My Bunny Lies Over the Ocean

Written by Bill Richardson

Illustrated by Bill Pechet

Running the Goat, Books & Broadsides

978-1-998802098

40 pp.

Ages 4-8

May 2024 

 

With a mondegreen play of words on the traditional Scottish folk song "My Bonnie Lies Over the Ocean," Bill Richardson and Bill Pechet have given us another bunny story of a legendary incident. Like their earlier book Hare B & B (2021), readers are treated to a silly but playful adventure, this time one in which a stuffed rabbit endeavours to make its way home with a lot of help from a menagerie of animals. And it's all to the accompaniment of some talented singing seagulls.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

When a bow-tied and sunglass-wearing bunny is abandoned at the beach and a seagull falls in love, a global escapade ensues. With a seagull bemoaning the stuffie's plight of being dragged out to sea, My Bunny Lies Over the Ocean becomes a lament.

My Bunny was wet and bedraggled,

My Bunny was dashed by the waves,

My Bunny was found by a starfish,

And that's how my Bunny was saved.

The words may not all be as we may have learned them but they certainly sound like they were made for a story about an errant bunny.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

And, boy, does this bunny travel, and with the help of everything from a starfish and a whale, a tallship and a kangaroo, and more. Still when Bunny finally gets back to the family–who should be chastised for abandoning Bunny in the first place–there will still be someone lamenting Bunny's absence.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

I defy you to read this story and not sing it to the tune of "My Bonnie Lies Over the Ocean." It's so easy to do with words that rhyme and flow, especially with a repetitive chorus. The story may be different and homophones used, but Bill Richardson, who does clever very well, keeps the rhythm and the momentum of the original and gives it the humour and cheekiness that will delight readers of all ages. Kids may sympathize with a lost stuffie, but adults will chuckle at the lovestruck seagull and the astonishing path of the bunny to its home.

From My Bunny Lies Over the Ocean, written by Bill Richardson, illustrated by Bill Pechet

That cheekiness is seen in Bill Pechet's sketch art, from Bunny relaxing on a bed inside the whale's belly to seagulls singing atop the "Bunnilator" plane heading between signposts "Here" and "There." Sticking with his palette of pale turquoise, light lime green, and pale orange, Bill Pechet keeps us on that ocean, on the land, and in the air as Bunny finds its way home. And he makes us laugh.

 

Bunny may make it home via a prolonged path, but they will be prepared for another such eventuality. (Come on, it wasn't Bunny's fault that they were left behind.) And with a seagull singing its yearning for Bunny still, I suspect Bunny will never be alone again.

Last Week

Written by Bill Richardson

Illustrated by Emilie Leduc

Afterword by Dr. Stephanie Green

Groundwood Books

978-1-77306-566-3

64 pp.

Ages 9-12

April 2022

Last Week is a sombre little book. It is based on the last week of a child's grandmother, affectionately called Flippa, as she with her family prepare for her death via Medical Assistance in Dying (MAiD). It is sombre because of a child's recognition of time passing swiftly before that death in a week of six hundred four thousand and eight hundred seconds or in the seven chapter days.

From Last Week by Bill Richardson, illus. by Emilie Leduc

This last week begins with Monday and with a child and their father flying across the country to be with the parent's mother during her last week. The child recalls how Flippa used to swim every day in the sea, walking in her wet suit, goggles and flippers the three blocks to the ocean. But no more. Because Flippa always felt it was important to make every second count, the child does that with the seconds they have left with her, chatting while she rests in bed, trying to make her laugh, and more.

From Last Week by Bill Richardson, illus. by Emilie Leduc

Visitors come and bring food and stay to chat and cry and reminisce. When Flippa feels well enough to come out of her room, she recalls being there for the child's birth. Now they will be there for her, "For when I'm set free," she declares. A visit from the green grocer, Mr. Bark, has the two ribbing each other about the tomato plants she'd bought from him having not produced any tomatoes. It's all very low-key with everyone knowing that Flippa's end is near but rarely really discussing it directly. With Flippa's doctor scheduled to come Sunday at 11 a.m. and administer the trio of medicines, the conclusion of that last week is imminent, and the child finds a way to be with Flippa, connect with her and even share a good-bye gift.

From Last Week by Bill Richardson, illus. by Emlie Leduc

Bill Richardson has written a story of such elegance in Last Week. The death of a grandparent can be one of the first significant deaths a child can experience, except for that of a pet, but a scheduled death is a whole different issue. With that last week, the child understands the momentousness of that juncture while preparing for a loss, appreciating every moment and witnessing others' responses. Bill Richardson keeps the story from the child's perspective and what they see, feel, hear, and know. By doing this, it becomes the child's story, not about the death. In fact, Flippa's death is never revealed though readers will know it was impending and unavoidable. That inevitability permeates the story and the child's narration of it but this child does not manifest the same grief as their father or the other visitors. After all, grief for the dying or the dead is different for all. For this child, it's making those seconds count with support and love, easing Flippa through that last week in their own way.

From Last Week by Bill Richardson, illus. by Emilie Leduc

While it is an illustrated chapter book, Last Week is not awash in the colour or boldness of art. Emilie Leduc's illustrations are stark and hushed. The black, grey and white palette keeps the tone of the story soft and quiet. Even though Flippa's last week is busy with visitors and family, those moments are important but fleeting, not unlike the art. Both Bill Richardson and Emilie Leduc can do bright and cheerful, humorous and busy. (Check out Bill Richardson's The Alphabet Thief or Hare B & B and Emilie Leduc's All Year Round.) But they set the tone of the book with their words and art, making Last Week important in its dignity of story message –which includes an Afterword by Dr. Stephanie Green about assisted dying–while taking the opportunity to introduce young people to an important end-of-life discussion.

Hare B & B

Written by Bill Richardson

Illustrated by Bill Pechet

Running the Goat, Books & Broadsides Inc.

978-1-927917381

72 pp.

Ages 4-8

April 2021

If the wolf in Little Red Riding Hood was a coyote and the rabbits in Watership Down were hares, then Hare B & B would be a cross between these two stories. Sort of. Hare B & B is actually its very own story of a clever hare family that runs a bed-and-breakfast and works to thwart a wily coyote. A little dark, a whole lot of clever and completely charming.

From Hare B & B by Bill Richardson, illus. by Bill Pechet

Harriet, called Harry by all, is delighted to help out when her mother has identical septuplets who are named Barry, Perry, Mary, Larry, Jerry, Carrie and Terry. One day after taking the young ones out for a long walk in their pram, Harry returns home to find it encircled with police tape and the sad news from Officer Goose (They/Them) that their parents had opened their door to a coyote disguised as an encyclopedia salesman.

From Hare B & B by Bill Richardson, illus. by Bill Pechet

Determined to keep their family together, Harry devises a plan to rent out their parents' room. Assigning tasks to each of her siblings, Harry gets them dusting and vacuuming, washing and preparing for their guests, including sending out ads via twitter i.e., their bird friends.

From Hare B & B by Bill Richardson, illus. by Bill Pechet

The reviews about the breakfast, bed and entertainment (Terry plays the harp) are glowing. But then an odd guest, claiming to be a hare, arrives, ostensibly before the wedding of her sister. Harry is a clever hare and she knows this is not one, maybe not even a rabbit. After a little spying, Harry discovers the animal's true nature and she puts a new plan in action with her siblings.

From Hare B & B by Bill Richardson, illus. by Bill Pechet

 

With some cleaver manoeuvres involving tickles, molasses and harp strings, the coyote is begging to be taken to jail.

 

From fun wordplay and silliness all around, Bill Richardson will give young readers more than a few chuckles and their parents and teachers smiles. Not unlike the original fairy tale of a wolf disguising itself to deceive a red-caped little girl, Hare B & B has a lesson about trust and caution but Bill Richardson does it with such charm that it's just fun to learn. Still he makes sure not to scare children, unlike so many fairy tales. The parents' death is never explicit, and Harry makes sure to remind her seven siblings that...

...there is nothing a smart hare with a good plan cannot accomplish. We must move forward. We must love each other as much as we can. We cannot be fearful every time someone comes to the door. 

That lightness of touch is carried through by designer Bill Pechet's ink and watercolour illustrations. The art is delicate in colour and line, with splashes of blue, green, turquoise and pink. Everything is soft, except for the sharpness of the deceptive coyote, and the reader is charmed by Harry and her septuplet siblings, rooting for them to succeed in their bed-and-breakfast endeavour and find justice for their parents. They do.

 

At 72 pages, Hare B & B is an extended picture book that gives the reader lots of opportunities to learn about the difference between hares and rabbits, appreciate the puns and look for hidden details in the illustrations, as well as discover that it's okay to be both open and cautious. With love, anything is possible.

The Alphabet Thief

Written by Bill Richardson

Illustrated by Roxanna Bikadoroff

Groundwood Books

978-1-55498-877-8

40 pp.

Ages 5-9

March 2017

An alphabet thief is on the loose and she is creating mayhem with every letter she sneaks into her sack.  Bill Richardson, Canadian humourist and writer for all ages, tells a story of words ridiculously transformed with the loss of a letter, as depicted in the illustrations by Vancouver artist Roxanna Bikadoroff.

The Alphabet Thief stole all of the C’s,
And a cloud became loud in the sky.
My chair wasn’t there–it was turned into hair
And all of the spices were spies.

From The Alphabet Thief 

by Bill Richardson 

illus. by Roxanna Bikadoroff

Oh my.  As a little bespectacled girl and her dog Bill witness the thefts, beards become bears, horses become hoses and artists’ paints become pants.  But the young child who wears a beret or sometimes a deer-stalker is on the case and it’s up to her to make sure the thief is caught and the world of words is made sane again.

A new book from award-winning author and humourist Bill Richardson is always a joy to behold but the publication of The Alphabet Thief is even more notable because it’s for children.  Bill Richardson’s humour which has earned him four nominations for the Stephen Leacock Memorial Medal for Humour (he won in 1994 for Bachelor Brothers Bed and Breakfast) has the right touch for evoking subtle humour while giving young readers light but powerful wordplay to contemplate.  I wish I were in a classroom again so that I might do a sophisticated alphabet game of illustrating words that have lost certain letters.  The kids would laugh themselves silly with crops transformed into cops, soaps developing into saps, and brothers becoming bothers (though that last one is hardly a stretch)! Moreover, Bill Richardson writes this early reader in an entertaining rhyming text conducive to an imaginative wordplay that teachers and students and all readers will appreciate.

Roxanna Bikadoroff must have laughed her way through the illustration process, creating wild scenarios like a café scene in which bowls become owls, the dog Bill becomes ill and a brat walking by on his cellphone turns into a rat.

From The Alphabet Thief 

by Bill Richardson 

illus. by Roxanna Bikadoroff

Her pen and ink drawings with only hints of colour have a light and rushed feel to them, perfect for a book that portrays the mad antics of a thief.  Still the art of of Roxanna Bikadoroff, who has won awards for her magazine illustrations, tells the story of The Alphabet Thief with the silliness Bill Richardson’s rhymes evoke.

Do get The Alphabet Thief for your classroom or child’s library, and not just because of its possible lessons in the alphabet since the thief does take the letters in order, except for the tricky QU combo which disappear together.  Get the book because you’ll have fun reading the rhymes and picking out the transforming words via the art and don’t we all need a little more fun in our lives? Thanks Bill Richardson and Roxanna Bikadoroff for bringing it.

From The Alphabet Thief 

by Bill Richardson 

illus. by Roxanna Bikadoroff