The Mountain That Wouldn't Move

Written and illustrated by Sandra Dumais

Owlkids Books

978-1-77147-649-2

32 pp.

Ages 4-7

April 2026 

 

Ah, perspective is everything. And for Bear, she sees everything negative in her life brought on by the shadow of a mountain under which her forest spreads. She intends to do something about it.

From The Mountain That Wouldn't Move, written and illustrated by Sandra Dumais

At a forest meeting, Bear tries to gather support from Rabbit, Cardinal, Fox, and other animals. Initially, the others are less concerned than Bear. But when she emphatically decides to move the mountain, they all agree. 

From The Mountain That Wouldn't Move, written and illustrated by Sandra Dumais

The mountain, a large grey landform with a cap of snow and a serene face of eyes, mouth, and rosy cheeks, is unyielding. (It is a mountain after all.) No matter which direction they push or how, the mountain stands still. Unlike the others, Bear cannot tolerate giving up. She comes up with some inventive schemes involving balloons, and sails, and even putting the mountain up for sale. It isn't until her friends carry her around the mountainside and upwards to see a different side and a glorious sunset, that the mountain that wouldn't move is accepted for what it is.

From The Mountain That Wouldn't Move, written and illustrated by Sandra Dumais

Montreal's Sandra Dumais takes a different perspective on perspective, by having Bear literally moved to see a different one. Asking someone to see something differently can't always be done effectively. However, putting them in a different viewpoint can do wonders to see a different perspective. Sandra Dumais's story may be read by children to help them be open to other points of view, but she also offers all of us the opportunity to see differently, beyond our initial outlooks and opinions. For children, it might be seeing others from a different point of view, or seeing circumstances like losing a game, being disappointed with their parents' decisions, or making a mistake from a different standpoint.

 

Sandra Dumais uses a variety of art media including pencils, gouache, digital collage and acrylic paint to create sweet and playful illustrations of animals who reflect frustration, joy, nonchalance, and even despondency. Bear is particularly emotive, drawing others into her disquietude, as is the mountain itself, an enormous gray rock, which is depicted as serene and even unassuming. Much of the story is told in the actions, or passivity, of Sandra Dumais's characters—yes, that includes the mountain—from their shapes, colours, and expressions.

 

The mountain may not have moved but when Bear finally did, a new perspective was found, and this made all the difference. 

The Man In Motion: How Rick Hansen's World Tour Helped Break Down Barriers for People with Disabilities

Written by Lorna Schultz Nicholson with Rick Hansen

Illustrated by Emma Fitzgerald

Owlkids Books

978-1-77147-677-5

40 pp.

Ages 5–8

April 2026 

 

While people of my generation will remember Rick Hansen and his World Tour, many younger readers will know little of this extraordinary Canadian and his determination to help the world become more accessible for persons with disabilities. Now, Lorna Schultz Nicholson with Rick Hansen are bringing his story to inform young readers of his heroic accomplishments. 

From The Man In Motion: How Rick Hansen's World Tour Helped Break Down Barriers for People with Disabilities, written by Lorna Schultz Nicholson with Rick Hansen, illustrated by Emma Fitzgerald

Rick Hansen's story is told from his accident at age 15 when he'd broken his back and required use of a wheelchair. But in the 1970s, many buildings lacked accessibility features like ramps. Moreover, Rick noticed that people treated him differently, now seeing "his chair without seeing him." (pg. 5) Though he'd won wheelchair marathons and Paralympic events, he wanted to do more. With the help of some friends, he planned the Man In Motion World Tour with the aim of travelling by wheelchair over four continents to thirty-four countries. He set out on March 21, 1985 with his team.

From The Man In Motion: How Rick Hansen's World Tour Helped Break Down Barriers for People with Disabilities, written by Lorna Schultz Nicholson with Rick Hansen, illustrated by Emma Fitzgerald

From the onset, the road was long and challenging, and Rick faced potential setbacks like a smashed spare wheelchair, as well as inclement weather. Getting media attention and donations was arduous. But Rick and his team continued pushing through the United States, and then into Europe, Asia, and Oceania. He visited numerous countries, saw wondrous things, and often wondered if he'd done enough. 

From The Man In Motion: How Rick Hansen's World Tour Helped Break Down Barriers for People with Disabilities, written by Lorna Schultz Nicholson with Rick Hansen, illustrated by Emma Fitzgerald

Rick had been on his World Tour for over a year when he returned to North America. After being interviewed on The Today Show, more people became aware of Rick and the Tour. Finally, Rick had become famous enough to bring attention and get donations to support his tour and spinal cord research.

 

His final section of the Tour was across Canada, and he was given a hero's welcome everywhere. When his journey ended on May 22, 1987, he'd "raised $26 million and showed the world that people with disabilities have extraordinary potential." (pg. 35)

From The Man In Motion: How Rick Hansen's World Tour Helped Break Down Barriers for People with Disabilities, written by Lorna Schultz Nicholson with Rick Hansen, illustrated by Emma Fitzgerald

Lorna Schultz Nicholson gives us the hero of Rick Hansen without minimizing the struggles he faced on his tour. Her text, as well as a "Fun Facts" section, a summary of his story, and a note from Rick, remind us of the extraordinary efforts required to complete the Man In Motion World Tour. (For example, Rick travelled 40,075 km, wore out 160 tires, and burned through 94 pairs of gloves.) This is a story of the extraordinary by an extraordinary person, and Lorna Schultz Nicholson emphasizes this always. And she does it with a quiet fascination and casual storytelling that may make the reader forget that this is non-fiction. It's an amazing story and she tells it very well.

 

Emma Fitzgerald's pen and ink illustrations, later coloured digitally, give incredible detail to the story, whether it's the textures of a forest, the busyness of a street scene, or the toil of harsh weather. This Nova Scotia artist delivers the vastness of Rick Hansen's tour, from people and place to weather and hassles. And even though there is little detail in Rick and others, there is enough to see joy, apprehension, warmth, and even muscle-building. 

Forty years ago, Rick Hansen was in the middle of his Man In Motion World Tour. His aspiration to bring awareness to persons with disabilities, and the need for accessibility and spinal cord research was fulfilled but not finished. Even his "Note from Rick" invites young readers to think more deeply about persons with disabilities and about accessibility issues so that they too might help make a difference. By asking them to think about his story and those of other persons with disabilities, Lorna Schultz Nicholson and Rick Hansen have taken his story from one of then to one of now and into one of potential action. 

Left-Handed: Getting a Grip on Handedness

Written by Maria Birmingham

Illustrated by Catherine Chan

Owlkids Books

978-1771476201

48 pp.

Ages 8–12

January 2026 

 

While I suspect that identification as being left-handed is not the big deal that some used to make it, it is still an issue for many whose left hands are their dominant hands, particularly as they live in a world that is dominated by right-handers. For those who are left-handed and those who aren't but love learning about human behaviour, how our brains work, and what makes us unique and different, Left-Handed: Getting a Grip on Handedness offers opportunities for insight and for understanding. 

From Left-Handed: Getting a Grip on Handedness, written by Maria Birmingham, illustrated by Catherine Chan

Maria Birmingham, one of the stars of children's non-fiction (e.g., Snooze-O-Rama: The Strange Ways That Animals Sleep, 2021; Canada Wild: Animals Found Nowhere Else on Earth, 2022; When Nature Calls: The Unusual Bathroom Habits of the World's Creatures, 2024; Can We Talk?: How Humans Stay in Touch, 2025), takes a historical and scientific approach to the topic of why and how some people become lefties. Outside of her introduction and conclusion chapters, Maria Birmingham organizes her information according to the following:

• The History of Lefties
• Why is a Lefty a Lefty?
• Fact or Fiction?
• Inside Sports
• Body Talk
• Can Animals Be Lefties?
• Living in a Righty World 

After an introduction to being a lefty, including a fun quiz to help determine whether the reader is a lefty, a righty, or a bit of both—about one percent of people are ambidextrous—Maria Brimingham discusses some fascinating historic evidence of lefthandedness, like scratches on teeth and hand painting. She also writes of how lefthandedness was perceived in ancient civilizations—either as cursed or magical—through the middle ages, and into the Industrial Revolution. Readers will also learn how lefthandedness was seen in modern times, with parents and teachers forcing kids to write with their right hands.

From Left-Handed: Getting a Grip on Handedness, written by Maria Birmingham, illustrated by Catherine Chan

Beyond the history, Maria Birmingham gives readers the basics of the science of lefthandedness, from DNA to baby's development, and brain differences. There's also some discussion related to creativity, intelligence, and memory, as well as its role in sports and perhaps survival. And even though the term "lefthandedness" rests on the premise of having hands, other animals seem to show preferences too. A penultimate discussion about living in a world of righthandedness will give readers pause, particularly for righties who never consider the challenges for lefties using scissors, tech, and other tools.

From Left-Handed: Getting a Grip on Handedness, written by Maria Birmingham, illustrated by Catherine Chan

I appreciate Maria Birmingham's final note about moving away from the lefty-versus-righty idea. The issue isn't that we're different; it's the idea that one may be better than the other because of dominance. Since we're all about diversity, equity, and inclusion, maybe separating people along lines of handedness may not be appropriate. But, acknowledging those differences will help everyone be included and get what they need, and that's a good thing.

 

Left-Handed: Getting a Grip on Handedness is a terrific introduction to why some people use their left hands for writing and other functions rather than their right hands. The book is a thorough examination of the topic from history to science and sports, and even identity. With Toronto illustrator Catherine Chan's digital artwork (created on a Wacom tablet) to bring the non-fiction text to life in colour and context, Left-Handed: Getting a Grip on Handedness becomes an entertaining and informative read about the extraordinary nature of the ordinary.

How to Be Brave Like a Snail

Written by Naseem Hrab

Illustrated by Kelly Collier

Owlkids Books

978-1-77147-672-0

40 pp.

Ages 4–7

October 2025 

 

Naseem Hrab's Snail has taught young readers a lot, but mostly he has taught them to appreciate the ways of the vulnerable and how to fit in with his self-confident friends. And now the little gastropod is looking to face his fears and be courageous.

From How to Be Brave Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Snail recognizes that there are some things that demonstrate his bravery. He's not afraid of all loud noises or of taking a tour of his backyard or of lullaby karaoke. What he does have a hard time with is asking for help, making mistakes, and believing in himself. When his friends begin planning to participate in a paper airplane contest, he can't bear the thought of losing. Knowing how deeply Snail feels, his friend Stump offers to help him with making the creases and with practising. 

From How to Be Brave Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Both Snail and Stump participate in the contest, and, though it isn't clear who won, Snail is given a ribbon for the neatest creases. He's delighted. But Stump, who gets no recognition, is overwhelmed with prickly feelings. With Snail's help and a clever paper plane idea, Stump is able to accept his feelings and dealing with them in a constructive way.

 

I've always liked the ways of Snail and Stump. They are unassuming and thoughtful. They are neither loud nor self-absorbed, insolent nor self-important. They are true friends to each other and accepting of others, even if they don't want to be like them. They are good. But being true to yourself sometimes means acknowledging your vulnerabilities and finding your own ways to cope. Both Snail and Stump have feelings that threaten to stop them from doing or feeling. So they could overcome those emotions or accept them. Through their friendship and concern for each other, they are able to accept and overcome them.

From How to Be Brave Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

This is a sensitive issue for many children, especially those who are on the quiet side and more apt to feel vulnerable compared to their stronger and more boisterous peers. They tend to be overlooked and even discount themselves. I like that Naseem Hrab, author of a wonderful collection of picture books like Ira Crumb Feel the Feelings (2018), Weekend Dad (2020), and Otis & Peanut (2023), has more than acknowledged these children. She has given them a voice to share those vulnerabilities and even a novel coping strategy to help disperse them. (The "Classroom Discussion and Activity Guide" at Owlkids Books offers more help to do so with young readers.) 

 

As with the earlier two Snail and Stump books, the illustrations were created by Kelly Collier, the author-illustrator of books like A Horse Named Steve (2017) and The Imposter (2023). All Kelly Collier's characters, from Snail and Stump to Bear, Rabbit, and Rabbit, are easily recognizable though she adds playfulness to their looks. Whether it's Snail's eyebrows, that help him show emotions, or the way Stump covers his eyes with his twig arms when he cries, Kelly Collier has made them and their emotions recognizable and natural.

 

Feelings are very big things. Whether it's fear or anger, disappointment or sadness, they can overwhelm. Dealing with those big feelings when you're little can seem impossible. But, with a quick read of How to Be Brave Like a Snail (and maybe How to Party Like a Snail [2022] and How to Staycation Like a Snail [2024]), and undertaking a creative paper plane activity, those challenging feelings can be kept in check so they don't overwhelm or sabotage the good ones.

 

 • • • • • • •

 

How to Party Like a Snail (2022)

How to Staycation Like a Snail (2024)

How to Be Brave Like a Snail (2025)

 

 • • • • • • • 

Burst Your Bubble!: Outsmart the Algorithms and See What You're Missing

Written by Joyce Grant

Illustrated by Jan Dolby

Owlkids Books

978-1-77147-712-3

48 pp.

Ages 8–12

November 2025 

 

Many young people today are very tech savvy. They've grown up using computers, googling everything from reviews about restaurants to info for an essay, and getting their news through social media. And while we all need to be more vigilant about what information is presented to us and how we get it, I suspect that those who've grown up with the technology may be more comfortable accepting it at face value. Joyce Grant's latest book will enlighten every one of us to the power and perils of algorithms in framing our interactions online.

From Burst Your Bubble!, written by Joyce Grant, illustrated by Jan Dolby

Burst Your Bubble! begins with an explanation of information bubbles which can also refer to filters, information silos, echo chambers, or personalization that reflects your age, background, hobbies, and more. No matter the term, bubbles cut us off from a richness and diversity of points of view and information that might never enter our bubbles. To understand how these bubbles arise, Joyce Grant discusses how algorithms gather information about us using digital cookies and tracking the sites we visit; why they are used; how they can benefit us and why they are dangerous; and why we need to burst out of our bubbles. 

From Burst Your Bubble!, written by Joyce Grant, illustrated by Jan Dolby

There's a lot of fabulous information about how algorithms work but most importantly Joyce Grant advises readers how to take control back from those algorithms. While it's not unusual to feel vulnerable when using the internet—and there are so many things beyond our control when we use digital media—Burst Your Bubble! informs about so much that which is in our influence, whether it is retraining our brains to think differently, being aware of what reinforces those bubbles, or setting up opportunities to change the algorithms.

While I've reviewed a number of books created from the collaboration of Joyce Grant and Jan Dolby (e.g., Gabby, Wonder Girl, Fitzhenry & Whiteside, 2016), this is my first that is non-fiction, and it doesn't disappoint. In fact, it's an astonishingly fresh look at the power of online algorithms and how to protect ourselves and even manage them. Jan Dolby's illustrations give Joyce Grant's text some of the freshness with lively artwork. Jan Dolby gives both colour and depth to what could have been dry content. She even finds innovative ways to illustrate the power of algorithms to pick up on our interests and grab our attention.

From Burst Your Bubble!, written by Joyce Grant, illustrated by Jan Dolby

Information is a powerful thing, whether it is something used against us or something that we control. With the right information, courtesy of Burst Your Bubble!: Outsmart the Algorithms and See What You're Missing, young readers will be able to get beyond those manipulations and see a broader online world that is diverse, rich, and open.

 

 🫧🫧🫧🫧🫧🫧🫧

 

If you're near Burlington, Ontario today, you might want to check out the book launch for Burst Your Bubble! Author Joyce Grant will be in attendance, and there will be books for purchase as well as signing. Here are the details:

 

Date:          Saturday, November 8, 2025

 

Time:         1 p.m. EST

 

Location:    A Different Drummer Books

                    513 Locust Street

                    Burlington, ON

                    L7S 1V3 

                    (905) 639-0925

N.B. I saw that there will be cupcakes!

How to Staycation Like a Snail

Written by Naseem Hrab

Illustrated by Kelly Collier

Owlkids Books

978-1-771476126

40 pp.

Ages 5-8

September 15 2024

 

Snail, from Naseem Hrab's How to Party Like a Snail, is back. And while his many friends are heading to far-off places for their vacations, Snail has other plans.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Snail has always appreciated the quiet and serenity of his home. He sees the wonder in everything from a pebble to a map, the trails he leaves and the stars in the sky. He doesn't need the frenzy of travels away from home. So, when he declines his friends' invitations to join them on their party bus headed to the city, Snail stays behind with Stump, finding their own adventures at home.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

They listen to a waterfall, they smell the smells, and they watch the light and shadows dance with the leaves. And just when they think that they've seen and done everything there is to do, some parachute seeds blow in. These wispy travellers are using the guidebook for Snail and Stump's location and are so delighted in the smells and sounds and "attractions" of their vacation spot that they decide to stay.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

For children who may never get the opportunity to travel from home and are made to feel that their summer vacations don't count because they didn't go anywhere, How to Staycation Like a Snail validates their experiences and gives them directives on how to staycation with satisfaction. From watching and being mindful, to making new friends and spending time with old friends, Snail's staycation is fulfilling and heartwarming. Naseem Hrab's heartfelt insight into those who aren't party animals but still joyous in their living comes through loud and clear. (Okay, maybe quietly.) As she did in her Governor General award-winning picture book, The Sour Cherry Tree, illustrated by Nahid Kazemi, Naseem Hrab touches readers with heartfelt understanding how we are all different. How we find adventures in our lives or heal or find joy may be unusual but still valid and should never to be diminished with judgment.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Kelly Collier, who has illustrated Naseem Hrab's Otis & Peanut books as well as her own, like A Horse Named Steve and The Imposter, has the skill to bring humour and lightness to issues like fitting in and self-acceptance. She takes Naseem Hrab's words and spins them into joy, from seeds applauding the mesmerizing Stick to Stump tossing aside a tumbleweed that blew in near him (that is, after he spent time appreciating this new entity). Snail and Stump have few features to emote, but Kelly Collier makes them so expressive, giving them the ability to show surprise and shock, and distress, happiness and so much more. She brings them and the story to life in colour and line.

As someone who appreciates her home and doesn't feel the need to travel to find satisfaction or new experiences, I'm with Snail and Stump. There's always something wonderful and new to discover even in places with which you are familiar. So, instead of "Bon Voyage," let's wish all the staycationers a "Bon Sejour" and stop travel shaming those who prefer not to do so because...

 

It's hard being the only epic explorer who wants to stay home.

The Weedflower

Written by Elizabeth Davaze
Illustrated by Marianne Ferrer
Owlkids Books
978-1771475884
32 pp.
Ages 4-8
August 2024

In a busy schoolyard, with children jumping and climbing, sliding and clapping, one child sees a plant with a yellow flower growing in the crack between the cement and rubber turf. Only Sam sees it and watches it and sings to it and admires it.

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

But, as with most living things, the "alien bud" grows. It grows into a tall, bright yellow flower and then it catches the attention of the other children who join Sam to admire the flower. (Or is it a weed?) Not only do they admire it, but they also protect it and nurture it. They stop balls from hitting it and squirrels from nibbling at it. And the flower thrives. "Before long, the entire blossom had changed into one perfect, dreamy fluffball."

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

But when the adults at the school finally notice the "fluffball flower," they do not appreciate it the way that the children do.

    "They did not see the magic."

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

After much tugging by many adults, including the large principal, "the weedflower’s roots broke free, the stem came loose, and all the fluff floated away with all the students’ wishes in the breeze." It is only with time that Sam and the other children will see the weedflower has not gone because that fluff was actually filled with the promise of new life.

From The Weedflower, written by Elizabeth Davaze, illustrated by Marianne Ferrer

 Adults may see a plant that is growing where they don't want it whether it be a dandelion in a lawn, or volunteer trees that grow to close to a house's foundation. But children don't see that. Ralph Waldo Emerson, who had much to say about nature, is quoted as saying, "A weed is simply a plant whose virtues we haven't yet discovered” and many children have no problem finding the virtues in the dandelion. They bring home bouquets for their mothers, and blow the dandelion fluff and watch it travel like fairies on wind currents. They delight in their spread on lawns to become fields of green dotted with yellow brightness. (We used to braid the stem and flowers into crowns.) To nurture any plant and have it destroyed for its inconvenience to another would be devastating. Kincardine author Elizabeth Davaze takes the perspective of children seeing the dandelion as a flower, a thing of beauty and wonder, and makes us realize the loss they feel when the weed, according to the adults, is eradicated. It's all about perspective, isn't it? Too bad the adults aren't enlightened enough to realize that the dandelion would not be stopped by pulling one out.

 

Montreal's Marianne Ferrer, whose illustrations I have long admired (e.g., Carmen and the House That Gaudí Built, Racines, and Le Jardin Invisible), knows where to put the emphasis on her illustrations. Green and gold, the dandelion's only colours, along with the brown of the dirt, are the basis of all Marianne Ferrer's artwork in The Weedflower, regardless of whether she's drawing the dandelion or the children. The attention is on the plant, just as the children want it to be. Moreover, her use of watercolour and gouache give The Weedflower its organic texture, prioritizing the natural world. 

 

I know some teachers will use The Weedflower as an introductory story to teach the life cycle of a plant–too many kids don't know that seeds come from flowers–but I think it's a wonderful exploration of perspective and seeing things through a child's eyes to appreciate all living things as extraordinary, even the seemingly lowly dandelion.

Otis & Peanut: Forever and Ever

Words by Naseem Hrab

Drawings by Kelly Collier

Owlkids Books

978-1-77147-497-9

80 pp.

Ages 6-8

April 2024 

 

Like the classic early readers about Frog and Toad, Otis and Peanut have many stories to tell. The unlikely friendship of the long-haired guinea pig (Otis) and the naked mole rat (Peanut) is fodder for three more stories in Otis & Peanut: Forever and Ever that cover everything from cake to memories, gardening and absent sisters.

From Otis & Peanut: Forever and Ever, written by Naseem Hrab, illustrated by Kelly Collier

In the story titled "The Cake," Peanut surprises Otis with a luscious three-layer strawberry cake based on his sister Pearl's recipe. Though Peanut wants to dig in, Otis wonders what they are celebrating. Apparently, Peanut's answer of "celebrating cake with cake" doesn't cut it and is determined to save it for a special occasion. But would there ever be a good enough reason to eat cake?

From Otis & Peanut: Forever and Ever, written by Naseem Hrab, illustrated by Kelly Collier

The second story, "The Dream," has Peanut at home enjoying a breakfast of toast and jam when he discovers his last jar of strawberry jam made by Pearl. After eating, he is inspired to plant some strawberry seeds his sister had given him. After watching some kids play in the sprinkler and dreaming of when he and Pearl did the same, Peanut retrieves his own sprinkler to water his garden but to also reminisce and enjoy.

"The Collection" is Naseem Hrab's final story for Otis & Peanut: Forever and Ever, and says more about memories than the earlier chapters. While Peanut grieves the loss of his sister Pearl and finds himself remembering her in everything from baking to eating and playing, it is Otis who helps him to see the value in keeping memories as tangible objects. Otis himself keeps scrapbooks of memories and demonstrates to Peanut that, no matter how important the memories are, sometimes you can forget them. So, Peanut finds a way to keep his own memories, both happy and sad, safe and make new memories with his friend.

From Otis & Peanut: Forever and Ever, written by Naseem Hrab, illustrated by Kelly Collier

There is a gentleness to Naseem Hrab's stories of Otis and Peanut that invites young readers to see their own lives within the stories of the guinea pig and the mole rat. Children will be familiar with celebrating with cakes, planting a garden, playing in a sprinkler, and keeping bits and bobs of photos, ticket stubs, etc. as memories. They'll also know what it is to be a friend and have a friend. So, by nature of these stories, not only will they practise their reading and make connections between text and illustrations, they'll be making meaningful connections between the story and their own lives, learning about empathy, acceptance, cooperation and more.

Kelly Collier, who illustrated the first Otis & Peanut book, uses the same colour palette of turquoise and chartreuse with splashes of pink as she did in the first. It works to keep the overall effect uncomplicated but focused. Whether it's the cake or the jam and the garden or the keeping of memories, one emphasis is evident and not the background of detailed characters and settings or the jibber jabber of extraneous text. Together Kelly Collier and Naseem Hrab remember who their audience is and ensure that their reading and storytelling needs are met.

Because children have so much happening in their lives, whether it's a daily occurrence like picking clothes or reading books, or special events like a birthday party or performing at a recital, there are loads of stories that Naseem Hrab and Kelly Collier can share through Otis and Peanut. Whether it's to teach them about being a good friend, or to reflect the young lives of these readers, Otis and Peanut are there, as are we, to watch and learn. 

Otis & Peanut (2023)

Otis & Peanut: Forever and Ever (2024)

Rumie Goes Rafting

Written and illustrated by Meghan Marentette

Owlkids Books

978-1-77147-635-5

36 pp.

Ages 3-7

April 2024 

 

 

To a child, everything can become an adventure with a little imagination. But when the excitement takes over, sometimes safety is forgotten.

From Rumie Goes Rafting, written and illustrated by Meghan Marentette

Rumie roams the forest, picking up curious bits that draw his attention. There's a red string, a yellow bread clip, a spruce cone, and more that Rumie gathers in his wagon. His curiosity takes him to a stream where he plays with a twig and then a toy boat, but he is dismayed that nothing will float very far. A ladybug on a leaf gives him an idea and he suggests to his Uncle Hawthorne that they build a raft. What an idea!

From Rumie Goes Rafting, written and illustrated by Meghan Marentette

And so, the two saw and hammer and construct a beautiful raft with ribbons dangling from a mast. Uncle Hawthorne insists on a safety test run with life vests, but Rumie is so excited and even more so when the rains come in the night and swell the stream. Though he never intends to set off on their raft, Rumie gets the raft ready for testing once Uncle Hawthorne awakens. But that slow moving stream is no longer and the current grabs the raft and starts taking Rumie along for an unexpected ride.

From Rumie Goes Rafting, written and illustrated by Meghan Marentette

What begins as a new adventure in sailing becomes a dangerous excursion from which Rumie is saved by his uncle, learning that patience could have saved him from disaster.

With spring streams and rivers becoming swollen with melted snow and rainwater, Rumie Goes Rafting is a valuable cautionary tale of the unpredictability of waters. Water will always draw children with its movement and opportunity for play but without consideration of safety, it can become a danger quickly and unexpectedly. Rumie's curiosity and imagination are laudable and nurtured by his uncle. He loves the outdoors and building and collecting. But he is impetuous, as we can all be when excited about something, and it is only his uncle's quick thinking and safety measures that saved the little mouse. 

Meghan Marentette, who previously wrote The Stowaways, a middle-grade novel about a sailing family of mice, may have revisited her theme of adventurous mice in Rumie Goes Rafting but her approach is quite different here. It is different is message, in audience, and in format, and it all works. Meghan Marentette created three-dimensional scenes and characters which were photographed, giving her story rich texture and immersive illustrations. Look for the details in Uncle Hawthorne's tail, the patch in his vest, the cone on a string for a life buoy, the tiny, crocheted pillow, and a home decorated with love. (Meghan Marentette is obviously skilled in making miniature models.) Because of the realism, young children will be inspired to create their own scenes with their small stuffies, build rafts to travel in puddles, and tell stories of sailing, and maybe flying, adventures. With Rumie's imagination and curiosity, I foresee further adventures on the horizon.

From Rumie Goes Rafting, written and illustrated by Meghan Marentette

The Keeper of Stars

Written by Jennifer Harris

Illustrated by Dorothy Leung

Owlkids Books

978-1-77147-568-6

32 pp.

Ages 3-7

April 2024 

 

We know the bedtime routine. It usually includes getting washed, brushing teeth, dressing in pajamas, and the reading of stories. Milo's routine includes these but with a few extras, like tapping his dad's picture three times and then hitching a ride on a comet to help the Keeper of Stars. He'll have a busy night ahead.

From The Keeper of Stars, written by Jennifer Harris, illustrated by Dorothy Leung

What does the Keeper of Stars do? They clean up the skies, and there's a lot to clean up. There are airplane smudges, balloons, and stray feathers, but also stars that need washing and polishing. (This sweet sentiment is so reminiscent of my own father speaking about moving the clouds and shining the stars while we slept that I get a little lump in my throat.)

From The Keeper of Stars, written by Jennifer Harris, illustrated by Dorothy Leung

The Keeper of Stars, a large bear with a star patch upon its forehead, instructs Milo how to bathe the stars, even as they get ticklish, and then, watched over by owlets and bats, how to put back all those fallen stars which sailors use for navigation. It's a lovely playful time for Milo and the stars.

 

When they are finally done for the night, the Keeper of Stars and Milo sit down for a repast of herring sandwiches and cocoa before the child returns to his bed, not always remembering his nightly endeavours.

From The Keeper of Stars, written by Jennifer Harris, illustrated by Dorothy Leung

Most bedtime stories are filled with tenderness as little ones settle and a quiet descends. But Jennifer Harris's story has a special gentleness to it. Perhaps it's the solemnity with which Milo taps his father's photo beside his bed when sleep is nigh. Perhaps it's his mother's exhaustion as she maintains Milo's bedtime routines as she falls asleep as he slips away to join the Keeper of Stars. Perhaps it's the camaraderie of working alongside others to get a job done but still having time for a bit of joyous play. Perhaps it's all of those things. Reading The Keeper of Stars will leave young readers calm and intrigued, looking into the heavens for the big bear of Ursa Major and falling stars and even owls and bats in the night sky. And maybe even dreaming of their own celestial adventures.

 

Toronto's Dorothy Leung, who illustrated When the Wind Came and The Bird Feeder, uses a style of art that enhances Jennifer Harris's sensitive story. She uses pencil and gouache, as well as Photoshop, to create images that are both ni and grounded, taking readers into the heavens but from the familiarity of a child's room at bedtime. Even when juggling the stars and arranging them into messages, Milo has an earnestness about him. He is quiet and busy, doing what he must but recognizing the joy in what he is doing, for himself and others. Dorothy Leung gives him an inner serenity which, considering his focus on his father's photo, would be a challenge for many. She brings the quiet and takes away the fears of the night, through her choice of colours, the softness of her shapes, and the expressive lines of her characters, which include the stars.

 

If you have a little one who needs to be drawn gently into the world of sleep, The Keeper of Stars will do just that. It will take them in hand to dream of nightly duties by joining those who populate our heavens and add sparkle to our lives. It will help them sail into the calm of sleep and the respite of the tireless.