Our Corner Grocery Store

Written by Joanne Schwartz

Illustrated by Laura Beingessner

Tundra Books

978-1-77488-791-2

32 pp. 

Ages 3–7 

September 2025 

 

When Our Corner Grocery Store by Joanne Schwartz and Laura Beingessner was first published in 2009, it was heralded as a tribute to  neighbourhood shops and the communities they supported. It was a finalist for the Marilyn Baillie Picture Book award. Now with a new cover, Our Corner Grocery Store will introduce new readers to Anna Maria and her nonna and nonno as they work and bring their community together.

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

On Saturdays, Anna Maria visits her Nonno Domenico and Nonna Rosa's corner grocery store. This is her favourite day of the week. After her nonna feeds her a hearty breakfast in their home which is behind and above the store, Anna Maria gets to work in the small shop. She sorts freshly-delivered bread and sweeps. She plays outside with her friend Charlie and watches her nonno and nonna serve customers. They make fresh sandwiches and watch as the neighbourhood kids pick out their sweet treats. And with only a few breaks to help make dinner and play with Charlie, Anna Maria enjoys a full day at her grandparents' corner store.

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

For those who've enjoyed a local grocery store, where you were served by familiar faces and chatted with friendly staff, Our Corner Grocery Store is a reminder of the community that is rarely enjoyed in our world of big box stores and chain supermarkets. While there are still wonderful examples of these corner stores, they are fewer and far between now. So, for many, Our Corner Grocery Store is a reminder of a different time. It was a time when children could go alone to the corner store and pick up a freezie and sit on a stoop and enjoy it with their friends. It was a time when candies were selected and placed in small paper bags, rather than in pre-packaged bundles. Many children will not know these times, but their parents may, and their grandparents definitely would and Our Corner Grocery Store will open discussions about how things have changed and how they're still the same. (Most children will still recognize the freezies—even if called ice pops or something else—and the joy of picking one out on a hot summer day.)

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

Joanne Schwartz, who wrote the award-winning Town Is by the Sea (illustrated by Sydney Smith, 2017), captures a sense of community and family in Our Corner Grocery Store. That community is both one of neighbours and family with Anna Maria helping all of them. It's refreshing to see a child helping her grandparents without whining that she'd rather be on her tablet or demanding to do something else. Joanne Schwartz has reminded us that there is still an innocence in children that makes them want to be with their family and do modest things like sort fruit and help make meals. I know those kids are out there but too often we get the books of precocious children who do silly and outrageous things for laughs and just because they can. It was lovely to visit Nonno Domenico and Nonna Rosa's grocery store, especially as Laura Beingessner captures the very essence of a neighbourhood store and a child's place in it.

 

There's a freshness and simplicity to Laura Beingessner's illustrations. Using ink and paint, she gives details but doesn't lose the sensibility of the store and its neighbourhood. Most of us will recognize a store with its wooden-slat bins holding a collection of fruits and veg with hand-printed price signs, and a store with candies alongside brooms, moka pots, and toilet paper. But Our Corner Grocery Store is more than just about a store. It is about a place of people (and cats and dogs). And Laura Beingessner includes them all. 

From Our Corner Grocery Store, written by Joanne Schwartz, illustrated by Laura Beingessner

I have a strong desire to go find a local grocer and get some fresh produce, say hello to those who welcome us into their domain, and hope that, like this grocery store, it will continue to serve, to flourish, and to provide goods and community for many years to come.

 

• • • • • • •  

 

The 2009 edition of Our Corner Grocery Store:

My Bunny Lies Over the Ocean

Written by Bill Richardson

Illustrated by Bill Pechet

Running the Goat, Books & Broadsides

978-1-998802098

40 pp.

Ages 4-8

May 2024 

 

With a mondegreen play of words on the traditional Scottish folk song "My Bonnie Lies Over the Ocean," Bill Richardson and Bill Pechet have given us another bunny story of a legendary incident. Like their earlier book Hare B & B (2021), readers are treated to a silly but playful adventure, this time one in which a stuffed rabbit endeavours to make its way home with a lot of help from a menagerie of animals. And it's all to the accompaniment of some talented singing seagulls.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

When a bow-tied and sunglass-wearing bunny is abandoned at the beach and a seagull falls in love, a global escapade ensues. With a seagull bemoaning the stuffie's plight of being dragged out to sea, My Bunny Lies Over the Ocean becomes a lament.

My Bunny was wet and bedraggled,

My Bunny was dashed by the waves,

My Bunny was found by a starfish,

And that's how my Bunny was saved.

The words may not all be as we may have learned them but they certainly sound like they were made for a story about an errant bunny.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

And, boy, does this bunny travel, and with the help of everything from a starfish and a whale, a tallship and a kangaroo, and more. Still when Bunny finally gets back to the family–who should be chastised for abandoning Bunny in the first place–there will still be someone lamenting Bunny's absence.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

I defy you to read this story and not sing it to the tune of "My Bonnie Lies Over the Ocean." It's so easy to do with words that rhyme and flow, especially with a repetitive chorus. The story may be different and homophones used, but Bill Richardson, who does clever very well, keeps the rhythm and the momentum of the original and gives it the humour and cheekiness that will delight readers of all ages. Kids may sympathize with a lost stuffie, but adults will chuckle at the lovestruck seagull and the astonishing path of the bunny to its home.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

That cheekiness is seen in Bill Pechet's sketch art, from Bunny relaxing on a bed inside the whale's belly to seagulls singing atop the "Bunnilator" plane heading between signposts "Here" and "There." Sticking with his palette of pale turquoise, light lime green, and pale orange, Bill Pechet keeps us on that ocean, on the land, and in the air as Bunny finds its way home. And he makes us laugh.

 

Bunny may make it home via a prolonged path, but they will be prepared for another such eventuality. (Come on, it wasn't Bunny's fault that they were left behind.) And with a seagull singing its yearning for Bunny still, I suspect Bunny will never be alone again.

A Blanket of Butterflies: The Spirit of Denendeh, Volume 1

Written by Richard Van Camp

Illustrated by Scott B. Henderson

Colours by Donovan Yaciuk

HighWater Press

978-1-77492-040-4

56 pp.

Ages 12 +

2022 

 

When Shinobu arrives in the Northwest Territories to reclaim his family's samurai armour housed at the Fort Smith museum, he learns that the sword has gone AWOL after Benny, the last museum manager, gambled it away. Sonny, a Tłı̨chǫ Dene boy who was at the museum, offers to take Shinobu to Benny's residence, though Sonny warns that the man will undoubtedly be supported by a trio of thugs named Torchy, Sfen and Flinch. 

From A Blanket of Butterflies by Richard Van Camp, illus. by Scott B. Henderson, coloured by Donovan Yaciuk

Not surprising Shinobu is attacked and, though he valiantly defends himself, he is left almost dead. Sonny and some friends take the man to Sonny's grandmother's house. Though Shinobu's extensive tattoos  frighten Sonny's Ehtsi, she tends to his wounds. With Sonny's support for "the butterfly man"–because of his butterfly tats–and a visitation from the spirit of Sonny's sister, Sonny's grandmother wants to know more. Shinobu tells her he is from Nagasaki, Japan and she realizes the connection their people have with the Japanese linked to the atomic bombing of 1945. She relates this in terms of a powerful bird being fed black eggs and "a fire so bright it left only their shadows on what was left of their homes" (pg. 24).

From A Blanket of Butterflies by Richard Van Camp, illus. by Scott B. Henderson, coloured by Donovan Yaciuk

Shinobu tells them the story of the creation of the sword by his 2 times great grandfather and his need to reclaim it before the August full moon. Because that full moon was that very night, the three head out together to Benny's. Again they are set upon but Sonny's grandmother is a formidable woman whose words stop the thugs. And with words and memories, as well as a blanket for Benny, Sonny's Ehtsi finds a connection between the men and the opportunity for benevolence.

From A Blanket of Butterflies by Richard Van Camp, illus. by Scott B. Henderson, coloured by Donovan Yaciuk

Originally published in 2015, A Blanket of Butterflies has been reissued with full colour, additional background information and cultural context. Still the story is fresh as an intersection of two cultures, one Indigenous and the other Japanese, and how they connect both on a historical and a more personal level. Richard Van Camp, Tłı̨chǫ Dene from Fort Smith NWT, has borrowed from his youth a story of an unlikely suit of samurai armour but he has developed it into a far greater story by asking a series of What If? questions. Sadly, how that suit was lost from a Japanese family is undoubtedly tied to the theft and seizure of the possessions of those interned. Still, Richard Van Camp doesn't emphasize that part of the story but rather the connections that both the Indigenous and Japanese communities have experienced through a history of loss and the substance of family. 

There is a darkness to this story because of that history and that loss. And that darkness comes through in Scott B. Henderson's illustrations, expertly coloured by Donovan Yaciuk. The artwork plays up the conflict that converts remarkably to connection both in its action, expression and colour.

The Spirit of Denendeh tells stories of the People of that land and A Blanket of Butterflies gives us glimpses into the natural and supernatural elements of those lives. I suspect that when Volume 2,  As I Enfold You in Petals, releases in April of this year, there will be another story from Denendeh, the Land of the People, again rooted in reality and upholding a legacy of kinship.

Arnold the Super-ish Hero

Written by Heather Tekavec

Illustrated by Guillaume Perreault

Kids Can Press

978-1-5253-0309-8

32 pp.

Ages 4-7

2021

Arnold works in the family business, and that business is one of superheroes. They are superheroes like his super strong cousin and his super fast brother and his super bouncy uncle. But Arnold doesn't have a super power, yet, so, as they all wait for it to show up, Arnold is their phone guy.

From Arnold the Super-ish Hero by Heather Tekavec, illus. by Guillaume Perreault

Then a call comes in for a superhero and no one responds when Arnold sounds the alarm. So, determined to follow the family motto of "Stop the bad guy from being a bad guy," Arnold dusts off his great-grandmother's mask and cape to find the crime. But just getting to the crime scene becomes problematic. As he speeds to the scene, as best he can after taking the bus, he comes across situations he misinterprets. A young man yelling at a woman in a wheelchair is actually a grandson trying to tell his grandmother who has lost her hearing aid to keep her hands off the tires so he can push her safely. Arnold's solution of giving the woman a stray kitten to hold works miracles for the grandson, grandmother and even the kitten. He sees a little girl throwing things in the water until she reveals she's trying to feed a baby duck before the more aggressive adults get the food. Arnold comes to the rescue again. 

From Arnold the Super-ish Hero by Heather Tekavec, illus. by Guillaume Perreault

When Arnold finally gets to the called-in crime scene, he realizes that he can use his phone message-taking skills to good use to solve the problem and make two little girls very happy, with one declaring him a super-ish hero. After a few more good deeds, Arnold returns home to witness his efforts lauded on TV, with his family unaware that the Super Nice Guy superhero was their own family member. And that's a secret he's happy to keep to himself. (Oh, look, another superpower: keeping secrets!)

Kids love the idea of superheroes who can do beyond the norm, usually to fight crime and evil. But, if the past two years have shown us anything, it's that heroes come with all kinds of abilities, and goodness and kindness may be the greatest of all of these. As such, BC's Heather Tekavec has given us a humble character in Arnold, one who just wants to emulate his superhero family, but learns unintentionally that kindness is his strength. Even without trying for the spotlight, just stopping to offer assistance wherever help is needed, Arnold has become a hero. He's every guy and, with him, Heather Tekavec has shown us that anyone can be a hero.

From Arnold the Super-ish Hero by Heather Tekavec, illus. by Guillaume Perreault

Quebec illustrator Guillaume Perreault gives Arnold a banal look that works with the common person image. Except for a top-knot, there's not much to distinguish Arnold from anyone, including the reader. He doesn't stand out except when he does something kind. Guillaume Perreault may make Arnold's family members unique in their dress and skills but he makes Arnold stand out for his originality. In fact, Guillaume Perreault gives the whole book an understated feel with his choice of colours-no emphasis on bold primary colours–and blend of picture book illustrations with graphic novel boxes. Unlike most comic books about superheroes that bombard you with flash and action, Arnold the Super-ish Hero has the same restrained and easygoing appearance as does Arnold himself.

With a message that kindness is a superhero talent available to anyone, even Arnold, young readers will cheer for him and anyone who does good, knowing that the goodness comes in the doing, not from the recognition or the celebrity.