Sarabeth's Garage

Written by Melanie Florence

Illustrated by Nadia Alam

Tundra Books

978-1-774885956

40 pp.

Ages 3–7

February, 2026

 

Sarabeth loves cars. She loves everything about them, from their tires and motors to their carburetors, and engines. She loves the way they look, how they move, and the sounds they make. Her family knows how much she loves being around cars and spending time at her dad's garage. Well, almost all of them understand. Sarabeth's grandmother doesn't. She shakes her head and cringes, telling her what girls should do and what boys do.

From Sarabeth's Garage, written by Melanie Florence, illustrated by Nadia Alam

But Sarabeth doesn't let it bother her. She puts on her blue coveralls with her name stitched on the pocket and helps her dad with oil changes, with fixing flat tires, and by replacing fan belts and spark plugs. And when she gets home, she has to scrub her nails and hands, though some of the grease never goes away. Sadly, her grandmother has something to say about that too.

From Sarabeth's Garage, written by Melanie Florence, illustrated by Nadia Alam

However, when Grandma is leaving, her car sounds terrible, and it belches out smoke. Sarabeth gets to work, and this time when her grandmother tells her, "In my day, little girls didn't know how to fix cars" (pg. 33), Sarabeth has a polite but confident reply 

 

I like to think that we've moved on significantly from those days of telling girls and boys and everyone in between what they can and cannot do. When we impose expectations on people that they either can't or choose not to meet, there is disappointment and even conflict. As a child, Sarabeth doesn't deserve to have her dreams of working on cars negated. It actually wasn't even a dream. She was doing it and doing it well and with confidence and joy. Thankfully Melanie Florence makes Sarabeth a strong character who knows herself and has the support of most of her family. She doesn't let her grandmother take away her passion. And by letting young readers see a child interested in tinkering and making, Melanie Florence supports children, and particularly girls, participating in STEM activities.

From Sarabeth's Garage, written by Melanie Florence, illustrated by Nadia Alam

I may have shared an anecdote from my teaching career but let me tell it again. I remember a girl in Grade 5 telling me that she couldn't do science, and it just about broke my heart. But it also disappointed me that someone had told her that she was incapable of something. I delighted in proving that person wrong. I'm pleased that Sarabeth knew what she wanted to do, and at such a young age. Her passions may change over time, but, as long as she is true to herself, it will be fine.

 

I believe this is the first book illustrated by Toronto artist Nadia Alam that I have reviewed, though she has contributed the artwork for a number of picture books. Her art, rendered in pencil and Photoshop, has a lighthearted edge to it. It is colourful and playful, but it is also thoughtful and revealing. Nadia Alam uses great detail to give Sarabeth's activity an atmosphere of work and interest, while using expressive lines to depict Grandma's displeasure and Sarabeth's parents' support for their child and patience with Grandma's narrow-mindedness.

From Sarabeth's Garage, written by Melanie Florence, illustrated by Nadia Alam

I know that many readers may read Sarabeth's Garage as a far lighter story than some of Melanie Florence's other award-winning books (e.g., Missing Nimâmâ, 2015, and Stolen Words, 2017). But Sarabeth's Garage has an important message in its own right, reminding children to forget those who say what you should do or what you should like or what you should be. If you're not hurting anyone and you're following your passion, do and like and be what you want. Sarabeth did.

Benjamin Grows a Garden

Written by Melanie Florence

Illustrated by Hawlii Pichette

Kids Can Press

978-1-5253-0321-0

40 pp.

Ages 3–7

September 2025

 

Melanie Florence introduced us to Benjamin in Benjamin's Thunderstorm (2023), also illustrated by Hawlii Pichette, and we got to know the little boy who learns more about his Cree culture and language while partaking in ordinary activities like playing in the rain and listening to the thunder. By making connections with his Indigenous heritage, Benjamin's experiences are far richer and more meaningful. This time, in Benjamin Grows a Garden, it is spring, and the boy is back outside and enjoying preparing a garden with his mother.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

With spring birds accompanying their efforts, Benjamin and his mother prepare the soil for the seeds that will grow into a variety of fruits and vegetables that feed the family and their community. He's already anticipating the corn, beans, and squash that will go into Three Sisters Soup; the berries that will be served with bannock; and the zucchini, tomatoes, and pumpkins that will become stews and pies and salads. 

 

Into the rich tilled soil, Benjamin drops the corns seeds and waters them. Later on, when they have grown a bit, bean seeds are planted. And even later, the squash is planted, so that the corn supports the bean vines, and the squash beneath keeps the soil damp and cool.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

This is an impressive garden, diverse in its offerings and expansive in its magnitude. With sun and water and careful attention to the garden's needs, there is a bounty to enjoy and share.

  Benjamin loved springtime.

  Spring was when Benjamin and his mother planted 

their garden together and watched it grow. (pg. 29)

This book was released last fall, but I think it's a perfect time to think about the coming spring and the opportunities for making a garden. Many are perusing seed catalogues right now in preparation, and I suspect Benjamin's mother will be doing the same, unless she derives all her seeds from her own plants. But, more than just the planting of seeds, Benjamin and his mother partake in a traditional discussion of why they plant what they do and speaking Cree as they name that which is planted. (A "Pronunciation Guide" provided by Dr. Arok Wolvengrey of the First Nations University of Canada presents help with this vocabulary.) As such, Melanie Florence, award-winning author of Missing Nimâmâ (illustrated by François Thisdale, 2015) and Stolen Words (illustrated by Gabrielle Grimard, 2017), makes planting a garden more than just the mechanics of getting seeds into the ground. Melanie Florence makes it a bonding time for mother and son, and a preservation of culture, language, and tradition.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

Hawlii Pichette, the Mushkego Cree urban mixed-blood artist who illustrated the first Benjamin book, continues to support Melanie Florence's story with visuals while furthering the culture through her Woodland style of art. Hawlii Pichette may use digital tools to create her art, but she retains the distinct elements of bold colours, thick black outlines, and segmented interiors for vegetables, trees, shirts, and more. With her style and emphasis on Benjamin and his mother's work tending to the land, the organic connection is evident. There is a distinct warmth of relationship to nature and between family that comes through in Hawlii Pichette's illustrations.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

If land and opportunity presents, now is the time to start thinking about planting a garden in the spring. Whether you and your children follow in the traditions of Benjamin and many Indigenous Peoples in the planting of corn, beans, and squash, or consider the countless other fruits and vegetables that might be grown from seeds, your bounty will include far beyond a mouthful of food.

 

• • • • • • • 

Benjamin's Thunderstorm (2023)

Benjamin Grows a Garden (2025)

The One About the Blackbird

Written by Melanie Florence

Illustrated by Matt James

Tundra Books

978-1-774882665

40 pp.

Ages 4–8

October 2025 

 

I don't know which song is the one about the blackbird, but I've been humming Paul McCartney's song from the Beatles' White Album ever since I read this picture book, and I could see why it had such an impact on young Jack. This is the story of Jack and the music that imbued his family life, and the connection he made with it and his grandfather. 

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Jack recalls being a kid with music all around at home, whether his grandfather was playing one of his many instruments—sax, guitar, trumpet, keyboard, drums—or spinning an LP from his extensive collection. The day his grandfather agrees to teach him to play the guitar, especially his favourite song, the one about the blackbird, Jack is thrilled. But, playing the song as well as his grandfather does not come instantly.

He struck the strings wildly, almost dropping the guitar at the loud, tuneless BROOOONG that honked out of the instrument. (pg. 15)

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Though it is hard, Jack perseveres and can finally play the song and others. And when he is older and leaves home, Jack plays for crowds worldwide. 

 

When Jack returns home, his grandfather has forgotten how to play that favourite song and even that he'd given his old guitar to Jack. But, when Jack plays the song for him, reconnecting the two to each other and their past, his grandfather remembers it as "the one about the blackbird."

 

Earlier this week, I reviewed a book about music bridging generations, and now we have another about the power of song to connect across time. But Melanie Florence, whose earlier picture books emphasize connections between young people and their Indigenous family (e.g., Missing Nimâmâ, 2015, Stolen Words, 2017, and Kaiah's Garden, 2024), makes music the bond between a grandfather and their grandchild. First, that bond comes from the grandfather sharing his love of music with a child, and then a grown man reminding his elderly grandfather of that bond. Regardless of who was teaching about the music, the message that, "If it was easy, everyone would do it" is repeated, both encouraging and uniting. Melanie Florence helps us see that change does not mean loss, just a reconfiguration that can be just as rich as the original.

From The One About the Blackbird, written by Melanie Florence, illustrated by Matt James

Matt James, illustrator of award-winning books including I Know Here (Laurel Croza, 2010), The Northwest Passage (Stan Rogers, 2013), and When the Moon Comes (Paul Harbridge, 2017), gets deeper into that relationship with his acrylic artwork that also includes textured elements. Whether the boy is hanging out with his grandfather, struggling to hold a guitar, or showing his grandfather how to move his fingers into position, Matt James makes us feel the effort of their attachment. The emotion in their struggles and their joys jump from the page, reflected in their faces, their body language, and their actions. 

 

Like the blackbird of that song, the boy, and later young man, learned to fly. He learned to take flight in song and in life, gathering knowledge at the feet of one who knew how. And when that knowledge wanes, as happens with time and age, that grandson helps his beloved grandfather hear the song again.

Kaiah's Garden

Written by Melanie Florence

Illustrated by Karlene Harvey

North Winds Press (Scholastic Canada)

978-1-4431-9025-1

32 pp

Ages 5-8

January 2024

 

When a child moves with her family to a new home, she misses her old home at her Grandma's. The house isn't just far away in a new town, it lacks the colour that was part of her grandmother's home. That life came from many things, inside and outside, and, compared to that home, everything feels gray here.

From Kaiah's Garden, written by Melanie Florence, illus. by Karlene Harvey

From the quiet stairs to the backyard of dried-up weeds and flowers, Kaiah can't see anything beyond her feelings of missing her grandmother and her home. But when she hears a voice she senses as her grandmother saying, "Did you forget what's in your treasure box?" Kaiah is reminded of all she'd once enjoyed. In a special box worn smooth by generations of her people, she recalls the beading projects she'd completed with her Grandma. There's her very first, an apple, which brings back memories of an apple tree in the yard and of Grandma's warm hands touching hers to teach her how to bead. There's the sunshine yellow sun she'd beaded, as well as a flower, turtle, butterfly, and more. Her grandmother and her garden may not be there at their new house but Kaiah, with a little help from her mother and brother, knows how to bring her grandmother and more to this new home.

From Kaiah's Garden, written by Melanie Florence, illus. by Karlene Harvey

Melanie Florence, author of the award-winning Missing Nimâmâ and Stolen Words, again shares her heritage with us, teaching us about the importance of beadwork to Indigenous Peoples. (There is "A Note on Beadwork" at the conclusion of the book.) For Kaiah, the beadwork takes her back to her earlier life with her grandmother, learning the skill and embedding memories to help her reconnect with those who came before her. Now, she will use the beadwork for healing her spirit as well as for connecting her with her new home. Those tiny little beads can do so much when used to create and honour.

From Kaiah's Garden, written by Melanie Florence, illus. by Karlene Harvey

Karlene Harvey, a Tsilhqot-in and Syilx illustrator from BC, reminds us that the beadwork of Melanie Florence's story is what is most important. From the colourful and meaningful beadwork that adorns the endpapers of Kaiah's Garden to each of the pieces Kaiah draws from her treasure box, there is life and luminosity that is derived as much from the beads as from the association they endow.

 

Kaiah may believe that all there is a grayness at her new home–well, until she remembers her treasured beadwork–but Kaiah's Garden is nothing but colour. It's bold and beautiful and memorable, just like the treasures Kaiah pulls from her box.

Benjamin's Thunderstorm

Written by Melanie Florence

Illustrated by Hawlii Pichette

Kids Can Press

978-1-5253-0320-3

23 pp.

Ages 3-7

September 2023

 

Kids often love the rain, putting on rubber boots, splashing in puddles, and more. But Benjamin has a special connection to many elements of a storm that make thunderstorms all the more special for him.

From Benjamin's Thunderstorm, written by Melanie Florence, illustrated by Hawlii Pichette

For Benjamin, the sound of thunder, which resonated like the beating of his grandfather's drum, was the sound of the thunderbirds, piyêsiwak, beating their wings. Though Benjamin also loved the puddles, kâ-wâyipêyâsiki, and the rainbows, pîsimoyâpiya, with all their colours, he loved the beat of the thunder, the same that he experienced as a powwow dancer. And even when he gets called inside by his mother–there is lightning as well as thunder–he finds a creative way to reconnect with that outside storm.

From Benjamin's Thunderstorm, written by Melanie Florence, illustrated by Hawlii Pichette

Melanie Florence may be known for her profound stories based in experiences of Indigenous Peoples, most notably her award-winning picture books Stolen Words (2017) and Missing Nimâmâ (2015), but she takes a more whimsical approach in Benjamin's Thunderstorm. She still embeds her story in Cree language by peppering the story with Cree words for weather events and colours and offers a "Pronunciation Guide" from Dr. Arok Wolvengrey of First Nations University of Canada. But Melanie Florence's story is more about a child enjoying the sensory experience of a thunderstorm, and most notably for the cultural connections he has because of it. 

Hawlii Pichette, a Mushkego Cree urban mixed-blood artist, balances her illustrations with both the playfulness of the story and a depth of culture. The story is one of a child at play and Hawlii Pichette gives us that high spiritedness as Benjamin splashes and dances and delights in the rain. Moreover, Hawlii Pichette's Woodland style of art speaks to her own background, and that of Melanie Florence and Benjamin, giving us landscapes of heavily outlined trees and structures while her lines speak to movement and life. 

The next time there's a rainstorm Benjamin will undoubtedly be revelling in the textures of that weather event, playing outside when safe and inside when not, and appreciating it all the more for the connection he makes with his culture and his family.

From Benjamin's Thunderstorm, written by Melanie Florence, illustrated by Hawlii Pichette

Just Lucky

Written by Melanie Florence
Second Story Press
978-77260-104-6
248 pp.
Ages 13-18
September 2019

Though the beginning of her life was less than stable, born of a gambling-addicted mother (hence Lucky’s unusual first name) with a crack habit, much of Lucky Robinson’s fifteen years were spent in a loving home with her grandparents. But, when her grandmother’s dementia advances rapidly after Grandpa’s death, Lucky’s life takes a staggering turn that disconnects her from the support and security she's always known.

Though Lucky is aware that Grandma’s forgetfulness is becoming serious, she is unprepared for the fire Grandma accidentally starts. But at the hospital, the Children’s Aid Society is called to take responsibility for the underage Lucky as Grandma receives care. Sadly even a phone call to her ghost of a mother brings nothing except clarity that Lucky is well rid of a woman more concerned about her boyfriend and the proceeds from the potential sale of Lucky's grandparents' house. As such, Lucky begins the complex journey into the foster care system.

Her first foster placement is with the hyper-religious Mary and Robert Wilson and their teen son Bobby. Lucky tries to be accommodating, submitting to Mary’s requirements for chaste dress, the saying of grace before meals and homeschooling. But a threat within requires Lucky defend herself both with a knife and with the truth to those who refuse to acknowledge inappropriate behaviours by those entrusted with her care. The consequence is that child care worker Cynthia drags victimized Lucky to a second home.

With her new living accommodations with foster parents Sarah and Edward and teens Jake and Charlie, Lucky begins to feel a little luckier. Though home is more stable and welcoming, Lucky must contend with racism and bullying at school at the hands of Elyse who has her sights on Jake and sees his interest in Lucky as competition. Victimized again for being Indigenous, and for defending Charlie, a boy from the Dominican, Lucky is expelled, steering her to yet another foster family but also to the school she attended with best friend Ryan.

Though Lucky continues to hold onto the hope that she will be reunited with her grandmother who has both good and bad days, when Grandma is moved to a care facility, Lucky starts to wonder whether she has any luck at all and may ever again have a place of home where she will feel safe.

Melanie Florence who touched us with her award-winning picture books Stolen Words (Second Story Press, 2017) and Missing Nimâmâ (Clockwise Press, 2015) takes a simple germ of an idea–that of a child in foster care–and makes it in bigger story, as it should be. Entering foster care is a life-altering experience from which some children may or may not recover.  As in her earlier picture books about residential schools and missing and murdered Indigenous women, the story is simple but the message monumental. Not all lives are easy and picture perfect and Lucky's certainly is not. Not all foster homes are great or horrible.  Not all foster families are caring, though that is their mandate. Lucky's story evolves from a tragedy that snowballs into overwhelming disaster. Though I’m sure, as the saying goes, it could have been far worse, Lucky's story, which is one of trial and hardship, does end with some semblance of good fortune and contentedness, perhaps even hope for a happy ending.

Stolen Words

Written by Melanie Florence

Illustrated by Gabrielle Grimard

Second Story Press

978-1-77260-037-7

24 pp.

Ages 6-9

September 2017

A young girl's simple request of her grandfather to learn how to say a word in Cree reveals much about the system that stole his language from him and so many Aboriginal children but more about the affection and courage of those who have the grit to ensure those words do not remain silent or withheld forever.

From Stolen Words 

by Melanie Florence 

illus. by Gabrielle Grimard

It's evident from the words and actions of the seven-year-old girl and her grandfather that their relationship is a cherished one.  She is exuberant from her day at school, pleased with what she's made and learned, and comforted with his attention as he escorts her home, holding her hand and carrying her backpack.  But when she asks, "How do you say grandfather in Cree?" his response is a lesson in history and one muted with hurt and needless shame.  As his granddaughter continues to ask "Where did they take them?", "Who took you away, Grandpa?" and "Where did they take you, Grandpa?", her grandfather tells the history, heartbreaking in the capture of the Aboriginal children's words like a raven in the cage of Gabrielle Grimard's grim illustrations of the residential school.

From Stolen Words

 by Melanie Florence

 illus. by Gabrielle Grimard

But his hurt and lack of words does not deter the child's curiosity or compassion, and she brings home a worn book titled "Introduction to Cree" so that together they might speak the language of home and release the formerly imprisoned language.

Nôsisim, he whispered.
Granddaughter.

The word felt familiar in his mouth.

It felt like his home. His mother.

As the grandfather reconnects with his past and makes a new connection with his young granddaughter, I wept for his loss, his family, his struggle and his courage to take steps forward. It's an emotionally charged series of interactions and memories that are pure Melanie Florence.  They will astound readers and sadden them, while encouraging healing and learning without shame or anger.  Her words, thankfully not stolen, make for leaps forward for those whose language was pilfered from them as vulnerable children. Gabrielle Grimard's illustrations are similarly strong and soft, taking the reader into the intimate relationship between a grandfather harbouring hurts and a child wanting to help.

Melanie Florence took on the gut-wrenching issue of missing Indigenous women in her award-winning picture book Missing Nimâmâ which was divinely illustrated by François Thisdale (Clockwise Press, 2015) and similarly addresses the emotional trauma of the residential schools in stifling language.  While the generations after the residential schools are still affected by their inconceivable legacy, the healing will come through them.  The grandfather's words may have been stolen but his loving granddaughter is the means by which they will be restored.

From Stolen Words 

by Melanie Florence 

illus. by Gabrielle Grimard

Write for a Better World 2017: Contest for Canadian students in Gr. 5-8

World Literacy Canada

presents its annual

WRITE FOR A BETTER WORLD  

contest

for Canadian students in Grades 5-8

This year, the writing theme was created by  

Melanie Florence

(who will also be the final judge)

 author of the award-winning 

Missing Nimâmâ

by Melanie Florence

Illustrated by François Thisdale

Clockwise Press

978-0-9939351-0-7

32 pp.

Ages 8+

2015

Reviewed here

What to do?

Using this story starter, tell what happens next in 400 words or less:

"I remember how I felt when something was stolen from me.  I swore I'd do anything to get it back.  Then, Kateri and her grandmother had someone stolen from them.  Kateri is my best friend and I knew I had to step up and help.  Sometimes a friend just needs a superhero..."

Deadline

April 1, 2017

Full Details

www.worldlit.ca/canada-programs/write-for-a-better-world


n.b. A French language version of the contest, Écris pour un monde meilleur, is also available.

Clockwise Press: Fall Book Launch (Toronto)

Canada's newest publisher for young people

Clockwise Press

Turning young readers into lifelong readers 

with the right book, at the right time

is having a

Fall Book Launch 

for

Missing Nimama

by Melanie Florence

Illustrated by François Thisdale

Clockwise Press

978-0-9939351-0-7

32 pp.

Ages 8+

October, 2015

Reviewed here

and

Stay Strong: A Musician's Journey from Congo

by Natalie Hyde

Clockwise Press

978-0-9939351-2-1

141 pp.

Ages 12-16

August, 2015

on

Monday, November 30, 2015

 at 6:30 p.m.

at

Mabel's Fables Bookstore

662 Mount Pleasant Road

Toronto, Ontario

(416) 322-0438

Authors Melanie Florence and Natalie Hyde 

will be in attendance 

(and undoubtedly available for signing books)

and

there will be mulled wine, gingerbread and cake!

RSVP at https://www.facebook.com/clockwisepress/

Missing Nimâmâ

Written by Melanie Florence

Illustrated by François Thisdale

Clockwise Press

978-0-9939351-0-7

32 pp.

Ages 8+

October, 2015

Missing Nimâmâ is a stunning accomplishment in story telling, though a story that shouldn’t have to be told because no mother should go missing and be lost to a little girl who would grow up without her.  Reading Missing Nimâmâ (nimâmâ is Cree for my mother) is like exposing an wound and it hurts.

Missing Nimâmâ is told in two voices,  distinguished both on the page and with the font.  The first voice is that of Kateri, a young girl, who lives with her nôhkum (grandmother) and dreams and longs for nimâmâ who is one of the lost Indigenous women whose disappearances have been shamefully ignored.  The second voice, in italicized text, is an ethereal one, that of Kateri’s mother, who calls her daughter kamâmakos, her beautiful little butterfly, and who watches over her as she goes to school, is loved by her nôhkum, grows into a young woman, marries and becomes a mother herself.  With every milestone, Kateri wishes for her mother to be with her, occasionally sensing her spiritual presence, while her mother appreciates all that her daughter has become, reassurring her that,

“I’m here, kâmamakos.

I’ve never left you. 

When you feel me with you, I’m there. 

You’re never alone.

Your mother is still watching over you.”

(pg. 17)

But like far too many of the Missing and Murdered Aboriginal Women, Kateri’s nimâmâ is only a spiritual presence in her daughter’s life and it will be years before Kateri will get the phone call telling her of her mother’s fate.  It is not a happy ending, and there are no happy endings for these women or their families.  But Melanie Florence still allows for Kateri and vicariously for her mother to find some happiness.

Missing Nimâmâ is heartbreaking.  It’s soulful and breathtakingly painful, and all the more so because of Melanie Florence’s free verse text. Never have I read free verse so aptly applied in a picture book.  Melanie Florence, an Indigenous writer, has demonstrated a powerful skill at creating rhythmic emotions with words.  The tugs at the heart are aching for the story they tell and the artistry with which François Thisdale tells it.

The matching of François Thisdale’s art with Melanie Florence’s text is wondrous.  As poignantly as he used mixed media (digital and drawn images) in earlier texts (The Stamp Collector by Jennifer Lanthier, Fitzhenry & Whiteside, 2012; That Squeak by Carolyn Beck, Fitzhenry & Whiteside, 2015), François Thisdale fluidly bridges the concrete world of a little girl and her nôhkum with the ethereal one of her mother.  His choice of colours and the ability to enrich stark outdoor scenes of yards and forests and simply furnished indoor rooms create ghostly landscapes that epitomize the shadows of a girl's longing for her mother, a mother lost but never, never forgotten.

Missing Nimâmâ is a haunting story of lives lost and lived and shared, beautifully rendered in words and art.  Expect to see this one on award lists in the near future.