Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts

March 14, 2026

My Language Is a Garden

Written by E.G. Alaraj
Illustrated by Rachel Wada
Orca Book Publishers
978-1-4598-4065-2
32 pp.
Ages 6–8
February 2026 
 
How a child begins to learn a language is a complex process of exposure and comprehension. It involves being introduced to it from those who speak it and who cherish it. And when it's taught with love and reverence, it almost sacred. For this father sharing his language with his child, it's everything.
From My Language Is a Garden, written by E.G. Alaraj, illustrated by Rachel Wada
In evocative rhyming verse, E.G. Alaraj gives a father voice to embody his language with memories and meaning as he shares it with his daughter. It's obvious how much his language means to him, reminiscent of people and places, and tastes, smells, and sounds. E.G. Alaraj gives weight to this parent's words, both tender and passionate.  
My language roams the desert
And fills its pails with sand.
Builds castles, forts, and shelters
That stretch across the land. (pg. 12) 
From My Language Is a Garden, written by E.G. Alaraj, illustrated by Rachel Wada
This father is determined, but not vehement, drawing on images of cities and mountains, shores and markets, to convey what language can bring and conjure. There is magic in language, and he is earnest about sharing this with his child.
Our language, it will bloom—
Add sweetness to the air,
And tie my heart to yours,
 
So I'm with you everywhere. (pg. 27–29)
E.G. Alaraj's poem is emotional, as is the premise upon which it is based. Her author's note explains her husband's efforts to help their children learn and then retain their Arabic language. But My Language Is a Garden could speak to any parent or educator teaching a heritage language, hopeful of children holding that connection with culture and ancestry, as they balance contemporary influences outside of that language. But instead of drilling that language and forcing communication by using it, this father invites and illustrates with much affection and safety, coaxing his child to see and feel the language, just as the reader does with E.G. Alaraj's expressive words. The rhyming verses soothe and transport, as well as entice inwards and open worlds beyond. 
From My Language Is a Garden, written by E.G. Alaraj, illustrated by Rachel Wada
As dramatic as E.G. Alaraj's words are, Rachel Wada's illustrations give them artistic substance. Her art was created digitally and feels like watercolours, suspending people and places in different times and spaces. Rachel Wada, whose art has honoured books like I Am Wind: An Autobiography (Rachel Poliquin, 2024) and Shizue's Path (Mark Sakamoto, 2023), expresses strength and sensitivity with her use of line and shape. Whether in her gloriously lush gardens of poppies, in the rolling dunes of sand, or in the branches and stems of trees, Rachel Wada makes big locales seem personal and intimate, and the people within them connected.
 
As teachers and parents in Canada, we often use English language acquisition and learning as milestones for children, but learning a heritage language should be similarly appreciated. Beyond its purpose in communication, those languages help connect children with their families, their cultures, and their ancestors. It gives their lives colour and history, heart and identity. This father's language, depicted as a living entity that grows and feels, nurtures and responds, already enriches his life, connecting him with so much, and E.G. Alaraj makes us hopeful that he is able to cultivate that same abundance for his child.

January 28, 2022

The Groundwood Newsletters: New book resource

Any resource that encourages 
the use of Canadian children's books 
by educators and librarians is good. 

Most publishers provide teaching resources based on their books 
(do check out their websites) 
but Groundwood Books is setting up something a little different 
and I wanted to share that here.
 

Groundwood Books

has teamed up with 

educator, author and children's book advocate

Larry Swartz

for a series of newsletters for teachers and librarians

The Groundwood Newsletters are designed to provide educators, librarians and parents with strategies, tips and information about their fiction and non-fiction books. Each newsletter centres on a single topic, theme or genre with a list of recommended titles to encourage young readers to explore. The series will include lots of great resources such as reading, writing, arts and media responses; a spotlight feature on a Groundwood author/illustrator; a curated book list with annotations; and additional links to the website for more book information and/or teacher guides.

Newsletter #1:
 (set for release Monday)

Finding Friendships, Building Belonging 
and Creating Community Through Picture Books
 
for the Groundwood Newsletters
 

January 23, 2019

The Unteachables

Written by Gordon Korman
Scholastic Canada
978-1-4431-7016-1
279 pp.
Ages 9-13
January 2019

I can always rely on Gordon Korman's books to make me laugh. But, with The Unteachables, for the first time, Gordon Korman has made me cry too. Maybe it's because I'm a teacher. Maybe it's because an injustice is righted. Maybe it's because a motley group of kids steps up in a big and meaningful way. Whatever the reason, The Unteachables delivers more than expected, just like the students in Mr. Kermit's SCS-8 class.

In a comedy of errors or even negligence, Kiana Roubini who has moved in with her father and stepmom and baby brother while mom is off shooting a movie ends up inappropriately and unregistered in class SCS-8, a self-contained special grade eight class at Greenwich Middle School. The only other students in the class are the angry Aldo Braff; Elaine ("Rhymes with pain") Ostrover; Barnstorm Anderson, an injured jock who had been passed year after year but did no work; quirky comic-movie-TV fan Mateo Hendrickson; Rahim Barclay who sleeps all day; and Parker Elias, farm boy for whom reading is just an endless barrage of confusing anagrams. Their teacher is Mr. Zachary Kermit who, though once a dedicated and inspiring teacher, was ruined by a cheating scandal twenty-two years earlier in which he had no part but for which the superintendent, Dr. Thaddeus, is determined to make the man pay dearly, forever it would seem. Mr. Kermit, or Ribbit as his class calls him, was the teacher of a student, Jake Terranova, who'd stolen and sold copies of the aptitude test, marring the reputation of the school at which Dr. Thaddeus was then principal. Now after years of reassignment after reassignment, Mr. Kermit is coasting until his early retirement at the end of the school year. Unfortunately, Dr. Thaddeus is not going to let that happen.

To the whole school, SCS-8 is the class of Unteachables and Mr. Kermit is happy to accept that. He gives them worksheets that he never grades and works on his crossword puzzle. As long as they don't burn the school down, he's okay with whatever they do or don't. But, enthusiastic young Miss Fountain next door is determined to foist her primary class management ideas on him and his students. Worse yet, she engages car dealership mogul Jake Terranova, the cheating scandal lynchpin, to interact with the kids, hopeful that a reconciliation may return Mr. Kermit to great teaching.

As in life, Gordon Korman's novels are filled with a plethora of characters, all with their own foibles and strengths. By alternating the voice of the chapters between Kiana, Parker and Mr. Kermit, along with Mateo, Aldo, Barnstorm, principal Mrs, Vargas, Dr. Thaddeus and Jake Terranova, Gordon Korman embeds perspective and perception, not always accurate but always telling.
The guidance counsellors say I have anger management problems. They don't know what they're talking about. I manage to get angry better than anybody else in the whole school. No problem. (pg. 39)
Though there is redemption for those who never should have needed to redeem themselves, The Unteachables makes sure to impart positive messages about learning and teaching, and that no one is unteachable.
How can the school know they're unteachable if nobody ever tries to teach them? (pg. 60)
With a dedication "For all teachers who soldier on" Gordon Korman has written a story for the students and their teachers that inspires everyone to do their best because the impact of that choice may never be identified but it will undoubtedly be realized.

February 26, 2018

Mr. Mergler, Beethoven, and Me

Written by David Gutnick
Illustrated by Mathilde Cinq-Mars
Second Story Press
978-1-77260-059-9
32 pp.
Ages 7-10
Mach 2018

If this was June 21, Mr. Mergler, Beethoven, and Me would be a valuable tome for International Music Day.  If it was December or March, we could acknowledge Beethoven’s birthday or death with this picture book.  But in February, this wonderful story about a music teacher and his student celebrates embracing one’s passion, here a love of music.
From Mr. Mergler, Beethoven, and Me 
by David Gutnick 
illus. by Mathilde Cinq-Mars
This is the story, inspired by true events, of a young girl and her parents who have just immigrated to Canada from China.  While the child swings in the park, her father chats with an elderly man whom he introduces to his daughter as Mr. Daniel Mergler, a man who has taught piano to hundreds of children over more than fifty years.  Though the family obviously does not have money for extras such as piano lessons, Mr. Mergler sees something in the young girl who had taught herself sufficiently well to play for their church. 
Something tells me she understands the magic that music can bring to her life.  If she does, that is all the payment I will need.
From Mr. Mergler, Beethoven, and Me 
by David Gutnick 
illus. by Mathilde Cinq-Mars
At Mr. Mergler’s studio, the child begins her lessons with the elderly man, while a bust of the stern-looking Beethoven looks down from his perch upon the piano.  Though she finds reading music and the lessons difficult at first, she progresses well and is the recipient of many gold stars from her teacher who shares with her the magic of the music. 

But her time with Mr. Mergler is cut short after "twenty-six magical lessons" when the man falls ill and pens a moving letter to his “star pupil” and bequeaths her his Beethoven bust. 

Mr. Mergler, Beethoven, and Me has all the elements to inspire.  There is music, and passion, and determination and effort and empathy.  In less than a year, one man found a seed of music in a young girl and nurtured it into a skilled talent, demonstrating the ability of music to make time disappear and touch the heart, even making the cranky Beethoven happy. Author David Gutnick takes this story from a documentary he produced for CBC's The Sunday Edition called “Beethoven’s Bust” (listen to it here http://www.cbc.ca/player/play/2501123338) based on the dying piano teacher’s need to speak about the best student he’d ever had.  Accompanied by Quebec artist Mathilde Cinq-Mars’s soft and harmonious illustrations of gentle pencil colours and line, Mr. Mergler, Beethoven, and Me is a complete package of kindness and empathy: in actions, in the words and in the art.  Save it for International Piano Day (March 29) or maybe World Kindness Day (November 3). Or any day a little magic is needed.
From Mr. Mergler, Beethoven, and Me 
by David Gutnick 
illus. by Mathilde Cinq-Mars

September 13, 2014

Dojo Daycare

by Chris Tougas
Owlkids
978-1-77147-057-5
32 pp.
Ages 3-7
For release September 15, 2014

In fun rhyming verse, author and illustrator Chris Tougas, takes the high spirits of ninja boys and girls and releases them in their new dojo daycare where Master attempts to harness their energy into reflecting on honor, kindness and respect. But the dojo is more playground than learning venue and the little ninjas, bare-footed and dressed in their black suits, tend to end up in a series of Kaboom! Kapow! riots, frustrating the Master throughout the day.

I wish I could reproduce Chris Tougas' endearing little ninjas here, but I can't possibly
demonstrate how the little ones seemingly pop off the page with every kick and pounce.  His illustrations, and explosive exclamations by the ninjas and their master, are bold and colourful, and digitally enhanced for the full power of a ninja kick.  This power is visually supported with the illustrator's choice of white as background, with only occasional shadows or swirls to create greater depth.

Pick out the endearing touches with your children, like the ninja mask on the goldfish, the ninja belting out "Hi-ya!" at the beginning and "Bye-ya!" at the end, or the sushi, noodles and chopsticks at lunch.  Dojo Daycare has the playfulness of any children's program in which young boys and girls, whether your's or ninjas', have fun and learn, although sometimes with more colourful spunk than expected.  

June 26, 2012

Refresh school novel sets with #youngCanLit


If you go or went to school, elementary or secondary, in Canada in the past 25 years, peruse this list and note those books you were asked to read as part of an English or Language Arts class:


Only 4 of these 27 titles are Canadian.  If you're reading this blog, you probably have or have had access to a school's novel sets.  Whether you're a student who has been asked to read specific books, an educator who uses novels to teach, a parent who has had books assigned to your children to read, or a teacher-librarian who selects titles for use in the school, really look at the titles that are part of your school's novel set collection.  How many are CanLit?

As it can be pricey to purchase 30 copies of a single title that is not held in a library's general collection, most school libraries have a typical roster of novels available and most of these are not Canadian.  (As hard as it may be to believe, there are many teachers who still use whole class sets of a single novel to teach.)  And, although there are some teachers who, year after year, continue to use only those novels for which they already have lessons (and don't fool yourself that this group comprises of older teachers), many teachers have gone to literacy circles (i.e., setting up different small groups that will read different novels) which accommodate the diverse reading preferences and needs of their students.  Keep in mind what Edmund Wilson said:  
No two persons ever read the same book.
For those teachers and students who would like to promote the reading of great Canadian books in their classrooms, and school libraries who want to select the best, I'd like to suggest some great youngCanLit alternatives to the exhausted novels of bygone eras.

Look for  #CanLitChoices in upcoming posts for suggestions on refreshing your novel set collections with the better alternatives i.e., youngCanLit.