A Friend is a Friend is a Friend

Written by Sara O'Leary

Illustrated by Qin Leng 

Groundwood Books

978-1-77946-026-4

32 pp.

Ages 3–6

April 2026 

 

A concern for many children entering a new situation, whether a new school, a new sports activity, or even a new neighbourhood, is whether they'll make any new friends. For this child, heading off to camp, the worry is very real, but she's hopeful of learning some new strategies from her peers.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Without ever asking a question—or does she?—a little girl gets different perspectives from other children. As the diverse and colourfully dressed children play on a massive tree, they are quoted about their friends and the basis for those friendships. The first piece of advice is about asking questions because that's how you learn if you have things in common with others. It might be a birthday, a favourite colour, or the need for quiet.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

The variety of their experiences is rich, as are the friends they have. For one child, their best friend is their grandfather because they share stories. It could be a friend who supports you or one that you appreciate for the type of person they are. There are children who don't speak the same language but understand each other just the same. There is a child whose friend was a he and is now a she and that's okay since they still like doing the same things. There is a shy child, lifelong friends, and one who has an invisible friend. There are so many children, and they all make friends differently and make different friends. The richness of their experiences is only matched by the individuality of their friendships.

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

Sara O'Leary, author of A Family is a Family is a Family (2016) and A Kid is a Kid is a Kid (2021), gets to the heart of friendships by showing children that there is no right way to make a friend and be a friend. Her message is one of joy in the diversity of who we are and how we make friends. Without telling kids how they can make friends, she allows children to express their own feelings about their processes, giving them voice. (All responses by children to the unasked question of making friends are placed in quotation marks.) By giving them voice, Sara O'Leary lets young readers take what they want from the guidance of their peers, perhaps to help them make their own friends. And, with the wisdom of a compassionate adult, she reminds readers that, "It turns out that the best way to make a friend is to be one." (pg. 29)

From A Friend is a Friend is a Friend, written by Sara O'Leary, illustrated by Qin Leng

A Friend is a Friend is a Friend has been illustrated by Qin Leng, as in the earlier books in this collection. Qin Leng's art, created with ink, marker, and watercolour, are distinct, both light in marks and bright in mood. She does well with stories with young children, giving them innocence, playfulness, and wonder. By making all the children unique in their demeanours and expressions, and by keeping them joyful and natural in the familiarity of play, Qin Leng helps reflect Sara O'Leary's emphasis on diversity and individuality.

  

There will always be those children who make friends very easily, never worrying about how to do it or if they can do it. But there are others for whom it is an uncertainly and even a fear, and A Friend is a Friend is a Friend will help them. Best of all, it's a sweet story without being a contrived teaching tool. And if your little one is heading to summer camp, or to kindergarten or a new school this fall, or you're planning on moving house, A Friend is a Friend is a Friend will reassure those for whom finding a friend may be more of a challenge. It reminds them that they can do it.

 • • • • • • •

 

A Family is a Family is a Family (2016)

A Kid is a Kid is a Kid (2021)

A Friend is a Friend is a Friend (2026)

Vicky Metcalfe Award for Children's Literature: 2024 Winner announced

There is a wonderfully long list of awards announced annually by the Writers' Trust of Canada. They include the Atwood Gibson Writers' Trust Fiction Award, the Hilary Weston Writers' Trust Prize for Nonfiction, and the Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers. Some awards focus on a specific book while others are given to writers based on their body of works. Last night, the awards were announced at an event at the CBC Glenn Gould Studio at which more than $330,000 was handed out to 7 award winners. Among those generous awards is the Vicky Metcalfe Award for Children's Literature which includes a $25,000 prize sponsored by the Metcalfe Foundation.

 

This year's winner of the

 

 Vicky Metcalfe Award for Children's Literature 

 

goes to

 

Sara O'Leary

 

for a body of work which includes the following books:

The Little Book of the Little Brontës (Tundra, 2023) Illus. by Briony May Smith

A Kid is a Kid is a Kid (Groundwood, 2021) Illus. by Qin Leng

Percy's Museum (Groundwood, 2021) Illus. by Carmen Mok

Night Walk (Groundwood, 2020) Illus. by Ellie Arscott

A Family is a Family is a Family (Groundwood, 2016) Illus. by Qin Leng

When I Was Small (Simply Read, 2011) Illus. by Julie Morstad

Where You Came From (Simply Read, 2008) Illus. by Julie Morstad

When You Were Small (Simply Read, 2005) Illus. by Julie Morstad

The event, which was live streamed, can be viewed on YouTube at https://www.youtube.com/live/EXe9ANrSQSE or you can check out all the award announcements the Writers' Trust of Canada website at https://www.writerstrust.com/events/writers-trust-awards/.

 

 

Congratulations to Sara O'Leary and all award winners of the Writers' Trust of Canada Awards for 2024.

 

👏👏👏 

The Little Books of the Little Brontës

Written by Sara O'Leary

Illustrated by Briony May Smith

Tundra Books

978-0-7352-6369-7

40 pp.

Ages 5-9

October 2023

 

This is the story of four siblings who lived about 200 years ago. Their names were Charlotte, Bramwell, Emily, and the youngest was Anne. After their mother had died, as well as their two older sisters, they lived with their father, their Aunt Bramwell, a housekeeper named Tabby, and many pets. And they loved to read and tell stories.

From The Little Books of the Little Brontës, written by Sara O'Leary, illustrated by Briony May Smith

They read everything they could, from novels and poetry, to geography, the dictionary, and the Bible. And when they weren't reading, they were making up stories, creating characters, and acting out plays. And they wrote their own little books to share with each other. What a special gift to have a sister who would paint pictures and hand-stitch pages and give their lives a happily-ever-after. When Bramwell received a set of toy soldiers, which he shared with his sisters, they created even smaller books that would fit into the hands of the toy soldiers. These books were tiny but the worlds within were colossal.

They contain continents and oceans, love stories and battles. There are heroes and antiheroes. And sometimes those who die in one story are brought back to life in another.

Their little books and their stories sustained them and inspired them all to write, taking them to new worlds.

From The Little Books of the Little Brontës, written by Sara O'Leary, illustrated by Briony May Smith

The Little Books of the Little Brontës is not necessarily an illustrated biography of the four Brontë siblings though it does contain key biographical information about their home, the people in their lives, and their occupation with writing and books. But Sara O'Leary has not written this picture book to tell their biographies. She has written it to speak to the power of storytelling and the imagination to sustain us through challenges. There is much still left to tell of the Brontës' stories but those details can just as easily be discovered through research. Like the power of the Brontës' stories, Sara O'Leary takes the reader to see a different world, one in which travel to unknown places is possible, in which struggles are won, and in which lives may be happier, easier, and more exciting. That's the true story of the stories that the Brontës told. Their stories comforted them and fostered their creativity.

Briony May Smith, a British illustrator, uses mixed media to take us into the long-ago world of the Brontë children. She gives their world both historical accuracy but a sweetness of siblings reliant on each other for support and love. The softness of her pencil and digital media take away the austerity of the Brontës' lives and makes them rich in family and togetherness and, of course, literary creativity.

From The Little Books of the Little Brontës, written by Sara O'Leary, illustrated by Briony May Smith

I have reviewed a number of Sara O'Leary's earlier books (including When I Was Small, 2011; A Family is a Family, 2016; Night Walk, 2020; and  Percy's Museum, 2021) and, regardless of the story, there is a gentleness in her storytelling. It's in the choice of her words and the structure of her phrasing and in the choices she makes to tell or not tell. The timeline that appends The Little Books of the Little Brontës cannot help but speak to the losses the Brontës experienced in their short lives–the four who are featured in this book all passed in their 20s or 30s–but, though Sara O'Leary mentions the loss of the children's mother and their older sisters, she makes this story about the wonders of books and storytelling.

The Little Books of the Little Brontës will surely inspire young readers to delve a little deeper into the history of the Brontës but also to create their own little books–instructions provided–and find the wonder in making worlds for themselves and others.

From The Little Books of the Little Brontës, written by Sara O'Leary, illustrated by Briony May Smith

A Kid is a Kid is a Kid

Written by Sara O'Leary

Illustrated by Qin Leng

Groundwood Books

978-1-77306-250-1

32 pp.

Ages 3-6

August 2021

 

Every child may be different but every child is also the same, especially when they're asked insensitive or withering questions about their differences. They just want to be, to feel safe and cared for and to enjoy life. When they are questioned about their family or their gender, their preferences or abilities, or have their "imperfections" pointed out, they do not feel good. Then they are all the same, as are we all.

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

From the onset, A Kid is a Kid is a Kid reminds us that being a kid is not easy. Starting with a child who's taunted with a question about whether they're a boy or a girl, multiple kids step up to assert what tactless questions have been asked of them. From why one child always has her nose in a book, or why another is small, to where they come from, why they wear the same shirt, or why they don't have any friends. (One boy steps up to negate that question by declaring himself their friend.) There's a child with a prosthetic leg and one with a baby sister in an incubator and twins who always get asked about being twins. (Tiresome, I'm sure.)

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

But rather than focusing on the differences that the inquisitors see, kids want to be asked about their strengths, what they love and that of which they're proud. And there's one important question that every child likes to be asked.

From A Kid is a Kid is a Kid by Sara O'Leary, illus. by Qin Leng

As Sara O'Leary and Qin Leng reminded us in their earlier book, A Family is a Family is a Family (Groundwood, 2016), there is no one way to be a family, and the same goes for being a kid. Kids come in different shapes, sizes, colours and abilities. Their essences and their histories make them unique. But getting to know kids is not focusing on their vulnerabilities. That's teasing and bullying and says more about the one asking the question than the one answering. Sara O'Leary understands that all people, kids and adults, may say or ask something rude but her emphasis in A Kid is a Kid is a Kid is that the diversity of individual kids is what makes a school, a playground, or a community great. Qin Leng's illustrations of ink and watercolour with pastel give us that diversity while reminding us that children are young and small and must be overwhelmed by being so in a big world. But, what's important is being yourself among others and not being ashamed of what you are. By first focusing on those differences before culminating their story with a universally welcome activity for kids, Sara O'Leary and Qin Leng bring young readers into their story and remind them that being a kid can mean different things and they're all just fine.

Percy's Museum

Written by Sara O'Leary

Illustrated by Carmen Mok

Groundwood Books

978-1-77306-252-5

32 pp.

Ages 4-8

April 2021

Percy loved living in his busy urban neighbourhood in which friends and activity were plentiful. But a move to the country, where houses are separated and playmates undiscovered, Percy isn't sure what to make of his new home.

From Percy's Museum by Sara O'Leary, illus. by Carmen Mok

But discovery reveals the unexpected. There's a special "Percy-sized house" at the edge of the yard and a plethora of natural wonders. There are "bees kissing flowers, ants on parade, and birds putting on air shows." There are wild strawberries to taste, and trees to sit upon, and everywhere there is change.

From Percy's Museum by Sara O'Leary, illus. by Carmen Mok

Taking in all these wonders, he collects and documents them, putting them on display in his small pink house. Even though he realizes that he isn't lonely because there is always something to see and do in his new place, it might be nice to share. So, with some balloons and drinks and a sign pointing out "Percy's Museum," Percy is delighted to discover that sometimes friends find you.

From Percy's Museum by Sara O'Leary, illus. by Carmen Mok

Change is hard for many of us and more so for some than others. It's evident from Carmen Mok's first illustration of a forlorn Percy sitting alone on a bench in an expansive yard that his new situation is uncomfortable. But this child opens his eyes and heart and begins to explore his new surroundings. He sees things he'd never imagined, from fish in a creek and baby birds in a tree to a patch of edible wild strawberries. He immerses himself in the nature of his new home and uncovers new wonders, or at least new to him and, through Sara O'Leary's words, we go with him.  She takes us into Percy's heart and lets us see with his eyes. She's very good at doing this, giving readers the perspective of young children, for example imagining their parents as children (When I Was Young, 2011) and seeing their familiar neighbourhood in the unfamiliarity of night (Night Walk, 2020). There's a innocence and sweetness to Percy's perception of his new world and his openness to new experiences. He's never critical or complaining. He doesn't whine that his new home isn't as good as his old. He simply knows it's different, and different doesn't mean bad or wrong. And don't Carmen Mok's gouache and coloured pencil illustrations mirror that freshness of outlook? 

Percy's Museum is a reflection of this little boy's heart: it's cheerful, bright and full of wonders, and an invitation is sure to enrich, in more ways than one.

Night Walk

Written by Sara O'Leary

Illustrated by Ellie Arscott 

Groundwood Books

978-1-55498-796-2

32 pp.

Ages 3-7

September 2020

I think a lot of us have sleepless nights, nights during which we are "owl-eyed" and our heads churn. When this little girl can't sleep, her dad offers her a solution in a Night Walk.

 

From Night Walk by Sara O'Leary, illus. by Ellie Arscott

So pulling on boots, hat and coat over her pajamas, the child joins her father in a walk "just to be out." As might be expected, everything looks different at night, as they walk "from one island of light to the next like explorers," peeking into the lit windows of people's late-night lives. There's the variety store's sad-looking woman joyously welcoming a baby in her apartment above. There are people at restaurants or eating at home. Others are walking dogs or cycling or traveling by bus. One man plays his violin to his pets on his deck decorated with fairy lights.  Everywhere there is life and colour, sound and quiet.
 

From Night Walk by Sara O'Leary, illus. by Ellie Arscott

A final stop on their Night Walk takes the child and her father to the playground where she recognizes that this community of people and places, which she usually only experiences in the daylight hours, is her home and where she wants to be.

From Night Walk by Sara O'Leary, illus. by Ellie Arscott

 

Sara O'Leary loves to give us a child's perspective on the ordinary which becomes extraordinary through their eyes and she has done the same with Night Walk. By seeing her community, one she passes through regularly during the day, at a different time and lit from outside by the moon and streetlights and from within by lamps, the child sees differently and is amazed. It's this wonder that Sara O'Leary, whose previous works include A Family is a Family is a Family and When I Was Small, captures in the depth and simplicity of the child's words and thoughts. They are told from her perspective and with her voice, and the fascination with this new world is unmistakable.

From Night Walk by Sara O'Leary, illus. by Ellie Arscott

This is Toronto artist Ellie Arscott's first picture book but she matches the marvel of the child's experience with illustrations that reflect the sweeping landscape of the neighbourhood. In her watercolour and ink artwork, Ellie Arscott takes the homes and businesses and people in the community from the backdrop into the all-around i.e., foreground, middle ground and background. The reader will still always be able to pick out the child in her bright red vest but Ellie Arscott makes us feel like we are seeing the world from the young girl's point of view and it is this world that is the star of Night Walk.

I hope that there will always be someone to guide a young child on a Night Walk of discovery, safe in their community and open to all the lights that shine.

A Family is a Family is a Family

Written by Sara O'Leary

Illustrated by Qin Leng

Groundwood Books

978-1-55498-794-8

32 pp.

Ages 4-7

September 2016

Following prescribed curricula from across the country, teachers will be encouraging their students to share details about their families and what makes them special, just like the students in Sara O'Leary's book in which a teacher asks her young charges what makes their families unique.  And though I suspect most children will see a version of their family somewhere in the multitude of families in A Family is a Family is a Family, it's Sara O'Leary's poetic inclusivity that takes the concept of family from an insular group to a worldwide love-in.

When the teacher first asks her students about their families, it is evident that one little child, who drops his eraser so that he can go last, is reluctant, knowing that "My family is not like everyone else's." (pg. 3) He's right, of course, because all families are unique.  From the little girl whose parents are heavily into PDAs, "It's kind of gross" (pg. 4) to the one whose parents "just keep coming home with more" (pg. 6) –I counted fifteen children!–

From A Family is a Family is a Family 

by Sara O'Leary, illus. by Qin Leng

to the children who are part of blended families, or have same-sex or divorced parents. But it's the last little child who finally recognizes that their foster family is still a family after recalling Foster Mom's affectionate answer to a rude query about which of the children were "her real children."

"Oh, I don't have any imaginary children," Mom said.  "All my children are real." (pg. 28)

Though I know, and children do too, that not all families are perfect or happy or supportive, Sara O'Leary's book celebrates families in all their forms–big, small, alike, different, blended, separated, adopting, fostering–as worthy of note, eclectic as they may be.  Her narration is a universal one of acceptance and appreciation for families of all kinds.  The sweetness of her message is matched page by page with Qin Leng's illustrations of children and parents of assorted colours and shapes, economic backgrounds and interests. The lightness of Qin Leng's lines and the whimsy of her colour and shape help portray a diversity of families that are as fluid as they are depicted.  After all, families can and do change over time, even if a new baby isn't the result of mom ordering him online, as one little girl suspects.  A Family is a Family is a Family is a book in which every child will find themselves, I hope, as Sara O'Leary and Qin Leng have diligently tried to include everyone in an assortment of situations that honour families at their best.

From A Family is a Family is a Family

by Sara O'Leary, illus. by Qin Leng

When I Was Small series

On April 4, 2012, I reviewed Sara O'Leary's delightful picture book When I Was Small, illustrated by Julie Morstad, published by Simply Read Books (2011).

Today, I learned that When I Was Small is just the newest of three books by Sara O'Leary and Julie Morstad which are all based on young Henry and his curiosity.  The three books are:

When I Was Small

Written by Sara O'Leary
Illustrated by Julie Morstad
Simply Read Books
978-1-897-476-38-3
32 pp.
Ages 4-8
2011

Where You Came From

Written by Sara O'Leary
Illustrated by Julie Morstad
Simply Read Books
978-1-894965-46-0
32 pp.
Ages 3-8
2008

When You Were Small

Written by Sara O'Leary
Illustrated by Julie Morstad
Simply Read Books
978-1-894965-36-1
32 pp.
Ages 2-6
2005

I will need to check out the first two books in this lovely series, but you can do that here, courtesy of the book trailer uploaded by Simply Read Books on May 18, 2012, recently showcased on a School Library Journal blog.

Published on May 18, 2012 by simplyread1 to YouTube 

 

When I Was Small

Written by Sara O'Leary
Illustrated by Julie Morstad
Simply Read Books
978-1-897-476-38-3
32 pp.
Ages 4-8
2011

My photo of When I Was Small does not do justice to the pervasive delicacy of Sara O'Leary's book.  Holding the cloth-spined hardcover book with its unadorned font and images, the reader will feel whisked away to the simpler time of childhood.  No matter whether the reader is eight or fifty years of age, When I Was Small will embrace the wonder of being little and the unconditional affection of a parent.

Henry's curiosity about his parents' childhoods is satisfied with his mother's "recollections" of being younger.  She shares with him a wealth of reminiscences: having a lady bug as a friend; wearing the same size shoes as her doll; playing jump rope with a piece of yarn.  But her accounts become fantastical experiences in Julie Morstad's pen and ink drawings depicting the mother when she was small. Not just small as in young but literally small à la Thumbellina.  Innocent observations of a mother, speaking to her young son, loving in her affection for her child and in her long-gone youth, are transformed into delightful intimacies for both mother and son.  Sara O'Leary is frugal with her words, binding the experiences to youth, still many years away from the weight of adult words and worries.  Likewise, Julie Morstad uses watercolours sparingly to enhance her ink illustrations but perfectly to capture the brightness of youth with the washed-out tones of another time.

Anyone who argues that the book in any form other than electronic is becoming obsolete needs to bring a copy of When I Was Small into their life.  The sheer pleasure of holding a story that is as delightful in its jacket as it is in its heart is very rare today and should be cherished.  Sara O'Leary's When I Was Small is just such a singular luxury.