Stella and Sam ABC

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-77946-067-7

34 pp.

Ages 0–3

May 2026 

 

This is not just another alphabet book. It's Stella and Sam, Marie-Louise Gay's wonderful siblings from countless books including Read Me a Story, Stella (2013), Stella, Princess of the Sky (2004), and Good Night Sam (2003). Together they share, explore, learn, and bond. Now they're helping others learn the alphabet through their relationship and joyous romps through play.

From Stella and Sam ABC, written and illustrated by Marie-Louise Gay

From apple picking to 

moon-watching to 

exploring the jungle, 

every day is a new adventure 

for Stella and Sam. 

Do you want to join them? Let's turn 

the page!

With that first page, Marie-Louise Gay invites us to watch the two children as they play through the seasons. In winter, there's angel-making, ice-skating, and night-time dreaming ... with owls hooting. In the summer, there's fishing and vegetable gardening. And there's always fun in the house like hiding and seeking, reading, rolling and somersaulting, as well as yawning together (Sam and Fred the dog) before falling asleep. These children do so much that I suspect Marie-Louise Gay could write multiple alphabet books for Stella and Sam.

From Stella and Sam ABC, written and illustrated by Marie-Louise Gay

Whether together or off on their own, everything they do gives us new letters to learn, new words to identify, and new qualities to fall in love with. Stella and Sam are filled with joy, whether it's watching the moon, bathing with rubber duckies, or slurping some tasty treat. There are nouns and verbs, sounds and more. Marie-Louise Gay shows us that these kids are into everything, both remarkable and ordinary.

From Stella and Sam ABC, written and illustrated by Marie-Louise Gay

Young children will definitely learn the alphabet as they read along with Stella and Sam ABC, but they'll also be learning to read. The words are simple and will be meaningful to children. Stella and Sam's activities and actions will all be familiar, and easily replicated which will strengthen young children's learning. And because Marie-Louise Gay always gives us more to love in her art, like hiding rabbits, a stray sock, or a hitchhiking snail, children will be pointing and finding and laughing as they learn.

 

It's so lovely to visit with Stella and Sam again. Even though Marie-Louise Gay has continued to give young readers fabulous picture books (e.g., Short Stories for Little Monsters, 2017); The Three Brothers, 2020; and I'm Not Sydney!, 2022) even early chapter books, I've missed Stella and Sam (and Fred too). They are sweet and true. They are delightful to watch in their relationship and in their play. They are different and yet similar in their dispositions—their parents or guardians must be extraordinary—and I want more of Stella and Sam. Please. After all, there is still so much of their world to explore—exploring is the x word, as you were probably wondering—and to see through their eyes and their hearts.

I'm Not Sydney!

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-77306-597-7

40 pp.

Ages 3-6

March 2022

 

Why is Sydney not Sydney? It's because he's a sloth. And while his tree looks like a deciduous tree of Canada, the child imagines himself in the lushness of a tropical forest. As a sloth, he is happy to smile, sleep and daydream his days away, though his companion, Sami, scampering up the tree, sees herself as a spider monkey.

From I'm Not Sydney! by Marie-Louise Gay

As sloth and spider monkey enjoy their new personas, little Edward, ready for baseball, responds with the most charming of answers when they tell him of their exploits.

"Well, well," said Edward. "How about that?"

With that, he's down on all fours, his elephantine form disappearing into the tall grass of the savanna, feeling the sun, hearing the grasshoppers and smelling the grass and earth.

From I'm Not Sydney! by Marie-Louise Gay

Anamaria becomes an anteater and quiet Brigitte a bat and the quintet of friends play at make-believe animals until the elephant's trunk–or was that a water hose?–drenches them with water and laughter. They may return home when called for dinner by their parents but their imaginings carry them through their meals, bath time and sleep, with Brigitte even staying up, anticipating her flight into the night.

From I'm Not Sydney! by Marie-Louise Gay

Oh, to be a child with the freedom of play and imagination. For Sydney, Sami, Edward, Anamaria and Brigitte, a tree and meadow become the ground for creating a new world or two, and allows them the abandonment to visualize themselves as different in body and behaviour. They don't just pretend. They become. And Marie-Louise Gay lets us peek at them at their play, turning their realities into new worlds, as true as those in which they are called for dinner and given baths. Marie-Louise Gay, creator of the popular Stella and Sam and Princess Pistachio series, always, always, takes us to the heart of children's play of imagination, revealing both their innocence and sophistication in visualizing that which may not be there. In both words and art, she makes worlds resplendent in butterflies, caterpillars and birds among overgrown flora profuse with flowers with the children as stars in their own worlds, created or not. They are the gardeners of those daydreams, cultivating and nurturing life from whatever seeds are present. Whether those worlds last but a day or are ones they will revisit regularly is all up to them as well as the pen and watercolours of Marie-Louise Gay.

From I'm Not Sydney! by Marie-Louise Gay

The Three Brothers

Written and illustrated by Marie-Louise Gay
Groundwood Books
978-1-77306-377-5
40 pp.
Ages 4-8
September 2020

 

There's something magical about going on an adventure. It's looking for the amazing and finding it. For the three little boys in The Three Brothers, the adventure is all the more wonderful for being together. 

 

From The Three Brothers by Marie-Louise Gay

 

Three brothers–Finn, Leo and Ooley–enjoy their nightly adventure stories about animals in forests and other wild areas, and decide to go on their own expedition the next morning. After careful preparations that include warm clothes–Ooley wears his bear suit–lunches, binoculars and a compass, they discover a thick blanket of fresh snow, and add pie plates to their boots as snowshoes.

From The Three Brothers by Marie-Louise Gay

 

Though they see a few birds, they are desperate to see some animals i.e., mammals, and anticipate what every noise might mean.

The forest was still and empty. You could almost hear a snowflake fall.

"I thought I heard a growl," said Finn, "...or a howl...I know there are some animals around. I can almost see them. Can't you?"

As they ponder where the animals might be, the older and wiser Finn recalls their grandfather's words about how the weather may be forcing the animals to leave to find food and water, and Finn and Leo discuss those taking action against climate change, without ever using words like global warming or climate. 

After losing Ooley and discovering him in a hollowed-out tree trunk, the three boys find a creative way to experience the absentee animals by putting their maker hands and piles of snow to work.

From The Three Brothers by Marie-Louise Gay

Marie-Louise Gay, creator of Stella and Sam, has always brought the wonder of children and their imaginations to her picture books. It's the wonder of what might be, what is, and what it might mean. It's seeing with open eyes and hearts and witnessing the miracles of the world. These little boys imagine the animals that might be lurking, even when only reading the stories and visualizing a bear, or a wolf, or a raccoon also listening to the story. In the woods, Marie-Louise Gay adds white outlines of creatures like deer, porcupine and bear watching the children amidst the colour of their reality. The landscapes of these children are a dreamy blend of home and the imaginary and all the richer for having both. (There is a surprise at the end as the two worlds meet.)

Marie-Louise Gay's illustrations, which have garnered her numerous awards including several Governor General's Literary Awards, blends watercolour paint with pencil, coloured pencils, water-soluble wax crayons and opaque white ink to create the evocative art of The Three Brothers. Her media and artistry conjure the inquisitiveness of children, light and detailed, colourful and full. There is happiness and watchfulness about the world and themselves that reassures. I feel joyful from the three brothers' imaginative play and closeness, and look forward to a snowy day when all children may seek out their own adventures.

From The Three Brothers by Marie-Louise Gay

 

Princess Pistachio and Maurice the Magnificent

Written and illustrated by Marie-Louise Gay

Pajama Press

978-1-77278-021-5

52 pp.

Ages 5-8

August 2017

Dog is Princess Pistachio’s pooch and Marie-Louise Gay uses her words and pictures to make sure young readers know exactly who he is.  (I can already hear little ones shouting out, "He's just like my dog!")

From Princess Pistachio and Maurice the Magnificent 

by Marie-Louise Gay

Because Dog's days are filled with sleeping, napping and eating, Pistachio thinks he needs some adventure and excitement to prevent him from dying of boredom.  Dog thinks otherwise.

Dog grunts as he heaves himself up onto his tiny legs.  He waddles to the door.  He looks outside.  He signs, shakes his head, and waddles back to his cushion. (pg.9)

When she hides Dog in her backpack for a trip to school, Pistachio takes him out for Show and Tell but all Dog has to show is his ability to fall asleep promptly on the teacher’s desk.  The kids laugh.

When the Doggone Theater sends out a casting call for a “talented, intelligent, beautiful dog to play a starring role” (pg. 19), Pistachio is sure it’s the perfect job for Dog.  Annoyingly, her best friend Madeline scoffs at the idea.  But, amidst the amazing dog performers, Dog is selected, the perfect pick for the leading role of Sleeping Beauty.  Now with a stage name–Maurice the Magnificent–Dog has the un-boring life of a star.  But with that fame, Pistachio learns, comes a price when Maurice is dognapped.  Fortunately Pistachio finds a way to get Dog back safely and resolve a friendship that was almost lost to jealousy.

From Princess Pistachio and Maurice the Magnificent 

by Marie-Louise Gay

I'd join others in applauding Maurice the Magnificent's performance but I think we should extend those accolades to Marie-Louise Gay who can do no wrong in her storytelling or illustrating.  Her Stella and Sam books have garnered her many an award and nomination but her Princess Pistachio series (this is Book 3) takes us from the world of imaginative play into the realm of young school children trying to figure out how to get along with others.

Pistachio loves her Dog and just wants him to have a good life, and she's willing to help make that happen.  She's like a mother to him, arranging for play and opportunities and doing anything to get him back when taken.  But she's also smart enough to know when she's beat and it's evident what Dog enjoys doing most of all. And doesn't Marie-Louise Gay make him adorable!  With his patch around the eye, short tail and legs splayed out behind him when he flops down, Dog is every dog that is loved.

From Princess Pistachio and Maurice the Magnificent 

by Marie-Louise Gay

Princess Pistachio and Maurice the Magnificent is a worthy addition to this absolutely marvelously magnificent series that is ever entertaining and endearing!

Princess Pistachio (Pajama Press, 2014)

Princess Pistachio and the Pest (Pajama Press, 2015)

Princess Pistachio and Maurice the Magnificent (Pajama Press, 2017)

I Am Canada: A Celebration

Written by Heather Patterson

Illustrated by Jeremy Tankard, Ruth Ohi, 
Barbara Reid, Jon Klassen, 
Marie-Louise Gay, Danielle Daniel, 

Ashley Spires, Geneviève Côté, 

Cale Atkinson, Doretta Groenendyk,
Qin Leng, Eva Campbell and
Irene Luxbacher

Scholastic Canada

978-1-4431-6304-0

Ages 3+

32 pp.

May 2017

With Canada celebrating 150 years since Confederation in 1867, there will be a plethora of books published solely for the purpose of memorializing that historic milestone for our relatively new country.  Though there has and will be sufficient backlash for praising the birth of a nation amidst the traditional habitation of this land by its Indigenous Peoples, I like to think that we can simply celebrate our land as it is, warts and all, as a glorious amalgamation of peoples and cultures.  This picture book, based on the poem by Heather Patterson and illustrated by thirteen outstanding illustrators, does just that.

The poem, written by Heather Patterson in 1996 and originally put to photographic interpretation (Scholastic Canada, 2006) reads as follows (I've separated lines as they appear in this edition; any errors are solely mine):

I am Canada.

I run, I swim,

I skate, I dance.

I skim over snow

on my toboggan.

I have space.

I read, I learn,

I draw, I dream.

I stay out late and see the

northern lights.

I have time.

I watch, I touch, I listen.

I make up my mind.

I decide to build a castle.

I am free.

I am Canada.

I am cool in summer

and cozy in winter.

I am springing in the spring

and floppy in the fall.

I eat pizza and pierogis

and peppers.

I eat meatballs and muffins

and mangos.

I am quiet,

I am curious,

I am friendly,

I am funny.

I explain, I explore, I enjoy,

I share, I sing, I celebrate.

I am Canada.

Each artist prepared a double-spread illustration to correspond with 1-4 lines of the poem and it's a delightful interpretation and showcase of Canada and its artistry by way of its creators, its landscape and its people.

Portion of illustration by Jeremy Tankard

in I Am Canada: A Celebration

by Heather Patterson

Jeremy Tankard, author-illustrator of Grumpy Bird and Hungry Bird, begins with a drawing of children hiking outdoors heading towards a blazing maple tree.  Ruth Ohi, author of recently reviewed Fox and Squirrel The Best Christmas Ever, brings a lightness of touch in style and content with everyone–families, pets, wildlife–enjoying the outdoors.  Plasticine artist Barbara Reid (Sing a Song of Bedtime) lends her craftsmanship to a winter scene of tobogganing, reminiscent of her award-winning Perfect Snow. Transplanted Canadian Jon Klassen (This is My Hat) focuses on his own outdoor scene of a lone house among bare winter trees amidst the wide open spaces of pristine snow, touched by a single child.  

Creator of Stella and Sam and Princess Pistachio, Marie-Louise Gay plays on the imaginative play that comes from books and learning with daydreaming children envisioning clouds of animals and skies of seas.  Danielle Daniel who burst onto the youngCanLit scene with her award-winning Sometimes I Feel Like a Fox honours our northern regions with a display of brilliant northern lights enjoyed by humans and wildlife alike.  Ashley Spires, author of Binky the Space Cat and The Thing Lou Couldn't Do, moves us to the warmth of a summer on B.C.'s shores for rest and recreation on the sand and in the water.

Simplest of all illustrations is award-winning artist Geneviève Côté's depiction of freedom, a child riding a blue loon embellished with a northern, a forested and an aquatic environments.  Her art, seen in her Mr. King and Piggy and Bunny series, has everything about Canada in the subtlest of depictions.

Illustration by Cale Atkinson 

in I Am Canada: A Celebration 

by Heather Patterson

But there's still more.  Cale Atkinson, illustrator of Vikki VanSickle's If I Had a Gryphon, lends his artwork to an exposé of Canada's four seasons and Doretta Groenendyk (A Harbour Seal in Halifax) provides a multicultural smorgasbord for a diversity of peoples and other animals.  (Have fun picking out all the foods displayed. I counted at least 17!) Perfect for the quiet stylings of prolific illustrator Qin Leng (A Family is a Family is a Family) is a spread about a walk in the woods of Mount Royal in the fall.  Eva Campbell, who illustrated Eric Walters' The Matatu, celebrates exploration and fireworks in her illustration.

Illustration by Qin Leng 

in I Am Canada: A Celebration 

by Heather Patterson

The culminating illustration is from Irene Luxbacher (Mr. Frank) and is perfection as the finale, with a blending of landscapes, indoor and out, and the anticipation of travel across this country.

Portion of illustration by Irene Luxbacher 

in I Am Canada: A Celebration 

by Heather Patterson

While Heather Patterson's words set the tone, it's the artwork of these Canadian illustrators that gives them substance and context.  I Am Canada is truly a celebration of all that is right in our country: the land and its people and the lifeblood they create.

************************************

A French-language version, Le Canada, C'est Moi, uses Geneviève Côté's illustration for its cover. 

Short Stories for Little Monsters

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-55498-896-9

48 pp.

Ages 5-8

March 2017

Whether they’re your little monsters, rugrats, toads, or anklebiters, you can bet that little children will be up to no good and good when March break comes around in a few weeks.  You can either prepare yourself for those days with these humourous stories or share them with your own little monsters to while away the days or nights with some imaginative fun, or save them when your own creativity is waning.

From Short Stories for Little Monsters 

by Marie-Louise Gay

In nineteen short-stories told on single pages or double spreads (except for the final story "The Secret Life of Rabbits" that needs four pages to show us what magnificent worlds rabbits make), Marie-Louise Gay takes readers into the fantastical minds and play of children.  From imagining what can be seen when eyes are closed ("When I Close my Eyes") or fantasizing that no one sees them when clad in pillowcases ("The Incredible Invisible Boy" and "The Incredible Invisible Twins") or outrunning monsters that lurk in the wild ("Monster!"), Short Stories for Little Monsters celebrates the creativity of children in their minds and their play, alone and with others.  And beyond child’s play, Marie-Louise Gay takes their visualizations into the worlds of cats, snails, trees and rabbits, for example exposing what our feline friends really see in a dust bunny or a chess game  ("What Do Cats See?" and "What Games Do Cats Play?") and giving us  a snail’s-eye view into "Snail Nightmares" (who knew?) and "The Secret Life of Snails."  Of course, amidst all the fun there is still the apprehension of every day life, when the teacher may call on you ("Who? Me?"), that your mother can see all you do always ("Zombie Mom") or that your friends might see through your façade of wisdom ("Rhisonoros") but this is all life, told in the splendour of colour, line, shape and ingenuity of the very original and inventive creator of Stella and Sam, Marie-Louise Gay.

From Short Stories for Little Monsters 

by Marie-Louise Gay

The wealth of stories about imaginative fun and speculation abounds in this compendium of illustrated stories.  The stories are a delight, both humourous and insightful, but it's Marie-Louise Gay's illustrations that will grab readers first, as they always have. (She has been honoured with numerous awards including three Governor General's Awards for illustration in English-language children's books.)  In her artwork, that often resembles the loose frames of graphic novels, she tells of childish diversions but gives them life with her effusive children, and ever-present secondary characters of bunnies, cats, snails, birds and other creatures.  The details are whimsical and ever-present, and children will delight in spotting the stray underwear, the fish that can't add 2 + 2, and the rabbit flying a carrot plane.  And the colours, glorious colours! And the swirls, the patterns, the textures of her lines and watercolours!  There is a gaiety to Marie-Louise Gay's art (it's okay to pun; Marie-Louise Gay does it too) that is like no other, and brings merriment to each story, even if it's about "Lies My Mother Told Me."

It's always a celebration when Marie-Louise Gay publishes a new book but this multi-story illustrated format is certainly unique and worthy of attention.  Moreover, because it's not a book that needs to be read in any order or all the way through in one sitting, I suspect Short Stories for Little Monsters will be appreciated by all readers and listeners, whether they be little monsters or not, who will continuously find nuggets of wisdom and whimsy throughout.

From Short Stories for Little Monsters 

by Marie-Louise Gay

The Traveling Circus

by Marie-Louise Gay and David Homel

Illustrated by Marie-Louise Gay

Groundwood Books

978-1-55498-420-6

152 pp.

Ages 7-11

For release April 2015

Charlie and his younger brother Max are going traveling with their parents again, though as Charlie recognizes,

Sometimes I wonder why people want to travel.  It can be so much effort! (pg. 20)

The family first hit the road in Travels with my Family (Groundwood, 2006), before going On the Road Again! (Groundwood, 2008) and then staying for a Summer in the City (Groundwood, 2012).  This time, they're heading to the former Yugoslavia to visit Fred, an acquaintance of their father's, and his wife Gordana.

Oh boy!  A country broken up by a war, where people spoke a language with no vowels and that no one could understand.  The perfect place for a vacation! (pg. 14)

From a start in Padua, the home of Saint Anthony, where Max goes awol, the family heads through Slovenia to Croatia, almost losing the boys to an ill-placed pee at the border (!).  The family meets up with Fred and Gordana, grandson Libero and another couple, Bobo and his wife Silvia, to take their first ferry ride and head to Cres, where they learn that vacations are for being close to people, before continuing to their ultimate destination, Vrgada, "a tiny sleeping island with no cars, where nothing every happens." (pg.110)

"The Traveling Circus" is what Charlie begins to call the motley band of vacationers with their cases and picnic baskets and bags as they parade onto and off of ferries, along streets, in cars along mountainous roads and following the women of Vrgada and their wheelbarrows.  As narrator, Charlie makes it clear how much he would prefer avoiding these family adventures, and not having to always watch over Max, and having some alone time to ponder and explore.  But it is his ponderings and the way he sees his family and friends, and the places they visit, and the circumstances of their visits that make The Traveling Circus the insightful and funny adventure that it is.  

Although Charlie never fails to acknowledge his respect and love for his family, he can see the ridiculousness of some of his parents' attitudes and actions.  

Sometimes my parents just didn't take things seriously.  I mean, how would they have explained that to our friends back home and especially to my grandmother? "Oh, we had to leave the boys in a prison in Croatia.  But don't worry, they'll be out in a couple of years." (pg. 49)

The same goes for little Max, whom Charlie reassures when one disaster or another befalls the little boy.  But, it's Charlie's insights into the people of the former Yugoslavia and the impact of war that are the most poignant.  It's an eye-opener to him and will be for young readers too.

No one had won this war.  One side lost their houses and had to leave.  The other side left, too, because they were ashamed of what they had done.
     There was nothing left but an empty village, full of land mines, where no one could live. (pg. 101) 

The Traveling Circus may appear to be a farcical family trip but it's an endearing voyage of discovery into a world ravaged by war that can still amaze with its beauty, people, and affection.  I don't know whether this adventure is based on one Marie-Louise Gay and David Homel took with their own children but I still thank them for sharing the colour and animation of The Traveling Circus with us, fiction or not.

Princess Pistachio and the Pest

by Marie-Louise Gay

Translated by Jacob Homel

Pajama Press

978-1-927485-73-6

48 pp.

Ages 5-8

For release March, 2015

Pistachio Shoelace may have been disappointed when she learned the true nature of her royal status, or lack thereof, in Princess Pistachio (Pajama Press, 2014) but the little red-haired wonder of Marie-Louise Gay's newest series has unforeseen challenges to address in her second adventure, Princess Pistachio and the Pest.  And we're so delighted to share in it with her.

Waking up from a horrible school dream in which she is humiliated when she can't answer a simple addition problem, Pistachio is thrilled to realize it's the first day of summer vacation.  She's ready for adventures with her friends Madeline and Chichi exploring a local cavern. But "Pistachio's heart falls to her belly button" (pg. 12) when her mother instructs her to take her baby sister Penny to the park.

Dragging a wagon loaded with Penny, a tower of toys and the hidden dog, Pistachio continues to daydream about exploring the cavern and what she might find.  Meanwhile, Penny dressed in her rabbit-ear hat and Superman cape, proclaims herself to be Super-Rabbit and repeatedly demonstrates that her super-powers are of the unorthodox kind: pilfering fruit from Mr. Pomodoro's grocery stand; climbing up on a wall and falling into Mrs. Oldtooth's garden; and scavenging treasure from the park's fountain.  Unfortunately, Pistachio is taken as responsible for Penny's misdeeds.

Courtesy of her baby sister, Pistachio is never bored and, upon returning home, realizes that there are worse ways to spend a day than babysitting Penny.  But, it's Pistachio herself, with her imaginative daydreams to compensate for missed adventures and with her reactive diatribes to unexpected turns of events, who makes the day eventful.  Her fiery temper may share each disappointment but it's her exuberance for life that mitigates any annoyances the readers may have about her exasperation.  After all, it was the first day of summer holidays and Pistachio's mother knew to use her "maple syrup tone" (pg. 12) to attempt to sway her daughter.  I suspect the girls' mother, with her own fiery red
hair and foxy twinkle, knows well enough what Pistachio feels.  And luckily, Pistachio may feel many things–embarrassment, disappointment, irritation, fear, inspiration–but never boredom.  

Again, Marie-Louise Gay takes our Pippi-Longstocking-esque young character and places her in classic childhood scenarios to which Pistachio must adapt.  Babysitting younger brothers and sisters during summer vacation is not uncommon for children.  But by taking Pistachio into a neighbourhood of colourful people, diverse friends, and lively interactions, young readers may find the means to endure, even enjoy, surprises that arise during the crazy, lazy days of summer when anything can happen, as it does in Princess Pistachio and the Pest.

Princess Pistachio

by Marie-Louise Gay

Pajama Press

978-1-927485-69-9

48 pp.

Ages 5-8

For release October, 2014

For the child who is convinced that she is adopted because she has nothing in common with her parents or family who just don't understand her, Princess Pistachio will both charm her and divert her attention from that premise promptly!

Marie-Louise Gay, creator of the ever-popular Stella and Sam series of picture books, introduces Pistachio Shoelace, an orange-haired, freckle-faced moppet, to star in a new series of early readers.  In this first book, Princess Pistachio, Pistachio receives a golden crown in the mail with a card that reads, "Happy birthday, my little princess!" (pg.7)  Believing that it is from her real parents, the king and queen of Papua, an island she'd found on her map, Pistachio is convinced that they have finally found her after she'd been abandoned by a witch at the home of her adoptive parents, Mr. and Mrs. Shoelace. Donning this crowning proof, Pistachio insists that her princess status be recognized.

Regardless of her newly-recognized regal status, Pistachio's life is still grounded in the daily grind of eating her spinach, watching her baby sister Penny and going to school.  And no one seems to pay homage to Princess Pistachio: not her parents, not her best friends, not Penny, and not even the two duelling boys who must be fencing for her honour!  Sadly, a surprising phone call and a errant little sister bring a new reality to Pistachio (even if Penny is still a pest).

Children have always been taken with Marie-Louise Gay's Stella and Sam series of books, by the wonder and wisdom of an older sister and the innocent inquiry of her little brother.  Now, these readers can enjoy Marie-Louise Gay's signature illustrations in the more challenging stories of Pistachio, the girl who is definitely more like a pixie than an angel.  She may still have Stella's dramatic flair but it's wrapped up in a scampish nature that is all Pistachio.

But, what will exalt Princess Pistachio to the upper echelons of early chapter books is the voice that Marie-Louise Gay has given the little girl and the richness of the text in general.  Delightful play with words and challenging vocabulary enriches Princess Pistachio above most early readers.

 "Princess?" Gabriel sniggers. "Even an ugly old toad would want nothing to do with you!"
"To die for a mustachioed pistachi-toad! Ugh!" Jacob cries out.
They run away laughing like monkeys.
"Brutes! Peasants!" Pistachio screams.  "I'll feed you to the lions!" (pg.22)

With a second book, Princess Pistachio and the Pest, already scheduled, I believe that Marie-Louise Gay and Pajama Press have just created an Anne of Green Gables for the very youngest of youngCanLit readers, and one who will poke at our hearts and funny bones alike.

Any Questions?

by Marie-Louise Gay

Groundwood Books

978-1-55498-382-7

60 pp.

Ages 6-9

September 2014

Of course you have questions.  Children are insatiable when it comes to asking about...everything! But when it comes to how someone does something, like write and illustrate a book, they seem to have even more questions, only knowing the quality of the finished product, never the steps involved.  And, how are they to attempt the same without some direction?  Fortunately, Marie-Louise Gay, creator of Stella and Sam, Caramba, and so many much-loved characters and books, shares everything!

"Marie-Louise Gay has scribbled, scrawled, sketched, doodled, penciled, collaged and painted the words and pictures of a story-within-a-story that might answer your questions about how brilliant ideas creep up on you when you least expect it and how words sometimes float out of nowhere asking to be written."                                                    (blurb on back cover)

See?  She tells everything! And I ♥ everything about Any Questions?

From the dedication to those who ask the questions and those who try to answer them, to her self-portrait and inclusivity of every child anywhere, to the whimsy of her words and ideas floating from the heavens, to the story within, The Shy Young Giant, Any Questions? is splendid and resplendent in its colour, forms, text, fonts, joy, inquiry and artistry.  I love the overwhelming details in Marie-Louise Gay's illustrations: the birds flying from the giant's hair; the expressive children using mega-tools like brushes, pencils, paint and scissors; the forest animals and cat who accompany their efforts and comment seamlessly on all facets of the process; and the colours!–brilliant purples, oranges and greens and soft blues and mauves–that cannot be replicated anywhere but in Marie-Louise Gay's artwork.

Will I read this story to my students and little ones to share the joy of creative writing and illustration?  Will I watch their wonderstruck eyes and smile at their gaping mouths at the marvel that is Any Questions? Will I share every nuance of every illustration and let them find the distinctions that I missed?  Just as Marie-Louise Gay does, throughout the book and in an appendix of questions and answers, I certainly will!

Read Me A Story, Stella

by Marie-Louise Gay

Groundwood Books

978-1-55498-216-5

32 pp.

Ages 2-6

August, 2013

Imaginative, inquisitive and compassionate Stella, our youngest Canadian red-haired delight, courtesy of author-illustrator Marie-Louise Gay, has re-emerged as the brilliant reader and sharer of knowledge in Read Me a Story, Stella.  (Many children will recognize Stella and her younger brother Sam and his sidekick dog, Fred, from the television series, but, as all good readers know, great movies and shows always come from books, and such is the case with Stella and her brother.)

As Sam endeavours to create a doghouse for Fred from branches that he has collected, Stella is enjoying the humour of a book that might cover the stories of Stone Soup, Caramba and The Three Little Pigs or versions thereof.  But Sam, knowing that Stella has all the answers, is sweetly relentless in his questioning.  "Are there crocodiles in the pond?" "Caterpillars become butterflies? How do they do that?" "Will the kite get caught on a cloud?"  And Stella does not disappoint, drawing from her vast reading of fiction -- "But there is a big old toad wearing a velvet jacket." -- and non-fiction -- "Here's a picture of a caterpillar in my insect book."  Even after a bountiful day and evening of exploring, sharing, learning and reading, when Fred can't sleep, Stella draws upon her stories to create a personalized one for a little boy and his dog.

Marie-Louise Gay has taken young readers from Stella's first steps (When Stella was Very, Very Small) to her poetic explorations of the forest, sky, sea and snow, and now she shares the endless possibilities and wonder of reading.  With a light touch in her text and watercolour and pencil illustrations, Marie-Louise Gay easily melds childhood romps and sibling exploits together in a world of natural wonder and of enlightening literature.  There's no more cherished place to be a child.

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If you haven't enjoyed Marie-Louise Gay's Stella and Sam stories in print, definitely the best way to appreciate them, check them out.

Other Stella books:

• Stella, Star of the Sea (Groundwood, 1992)
• Stella, Queen of the Snow (Groundwood, 2000)
• Stella, Fairy of the Forest (Groundwood, 2002)
• Stella, Princess of the Sky (Groundwood, 2004)
• When Stella Was Very, Very Small (Groundwood, 2009)

Sam's books:

• Good Morning Sam (Groundwood, 2003)
• Good Night Sam (Groundwood, 2003)
• What Are You Doing, Sam? (Groundwood, 2006)

Caramba and Henry

by Marie-Louise Gay

Groundwood Books

978-1-55498-097-0

40 pp.

Ages 4+

2011

Ay, Caramba!  What is a cat to do?  Having endured the humiliation of being the only cat unable to fly (Caramba, 2005), Caramba now has to deal with his little, tiresome, annoying brother, Henry.  Henry screams.  Henry throws.  Henry squishes.  Henry collides.  Now Henry is learning to fly, and Caramba is charged with his care.  How can Caramba help Henry when he himself can't fly?

Just as Caramba found his unique ability in Marie-Louise Gay's first Caramba book, he finds both the will and the means, with his friend Portia's help, to encourage his little brother to soar.

Gay's characteristic watercolour and pencil illustrations, familiar to readers of her Stella and Sam series, provide the gentle and radiant strokes that launch Caramba's new relationship with his younger brother.