Wait Like a Seed

Written by Erin Alladin

Illustrated by Tara Anderson

Pajama Press 

978-1-77278-359-9

32 pp.

Ages 4–8 

March 2026  

 

Understanding life cycles, particularly of plants, can be a challenge for young children because of the extended time needed for a seed to progress through its stages. Kids may get the idea of a flower but knowing how a flower came to be and what it can produce is far more difficult. Using simple rhyming verses, bold words, and additional info pages, Erin Alladin leads young readers through the parts of a plant and how that plant can produce a new plant or hundreds.

From Wait Like a Seed, written by Erin Alladin, illustrated by Tara Anderson

The story is set up with text and a drawing of the seed or plant as it is developing opposite an illustration of the children, and occasional orange tabby, watching the plant grow. From a seed waiting for the spring rains to fall, through rooting, sprouting, and growing leaves, buds, flowers, and pods, the milkweed plant goes through its life cycle. 

Smile like a flower,

Giving and grand.

Smile like a flower

'Til the butterflies land. (pg. 14)

The children wait and watch and delight in what they get to witness over the seasons, from spring rains to winter dormancy. And because the monarch butterfly is tied to milkweed plants, children can also witness the development of eggs to larvae, to caterpillars and further. 

From Wait Like a Seed, written by Erin Alladin, illustrated by Tara Anderson

While I don't usually review paperback releases of previously published hard copy books, I never got to see Wait Like a Seed when it was released last year. And seeing this new edition, I really wanted to share Erin Alladin's latest. She has a lovely talent of telling stories, particularly those related to the natural world. (See her Outside You Notice, 2021.) By blending the life cycles of the milkweed and the monarch butterfly with the experiences of two young children, Erin Alladin gives us a personal story with which young children may be familiar. And with her rhyming text, she makes an educational book into a charming read with a tempo that balances with the pace of the plant's development.

From Wait Like a Seed, written by Erin Alladin, illustrated by Tara Anderson

But without Tara Anderson 's coloured pencil illustrations, Wait Like a Seed would not have the colour and shape to carry readers effortlessly through the milkweed's life stages. Instead of a book of non-fiction, Wait Like a Seed is the story of two playful children as they swing, pop milkweed pods, build a snowman, and play with their cat. She gives them joy and curiosity.

From Wait Like a Seed, written by Erin Alladin, illustrated by Tara Anderson

I know that teachers and parents will want to use Wait Like a Seed as a teaching tool for life cycles and the seasons, but don't forget the soft poetry that sweeps through the book. It tells its own story of imaginative and educational play, helping children to grow in their own way.

My Language Is a Garden

Written by E.G. Alaraj

Illustrated by Rachel Wada

Orca Book Publishers

978-1-4598-4065-2

32 pp.

Ages 6–8

February 2026 

 

How a child begins to learn a language is a complex process of exposure and comprehension. It involves being introduced to it from those who speak it and who cherish it. And when it's taught with love and reverence, it almost sacred. For this father sharing his language with his child, it's everything.

From My Language Is a Garden, written by E.G. Alaraj, illustrated by Rachel Wada

In evocative rhyming verse, E.G. Alaraj gives a father voice to embody his language with memories and meaning as he shares it with his daughter. It's obvious how much his language means to him, reminiscent of people and places, and tastes, smells, and sounds. E.G. Alaraj gives weight to this parent's words, both tender and passionate.  

My language roams the desert

And fills its pails with sand.

Builds castles, forts, and shelters

That stretch across the land. (pg. 12) 

From My Language Is a Garden, written by E.G. Alaraj, illustrated by Rachel Wada

This father is determined, but not vehement, drawing on images of cities and mountains, shores and markets, to convey what language can bring and conjure. There is magic in language, and he is earnest about sharing this with his child.

Our language, it will bloom—

Add sweetness to the air,

And tie my heart to yours,

 

So I'm with you everywhere. (pg. 27–29)

E.G. Alaraj's poem is emotional, as is the premise upon which it is based. Her author's note explains her husband's efforts to help their children learn and then retain their Arabic language. But My Language Is a Garden could speak to any parent or educator teaching a heritage language, hopeful of children holding that connection with culture and ancestry, as they balance contemporary influences outside of that language. But instead of drilling that language and forcing communication by using it, this father invites and illustrates with much affection and safety, coaxing his child to see and feel the language, just as the reader does with E.G. Alaraj's expressive words. The rhyming verses soothe and transport, as well as entice inwards and open worlds beyond. 

From My Language Is a Garden, written by E.G. Alaraj, illustrated by Rachel Wada

As dramatic as E.G. Alaraj's words are, Rachel Wada's illustrations give them artistic substance. Her art was created digitally and feels like watercolours, suspending people and places in different times and spaces. Rachel Wada, whose art has honoured books like I Am Wind: An Autobiography (Rachel Poliquin, 2024) and Shizue's Path (Mark Sakamoto, 2023), expresses strength and sensitivity with her use of line and shape. Whether in her gloriously lush gardens of poppies, in the rolling dunes of sand, or in the branches and stems of trees, Rachel Wada makes big locales seem personal and intimate, and the people within them connected.

 

As teachers and parents in Canada, we often use English language acquisition and learning as milestones for children, but learning a heritage language should be similarly appreciated. Beyond its purpose in communication, those languages help connect children with their families, their cultures, and their ancestors. It gives their lives colour and history, heart and identity. This father's language, depicted as a living entity that grows and feels, nurtures and responds, already enriches his life, connecting him with so much, and E.G. Alaraj makes us hopeful that he is able to cultivate that same abundance for his child.

Oakley's Great Canadian Adventure (The Secret Lives of Squirrels)

Written and illustrated by Nancy Rose

Nimbus Publishing

978-1-77471-468-3

32 pp.

Ages 4–9

October 2025 

 

Nancy Rose has been telling stories with her red squirrel friends for almost a decade, with Oakley appearing about five years ago to help teach concepts of letters and numbers (Oakley the Squirrel: The Search for Z: A Nutty Alphabet Book [2021] and Oakley the Squirrel: Camping 1, 2, 3!: A Nutty Numbers Book [2023]). Now Oakley is ready to take on the country of Canada and see what it has to offer.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

In defined double-page presentations of an illustration based on a photographed diorama opposite a page of text titled with the province or territory visited, a quaint verse about Oakley's experience, and an info box of additional details, Nancy Rose takes her sciurine friend cross-country. Readers are taken from east to west and then north to ensure all areas are represented.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

Oakley visits tourist attractions like the lighthouse at Peggy's Cove, Hopewell Rocks in New Brunswick, and the Badlands of Drumheller. He builds an igloo in Nunavut, goes on a polar bear tour in Churchill, and hikes the trail in Cathedral Grove in British Columbia. He sees and does a lot, and young readers will learn about the diversity of landforms, flora, fauna, weather, and adventures to be had across Canada. But also important are the notes Nancy Rose always adds about the Indigenous Peoples of the province or territory, and some history of the land and its people. As an introduction to Canada, Oakley's Great Canadian Adventure is rich in content and curious in its presentation.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

Often called "the squirrel lady" because of her viral photos of squirrels, Nancy Rose has segued that venture into telling stories with her elaborate outdoor dioramas. She creates them with found materials and entices her friend Oakley—earlier it was Mr. Peanuts from The Secret Lives of Squirrels (2016)—with peanuts. By blending her crafting and photography interests with the natural world, Nancy Rose has given us a series of whimsical stories and concept books that will attract young readers and, here in Oakley's Great Canadian Adventure, teach them about our country.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

  

The Crow That Wouldn't Go

Written and illustrated by Matea Drljepan

The Pictou Bee Press

978-0-920297-07-0

32 pp.

Ages 3-7

June 2025 

 

This may be a story of a crow but it's also the story of a Nova Scotian town, because the place the crow won't leave is Antigonish. So, as the other crows wonder why it won't leave—this partial migration whereby some crows migrate and others don't is quite real—the crow counts off, in rhyming verse, all the things he likes to do in the town of Antigonish.

There was a crow who wouldn't go

He hung around, through hail, rain, and snow.

He wouldn't leave, and he wouldn't fly,

Tied to home, he refused to say bye. (pg. 5)

From The Crow That Wouldn't Go, written and illustrated by Matea Drljepan

The other crows ask what makes this location so special that he'd want to stay, and, in rhyming verse, the crow that wouldn't go tells them. He mentions some places by name like Cape George, Spook Farm, and Keppoch Hill but it's Matea Drljepan's illustrations that give us more of the story. Her text speaks of pizza, ice cream, ghosts, a Cellidh, and a powwow, but her illustrations show us Koala Cone, the Keating Centre, and the Victorian Inn.  There are so many landmarks, historical and cultural, popular and personal, that it becomes evident why this crow doesn't want to leave. Antigonish is home. He is so convincing that Antigonish becomes a little more because of his travelogue.

From The Crow That Wouldn't Go, written and illustrated by Matea Drljepan

It's been many years since I've visited Antigonish, but for those who live in the Maritimes and those who have attended St. Francis Xavier University or the Highland Games, Antigonish offers a little bit of everything. Its character is one of community, history, and culture, and Matea Drljepan's picture book reflects her admiration for the town. But not only does she speak to the town's richness of place and people, she also speaks to the nature of crows in her text and appended note.  

From The Crow That Wouldn't Go, written and illustrated by Matea Drljepan

Beyond Matea Drljepan's depiction of Antigonish and the crows in her boldly-outlined and colourful artwork, young readers will be treated to some very clever references to everything beyond those worlds. For example, when the crow admits that he sometimes feels lonely when all his friends are gone, there is an art parody of Picasso's The Old Guitarist (1903, from his Blue Period). So, not only does she take us to Nova Scotia, she also makes us see beyond it. 

So whatever your family name may be

Whether Ross, Wong, Benoit, Hadhad, or Phee,

This special place was built with love and care,

To welcome all people from everywhere. (pg. 25)

Perhaps you won't be visiting Nova Scotia until we're through with winter, but The Crow That Wouldn't Go would be a delightful accompaniment to your travels with young children. If you've been fortunate enough to have visited before, you will be able to recount the sights you enjoyed then. And, if you're a teacher, I can imagine using this story as a template for children writing their own stories about the places they've visited or the special place they call home. After all, these crows have a lesson or two to teach us about appreciating places near and far.

It Snowed

Written and illustrated by Meaghan Smith

Nimbus Publishing

978-1-77471-413-3

32 pp.

Ages 3–7

November 2025 

 

In my part of the country, many children (and adults) woke up today to a winter wonderland. And that wonder is captured in the text and art of Meaghan Smith in It Snowed.

 

From It Snowed, written and illustrated by Meaghan Smith

Two young children wake up to find that it snowed in the night. They are delighted, along with their dog and maybe their cat, to see deep drifts of snow have coated the yard and the road. When their parents suggest a day to play hooky, they bundle up and go sledding. 

How merry

    How bright

A snowfall turns the 

     world into a lovely sight (pp. 20–21) 

When the day ends, and after an evening by the fireside, the children head to bed after wishing on a star for, you guessed it, another snow day.

From It Snowed, written and illustrated by Meaghan Smith

Meaghan Smith may be the author-illustrator of It Snowed but she's also the award-winning singer-songwriter who wrote the song titled "It Snowed." (You can listen to different versions of her song on her YouTube channel.) That song, and now this picture book, capture children's joy of a snow day when it's all about the promise of play in the snow. It's about being outside the whole day, overlooking the cold, and only coming inside to warm up, eat, and then get ready for bed. It's a special time and the stuff of memories.

 

The rhyming text points to its derivation from a song, but Meaghan Smith's illustrations give it a new dimension, one of softness and of sensation. Those children, and even their pets and wildlife, remind us that snow gives us a different world. It can be one of ordinary play, but it can also be one of magic. And Meaghan Smith's art sparkles just as snow does.

From It Snowed, written and illustrated by Meaghan Smith

We'll have many more days of snow ahead—apparently we're in for more cold and snow this winter—so it'll be a perfect opportunity to bring out It Snowed to read and to sing after a day of play and perhaps after enjoying a hot chocolate and a fire. It'll be a treat for bedtime and to spark some delightful dreams about yet another snow day.

You Need Pants!

Written by Sonya Bell

Illustrated by Jordan Wray

Scholastic Canada

978-1-0397-0563-0

24 pp.

Ages 3–8

July 2025 

 

This child is all in for a wealth of adventures. But first their parent has to get them dressed, and that may be greatest of all undertakings.

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

For this little one, each day is a "new day full of silliness and dirt." (p. 3)  His mom, the narrator of the story and a peripheral character in an orange jumpsuit, reminds him of all the things he can do, but first they have to get him dressed. For each piece of clothing he needs—shirt, pants, socks, shoes, coat, hat—she points out, in rhyming text, what fun he can have. 

You can hop, skip and jump

as you march with the ants!

 

You'll sing as you go—

so let's find you some pants.

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

On each double-spread illustration, courtesy of Vancouver's Jordan Wray, the child's imaginative adventure is set against the reality of the play. A flight on a rainbow is actually him drawing at the breakfast table, while his mom holds up a sock to put on. A voyage on a pirate ship seeking lost treasure is him balancing on a pillow with a sword and paper pirate hat alongside a whale stuffie and a toy ship. This time, his mom attempts to get him into his coat. But to have all these fantastic exploits, he must get dressed. 

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

When he's finally dressed and heading out the door, having taken to the stage with the dog and cat playing back up, his mom realizes she has missed something crucial. Oh dear.

 

I can see why Sonya Bell is considered a humorist as well as a writer. You Need Pants! is a cheeky look at getting a child dressed but its ending gives readers a punchline that is convincing, silly, and yet familiar to anyone—parent, teacher, caregiver—who has needed to dress a child. Sonya Bell whose impressive career has included roles as a journalist, a speech writer and a joke writer on This Hour Has 22 Minutes knows how to deliver the laughs but embed it in a context that is appropriate for her audience. Children will love this kid who is so happy and carefree, imagining wonderful scenarios of travel and accomplishment, but laugh at his mom who is desperately chasing him around the house and encouraging him to put on just one more piece of clothing. They'll especially enjoy the ending when it's her misstep that will undo all that hard work. 

From You Need Pants!, written by Sonya Bell, illustrated by Jordan Wray

The playfulness that Sonya Bell portrays in her rhyming text—"You can build a huge tree fort with million-dollar views. You're a tiny homeowner! Oh no! Where are your shoes?"—comes across in Jordan Wray's digital illustrations. They have drawn this child as happy and creative, making a city with a firetruck all out of boxes, imagining sliding with penguins on an iceberg of a slippery rug, and going on a hike through a jungle with his stuffed monkey among the potted houseplants. There's colour everywhere and joy both in the child's imagination and in the house. Nothing is without the zest of personality, from the child's dinosaur PJs to his mom's stylish bibbed overalls, hoop earrings, and headscarf-tied afro. This mom may be frazzled but maybe not—the child doesn't seem anything but content—and yet Jordan Wray makes their story one of liveliness and pleasure and even accomplishment.

 

That effort may be short-lived—you'll see when you read the story—but Sonya Bell and Jordan Wray take us through the process of getting a small child dressed for the day and let us see it from two perspectives. The operation may be exasperating, and it certainly is straggling, but it is fun. And the kid will be fully dressed when he finally gets to leave the house. What more could a parent ask for?

My Nova Scotia

Written by Lindsay Ruck

Illustrations by Martyna Czub

Nimbus Publishing

978-1-77471-439-3

32 pp.

Ages 3-7

June 2025 

 

Do not think that My Nova Scotia is a travelogue about one of Canada's Atlantic provinces. Instead, read and see about a land and people much loved and spirited and diverse through the words and art of two Nova Scotians, Lindsay Ruck and Martyna Czub.

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

In a lovely, melodic rhyming text, Lindsay Ruck shows us her Nova Scotia. It's a setting of ocean breezes, rustling trees, apples, berries, and a rolling sea. But beyond what is seen in its landscape, it is a place of heritage and people. It is Mi'kma'ki and a land of diverse cultures, from Black Loyalists and refugees and Acadians to those who celebrate the Lunar New Year. They are a people who celebrate with music and dance, food and family. They are a people who have big dreams and share their stories.

 

We work as one and together we rise. 

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

Lindsay Ruck tells of a Nova Scotia of the past and of the present, and honours all that it is with her words.

 

My Nova Scotia honours our past

Our cultures are rich and our heritage vast 

But added to Lindsay Ruck's words is the watercolour artwork of Martyna Czub which transports young readers to an ethereal Nova Scotia of colour and vibrancy, solitude and contemplation. She gives us lively scenes of Lunar New Year celebrations and ceilidhs, large family meals and the gardening and harvesting of food. Martyna Czub also takes us to quiet places of hiking in the woods and travelling on the water. But her depictions of these places and people are so emotive through her choice of colours and strokes of her brushes that Martyna Czub imbues her art with heart and a calming spirit of devotion. Both Martyna Czub and Lindsay Ruck give us a lovely view of Nova Scotia and yet each finds their own way to reveal its charm.

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

I know that some readers may see My Nova Scotia as a regional book that could only be appreciated by locals, but you'd be mistaken. It's been years since I visited Nova Scotia so my appreciation of its beauty and people and all it has to offer a tourist is very limited. But, even if I had never been to this Atlantic province, I would get a true impression of its wonder.  And as I read the text, I was the hearing the melody of "Farewell to Nova Scotia," not because it had a similar tale but because they are both infused with love for a land. My Nova Scotia may be that of Lindsay Ruck and Martyna Czub, but it is an all-embracing admiration for a land unique in place and people that could only be Nova Scotia.

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

I Lost a Day

Written and illustrated by Briana Corr Scott

Nimbus Publishing

978-1-77471-363-1

32 pp.

Ages 4-8

April 2025 

 

For many of us, losing a day is a negative event. It means that we lost 24 hours in which we could have accomplished something or been more present for others or ourselves or enjoyed life. It could be losing it to strong feelings or procrastination, to futility, defeat or discombobulation. But Briana Corr Scott shows children that the loss of a day can bring positives of calm, greater clarity, effectiveness, and more.

From I Lost a Day, written and illustrated by Briana Corr Scott

In rhyming verse, Briana Corr Scott gets into the heads and hearts of children as they are overcome with anger or rage or sadness.

When my head holds a storm

That blocks out the light

 

When my hands are hard fists

That are ready to fight...

When those times come, each finds a way to cope, whether it be hiding under their sheets, listening to the rain, reading, sketching, playing music, running, or just being outdoors. Everyone is different but they choose strategies that work for them to help be distracted from the anger or the sadness or to help it dissipate. 

I smell the cool earth

As the wind moves the leaves

 

A piece of my sadness

Floats away on the breeze. 

From I Lost a Day, written and illustrated by Briana Corr Scott

The strategy that touched me the most was the untangling of a ball of yarn as it is a metaphor for the undoing of a lost day. After all, a lost day is but one day among many.

Yarn that is tangled

Can always be wound...

 

In the days that I lost

It was me that I found.

The title of I Lost a Day caught me off-guard with the discouraging tone I thought it set for the book. It is but a title. That title and the first illustrations of the book are just a preamble to explain what children can do to deal with big feelings of anger and depression, irritability and anxiety. It sets up the story to be one of enlightenment, in other words one of learning to see differently and to feel the lightness that comes of self-care. Briana Corr Scott, whose book While You Were Sleeping I reviewed in 2023, has a delicacy to her storytelling and her artwork. Her author's note details a personal connection to the story of I Lost a Day–in addition to suggestions for other activities to help cope with those lost days–and I believe that this connection is what has helped her be sensitive and comprehensive in the strategies she recommends to children to try.

From I Lost a Day, written and illustrated by Briana Corr Scott

That awareness of the enormity of those feelings and that potential ways in which they may be addressed and successfully waived come through in Briana Corr Scott's illustrations. She uses gouache and watercolour to create artwork that portrays those overwhelming feelings that can cause a loss of days, days of raging storms and devastating anguish. These images are powerful in their darkness and their influence to dominate. But then Briana Corr Scott shows children finding the stillness in rain and reading and the quiet in running and drawing, and recovering themselves. 

The sadness can't catch me

I'll pass it right by

 

My body feels lighter

When I sit and sigh.

This is not a how-to book to defeat depression or anger. It is however a story that appreciates how time may be lost to feelings that overwhelm and offers possibilities for coping with no judgment and no obligation to conform or control. Briana Corr Scott, instead, shows kindness and understanding with the hope that we might find ways to care for our mental health that work for us.

What's in Alanna's Secret Sauce?

Written by Sarah Jane Conklin

Illustrated by Venus Angelica

Monster House Publishing

978-1-99822-308-4

38 pp.

Ages 6-9

September 2024 

 

I can't think of a better picture book to share for Thanksgiving than What's in Alanna's Secret Sauce?, which will the first book I will have reviewed from New Brunswick's Monster House Publishing. I'm just thankful that I read it this week and was able to get a review out in a timely manner.

From What's in Alanna's Secret Sauce? written by Sarah Jane Conklin, illustrated by Venus Angelica

As a child, Alanna helped her Nan in her garden, sowing seeds and bulbs for tomatoes and onions, garlic and herbs, and more. When they harvested, it was time to bring out the great big pot and start cooking. As their sauce cooks, Alanna is amazed by the aromas, both proud and intoxicated. But the smells that waft from their kitchen drift onto the street and draw neighbours and even strangers to the house. Even before the sauce is done, Nan tells visitors to come back for supper.

More people came to taste the sauce,

Its scent spilled through the town.

Her Nan invited all to dine,

Despite Alanna's frown.

From What's in Alanna's Secret Sauce? written by Sarah Jane Conklin, illustrated by Venus Angelica

They all return, everyone bringing what they are able, whether it be drinks or spaghetti, bread or prayers of thanks. And, miraculously, there is enough for all. 

Later Alanna grows into a chef and holds dear that recipe, but she carries on the traditions of generosity and sharing, having learned that the secret ingredient was not something that had to be picked and chopped or squirrelled away in the pantry.

At 9 years of age, it was all about Alanna and what she wanted, from insisting that all the seeds were hers–"They're all mine!"–as is the sauce–"I picked clean each vine, the sauce is mine, I'll keep it all myself"–to her worry that there wouldn't be enough sauce for her if they shared with others. She couldn't see beyond herself. This isn't unusual for very young children who see everything that happens as it relates to them. Fortunately, Alanna has a very wise Nan who guides her to experience generosity and gratitude by opening her heart and her kitchen to all.

"If everyone would do their part–

Contribute what they're able,

There'll always be enough for all,

If just brought to the table."

Similar to the parable about the fish and the loves, What's in Alanna's Secret Sauce? isn't about cooking or a recipe. It's about feeding masses with very little, all courtesy of a miracle. Nan's pot, even cauldron size, should only feed a limited number of people but, by some marvel, there is plenty. And there always is plenty in our world. People should not be going hungry. Author Sarah Jane Conklin, who currently lives in Nova Scotia but hails from Newfoundland, opens her story with a quote from Bono: "If you want to eliminate hunger, everybody has to be involved." Sarah Jane Conklin takes that sentiment and lodges it at a grass roots level in Nan's kitchen which she opens to everyone and anyone. Her secret sauce may draw them in, but everyone shares something, whether it be food, drink or sentiment, to turn a little sauce into a phenomenon to feel the belly and soul. And it's a lesson she teaches her grandchild by example.

From What's in Alanna's Secret Sauce? written by Sarah Jane Conklin, illustrated by Venus Angelica

I didn't know the work of illustrator Venus Angelica, originally from Toronto and now of Fredericton, but, wow, did she take me into Nan's garden and her kitchen, and even onto the street from which strangers and neighbours alike are drawn in. Her palette of autumnal colours of red, orange, green and yellow reflect the time of the harvest and also the time of Thanksgiving. Moreover, though they are just cooking and eating, there is life in Venus Angelica's art, from the bounce of Alanna's long curly hair to the swirls of aromas wafting from their cooking pot. And there is always goodness in the smiles of those partaking in the sauce to those doing the dishes and especially for Alanna's Nan who gives without reservation.

 

Having recently filled my own kitchen with jars and jars of tomato sauce and salsa, What's in Alanna's Secret Sauce? reminds me of the busyness and creation of good food. But it's the sharing of that food, giving without expectation, that brings the greatest joy and achieves the greatest good. So, this Thanksgiving, give thanks for food and give food to share, so that all have enough. And that's not much of a secret.

Lobster's Vacation: Greetings from the Coast

Written by Michelle Robinson

Illustrated by Paul G. Hammond

Nimbus Publishing

978-1-77471-280-1

24 pp.

Ages 3-7

June 2024

 

Enjoying his ocean life with buddies Crab, Starfish and Whale, Lobster is shocked to be caught and transported to a chef's kitchen. But he's having none of it, jumping from the hot pot and making a run for it. It's time for him to get a break and take a vacation.

From Lobster's Vacation, written by Michelle Robinson, illustrated by Paul G. Hammond

So, amidst all the tourists and locals, some with maps and cameras, others with dogs and their binoculars, Lobster takes off. His first stop is for a tartan cap and ice cream on the waterfront. Then he's onto a tour bus and seeing all the sights from the wrought iron gates at Halifax Public Gardens National Historic Site to a harbour bridge and the Viola Desmond ferry. 

From Lobster's Vacation, written by Michelle Robinson, illustrated by Paul G. Hammond

In the country, Lobster shares a campfire and some music with woodland animals. When the leaves start to change, there's berries to pick and hiking. But, as for most of us, Lobster's vacation becomes tiring, and he longs to see his friends.

Lobster's heading homeward.

So long, sandy shore!

 

Back home with his buddies

on the ocean floor.

At a time when many families are visiting Nova Scotia and other parts of Atlantic Canada for their summer holidays, Michelle Robinson has given them a picture book to take along and feed their travels. If you're fortunate enough to be in Halifax and environs, you may be able to pick out the very ice cream shop where Lobster gets his double scoop or the tartan shop. You'll certainly be able to watch popular kite flying and even board the Viola Desmond ferry. Lobster certainly sees all the sights, both touristy and local faves, but Michelle Robinson still gets Lobster home, and with a cheeky postcard to the fishermen who caught him in the first place.

From Lobster's Vacation, written by Michelle Robinson, illustrated by Paul G. Hammond

Paul G. Hammond, also a creator from Halifax like Michelle Robinson, makes Lobster's adventures whimsical and postcard-ready. Every illustration is like a cartoon of a photo from a vacation, showing a smiling Lobster enjoying the sights of Nova Scotia and the company of others. Bold, bright colours, fabulous lines and shapes and text (within the art) makes for a flashy adventure for Lobster and for the readers who get to travel with him.

If you're lucky enough to be visiting the East Coast this summer or another, take along a copy of Lobster's Vacation. Use it as a child's guide to Halifax and area. The kids will love the rhyming story, and especially Lobster's escape from the cooking pot, and will be able to read it for themselves soon enough. And if a trip to Nova Scotia cannot be on your schedule, visit it vicariously through Lobster's Vacation. It's just like being there.

A Flock of Gulls, a Chorus of Frogs

Art by Roy Henry Vickers

Text by Robert "Lucky" Budd

Harbour Publishing

978-1-990776502

28 pp.

Ages 2-6

April 2024 

 

Roy Henry Vickers and Lucky Budd have taken young children on learning experiences into the natural world along the Pacific coast through their First West Coast Book series since 2017. Through colour and rhyme, shape and textured words, kids have been introduced to the concepts of the alphabet (A is for Anemone), animal sounds (Raven Squawk, Orca Squeak), numbers (One Eagle Soaring), colours (Sockeye Silver, Saltchuck Blue) and more. Now they will graduate to a higher concept, that of animal groupings, something with which many adults still struggle to name correctly. (FYI, it's a clowder of cats, and a murder of crows, just to name a few.) But Roy Henry Vickers and Lucky Budd keep us on the West Coast to revisit many animals they'd introduced in earlier books. 

From A Flock of Gulls, a Chorus of Frogs, art by Roy Henry Vickers, text by Lucky Budd

In easy rhyme, Lucky Budd gives us the terms for groups of orcas and seals, jellyfish and eagles, elk and foxes. They are animals of the air, of the water and of the land.

A jumble of jellies is called a bloom.

Shoals of dolphins zip and zoom.

The words are few, perfect for a concept book, with the grouping name in bold text for easy spotting. And yet, even with few words, Lucky Budd gives us movement and spirit. He carries us to play with the sea otters and fly with the gulls and geese. The text is truly evocative of a natural setting teeming with life, even quiet, resting life. And we learn.

From A Flock of Gulls, a Chorus of Frogs, art by Roy Henry Vickers, text by Lucky Budd

As always, it's Roy Henry Vickers's art that elevates the amazing text to the divine. With limited colours and spot-gloss in each spread, Roy Henry Vickers's takes us to a natural world of beauty and relationship, between environment and animal. His Northwest Indigenous art style is rich with formlines that give shape to heads and tails, wings and appendages. Even when those lines are at their simplest, as in the earth of foxes or the galaxy of sea stars, they hold forms that are distinct and evocative of heart.

From A Flock of Gulls, a Chorus of Frogs, art by Roy Henry Vickers, text by Lucky Budd

This may be a board book and a concept book that is aimed at our youngest children, but A Flock of Gulls, a Chorus of Frogs could more accurately be intended for all ages. Its small size may disqualify it as a coffee table book but, between the information that is relayed through simple rhyme and the expressive illustrations that exhibit page after page of incomparable art, this book could easily spark discussion and uplift a room or library beyond a lovely teaching tool.

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First West Coast Book series, to date

Hello, Humpback! (2017)

One Eagle Soaring (2018)

Sockeye Silver, Saltchuck Blue (2019)

Raven Squawk, Orca Squeak (2020)

A is for Anemone (2021)

A Flock of Gulls, a Chorus of Frogs (2024)