This is the Boat that Ben Built

Written by Jen Lynn Bailey
Illustrated by Maggie Zeng

Pajama Press

978-1-77278-242-4

32 pp.

Ages 5-8

March 2022 

While many cumulative tales, those in which the story starts with one person or thing and continues to add new elements while repeating those already introduced, are often humourous and can lead to the absurd, This is the Boat that Ben Built actually has a sense of calm about it. OK, there is a little bit of the silly, but only enough to provide a giggle and a smile to the relaxing atmosphere of a child on a northern Canadian river amidst a plethora of land, water and sky creatures.

From This is the Boat that Ben Built by Jen Lynn Bailey, illus. by Maggie Zeng

Under the watchful eye of his life-vested mother and dog on shore, Ben heads out in his boat Explorer on a peaceful river. He's well prepared with his binoculars, fishing gear, and investigative tools like a journal, magnifying glass and jars.

From This is the Boat that Ben Built by Jen Lynn Bailey, illus. by Maggie Zeng

From This is the boat that Ben built, the reader progresses with the young boy to the river (This is the river that carries the boat that Ben built), to the fish that swim in the river, the beaver that builds there, the loon that floats, a goose that grins, a black bear, a moose, a heron and owl. And then there's mayhem!

From This is the Boat that Ben Built by Jen Lynn Bailey, illus. by Maggie Zeng

This is the Boat that Ben Built ends as calmly as it started, though Ben has added some travellers to his boat, and all young readers will be both entertained and educated as the repetitive text moves the story from tranquility to tumult and back to balance. By wrapping her lessons on the fauna of the northern river ecosystem in the humour of a goofy story of animals in a wild chain reaction, author Jen Lynn Bailey is providing valuable STEM lessons for young children and amusing them with the antics on the river. So, for teachers who need to introduce their students to the interrelationships of living things or those who want to blend some science into their reading programs–cumulative, repetitive stories are fabulous for growing readers–This is the Boat that Ben Built ticks all the boxes.

 

Of course, Maggie Zeng's artwork just adds to both the calmness and the sweetness of the story. Another illustrator might have leaned to the silly but Maggie Zeng keeps with the naturalness of a river ecosystem, giving the animals, the people and the landscape all identifiable attributes but with a softness that comes of awareness of audience and message. The river alone, whether of the turquoise green or yellow-green of sediment rich waters, is as easy moving as the story, carrying Ben and his boat as it does young readers.

From This is the Boat that Ben Built by Jen Lynn Bailey, illus. by Maggie Zeng

This is the Boat that Ben Built is a tale of discovery and appreciation for a natural ecosystem but Jen Lynn Bailey and Maggie Zeng do well to tie it to a bit of silliness that will have kids laughing as they learn.

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To learn more about This is the Boat that Ben Built, check out its upcoming virtual book launch, free to all ages, with author Jen Lynn Bailey and illustrator Maggie Zeng on Wednesday, March 16, 2022 from 7- 8 PM EST.  Registration for this event can be accessed at bit.ly/boatben

The Deepest Dig

 

Written by Mark David Smith

Illustrated by Lily Snowden-Fine

Owlkids Books

978-1-77147-419-1

32 pp.

Ages 3-7

August 2021

What can come from a little curiosity and some brain power and brawn? A whole lot of treasure. Even if no one believes, at first.

From The Deepest Dig by Mark David Smith, illus. by Lily Snowden-Fine

Caden is a child with a curious mind. When he and his dog find something poking out of the backyard, he eliminates all the things it is not: not a root, not a post, not a stone. His neighbour Martha encourages him to dig deeper. His scientific brain asks questions and considers his options. While he does ask his parents as he proceeds to dig, they both dismiss his inquiries.

From The Deepest Dig by Mark David Smith, illus. by Lily Snowden-Fine

First shovelling and then with the use of Martha's truck winch, bits and pieces are excavated. Even when he tells his teacher what he'd found, Caden is dismissed (later compelling Mr. Clerkson to eat his words, or rather his hat). Because Martha recognizes that, "It's only a treasure if it's put together," Caden gets to work. 

 

From The Deepest Dig by Mark David Smith, illus. by Lily Snowden-Fine

This time when his parents see his efforts, they have a lot less to say–they are speechless–and it's Caden who puts together what the next steps should be to get the woolly mammoth skeleton witnessed by all.

It's been awhile since I've reviewed a story by Mark David Smith. I'd been quite impressed by his middle-grade novel Caravaggio: Signed in Blood (Tradewind, 2013) and still am but now also with a picture book that promotes curiosity and endeavour. Of course it's a child who discovered a skeleton. They're the ones who aren't focusing on their bills and their work and household chores. Mom or Dad probably had already rolled over it or around it with their lawn mower, oblivious to its importance. Caden, on the other, got down and looked at it. Really looked at it. This is scientific inquiry at its best. In order to see more, he makes a plan and digs it out. Then putting together what he learns in class and through his own efforts, he assembles a find worthy of a museum. (That's where it ends up according to the newspaper article that concludes the story.) Martha and his parents may have had to be there to get him further along in his inquiry but it was all driven by Caden, and his efforts should be applauded.

From The Deepest Dig by Mark David Smith, illus. by Lily Snowden-Fine

Lily Snowden-Fine, whose artwork I only recently reviewed for the first time (Kimmy & Mike, 2021), uses vibrant colours and scale to emphasize the daring and magnitude of Caden's endeavour. Readers are taken from the outdoors where the tree, red truck and bushes are large to when they are overshadowed by the skeleton Caden puts together. It's quite incredible but Lily Snowden-Fine makes us feel the enormity of what he has accomplished. Moreover, her diversity of characters will let all children imagine that they too could dig up a dinosaur.

The Deepest Dig encourages children to dig deep, whether it's into their curiosity, science, research or any passion. They may not always get the support they deserve at first but perseverance and determination can go a long way to unmasking a hidden treasure. Ask Caden. He did.

Percy's Museum

Written by Sara O'Leary

Illustrated by Carmen Mok

Groundwood Books

978-1-77306-252-5

32 pp.

Ages 4-8

April 2021

Percy loved living in his busy urban neighbourhood in which friends and activity were plentiful. But a move to the country, where houses are separated and playmates undiscovered, Percy isn't sure what to make of his new home.

From Percy's Museum by Sara O'Leary, illus. by Carmen Mok

But discovery reveals the unexpected. There's a special "Percy-sized house" at the edge of the yard and a plethora of natural wonders. There are "bees kissing flowers, ants on parade, and birds putting on air shows." There are wild strawberries to taste, and trees to sit upon, and everywhere there is change.

From Percy's Museum by Sara O'Leary, illus. by Carmen Mok

Taking in all these wonders, he collects and documents them, putting them on display in his small pink house. Even though he realizes that he isn't lonely because there is always something to see and do in his new place, it might be nice to share. So, with some balloons and drinks and a sign pointing out "Percy's Museum," Percy is delighted to discover that sometimes friends find you.

From Percy's Museum by Sara O'Leary, illus. by Carmen Mok

Change is hard for many of us and more so for some than others. It's evident from Carmen Mok's first illustration of a forlorn Percy sitting alone on a bench in an expansive yard that his new situation is uncomfortable. But this child opens his eyes and heart and begins to explore his new surroundings. He sees things he'd never imagined, from fish in a creek and baby birds in a tree to a patch of edible wild strawberries. He immerses himself in the nature of his new home and uncovers new wonders, or at least new to him and, through Sara O'Leary's words, we go with him.  She takes us into Percy's heart and lets us see with his eyes. She's very good at doing this, giving readers the perspective of young children, for example imagining their parents as children (When I Was Young, 2011) and seeing their familiar neighbourhood in the unfamiliarity of night (Night Walk, 2020). There's a innocence and sweetness to Percy's perception of his new world and his openness to new experiences. He's never critical or complaining. He doesn't whine that his new home isn't as good as his old. He simply knows it's different, and different doesn't mean bad or wrong. And don't Carmen Mok's gouache and coloured pencil illustrations mirror that freshness of outlook? 

Percy's Museum is a reflection of this little boy's heart: it's cheerful, bright and full of wonders, and an invitation is sure to enrich, in more ways than one.

Hidden Treasure

Written and illustrated by Elly MacKay

Running Press Kids

978-0-7624-6301-5

32 pp.

Ages 4-8

June 2021

 

There's magic here. It's the magic of Elly MacKay's artwork but it's also in a child's wonder of discovery, finding treasure which most would overlook and appreciating a day of togetherness. It's in a lazy summer day on a beach and we're invited to watch.

 

From Hidden Treasure by Elly MacKay

A child and her Papa stroll down to the bay with their dog, past stores that claim to sell treasures, though she knows better.  She knows what true treasures are, and it's not the stuff sold in stores or the kind lauded by pirates in movies.

From Hidden Treasure by Elly MacKay

She finds treasure in the beach stones that are different with each visit. This day she picks up one that looks like a whale tooth, a perfect match for the whale she envisions in the clouds.

Dipping into the water, she discovers more treasure including shells, a speckled rock, a bubble wand, a rusty key and a marble, all which she lays out on the dock for her dog to see. Some she will return to the water to revisit another day and some treasures she will admire from afar, like the cocoon on the swamp milkweed.

 

From Hidden Treasure by Elly MacKay

Deciding what she will choose to add to her treasure box–“ones I can borrow, keep for a while”–is an important part of the process and one she shares with her Papa.

When I’m here, I feel like a queen.
So I think I know what treasure means.

And she knows that treasure goes beyond the things she picks up or sees on their outing.

From her debut picture book, If You Hold a Seed, Elly MacKay has been wowing young readers and their teachers, school and home, with her expressive illustrations. Because she blends drawings with ink and cut paper into scenes which she photographs–her Twitter handle is appropriately @theaterclouds–Elly MacKay melds layer upon layer of colour and texture and shape into an evocative landscapes of life and setting. The water produced from iridescent wrapping paper shimmers with movement and warmth and the beach radiates summer heat and softness with natural quiet. There's connection between people and with place but there is solitude as well. This is treasure in itself, as the child recognizes. 

 

I suspect that there will be, as there always have been, children collecting hidden treasures from walks in forests, along beaches and in urban settings on this very day. They will see the extraordinary in the ordinary. With Hidden Treasure and her ethereal artwork of theatre, Elly MacKay has reminded us all of the magic that comes from the ordinary and to see the treasure that is too often missed.

Outside, You Notice

Written by Erin Alladin

Illustrated by Andrea Blinick

Pajama Press

978-1-77278-193-9

32 pp.

Ages 4-7

April 2021

How often do we notice things, especially things in the outdoors, that are right under our noses? Erin Alladin wants us to open our eyes, ears, noses and touch the world to know the wonders that our world holds outside, no matter what your outside looks like.

 

From Outside, You Notice by Erin Alladin, illus. by Andrea Blinick

As children and others participate in the world outside, whether it be a backyard, a park, a playground, a sidewalk or something else, there are so many things to check out, and Erin Alladin makes sure we see it all. Each double-spread asks the reader to notice one attribute of nature like the rain, the soil, leaves or colours, and then info boxes provide brief content related to that focus. For example, when asked to notice "How after the rain everything smells greener," we learn about leaves capturing rain, how a tree's canopy provides cover, why the rain can smell like it does, and why plants get the rain they need.

 

From Outside, You Notice by Erin Alladin, illus. by Andrea Blinick

We discover how animals make the outdoors their homes, how they live, and the sounds they make. We learn about life cycles of plants, from seeds and germination, to flowers and fruits. Above ground and below, along water ways and at farmers' markets, there is so much to see and learn.

From Outside, You Notice by Erin Alladin, illus. by Andrea Blinick

With Outside, You Notice, Erin Alladin has invited the reader to explore and make observations and grow themselves into sentient beings beyond the confines of our indoors. She may provide information tidbits that instruct and direct inquiry, so perfect for science lessons with little ones, but she also asks us to be mindful of our worlds. Outside, You Notice gives us the prompts to stop and smell and look and touch in the moment, wherever that moment may be. The experiences will be as diverse as the children who are doing the noticing, and the learning as fulfilling and filling as can be. With that, a calmness will envelop the reader, taking away the bustle and the tech, as the focus is on the world we too often take for granted.

Outside, you notice

The breath in your body

Your feet on the ground

Your self in the world

Toronto artist Andrea Blinick uses gouache, coloured pencils, collage and chalk pastel to create the diversity of textures, colours and shape that convey the sensory nature of the text and take us into the outdoors. The eyes that see, the dog that sprints, the dandelions being picked, the sweetness of a strawberry about to be eaten–Andrea Blinick takes us there, to appreciate and acknowledge the outdoors and its moments.

 

Whether a child of the city or the country, of a place of rain or sunshine, trees or fields or concrete, there is a world of wonder that is the landscape of our lives. With Outside, You Notice inviting us to explore and appreciate the sensations and marvels of the outdoors, young readers can only flourish.

From Outside, You Notice by Erin Alladin, illus. by Andrea Blinick

The Traveling Circus

by Marie-Louise Gay and David Homel

Illustrated by Marie-Louise Gay

Groundwood Books

978-1-55498-420-6

152 pp.

Ages 7-11

For release April 2015

Charlie and his younger brother Max are going traveling with their parents again, though as Charlie recognizes,

Sometimes I wonder why people want to travel.  It can be so much effort! (pg. 20)

The family first hit the road in Travels with my Family (Groundwood, 2006), before going On the Road Again! (Groundwood, 2008) and then staying for a Summer in the City (Groundwood, 2012).  This time, they're heading to the former Yugoslavia to visit Fred, an acquaintance of their father's, and his wife Gordana.

Oh boy!  A country broken up by a war, where people spoke a language with no vowels and that no one could understand.  The perfect place for a vacation! (pg. 14)

From a start in Padua, the home of Saint Anthony, where Max goes awol, the family heads through Slovenia to Croatia, almost losing the boys to an ill-placed pee at the border (!).  The family meets up with Fred and Gordana, grandson Libero and another couple, Bobo and his wife Silvia, to take their first ferry ride and head to Cres, where they learn that vacations are for being close to people, before continuing to their ultimate destination, Vrgada, "a tiny sleeping island with no cars, where nothing every happens." (pg.110)

"The Traveling Circus" is what Charlie begins to call the motley band of vacationers with their cases and picnic baskets and bags as they parade onto and off of ferries, along streets, in cars along mountainous roads and following the women of Vrgada and their wheelbarrows.  As narrator, Charlie makes it clear how much he would prefer avoiding these family adventures, and not having to always watch over Max, and having some alone time to ponder and explore.  But it is his ponderings and the way he sees his family and friends, and the places they visit, and the circumstances of their visits that make The Traveling Circus the insightful and funny adventure that it is.  

Although Charlie never fails to acknowledge his respect and love for his family, he can see the ridiculousness of some of his parents' attitudes and actions.  

Sometimes my parents just didn't take things seriously.  I mean, how would they have explained that to our friends back home and especially to my grandmother? "Oh, we had to leave the boys in a prison in Croatia.  But don't worry, they'll be out in a couple of years." (pg. 49)

The same goes for little Max, whom Charlie reassures when one disaster or another befalls the little boy.  But, it's Charlie's insights into the people of the former Yugoslavia and the impact of war that are the most poignant.  It's an eye-opener to him and will be for young readers too.

No one had won this war.  One side lost their houses and had to leave.  The other side left, too, because they were ashamed of what they had done.
     There was nothing left but an empty village, full of land mines, where no one could live. (pg. 101) 

The Traveling Circus may appear to be a farcical family trip but it's an endearing voyage of discovery into a world ravaged by war that can still amaze with its beauty, people, and affection.  I don't know whether this adventure is based on one Marie-Louise Gay and David Homel took with their own children but I still thank them for sharing the colour and animation of The Traveling Circus with us, fiction or not.

Fishermen Through & Through

by Colleen Sydor

Illustrated by Brooke Kerrigan

Red Deer Press

978-0-88995-517-2

32 pp.

Ages 4+

November 2014

There once lived three fishermen: Peter, Santiago, and Ahab. They were tough. They were as salty as the bottom of a pretzel bag. They were as weathered as a twisted stick of driftwood. (pg. 3)

These three men are the titular fisherman, a companionable trio whose lives on the sea do not preclude their ability to dream. Peter dreams of camel travel across a desert of sand,  Santiago imagines balloon travel on the wide expanse of sky, and Ahab is enamoured with the vision of endless fields of coloured tulips. But, as Fishermen Through & Through, they continue to fish, until one day, blow me down, a beautiful, white lobster becomes entangled in their nets.

Not wishing to be selfish, the three take their catch to the Fisherman's Net, a local restaurant, to be honoured by placement in a grand seawater tank, for all to enjoy.  News of the albino lobster spreads and everyone, from reporters to biologists and photographers, come to visit and witness the splendour of the lobster.  But, when the fishermen are offered a great deal of money for the lobster, they find themselves considering their dreams, the lobster and life on the sea to help them make the right decision.

Whether Colleen Sydor's three fishermen represent Saint Peter, Hemingway's old fisherman from The Old Man and the Sea, and Moby Dick's captain Ahab is irrelevant–though fitting–they are a credit to their vocation, fishermen through and through.  And their respect for the ocean, and what it gives and takes, is uncompromising.  With Brooke Kerrigan creating the graphics, the pencil illustrations are beautifully awash in soft watercolours, bringing the gentle waters and straightforward characters to complement the positive text.  Illustrator of Wellington's Rainy Day (Beck, 2011) and award-winning Kiss Me! (I'm a Prince) (McLeod, 2011) Brooke Kerrigan doesn't just add the pictures; she creates the spirit of Colleen Sydor's story through line and colour. Fishermen Through & Through is a complete story, through and through.