store with candies alongside brooms, moka pots, and toilet paper. But Our Corner Grocery Store is more than just about a store. It is about a place of people (and cats and dogs). And Laura Beingessner includes them all. 

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

I have a strong desire to go find a local grocer and get some fresh produce, say hello to those who welcome us into their domain, and hope that, like this grocery store, it will continue to serve, to flourish, and to provide goods and community for many years to come.

 

• • • • • • •  

 

The 2009 edition of Our Corner Grocery Store:

What's in the Cookie Tin?

Written by Yolanda T. Marshall

Illustrated by Golnoush Moini

Chalkboard Publishing

978-1-77105-884-1

36 pp.

Ages 3-8

2024 

 

Who doesn't have an assortment of cookie tins kicking around the house? Whether they were the packaging in which biscuits were purchased or tins specifically purchased to store cookies, most people have at least a couple. But what is inside a cookie tin cannot be discerned until that lid is removed. And when a tin displays an assortment of tasty treats, what would most children anticipate? 

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Olivia and Benjamin head over to their grandparents' home, looking forward to their grandfather's wacky pranks and the hugs they get from Grandma. But they are especially keen to go through their father's childhood toys in the guest bedroom. That is, until Benjamin spots a blue and gold cookie tin on a shelf. Their struggle to open the tin–those tins can be a struggle for little hands–is interrupted by lunch.

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Surprisingly, they revisit that cookie tin when Grandma goes to mend a tear in Olivia's dress. But why would Grandma want cookies to repair a torn dress? The surprise is on Grandma, though, much to the delight of the children because Grandpa had another trick up his sleeve.

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Yolanda T. Marshall speaks to so many with this playful and yet innocent story of a cookie tin. That cookie tin, with which many who have ever enjoyed butter cookies from a tin will be familiar, brings joy and laughter through a little fun, a lot of tastiness, and a family-load of affection.  And Yolanda T. Marshall, who also wrote the recently reviewed Hot Cross Buns for Everyone!, not only tells a charming intergenerational story, but she also gives us a story of a black family. Though the number of stories with persons of colour are ever increasing, it's lovely to read a story that would allow black children to see themselves and their families as typical and sweet and lighthearted, as every child should.

 

Golnoush Moini, an illustrator and 2D animator from Vancouver, keeps that playfulness in her prominent colours and well-defined shapes. It's also refreshing how dark-skinned Golnoush Moini makes her characters, not trying to appease non-BIPOC who narrow-mindedly expect families of lighter skin. From the grandparents to the grandkids, the characters in What's in the Cookie Tin? are convincing real in appearance and activities.

This cookie tin is busy, getting opened by grandparents, children and parents, and swapped between cookie vessel and sewing kit. And yet it's a bigger story. Yolanda T. Marshall includes "Cookie Tin Memories" at the conclusion of her story in which educators share their own fond remembrances of cookie tins that held everything from buttons to craft supplies to loose change and even baked goods. (Butter cookies were often housed in these blue tins and Yolanda T. Marshall includes a recipe for them too.) But no one knows what's in the cookie tin until that lid is pried off and the secrets within revealed and share. So, what's in your family's cookie tins?

The Sun Never Hurries

Written by Roxane Turcotte

Illustrated by Lucie Crovatto

Pajama Press

978-1-77278-307-0

40 pp.

Ages 3-7

June 2024 

 

Just like each grain of sand, every moment of your day is precious. 

Little Charlie may be of a generation that wants to eat at restaurants or drive everywhere but a day with her grandfather, Papa Jo, teaches her the value of taking the time to savour every moment and experience, making for a far richer adventure.

From The Sun Never Hurries, written by Roxane Turcotte, illus. by Lucie Crovatto

Charlie's day with Papa Jo begins with him showing her an hourglass, explaining that it helps him remember that a day is an almost infinite number of moments to enjoy and cherish. At lunchtime, instead of heading to a restaurant, Papa Jo enlists Charlie's help to peel vegetables for a delicious soup. Afterwards, instead of getting in the car and heading to the village, they stroll together through wildflowers. An excursion to an island becomes a series of small adventures: in the rowboat, on the beach, watching birds and dragonflies, and more. When the day ends and time has drained from the hourglass, there is still one more encounter with that unhurried sun to cap their day together.

From The Sun Never Hurries, written by Roxane Turcotte, illus. by Lucie Crovatto

We should all be taking the time to appreciate every moment, from cooking a meal to reaching a destination, to being fully present. Too many adults rush here and there and multitask and worry about not getting everything done. Too many children are rushing from one activity to another, expecting instant satisfaction from people, food, and experiences. There is great value in being mindful of the moment, whether with another or doing mundane tasks or feeling feelings. Roxane Turcotte gives us the encouragement to stop and enjoy the moments with Papa Jo and Charlie, and step back from anticipating what to do next, or how quickly can we do it, or how much we've accomplished. Through Papa Jo's words and examples, Charlie and young readers will relax and pause a little more, and appreciate everything the sun, the outdoors, the world has to offer.

 

Quebec's Lucie Crovatto gives us the warmth and luxury of the sun in all her illustrations. Imbued with cheerful yellows and oranges, whether in the carrots and potatoes, Charlie and Papa Jo's outfits, or the sunshine and the sunset, Lucie Crovatto makes us feel safe and content. However, her palette is not restricted to these colours because she takes readers outdoors with her characters: to walk in colourful meadows, to row over pale green waters, or to sway on an elaborate branch swing in a lush forest. No matter the setting, the art embraces and soothes, reminding us to feel and see and listen and truly experience each moment.

From The Sun Never Hurries, written by Roxane Turcotte, illus. by Lucie Crovatto

As Charlie learns throughout her day with Papa Jo and especially when it comes to sunset, the sun never hurries, and neither should we.

 

• • • • • • •

The story is also available in its original French language edition, Le sablier de Papijo (Dominique et compagnie, 2022).

Just Lucky

Written by Melanie Florence
Second Story Press
978-77260-104-6
248 pp.
Ages 13-18
September 2019

Though the beginning of her life was less than stable, born of a gambling-addicted mother (hence Lucky’s unusual first name) with a crack habit, much of Lucky Robinson’s fifteen years were spent in a loving home with her grandparents. But, when her grandmother’s dementia advances rapidly after Grandpa’s death, Lucky’s life takes a staggering turn that disconnects her from the support and security she's always known.

Though Lucky is aware that Grandma’s forgetfulness is becoming serious, she is unprepared for the fire Grandma accidentally starts. But at the hospital, the Children’s Aid Society is called to take responsibility for the underage Lucky as Grandma receives care. Sadly even a phone call to her ghost of a mother brings nothing except clarity that Lucky is well rid of a woman more concerned about her boyfriend and the proceeds from the potential sale of Lucky's grandparents' house. As such, Lucky begins the complex journey into the foster care system.

Her first foster placement is with the hyper-religious Mary and Robert Wilson and their teen son Bobby. Lucky tries to be accommodating, submitting to Mary’s requirements for chaste dress, the saying of grace before meals and homeschooling. But a threat within requires Lucky defend herself both with a knife and with the truth to those who refuse to acknowledge inappropriate behaviours by those entrusted with her care. The consequence is that child care worker Cynthia drags victimized Lucky to a second home.

With her new living accommodations with foster parents Sarah and Edward and teens Jake and Charlie, Lucky begins to feel a little luckier. Though home is more stable and welcoming, Lucky must contend with racism and bullying at school at the hands of Elyse who has her sights on Jake and sees his interest in Lucky as competition. Victimized again for being Indigenous, and for defending Charlie, a boy from the Dominican, Lucky is expelled, steering her to yet another foster family but also to the school she attended with best friend Ryan.

Though Lucky continues to hold onto the hope that she will be reunited with her grandmother who has both good and bad days, when Grandma is moved to a care facility, Lucky starts to wonder whether she has any luck at all and may ever again have a place of home where she will feel safe.

Melanie Florence who touched us with her award-winning picture books Stolen Words (Second Story Press, 2017) and Missing Nimâmâ (Clockwise Press, 2015) takes a simple germ of an idea–that of a child in foster care–and makes it in bigger story, as it should be. Entering foster care is a life-altering experience from which some children may or may not recover.  As in her earlier picture books about residential schools and missing and murdered Indigenous women, the story is simple but the message monumental. Not all lives are easy and picture perfect and Lucky's certainly is not. Not all foster homes are great or horrible.  Not all foster families are caring, though that is their mandate. Lucky's story evolves from a tragedy that snowballs into overwhelming disaster. Though I’m sure, as the saying goes, it could have been far worse, Lucky's story, which is one of trial and hardship, does end with some semblance of good fortune and contentedness, perhaps even hope for a happy ending.

Honouring differences in families' lives: Cultural competence with diverse youngCanLit

Today's post is the sixth in seven posts related to my recent presentation at the  Ontario Library Association's Superconference in Toronto.  The presentation, titled Becoming Culturally Competent with Diverse YoungCanLit, included booklists of youngCanLit to help individuals, schools and other institutions become culturally competent.

Today's post focuses on...

250 Hours
by Colleen Nelson
Coteau Books
152 pp.
Ages 12+
2015
Métis, small town, discrimination, arson, independence
Review here

Asha’s Mums
by Rosamund Elwin and Michele Paulse
Illus. by Dawn Lee
Women’s Literary Press
24 pp.
Ages 5-9
1990
Same-sex parents

The Biggest Poutine in the World
by Andrée Poulin
Annick Press
160 pp.
Ages 8-12
2016
Abandonment, community, dysfunctional family
Review here

Dear Baobab
by Cheryl Foggo
Illus. by Qin Leng
Second Story Press
24 pp.
Ages 4-8
2011
Home, Africa, Canada, grief
Review here

Elliot
by Julie Pearson
Illus. by Manon Gauthier
Trans. by Erin Woods
Pajama Press
32 pp.
Ages 4-8
2016
Foster parents, dysfunctional family, adoption
Review here

A Family is a Family is a Family
by Sara O’Leary
Illus. by Qin Leng
Groundwood Books
32 pp.
Ages 4-7
2016
Diversity, family, parents
Review here

The Finding Place
by Julie Hartley
Red Deer Press
244 pp.
Ages 10-14
2015
International adoption, China, orphanages, self-acceptance
Review here

Fostergirls
by Liane Shaw
Second Story Press
256 pp.
Ages 13-16
2011
Foster children, group homes, learning disability
Review here

Four Seasons of Patrick
by Susan Hughes
Red Deer Press
80 pp.
Ages 7-10
2013
Blended families
Review here

Jakeman
by Deborah Ellis
Fitzhenry & Whiteside
201 pp.
Ages 10-13
2007
Prison, convicted parents, bus trips

Looks Like Daylight: Voices of Indigenous Kids
by Deborah Ellis
Groundwood Books
256 pp.
Ages 12+
2013
Indigenous communities, heritage, residential schools, ostracism, abuse
Review here

Missing Nimâmâ 
by Melanie Florence
Illus. by François Thisdale
Clockwise Press
32 pp.
Ages 8+
2015
Missing indigenous women,  Aboriginal Peoples
Review here

My Beautiful Birds
by Suzanne Del Rizzo
Pajama Press
32 pp.
Ages 6-10
2017
Syria, refugees, refugee camp, pigeons

My Book of Life By Angel
by Martine Leavitt
Groundwood Books
246 pp.
Ages 14+
2012
Sex trade workers, missing women, drugs
Review here

One Step at a Time: A Vietnamese Child Finds Her Way
by Marsha Forchuk Skrypuch
Pajama Press
128 pp.
Ages 8-12
2012
Vietnam War, airlifts, adoption, immigration, non-fiction
Review here

Outside In
by Sarah Ellis
Groundwood Books
208 pp.
Ages 10-13
2014
Home, homelessness, dysfunctional family
Review here

Pandas on the Eastside
by Gabrielle Prendergast
Orca Book Publishers
192 pp.
Ages 9-12
2016
Vancouver, East Van, poverty, community
Review here

Stepping Stones: A Refugee Family’s Journey
by Margriet Ruurs
Illus. by Nizar Ali Badr
Orca Book Publishers
28 pp.
All ages
2016
Refugees, Syria, dual-language, Arabic, immigration
Review here

We Are All Made of Molecules
by Susin Nielsen
Tundra Books
246 pp.
Ages 12+
2015
Blended families, gay parents, grief
Review here

Downloadable booklist available here

Racines

Written and illustrated by Marianne Ferrer

Monsieur Ed

978-2-924663-04-2

16 pp.

Ages 4-8

2016

Racines is an seemingly-inconspicuous accordion-style (leporello) picture book that shares both a powerful sentiment about our roots and a story of one girl's family influence. Don't let its small size mask the power of its story.

En racines s’incarne la sérendipité.
(translated: Roots embody destiny.)

Racines (translated to Roots) is a deeply-moving yet simple examination of a girl’s roots and her awareness of what they mean to her.  She recognizes the roles of the key people in her life–her grandmother, mother and grandfather–in shaping her with both the magical and the tragic.  But beyond the simple but profound words, Marianne Ferrer illustrates the intensity of emotion  in her starkly-coloured but complex artwork.  Playing on both the emotions and the words, Marianne Ferrer depicts the girl embedded in the landscape, her hair becoming branching roots that meld into the tassels of the rug from which her grandmother combs out tangles. This is her grandmother who climbed down from the mountains, from her own ancestral roots, to make her way into a new world in which she is transformed by the love of a dark-skinned and moustached man.

From Racines by Marianne Ferrer

It is then the girl's mother's story of life by the sea, of extraordinary stars and animals, and fears from which comfort is given and tragedies endured that become part of the girl’s story.  “Je suis toujours consciente de mes racines” (translated: I am always aware of my roots.)

From Racines by Marianne Ferrer

Marianne Ferrer's artwork is both complex and simple, embedding complicated messages of family and heritage in the soft textures of the characters' landscapes.  It is a shame that my own limitations in understanding French has kept me from promoting the profound artistry of illustrators such as  Marianne Ferrer but I hope that Racines is but the first of more French-language books that I might promote here on CanLit for LittleCanadians.

^^^^^^^^^^^^^^^^^^^^^^^

n.b. The interpretation of this French-language book is solely my own.  I take full responsibility for any errors in translation and interpretation of words and art, and apologize for any discrepancies from the author/illustrator’s intent.

Leporello format of Racines by Marianne Ferrer