Still Friends

Written by Troy Wilson

Illustrated by Mike Deas

Orca Book Publishers 

978-1-4598-4257-1

32 pp.

Ages 3–5

May 2026 

 

When a dog makes a new friend in the park, he can't help but compare her to his old friend. But is that really fair? After all, maybe his new friend has different stuff to offer.

From Still Friends, written by Troy Wilson, illustrated by Mike Deas

When we first meet this adorable beagle, he's with a wonderfully quirky woman with a red ball cap who plays with him, speaks to him, walks him on a long retractable leash, and gives him treats and lots of scratches. But his new friend is a little different. She sits stoically on a bench-like plinth, never speaking and never moving. Just "stone-cold silence."

From Still Friends, written by Troy Wilson, illustrated by Mike Deas

He's a little put off by her silent treatment and soon realizes that she offers a different kind of friendship, to him and a group of pigeons. She offers shelter and support. She never scolds or frowns at him. She definitely doesn't dress him up in silly costumes. And she always listen.

From Still Friends, written by Troy Wilson, illustrated by Mike Deas

This little beagle learns soon enough that none of them is perfect, including himself, and each offers something that makes them a dependable friend to have.

Troy Wilson, author of Liam Takes a Stand (2017), Little Red Reading Hood and the Misread Wolf (2019) and Goldibooks and the Wee Bear (2021), has written a picture book that is both subtle and candid. It reminds me of the old saying by Joseph Parry (and later adapted into a Girl Guide song) to "Make new friends, but keep the old; Those are silver, these are gold." This beagle has a person who is with him all the time, doing the fun stuff and the discipline stuff too. They are the friend and parent, companion and teacher. But for the beagle to expect his new friend, a stone statue of a girl or young woman seated with her hands in her lap, to be the same is just an innocent confusion of what makes a friend. With observation and insight, the beagle realizes that his still friend could still be his friend regardless of how different she is from his old friend. (Hope you're picking up on the puns and word play in Still Friends.) 

From Still Friends, written by Troy Wilson, illustrated by Mike Deas

Even though Troy Wilson likes to play with words, adding some humour to a story about accepting friends as they are, Still Friends asks readers to reflect on their own friendships, just as this beagle has. Because he has done so, through observation and with insight, his life is richer for his awareness. That same lightness and delicacy with a shade of circumspection comes through in Mike Deas's artwork which was created with pastel and pencil crayons with ink outlines. As in his many books in the Scholastic Canada Biography series (written by Elizabeth MacLeod), the early reader Two Tales of Twenty-Six: Liam and the Letters, Walter and the World (written by Stephanie Simpson McLellan, 2024), and his own Sueño Bay Adventures with Nancy Deas), Mike Deas gives us texture and life, even in a story that has to balance brightness with gravitas. He is an illustrator whose style can give us the playfulness but with a sheen of weight in the messaging. It's that same juxtaposition of the beagle's two friends that shows up in Mike Deas's art and complements Troy Wilson's story so well.

 

Next time your child or a student is struggling with friends and wondering if they can be friends with others, give Still Friends a read. It will help them understand that there are many friends out there and by appreciating our differences, including our own imperfections, it will help us establish rock-solid relationships, not just win popularity contests.

A Friend is a Friend is a Friend

Written by Sara O'Leary

Illustrated by Qin Leng 

Groundwood Books

978-1-77946-026-4

32 pp.

Ages 3–6

April 2026 

 

A concern for many children entering a new situation, whether a new school, a new sports activity, or even a new neighbourhood, is whether they'll make any new friends. For this child, heading off to camp, the worry is very real, but she's hopeful of learning some new strategies from her peers.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Without ever asking a question—or does she?—a little girl gets different perspectives from other children. As the diverse and colourfully dressed children play on a massive tree, they are quoted about their friends and the basis for those friendships. The first piece of advice is about asking questions because that's how you learn if you have things in common with others. It might be a birthday, a favourite colour, or the need for quiet.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

The variety of their experiences is rich, as are the friends they have. For one child, their best friend is their grandfather because they share stories. It could be a friend who supports you or one that you appreciate for the type of person they are. There are children who don't speak the same language but understand each other just the same. There is a child whose friend was a he and is now a she and that's okay since they still like doing the same things. There is a shy child, lifelong friends, and one who has an invisible friend. There are so many children, and they all make friends differently and make different friends. The richness of their experiences is only matched by the individuality of their friendships.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Sara O'Leary, author of A Family is a Family is a Family (2016) and A Kid is a Kid is a Kid (2021), gets to the heart of friendships by showing children that there is no right way to make a friend and be a friend. Her message is one of joy in the diversity of who we are and how we make friends. Without telling kids how they can make friends, she allows children to express their own feelings about their processes, giving them voice. (All responses by children to the unasked question of making friends are placed in quotation marks.) By giving them voice, Sara O'Leary lets young readers take what they want from the guidance of their peers, perhaps to help them make their own friends. And, with the wisdom of a compassionate adult, she reminds readers that, "It turns out that the best way to make a friend is to be one." (pg. 29)

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

A Friend is a Friend is a Friend has been illustrated by Qin Leng, as in the earlier books in this collection. Qin Leng's art, created with ink, marker, and watercolour, are distinct, both light in marks and bright in mood. She does well with stories with young children, giving them innocence, playfulness, and wonder. By making all the children unique in their demeanours and expressions, and by keeping them joyful and natural in the familiarity of play, Qin Leng helps reflect Sara O'Leary's emphasis on diversity and individuality.

  

There will always be those children who make friends very easily, never worrying about how to do it or if they can do it. But there are others for whom it is an uncertainly and even a fear, and A Friend is a Friend is a Friend will help them. Best of all, it's a sweet story without being a contrived teaching tool. And if your little one is heading to summer camp, or to kindergarten or a new school this fall, or you're planning on moving house, A Friend is a Friend is a Friend will reassure those for whom finding a friend may be more of a challenge. It reminds them that they can do it.

 • • • • • • •

 

A Family is a Family is a Family (2016)

A Kid is a Kid is a Kid (2021)

A Friend is a Friend is a Friend (2026)

The Little Ghost Quilt's Winter Surprise

Written by Riel Nason

Illustrated by Byron Eggenschwiler

Tundra Books

978-1-774885376

48 pp.

Ages 3–7

Releases August 26, 2025 

 

It might seem odd reviewing in August a book that involves winter but, when it's nearing 30°C outside, it's nice to think about the loveliness of snow and cold temperatures and the celebrations that bring us joy. For the little ghost quilt, introduced in Riel Nason and Byron Eggenschwiler's first collaboration The Little Ghost Who Was a Quilt (2020), winter brings new experiences and joys too.

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

While his ghost sheet friends are shivering with the cold, the little ghost quilt is able to comfortably withstand the temperatures and the snow. He enjoys the same indoor activities as they do—making crafts, playing games and reading "boooooks"—but he wishes they could share in outdoor adventures as well. One December evening while visiting a human neighbourhood, the little ghost quilt is drawn to bright lights and joyous celebrations. He sees decorated trees, inside and outside; people skating and singing and baking cookies; and everything looking shiny and bright. He is saddened to think his friends are missing out on all this. So, the little ghost quilt with his big heart plans to do something for his ghost sheet friends. 

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

But on his way back home, the little ghost quilt is caught in a terrible winter storm and is snagged on the branch of a birch tree. He does get free, but the storm and that tree give him an idea about how to implement his plan with what they have available.

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

I'm delighted to review a picture book by Riel Nason whose only books that I have reviewed to date have been YA (i.e., All the Things We Leave Behind and The Town That Drowned). But, just as she demonstrated in those young adult novels, Riel Nason gives her characters depth of feeling for others. For the little ghost quilt, he's quite cognizant of the fact that his quilt gives him warmth and protection while his friends, in their skimpy sheets, have neither and must stay indoors. Yet, with his freedom to engage in outdoor activities, the little ghost quilt still wants to share his experiences with his friends. He doesn't gloat about his opportunities. Instead, he appreciates what he is able to witness and thinks about how he can share with others. Riel Nason has given a patchwork-quilt ghost the benevolence to which we should all aspire.

From The Little Ghost Quilt's Winter Surprise, written by Riel Nason, illus. by Byron Eggenschwiler

It's impossible not to feel the weather and the joy that the little ghost quilt experiences on his winter outing. Byron Eggenschwiler's pencil and digitally-rendered artwork takes us into the dullness of winter and makes the colours of the holiday season shine. By emphasizing the dreariness of the winter with a muffled environment of snow and dirt in colours of grays and browns, Byron Eggenschwiler keeps the focus on the goodness and the cheerful, in other words on the quilt colours of the little ghost and on the Christmas celebrations and those enjoying them. 

While you may not be thinking of winter or Christmas yet—times when The Little Ghost's Quilt's Winter Surprise will be a must-read—this picture book is more than a seasonal tome to share with young children. It's a story of kindness and compassion; it's a book about understanding what others are experiencing and how to help expand the scope of their lives. (Can I use the word "lives" for ghosts?) Because of the little ghost quilt's good will, he's able to bring the light to the actuality of his ghost friends both in spirit and in illumination and thus bring the essence of Christmas to all.

Unsinkable Cayenne

Written by Jessica Vitalis

Greenwillow Books (HarperCollins)

978-0-06-331445-0

304 pp.

Ages 8-12

October 2024

 

 

But in middle school

there are two choices:

fit in

or

stand out. (p. 69) 

 

It's 1985 and Cayenne has always lived a nomadic life with her Mom and Dad and now six-month-old sibs Sossity and Bear. They've travelled throughout the U.S. in their van, living off Dad's small disability check from the VA, with Mom homeschooling Cayenne. Cayenne knows that some people may look down on them for being poor and living a hippie lifestyle, but she feels a closeness with her family, especially when she plays her harmonica and Dad plays his guitar and Mom dances, even though Mom has been distracted with the babies. Still Dad decides to settle them down in a Montana town where he's gotten a job at the sawmill, and Cayenne feels like it's where they finally belong and maybe she can feel normal, even if Mom isn't necessarily happy. 

I agreed to this move.

I did not agree 

to sell my soul. (p. 31) 

Still Cayenne is all in. At Sandstone Middle School, Cayenne is determined to make friends. She's keen on the popular girls who play flute in band but she's not quite up to their skills and she is separated from them while she learns the instrument. And though she isn't eager to attach herself to a "loser," she is befriended by Dawn, an awkward girl who is always reading, wearing outfits that reflect her reading, and who plays drums. She also meets Tiff, a popular chatterbox of a girl from art class, who lives on the wealthy side of town. And then there's Beau, a new boy whom Cayenne met while walking their dog, George. Cayenne is smitten and when others suggest that Beau likes her, Cayenne is sent into a tizzy of how to act and what to say. So, as Cayenne desperately tries to fit in, choosing with whom to associate and hide the reality of her family's circumstances, things become even more tenuous. Fitting in becomes even harder when you don't feel like you have the means to belong, whether the money, the family, the clothes, the opportunities, anything. 

Jessica Vitalis, whose earlier middle-grade books The Rabbit's Gift, The Wolf's Curse, and Coyote Queen made quite a splash, doesn't just give us a novel about pre-teen angst. She gives us a story enfolded in many layers of storytelling which add context and insight into Cayenne's own life. From their Titanic-themed social studies unit in which they learn of the disparities between first- and third-class passengers, particularly with respect to their survival, and Cayenne's love of birds and her knowledge of their behaviours, Unsinkable Cayenne goes beyond a kid trying to fit in with her new classmates. She's trying to fit in to her life, her new one and the one she has always had with her family, and she sees it through multiple lenses. She is the new kid but also a poor kid and a kid whose family is atypical in their circumstances. They might not have money to replace her holey shoes and the electricity might have to be turned off to save for rent money, but they also don't have a phone or a TV. Cayenne doesn't complain or see it as a problem; it's just different. Her perspective is both insightful and revealing, and Jessica Vitalis does not sugar-coat their poverty with a happy ending or lottery winning or change in financial circumstances. She makes and keeps it real.

 

The writing is exceptional. Unsinkable Cayenne, told in free verse, flows through Cayenne's days at school and her thinking about her life with vigour and subtlety.

I don't understand why the amount of money

someone has determines how much they are worth. (p. 182)

Jessica Vitalis tells a story for middle-grade readers but with sophistication and lyricism. She's given us a real kid who not only exemplifies the famous Unsinkable Molly Brown of Titanic fame in her tenacity and humble beginnings but also in seeing others beyond class and wealth.

How to Staycation Like a Snail

Written by Naseem Hrab

Illustrated by Kelly Collier

Owlkids Books

978-1-771476126

40 pp.

Ages 5-8

September 15 2024

 

Snail, from Naseem Hrab's How to Party Like a Snail, is back. And while his many friends are heading to far-off places for their vacations, Snail has other plans.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Snail has always appreciated the quiet and serenity of his home. He sees the wonder in everything from a pebble to a map, the trails he leaves and the stars in the sky. He doesn't need the frenzy of travels away from home. So, when he declines his friends' invitations to join them on their party bus headed to the city, Snail stays behind with Stump, finding their own adventures at home.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

They listen to a waterfall, they smell the smells, and they watch the light and shadows dance with the leaves. And just when they think that they've seen and done everything there is to do, some parachute seeds blow in. These wispy travellers are using the guidebook for Snail and Stump's location and are so delighted in the smells and sounds and "attractions" of their vacation spot that they decide to stay.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

For children who may never get the opportunity to travel from home and are made to feel that their summer vacations don't count because they didn't go anywhere, How to Staycation Like a Snail validates their experiences and gives them directives on how to staycation with satisfaction. From watching and being mindful, to making new friends and spending time with old friends, Snail's staycation is fulfilling and heartwarming. Naseem Hrab's heartfelt insight into those who aren't party animals but still joyous in their living comes through loud and clear. (Okay, maybe quietly.) As she did in her Governor General award-winning picture book, The Sour Cherry Tree, illustrated by Nahid Kazemi, Naseem Hrab touches readers with heartfelt understanding how we are all different. How we find adventures in our lives or heal or find joy may be unusual but still valid and should never to be diminished with judgment.

From How to Staycation Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Kelly Collier, who has illustrated Naseem Hrab's Otis & Peanut books as well as her own, like A Horse Named Steve and The Imposter, has the skill to bring humour and lightness to issues like fitting in and self-acceptance. She takes Naseem Hrab's words and spins them into joy, from seeds applauding the mesmerizing Stick to Stump tossing aside a tumbleweed that blew in near him (that is, after he spent time appreciating this new entity). Snail and Stump have few features to emote, but Kelly Collier makes them so expressive, giving them the ability to show surprise and shock, and distress, happiness and so much more. She brings them and the story to life in colour and line.

As someone who appreciates her home and doesn't feel the need to travel to find satisfaction or new experiences, I'm with Snail and Stump. There's always something wonderful and new to discover even in places with which you are familiar. So, instead of "Bon Voyage," let's wish all the staycationers a "Bon Sejour" and stop travel shaming those who prefer not to do so because...

 

It's hard being the only epic explorer who wants to stay home.

Sleepy Bird (new board book edition)

In March of 2018, I reviewed Sleepy Bird, Jeremy Tankard's newest book in his Grumpy Bird series. This book has now be released as a board book, perfect for the youngest of children whom you may be trying to get to bed. The book is as delightful now as it was when I first reviewed it so I wanted to bring it to the attention of parents and teachers and maybe the very young who are starting to read. Sleepy Bird may become their go-to laugh before bed.

 

Written and illustrated by Jeremy Tankard

Scholastic Press

978-1-4431-4632-6

32 pp.

Ages 3-5

August 2024

It's late.  Why isn't Bird sleeping?!

From Sleepy Bird by Jeremy Tankard

Bird is not sleepy, or so he thinks.  He wants to play and party and seeks out each of his animal friends to keep him company.  Each one tells him it's bedtime and recommends a sleep aid like hugging a blankie (that's from Fox), or reading a bedtime story (Beaver), snuggling with a stuffie (Rabbit), singing a lullaby (Raccoon) or counting sheep (obviously from Sheep).  But he poohpoohs their suggestions, storming off like he often does (remember, he was Grumpy Bird in his first book).

From Sleepy Bird by Jeremy Tankard

But, after a little while, he is reduced to tears and questioning empathically "WHY SHOULD I GO TO SLEEP?"  His friends, ever faithful, come running and support their dear friend with all the recommendations they'd made earlier, helping their feathered companion find a way to dreamland.

From Sleepy Bird by Jeremy Tankard

What parent doesn't know the child who will not go to sleep?  In fact, they will recognize the crankiness, protestations, and eventual winding down of a little one, and their own ploys used to help a child fall into slumber.  Undoubtedly they will also recognize some comments made by Bird's friends, especially "I thought he'd NEVER fall asleep," as proclaimed by Fox.  But it's Bird's responses that always have me laughing. (I think, Jeremy Tankard, there's a Funny Bird in your future.) Bird's replies to his friends, ever escalating in their intensity, include "Blankie shmankie", "Are you TRYING to give me nightmares?" and to Sheep's suggestion of counting sheep: "HOW CAN YOU GET SLEEPY COUNTING TO ONE?"

But, as clever as the text is and as pertinent as its theme, Sleepy Bird will grab readers and non-readers with its bold and colourful illustrations.  Jeremy Tankard's wacky characters are as familiar now as Beatrix Potter's Peter Rabbit and Mo Willems's Elephant and Piggie and we love everything about them: their vibrant colours, coarse lines and clean shapes as well as their expressive poses and faces. What is more is that Jeremy Tankard's landscapes of splatterings of flowers, rocks, and trees amidst enormous ground-level stars and a moon provide a surreal contrast to a very commonplace story i.e. putting a reluctant child to bed.

So, the next time you have to help little ones find their way to rest, grab those blankies and stuffies and read Sleepy Bird.  I can't assure you that they'll go to sleep but you'll at least enjoy the attempt until they decide for themselves that sleep is best.

• • • • • • •

 

Grumpy Bird (2007)

Boo Hoo Bird (2009)

Hungry Bird (2016)

Sleepy Bird (2018)

I Am a Rock

Written by Ashley Qilavaq-Savard

Illustrated by Pelin Turgut

Inhabit Media

978-1-77227-475-2 

28 pages 

Ages 3-5

April 2024

Never has a rock been less of an insentient thing than in Ashley Qilavaq-Savard's I Am a Rock. For this child and his mother, this pet rock feels, sees, hears, and experiences all the seasons and life of an Arctic landscape, with or without its child by its side.

 

As a boy prepares for bed, a time open to great inquisition, Pauloosie asks his mother, "Anaana, what would it be like if rocks were alive?" as his adorable pet rock, Miki Rock, rests alongside him. With a playful voice and great wisdom, his mother answers him.

From I Am a Rock, written by Ashley Qilavaq-Savard, illustrated by Pelin Turgut

First, his mother tells of the rock watching as animals feed and make homes with the changing seasons. There are foxes and ptarmigan, belugas, and char. But there is more than just watching. There is also listening.

From chirps to howls to

beating hooves and squeaks,

I can hear them all.

From I Am a Rock, written by Ashley Qilavaq-Savard, illustrated by Pelin Turgut

And feeling? Miki Rock feels everything from the snow that blankets it to "the joy of the sun's warm kiss."

From I Am a Rock, written by Ashley Qilavaq-Savard, illustrated by Pelin Turgut

Finally, Miki Rock acknowledges that, though it can see, hear, and feel, it could not fly, run or walk until Pauloosie picked it up.

 

As I write this review, I hear Simon & Garfunkel's 1965 song with the same title but know their message is completely opposite to that of Ashley Qilavaq-Savard's book. While they sang of closing oneself off for protection, Ashley Qilavaq-Savard gives us a story of companionship and feeling that speaks to consciousness and awareness. Miki Rock is as sentient as we are. It may not be able to grow or to move (or can it?) but its appreciation for what goes on around it is evident. It senses warmth and cold and feels excitement and joy. It may be Pauloosie's Anaana who is giving that life to Miki Rock but, as a reader of I Am a Rock, I am convinced, as I'm sure Pauloosie is, that life exists within that rock.

 

If Ashley Qilavaq-Savard's words don't convince you, pair them with Turkish illustrator Pelin Turgut's artwork. Between Miki Rock's expressive face, which is limited to two specks for eyes and a crack for a smile, as well as orange lichen cheeks and a tuft of "hair" and landscapes of snowy mountains, frozen lakes, northern lights, and bright Arctic flora, Pelin Turgut gives us a rock that embraces its "life."

 

From I Am a Rock, written by Ashley Qilavaq-Savard, illustrated by Pelin Turgut

We may know logically that rocks don't feel anything but isn't fiction supposed to help us imagine different worlds and reach beyond the rational into something else? With the special companionship Pauloosie gets from Miki Rock, he already knows that a rock can be more than a fixed object. (A reading of I Am a Rock would be a fabulous lesson to teach the characteristics of living things.) Courtesy of his Anaana, Pauloosie now knows even more about his pet.

When Rabbit Was a Lion

Written and illustrated by Eugenie Fernandes

Owlkids Books

978-1-77147-518-1

32 pp.

Ages 3-7

August 2023

 

A rabbit in a red-striped shirt lives in the backyard of our narrator, a little girl with whom he sometimes has tea. Though Rabbit and the little girl know that he doesn't like parties, he wants to make one for his friends, whom he does like.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

So invitations are sent out for a costume party and Rabbit busies himself cleaning and decorating, baking and preparing his own costume. And when the jitters pop in that his party might be a flop, his human friend asks him, "What if it's good?".

 

All Rabbit's friends arrive, costumed and lively. There is music and dancing, laughter and conversation, and he is so pleased that his friends are happy. But, though he does partake a little, it grows too loud and too boisterous for Rabbit and he slips away for a bit of quiet. His friends, realizing that Rabbit has withdrawn, find a way to have fun and include him without causing Rabbit discomfort.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

This could be a picture book of restraint, in colour and in story, much as how an introvert such as Rabbit might be seen. But, Eugenie Fernandes knows that Rabbit is more than his introversion. He is also a friend, and enjoys the company of his friends, though in moderation. So, that joy of friendship comes through in Eugenie Fernandes's paintings, resplendent in joyful colours of warm yellows and greens, and bright in its diverse palette. Rabbit is not sad because he needs to withdraw; he is just taking care of himself. And isn't it nice that his friends are kind enough to want to make him happy too? Eugenie Fernandes's artwork tells us this.

From When Rabbit Was a Lion, written and illustrated by Eugenie Fernandes

Thank you, Eugenie Fernandes, for giving a sensitive and authentic voice to the many introverts who have had to fit into a predominantly extroverted world. As a strong introvert who has learned to fit in as needed and become more comfortable in social situations–and then withdrawing to my comfort zone in order to recover–When Rabbit Was a Lion speaks to me and undoubtedly to many children who've been told to be more social and that they need to get out more. Children need to see that not everyone craves attention and busyness, loudness and interaction. And they need to not be misunderstood because they are different from others in their circle. I'm very glad that Rabbit's friends are astute enough to realize that his need for quiet is not him being shy or angry, depressed or stuck-up, or even interpreted as a criticism of how they like to socialize. But socializing takes energy from introverts, unlike for extroverts who are energized by social interactions. For Rabbit, some quiet gives him fortitude. And by giving Rabbit the voice to speak his feelings and the friends who are willing to listen, Eugenie Fernandes has honoured the introverts who are so often overlooked.

Percy's Perfect Friend

Written by Lana Button

Illustrated by Peggy Collins

Pajama Press

978-1-77278-281-3

32 pp.

Ages 3-6

April 2023

 

Many very young children will be trying to fit into new school situations next month as they start schools and daycares for the first time or perhaps attend a new school because of a move or recent immigration. Finding a way to fit in and make friends can be very difficult, especially if the other kids have already established friendships. This is the situation for Percy when he joins a new class, and finds an unusual but perfect friend to help him fit in.

From Percy's Perfect Friend, written by Lana Button, illus. by Peggy Collins

The kids in Percy's new class are definitely having fun at their dress-up and imaginative play but he feels very alone and apart from the group. When he spots a fluffy pink cat, he introduces himself and, as part of his own play, names her Miss Petticomb.

From Percy's Perfect Friend, written by Lana Button, illus. by Peggy Collins

Cuddling his new pink friend, he "hears" her whisper that she wants a friend to play with and accommodates her. All morning she rests in his arms, being the friend he needs. But, when he places Miss Petticomb down to do some art, she disappears. He discovers the other kids have taken Miss Petticomb to be a guest at their tea party. It's only when he attempts to rescue her that Percy realizes that the pink cat can be the friend that brings them all together if they use their imagination and show a little flexibility.

From Percy's Perfect Friend, written by Lana Button, illus. by Peggy Collins

As an early child educator, Lana Button has seen how children play and more importantly how they enter play and make connections with other children. Many adults assume that children will just organically know how to make friends and fit in. As a teacher, I too have seen parents who encourage their young children to "Just go and play with those kids" without realizing how big a step that is for many children, just as it is for the rest of us. In Percy's Perfect Friend, Lana Button models for children how to engage with new friends by scaffolding that interaction with a perfect pink friend, although any toy might work as nicely. She sees the kids as they are, some exuberant and extroverted and others reserved and perhaps even anxious. A toy, whether pink or blue, soft or hard, can be that catalyst for meaningful and playful interaction.

Peggy Collins, the author-illustrator of the Blue Spruce award-winning picture book Harley the Hero, brings her cheerful digital artwork into the play-based classroom or preschool of young children. Her young characters represent all children of different abilities and ethnicities, energies and interests, and places them in a room of colourful tables and chairs, costumes and toys, teapots and books. It's an invitation to look and play and see, perfect for any child trying to find what interests them.

If you have a little one heading to preschool or a new school this fall and who may be anxious about making friends, Lana Button and Peggy Collins will show them how Percy did it and how he probably made more than one perfect friend in doing so.

How to Make a Friend

Written by Stephen W. Martin

Illustrated by Olivia Aserr

Clarion Books/Houghton Mifflin Harcourt

978-1-328-63184-8

32 pp.

Ages 4-7

July 2021

Most kids would love to know an easy and sure-fire way to make a friend. If only it was as easy as following a set of instructions. Then again, maybe it is.

From How to Make a Friend by Stephen W. Martin, illus. by Olivia Aserr

Where to start? How about the library? That's where our earnest young girl finds a book that she's sure "with the right power tools and a basic understanding of Advanced Robotics" will help her face the challenge of making a friend. She's very meticulous, wearing her lab coat and safety goggles, and even asking her parents before handling plutonium (!). And she knows to make important decisions about the type of friend she wants i.e., what will they be able to do with her, before she gets started. That, and always measuring twice and cutting once, seems like wise advice.

From How to Make a Friend by Stephen W. Martin, illus. by Olivia Aserr

Of course, her friend is not exactly as she envisions. The tea parties, hide-and-seek, and water fights don't exactly come off as planned. (How can a friend bigger than a car really hide?) And sometimes a friend doesn't want to play or wants to play with others, and that's OK. What's not OK is when your friend starts doing the wrong stuff and you need to cut them loose (or switch them off).

Don't feel bad. Some friendships just don't work out...

From How to Make a Friend by Stephen W. Martin, illus. by Olivia Aserr

But trying to "make" a friend may be just the stepping stone this little girl needs to make a human friend that works out a little better.

Canadian-born Stephen W. Martin, now a resident of California (why, oh why?) may couch his tale of making a friend in the premise of a child building a robotic one, but all his advice, from acceptance of their differences, the possibility of them making other friends, and even abandoning them when the friendship goes awry, is all valuable and highly valid. Friendships are not easy. They are a lot of work and sometimes the work doesn't pay off. But there's always an opportunity to learn what you like or don't like in a friend and How to Make a Friend will give kids a chuckle while teaching them important lessons about friendship.

Olivia Aserr, an LA artist of books and animation, gives How to Make a Friend fabulous digital artwork that is bold in colour and shape and daring in its approach. This little girl is fierce. She doesn't just create a life-size friend; she goes big, really big. Even her lab is sophisticated. And she takes every step as a learning moment about what she wants and doesn't need in a friend. Not only is she intelligent, she's astute, and Olivia Aserr asserts this about the child time after time.

While your children may not have the capabilities of making their own robotic friend at home, Stephen W. Martin guides them through a process that will help them make one smartly but in the old-fashioned way.

Duck Days

Written by Sara Leach

Illustrated by Rebecca Bender

Pajama Press

978-1-77278-148-9

120 pp.

Ages 7-11

November 2020

 

Third grader Lauren who is autistic is delighted to have a real friend in Irma, a little girl who'd arrived from Sweden the year before. Still, there is still some hesitation about her first time visiting Irma at her home. A lover of routines and the predictable, Lauren is reminded by her father to "go with the flow" (pg. 10)–which she visualizes with a hand gesture that looks like waves rippling on the water–when things might not necessarily go to plan. However, though Lauren and Irma have much in common, from their interests in insects to a love of reading and Swedish meatballs, a casual statement made by Irma that her neighbour Jonas is her friend sends Lauren's mind off into a tizzy.

 

From Duck Days by Sara Leach, illus. by Rebecca Bender

Lauren utilizes her strategy of focusing on things she likes and her square breathing to stop herself from overreacting but she still politely refuses to play with Jonas, a fifth grader, when he invites them to join him in bike riding and trying out his obstacle course of ramps. 

From Duck Days by Sara Leach, illus. by Rebecca Bender

When all the Grade 3 students learn that they will be participating in a day-long mountain biking event at school, Lauren is unnerved, embarrassed that she still uses training wheels and convinced that she'll never be brave enough to go without. Fortunately with some very gentle nudging from her parents and Irma, a new strategy from Jonas to think like a duck and let words flow off of her like water, Lauren is able to expand her friendships, face her fears about riding her bike with training wheels at school and trying new things.

Author Sara Leach introduced young readers to Lauren, a young child living with Autism Spectrum Disorder, in Slug Days (2017) and Penguin Days (2018) and, with each new story we get to celebrate Lauren's successes in developing coping strategies that give her the comfort to endure typical childhood situations from school to spending time with relatives to making new friends and keeping them. Though it's evident that Lauren becomes uncomfortable with anything that detracts from her routines primarily as a result of her ASD, Sara Leach helps young readers see that anyone can use a little help when having a hard time. Most children do better with routines and the predictable and have worries about friendships and looking foolish. So while Sara Leach helps them understand some of the challenges faced by children with ASD, she also encourages them to find coping strategies, including visualization and focusing on breathing, to help get through uncomfortable or irregular circumstances.

From Duck Days by Sara Leach, illus. by Rebecca Bender

Accompanied by the charming pencil and digitally-rendered artwork of Rebecca Bender whose illustrations have graced her own picture books like Giraffe and Bird Together Again and How Do You Feel?, Duck Days will captivate early readers with both the familiarity and distinction of Lauren's circumstances and recognize that being brave is in everyone.