All of Us

Written and illustrated by Manon Gauthier

Translated by Michel Savard

Running the Goat, Books & Broadsides

978-1-98802296

32 pp.

Ages 3–8

October 2025 

  

The message of All of Us is a simple one, but sadly one that we need to reinforce continually. It's one of inclusivity and diversity and it's basic science. We're all the same and yet we're all different. 

From All of Us, written and illustrated by Manon Gauthier

Manon Gauthier, who has wowed this reviewer with the books she's illustrated such as Middle Bear (Susan Isern, 2017), Good Morning, Grumple (Victoria Allenby, 2017), and Elliot (Julie Pearson, 2016), has combined her talents by authoring as well as illustrating All of Us. With simplicity of text and complexity of art, Manon Gauthier develops the idea of how all animals, including humans, are different in their abilities or lack thereof, in their morphologies, in their physiologies, and more. There's "the fish who blows bubbles as it breathes,"(p. 12) and "the quiet and solitary moose," (p. 22) as well as "the tall bharal who has no fear of heights." (p. 7) There's the dancing sifaka, the cold-blooded reptiles and amphibians, and the savannah animals that can tolerate the heat. All differ in what they like, what they look like, what they can do, and more. But, essentially, we all are made up of cells, and Manon Gauthier conveys this in her words and her illustrations, using the same irregularly-shaped oval as the basis for all animals.

From All of Us, written and illustrated by Manon Gauthier

It's not until her last illustration, a double-page spread of a cell, that the reader will recognize Manon Gauthier's cleverness at using the cell's shape as the face or body or abdomen of all the mammals, birds, reptiles, amphibians, invertebrates and fish within All of Us. All of us really do have something in common, even with all the differences. And by using her defining cut-paper collage, in earthy tones of browns, greys, and creams with occasional touches of red, blue, green, and orange, Manon Gauthier gives a textured dimensionality and hearty organic feel to her story.

From All of Us, written and illustrated by Manon Gauthier

Whether you're a teacher who'd love to introduce a lesson on the diversity of living things with a captivating picture book, or open a lesson on animal cells, or even launch discussions about inclusivity and connection, All of Us will work beautifully. (Manon Gauthier even includes an activity in which readers can create their own animal with the same template she used throughout the book.) Whether you read it for the messaging which is presented gracefully or for the intriguing artwork, All of Us is a book for all of us about all of us.

Together: A Book about Community

Written and illustrated by Elise Gravel

North Winds Press (Scholastic Canada)

978-1-0397-1283-6

40 pp.

Ages 6–9

October 2025

 

As Canadians head into their Thanksgiving weekend, many will be thinking about the concept of community. What is a community? Why should we have communities? Do I have a community? How do I make a community? While a big concept in general, community will be a vague concept for young children. They might know the benefits of community, but grasping the nuances of community may be more challenging. Thankfully, Elise Gravel, author-illustrator of concept books like It's My Brain! (2024),  It's My Body! (2022), and Everybody! (2021), is heartily up for that challenge.

 

From Together: A Book about Community, written and illustrated by Elise Gravel

In Together: A Book about Community, Elise Gravel begins with statements about living in groups because it makes us feel safe and wanted. She show her colourful monsters helping those in need with medical attention, or sharing their food with those without, or lending a hand as needed. She even depicts one monster helping another who is being bullied for being different. The message is clear: Together we are better, safer, and happier.

From Together: A Book about Community, written and illustrated by Elise Gravel

Still, Elise Gravel is realistic in accepting that we don't always like other people, whether it is because they make us feel inadequate or unsafe. But, by rectifying injustice, sharing, and helping others, we build communities that are strong and safe and in which everyone feels respected.

From Together: A Book about Community, written and illustrated by Elise Gravel

Elise Gravel's little monsters again help young children understand a challenging concept like community. It's clear that her message is that we all belong and, with that belonging, comes strength and goodness. She doesn't make Together: A Book about Community a preachy book about getting along with others—although that message is clear—or how to make a community. Instead, Elise Gravel presents it as something to consider. In other words, if you help build community, these are the great things that happen for you and others. And because Elise Gravel's monsters are so adorable and completely unscary, as well as diverse in so many ways, the idea is demonstrated with delightful humour and unusual clarity. Togetherness has never been so much fun or so understandably constructive.

From Together: A Book about Community, written and illustrated by Elise Gravel

My Nova Scotia

Written by Lindsay Ruck

Illustrations by Martyna Czub

Nimbus Publishing

978-1-77471-439-3

32 pp.

Ages 3-7

June 2025 

 

Do not think that My Nova Scotia is a travelogue about one of Canada's Atlantic provinces. Instead, read and see about a land and people much loved and spirited and diverse through the words and art of two Nova Scotians, Lindsay Ruck and Martyna Czub.

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

In a lovely, melodic rhyming text, Lindsay Ruck shows us her Nova Scotia. It's a setting of ocean breezes, rustling trees, apples, berries, and a rolling sea. But beyond what is seen in its landscape, it is a place of heritage and people. It is Mi'kma'ki and a land of diverse cultures, from Black Loyalists and refugees and Acadians to those who celebrate the Lunar New Year. They are a people who celebrate with music and dance, food and family. They are a people who have big dreams and share their stories.

 

We work as one and together we rise. 

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

Lindsay Ruck tells of a Nova Scotia of the past and of the present, and honours all that it is with her words.

 

My Nova Scotia honours our past

Our cultures are rich and our heritage vast 

But added to Lindsay Ruck's words is the watercolour artwork of Martyna Czub which transports young readers to an ethereal Nova Scotia of colour and vibrancy, solitude and contemplation. She gives us lively scenes of Lunar New Year celebrations and ceilidhs, large family meals and the gardening and harvesting of food. Martyna Czub also takes us to quiet places of hiking in the woods and travelling on the water. But her depictions of these places and people are so emotive through her choice of colours and strokes of her brushes that Martyna Czub imbues her art with heart and a calming spirit of devotion. Both Martyna Czub and Lindsay Ruck give us a lovely view of Nova Scotia and yet each finds their own way to reveal its charm.

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

I know that some readers may see My Nova Scotia as a regional book that could only be appreciated by locals, but you'd be mistaken. It's been years since I visited Nova Scotia so my appreciation of its beauty and people and all it has to offer a tourist is very limited. But, even if I had never been to this Atlantic province, I would get a true impression of its wonder.  And as I read the text, I was the hearing the melody of "Farewell to Nova Scotia," not because it had a similar tale but because they are both infused with love for a land. My Nova Scotia may be that of Lindsay Ruck and Martyna Czub, but it is an all-embracing admiration for a land unique in place and people that could only be Nova Scotia.

From My Nova Scotia, written by Lindsay Ruck, illustrated by Martyna Czub

Everybelly

Written and illustrated by Thao Lam

Groundwood Books

978-1-77306-764-3

40 pp.

Ages 3-6

April 2025 

 

When did we learn to judge people based on how they look? When do we learn that bellies are not seen as beautiful or that because someone is different that they don't belong? Young children are often accepting of everyone, until or unless they are taught otherwise. For this child, the people whom she sees at their local pool are a rich mosaic of professions, preferences, and looks, and she appreciates all of them.

From Everybelly, written and illustrated by Thao Lam

Maddie and her mama go down to the community pool to swim. Everybody is there, from Stan and Dan who bake cookies, Vibhuti who is in a band, and Mr. Mendoza who talks to his daughter in Argentina on Sundays. There are artists and shopkeepers, students and the elderly. There are those with a walker or a prosthetic leg, or using a pool lift to move them from their wheelchair into the water. Everyone is there and enjoying the pool in their own way. Some float on inflatables, while others swim, and some just relax poolside. They are different and they are beautiful.

From Everybelly, written and illustrated by Thao Lam

It's obvious that Maddie notes everything and everyone. Whether it be how bellies can be used as tables for phones or drinks, or that bellies can stretch bigger and bigger until they pop like her friend's mom's who's giving her another brother. (Uma wanted a dog.) Maddie knows that there are some who work hard to keep their bellies flat though she likes when her belly is full because her mother works hard to keep them fed. (Maddie thinks about all the foods she would fill her belly with, from jelly beans and gimbap, to gỏi cuốn, and fried chicken.) Every belly is different, supported by bodies that vary in their abilities, their challenges, their attributes, and their clothing and adornments that include scars and tattoos. With all these people, Maddie's world is richer and more colourful.

From Everybelly, written and illustrated by Thao Lam

Everybelly is a tribute to the diversity of people that make our lives fuller. By seeing all the people whom she knows and even those she doesn't, Maddie is learning empathy and an appreciation for a wide variety of cultures, bodies, preferences, and more. She may notice what they look like, such as the size of their bellies, and what they are doing, like breastfeeding, but she accepts them as part of her community. Thao Lam, who both wrote the text and illustrated Everybelly, gives us the words to help see the innocence and openness of Maddie's perspective–like her claim that Mr. Popov was keeping time with his broom on the ceiling as she tap-danced (!)–and her acceptance of her world as full and vibrant. For her, this is the norm, and she relishes it.

From Everybelly, written and illustrated by Thao Lam

But beyond Maddie's words and thoughts, Thao Lam has given the child and her community exuberance via the artwork. Thao Lam's cut-paper collage as seen in earlier books like One Giant Leap and The Paper Boat is even bolder and splashier, giving greater depth and texture to a setting that is basically a pool and poolside. But that setting is all the richer for the people that inhabit the space, even if only temporarily. There are so many different bathing suits, hats, towels, and sandals. They are colourful and patterned. Some like burkinis hide more than others and some leave it all out to be seen. I could spend hours poring through the book, finding details that intrigue, like the heart surgery scar on one gentleman, the pigeons eating spilled popcorn, or the imprint of sunglasses left on a sunburned belly. Thao Lam lets us see this community in all its glorious bodies and lives to appreciate a mother-daughter relationship and a communal appreciation for diversity.

No Huddles for Heloise

Written by Deborah Kerbel

Illustrated by Udayana Lugo

Orca Book Publishers

978-1-4598-3910-6

32 pp.

Ages 4-7

March 2025 

I like Heloise. Heloise knows what she likes and doesn't like. She likes sledding and fish popsicles, sharing rocks with friends, and her own space. 

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

What she doesn't like, other than the leopard seals that no penguins like, are crowds and hullabaloo and those huddles that penguins do for warmth and protection. Those huddles that are just too close.

Huddles give Heloise the heebie-jeebies.

The jim-jams.

The willies.

And the collywobbles.

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

But how can she say no to the other penguins and not hurt their feelings? Typically, she has a number of excuses from taking her fish for a walk or polishing her rock collection. Heloise is perfectly happy on her own, enjoying her things, her space, and her own thoughts. 

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

But then the other penguins stop asking her to join them in huddles and Heloise begins to question her own wants and needs, and seeks companions elsewhere. Unfortunately, her travels are disappointing and even dangerous on her own and she returns home to find that her friends have found a way to accommodate her need for personal space while offering her the protection that huddles provide.

It's lovely to read a story about an introverted character who doesn't feel compelled to fit in with the extroverts or have the extroverts demand that their way of socializing and gregarious behaviour is preferable and, worse, the norm. I'm so glad Deborah Kerbel, an accomplished writer of picture books, middle grade and YA, demonstrates an acceptance of the introverted Heloise rather than sympathy for her nature. (The sympathy should be towards the attitude she experiences from those who are not introverted.) Instead, Deborah Kerbel validates the fullness of Heloise's life without the partying and closeness demanded or even just requested by her penguin peers. Heloise is a happy penguin, accepting of her nature and choices. She's never rude but she is true to her herself. Too bad that she feels like she doesn't belong because belonging does not mean being the same as others.

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

I love the positive messages that Deborah Kerbel gives us in No Huddles for Heloise, and BC's Udayana Lugo gives us the whimsy of that message in Heloise and her friends. From their accessories, like pom-pom hats, scarves, and bandanas, to props like a rock polisher or a whale stuffed animal, Udayana Lugo demonstrates the differences among the penguins are the norm and Heloise's introversion is just another manifestation of wonderful diversity. She created her art primarily using gouache and coloured pencils, which gives a bright and rich portrayal of the penguins and the landscape in which they live and play.

 

I'm with Heloise–except for the fish popsicles–that quiet and solitary activities offer comfort in ways that many extroverts will never understand. While we all must engage with others for safety, for work, or for other needs, it's lovely to see Heloise be accepted and even accommodated for her needs, not chastised for being different.

It's My Brain!

Written and illustrated by Elise Gravel

North Winds Press (Scholastic Canada)

978-1-0397-1009-2

40 pp.

Ages 6-9

October 2024

 

From the brilliant brain that first brought us lessons about our bodies and how they work comes a fabulous follow-up about the control centre of those bodies. Elise Gravel, known for the quirkiness of her amorphous creatures in books such as It's My Body!, Everybody!, and Killer Underwear Invasion, has brought them back to teach young readers about the brain and its functions. Perfect for our youngest readers who are just learning the basics of the human body, It's My Brain! takes an in-depth but comical look at the brain and what it does for us.

From It's My Brain!, written and illustrated by Elise Gravel

From an introduction in which the brain is described as "big, jellyfish, squishy wods of chewing gum," It's My Brain! covers the basics of the brain's form and function. The text describes how information is collected through our senses, processed and responded upon. It talks of the learning that has to happen for babies. Most importantly, it talks about how, though our brains are essentially the same in what they do, they can work differently.

From It's My Brain!, written and illustrated by Elise Gravel

The spreads that discuss how we learn differently and at different rates are important ones. Readers will undoubtedly appreciate that some people learn through independent work while others prefer socializing to help them learn. Some learn better through play and activity, whereas others learn best through quiet observation. This acknowledgement of the diversity of brains and the positive message to respect these differences are a hallmark of so many of Elise Gravel's illustrated non-fiction books and one that elevates the lessons within from just content to a model of STEM teaching for young children.

From It's My Brain!, written and illustrated by Elise Gravel

But beyond lessons about the human body and how it works, Elise Gravel reminds us that sometimes the brain is challenged and struggles, and that talking to a trusted person, whether it be a parent or teacher, friend or doctor, "can help our brains feel better."

From It's My Brain!, written and illustrated by Elise Gravel

Young kids need to learn about body parts and what they do but It's My Brain! takes anatomy lessons from form and function to ones of sensitivity and appreciation. As always, everyone is included in It's My Brain! whether they be blobs of turquoise, red or gold. It doesn't matter whether they have ears or not, or pickle-shaped bodies or use a wheelchair; they all have brains that work for them and so deserve care.

 

Elise Gravel's colour palette and unique creatures are her trademark and will always get readers excited for a new lesson or story that reminds us that we are human and how to be our best selves. By making connections for kids between what their brains do to help them be and do, Elise Gravel boosts learning about a squishy mass to an appreciation of wonder for the human body and the diversity of its form.

 

• • • • • • •

 

Scholastic Canada provides activities like connect the dots and more for It's My Brain! as well as other Elise Gravel books at https://www.scholastic.ca/books/app/webroot/elise-gravel/.

 

• • • • • • • 

I Am Cherished

Written by Onome Ako

Illustrated by Ken Daley

North Winds Press (Scholastic Canada)

978-1-4431-9449-5

32 pp.

Ages 6-8

August 2024 

 

For many kids, starting at a new school can be exciting but also trepidatious. Kikelomo, a child full of colour and brightness, is very excited about making new friends. But her first experience with sharing her name becomes less of welcoming and more of distress when she hears her classmates' reactions.

From I Am Cherished, written by Onome Ako, illustrated by Ken Daley

As the kids in the class introduce themselves in a circle, calling back each other's names to learn them and to welcome them, Kikelomo can't wait to share. But when they giggle and tell her that her name is weird and not normal and too long, the child is left in tears.

From I Am Cherished, written by Onome Ako, illustrated by Ken Daley

At home, her Nigerian Mommy and her Mohawk Nation Daddy remind her of her heritage and that her name means a child who is cherished. Recalling all the ways in which she has felt cherished, from having a bedtime story read to her, or singing in Yoruba with her grandma, or playing with her cousins, Kikelomo is invigorated to appreciate her name.

From I Am Cherished, written by Onome Ako, illustrated by Ken Daley

At school the next day, when the class joins for their circle, Kikelomo tells everyone what her name means and the ways her family make her feel cherished.

Calling me by my name reminds me of what it means.

With that admission, Kikelomo opens the door for others to share how they got their names, including Mr. Santos whose first name is Elvis, and for them to practise saying her name and reminding her that she is cherished at school as well as home.

 

Children can be unintentionally cruel when they are faced with something different, whether it be a name or food or activity. It is more a reflection of what they can't do, like say an unfamiliar name, then that they don't like something. Unfortunately, the recipients of that harshness–Kikelomo in this case–will be hurt, until a connection can be made that brings the two together. Brilliant little Kikelomo, with her courage to speak up and share her name's story, invites them to know her story and share their own. By letting the children make a connection through the sharing of their names, Nigerian-born Toronto author Onome Ako makes them all belong and brings back Kikelomo's bright light. No matter what a child's story is, from whence they came, or what language they speak, or what they look like, they all belong, and their differences just make for a richer community. I hope that Morenike, Onome Ako's daughter and the inspiration for the book, had as positive a resolution, i.e., the making of many friends, as Kikelomo does once they learned the melodic and expressive nature of her name.

 

Ken Daley, an illustrator born in Cambridge, Ontario, keeps the brightness of Kikelomo and lets it shine throughout the story. Ken Daley's digital art uses the full spectrum of colours, giving us a story of sunshine and joy, never letting Kikelomo's disappointment tarnish her story. That blip of dejection is fleeting and cancelled through the love of her family.

 

Kikelomo's story would be a lovely introduction for a first day of school class, to share naming traditions and perhaps even bridge to discussions of family and heritage. If Onome Ako and Ken Daley's book I Am Cherished helps even one child make a connection with another child unlike themselves, it will be gratifying as a first day of school read.

Circle of Love

Written by Monique Gray Smith
Illustrated by Nicole Neidhardt

Heartdrum (HarperCollins)

978-0-06-307870-3

32 pp.

Ages 4-8

Releases March 12, 2024 

 

Indigenous writer Monique Gray Smith and artist Nicole Neidhardt take us into the heart of an intertribal community center where all are welcome, making for a richer kinship with diverse persons and where family extends beyond blood.

 

tawâw
(nêhiyawêwin: "there is always room")

Molly, her sibling, and her parents are joining their family and community for a feast at their local center. As they partake in the various activities, whether dancing, singing, reading, eating, or storytelling, Molly is bursting with feeling. She frames her experiences with her emotions, and by doing so Molly is mindful of the moment and what she is feeling. When Molly's Kôhkom and her wife, Kôhkom Raven, sing a welcome song, Molly feels connected. When she reads books to the little ones, she feels kind. When her sibling plays their fiddle, she is energized. Everything makes Molly feel something, and she always sees the positives, whether nourished, honoured or awed. And always there is love. And love is love, regardless of its form, of those who feel it, of  those who give it, and of those who need it.

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

Moreover, everywhere there are reminders that this is a center based in Indigenous culture, whether it be the beading the children do, the sweetgrass burning, an elder smudging, traditional jingle dance, the beating of a drum, or a Métis sash. Everyone is welcome and there is room for all. 

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

The lovely sense of community is unmistakable in Circle of Love. Diné (Navajo) illustrator Nicole Neidhardt, who came to Victoria BC from Arizona and New Mexico, ensures that her digital images depict everyone, showing different expressions of gender, family, ages, abilities, and backgrounds. Like the food at their table, there's a bit of everything and everyone, making their community vibrant and strong and satisfying. 

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

Monique Gray Smith is a two-spirit writer of Cree, Lakota, and Scottish heritage whose picture books, novels, and non-fiction have been fueled by her ancestry. She writes for the very young and young adults, about traditions, residential schools, and reconciliation, and she writes of empathy and love. Circle of Love, like My Heart Fills with Happiness and You Hold Me Up, reminds us of the good that comes with building relationships, of being mindful of the moments that give our lives meaning, and of remaining grounded in our belonging to family and community. Monique Gray Smith honours those who are like her and not like her. She celebrates everyone by including them and recognizing their contributions to the community. With comprehensive notes appending her story, Monique Gray Smith ensures that, in this circle of love, everyone is welcome.

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

The Three Little Mittens

Written by Linda Bailey

Illustrated by Natalia Shaloshvili

Tundra Books

978-1-77488-011-1

32 pp.

Ages 4-7

October 2023

 

This story may start with "Once there were two little mittens..." but I can assure you that this is not a story of "once" but of "often" or "always" as winter sets in and we scramble to find our mittens and gloves. This is a story that has played out many times and will continue to play out wherever hand coverings are needed. For this one time, there is a very happy and inclusive ending.

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

Dotty and Other Dotty are two fluffy, pink, cozy mittens with yellow dots, and they are identical. Stripes is another mitten, but Dotty and Other Dotty give her the cold shoulder for not matching anyone and reminding her that the Little Girl will never wear her. Stripes is devastated by her loneliness, trapped in a pocket, unable to touch a dog or make a snowball.

 

And then Other Dotty is abandoned in the snow. Suddenly Dotty and Stripes are forced to become partners when the Little Girl decides to wear them together.

And here's the surprise. As they got to know each other, they began to like each other. In fact, they almost became friends.

But then Other Stripes reappears after having been dragged under the couch by the dog.  Now together, the two Stripes reject Dotty since she doesn't match them. In a surprise, the Little Girl overhears their discussion and wonders why they have to match, because "There's always a mitten who doesn't match."

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

With that, she excavates the box of mittens and discovers a brilliant assortment of colours, patterns, sizes, and shapes, freeing everyone with the opportunity to be worn and get out. From then on, she wears unmatched mittens every day, giving all mittens a turn. Better than just getting out and about and serving a purpose again, the mittens find themselves making new friends and having fun.

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

But, like all great ideas, the Little Girl's equity in mitten-wearing is noticed and appreciated by her school mates and soon they too are wearing wonderful mixed-up mittens. Imagine what will happen when the socks hear about this! 

 

I love how Linda Bailey has taken a familiar circumstance i.e., missing mittens and having a collection of mismatched ones, and given us a heartfelt story of acceptance and inclusiveness. In The Three Little Mittens, what starts as animosity and discrimination, becomes friendship and support, with all the mittens belonging, and, even better, being welcomed as part of  a new configuration. 

England's Natalia Shaloshvili creates acrylic paintings that are as warm and fuzzy as the mittens and children she includes in The Three Little Mittens. The softness of the edges reflect the linty nature of the woollens and other fabrics, but Natalia Shaloshvili extends that to the kids' hair and even a wheelchair, giving the story the fluffiness of snowflakes.

From The Three Little Mittens, written by Linda Bailey, illustrated by Natalia Shaloshvili

Linda Bailey has given us so many wonderful picture books over the years, from her award-winning Stanley books (like Stanley's Party) to her recent picture biographies (like Arthur Who Wrote Sherlock), that it's impossible to label her stories in any way as anything but her own. And now she's given us one with an important life lesson. With The Three Little Mittens, Linda Bailey, with much graphic support from Natalia Shaloshvili, has now taken us to the global closet to see that all mittens belong and can get along with everyone else. Who knew we could learn so much from three (or thirteen) little mittens?

When Rabbit Was a Lion

Written and illustrated by Eugenie Fernandes

Owlkids Books

978-1-77147-518-1

32 pp.

Ages 3-7

August 2023

 

A rabbit in a red-striped shirt lives in the backyard of our narrator, a little girl with whom he sometimes has tea. Though Rabbit and the little girl know that he doesn't like parties, he wants to make one for his friends, whom he does like.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

So invitations are sent out for a costume party and Rabbit busies himself cleaning and decorating, baking and preparing his own costume. And when the jitters pop in that his party might be a flop, his human friend asks him, "What if it's good?".

 

All Rabbit's friends arrive, costumed and lively. There is music and dancing, laughter and conversation, and he is so pleased that his friends are happy. But, though he does partake a little, it grows too loud and too boisterous for Rabbit and he slips away for a bit of quiet. His friends, realizing that Rabbit has withdrawn, find a way to have fun and include him without causing Rabbit discomfort.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

This could be a picture book of restraint, in colour and in story, much as how an introvert such as Rabbit might be seen. But, Eugenie Fernandes knows that Rabbit is more than his introversion. He is also a friend, and enjoys the company of his friends, though in moderation. So, that joy of friendship comes through in Eugenie Fernandes's paintings, resplendent in joyful colours of warm yellows and greens, and bright in its diverse palette. Rabbit is not sad because he needs to withdraw; he is just taking care of himself. And isn't it nice that his friends are kind enough to want to make him happy too? Eugenie Fernandes's artwork tells us this.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

Thank you, Eugenie Fernandes, for giving a sensitive and authentic voice to the many introverts who have had to fit into a predominantly extroverted world. As a strong introvert who has learned to fit in as needed and become more comfortable in social situations–and then withdrawing to my comfort zone in order to recover–When Rabbit Was a Lion speaks to me and undoubtedly to many children who've been told to be more social and that they need to get out more. Children need to see that not everyone craves attention and busyness, loudness and interaction. And they need to not be misunderstood because they are different from others in their circle. I'm very glad that Rabbit's friends are astute enough to realize that his need for quiet is not him being shy or angry, depressed or stuck-up, or even interpreted as a criticism of how they like to socialize. But socializing takes energy from introverts, unlike for extroverts who are energized by social interactions. For Rabbit, some quiet gives him fortitude. And by giving Rabbit the voice to speak his feelings and the friends who are willing to listen, Eugenie Fernandes has honoured the introverts who are so often overlooked.

Everyone is Welcome

Written by Phuong Truong

Illustrated by Christine Wei

Second Story Press

978-1-77260-343-9

24 pp.

Ages 6-8

September 2023

The rise in hate messaging on social media and around the world, particularly against Asian community members during the pandemic, has been concerning and disheartening. Racism and prejudice against those who are seen as different–aren't we all different and unique?–is reprehensible and sadly growing. Phuong Truong and Christine Wei's picture book Everyone is Welcome speaks specifically to anti-Asian violence and how a child might be impacted by it. 

From Everyone is Welcome, written by Phuong Truong, illus. by Christine Wei

The eight-year-old narrator of Everyone is Welcome loves going to the Asian market with her family though she wishes that she were old enough to go alone to the corner store like her mother did when she was younger. Though it was a different time, when children could play on the street and go to the local store without supervision, her mother recalls being taunted for her Asian heritage with ethnic slurs and offensive gestures. Now the child hears of her grandmother's friend Mrs. Lee being pushed into the street and her brother tells her that some kids don't feel safe walking to school without support because of being targeted for being Asian. 

From Everyone is Welcome, written by Phuong Truong, illus. by Christine Wei

And then the child learns that a classmate is no longer allowed to play with her.

His dad told him that everything bad that's happened in the world is my fault. Mine and everyone who looks like me.

While there are no quick solutions, understanding and compassion from her mother and the opportunity to take a small step in helping go a long way.

From Everyone is Welcome, written by Phuong Truong, illus. by Christine Wei

All racism is abhorrent. Why are there those who target communities who may be different in their appearance, language, food and more and deem them less? It is hate, and it speaks more to ignorance than anything else. I'm sad to think that Toronto writer Phuong Truong and Vancouver illustrator Christine Wei and their families may have experienced such cruelties and felt unsafe. The message of Everyone is Welcome may be a simple one that we all belong. Period. It doesn't matter what we look like or where we come from or what languages we speak. The homes we make and the multiple communities to which we belong are ours and no less for being different than another. I know that much hatred percolates from fears and, for children, from familial directives but those offer no excuses. Christine Wei's dedication reminds us that there is still much work to do.

To that day we can all rewrite our fears of differences and celebrate them. – C.W.

While the premise of Everyone is Welcome–increasing violence against Asian communities–is a dark and sobering one, Phuong Truong and Christine Wei bring out the vibrancy of the child's communities at home, neighbourhood and school in their words and art. With her words, Phuong Truong shows us that there will always be compassion that will override the nastiness, and, with her art, Christine Wei brings us to the vivacity of that goodness of people.

For lessons in empathy, especially when needed to combat anti-Asian hate, Everyone is Welcome brings us to a place of both reality and promise. Hate has always been around, often just changing targets, but awareness and grace are universal, and they have and will overcome the worst when everyone is made to feel welcome.