I Am Not a Sloth

Written by Marie-Pier Meunier

Illustrated by Valérie Desrochers

CrackBoom! Books

978-2-898026041

32 pp.

Ages 6-9

May 2025 

Harry may be a sloth i.e., the mammal but he is not lazy or complacent. He is more than just sloth, and he wants everyone to see all the things that he is because he has a big personality and he's proud of it. In fact, he introduces the reader to all the Harrys he is.

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

He is joyful and generous, but he can also be furious and cranky. He can be studious and adventurous but also proud and anxious. He is typical in that he is a blend of positives and less positives, lovely traits and others when challenged with life. He may be a sloth–which he finally accepts–but he's so much more.

I am HARRY

and that suits me just fine.

I like myself as I am, one of a kind. 

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

Quebec's Marie-Pier Meunier's message is that all of us are not just one thing. We are a blend of so many traits, both good and less desirable, that make us who we are. We might not always like being envious or stubborn and we certainly don't want to be labelled based on a single trait or a single bad act because we are more than our worst moments. Too often children are told by their peers or a parent or a teacher than they are one thing, whether precocious or difficult, lazy or entitled, and that's all they will remember or fear that's how everyone will see them. Harry is more than a sloth in his behaviours but then aren't we all? We all have days of inefficiency or fatigue or even unkindness, but we should not let those moments define us. It's unfortunate that we often see ourselves and others in terms of our worst not who we truly are. It's hard for Harry to accept that he is a sloth because of the connotations associated with that label but Marie-Pier Meunier lets him see how much more he is–just as young readers might do so–and how full his personality is. (Her author's note speaks about how personalities are formed, that we are not defined by our emotions, and that labels are hurtful.)

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

Valérie Desrochers, an illustrator also from Quebec, makes I Am Not a Sloth a joyful acceptance of self beyond the obvious. She makes Harry both shy and brave in acknowledging his true self. He has twinkling eyes, a smile that is both affectionate and self-deprecating, and a face that expresses all the good and the not-so-good traits that are Harry. And in a landscape of lush fronds and leaves, as well as in a playful house setting, readers get to see the big picture that is Harry.

 

I Am Not a Sloth would a fabulous starter for so many lessons, from writing characters that are full-developed to self-image and acceptance. Most of all, it is a sweet story about acknowledging everything about ourselves, good and bad, and not dwelling on the worst, and that includes avoiding labelling, a harmful practice that overlooks the individual as a whole.

From I Am Not a Sloth, written by Marie-Pier Meunier, illustrated by Valérie Desrochers

I'm Not Sydney!

Written and illustrated by Marie-Louise Gay

Groundwood Books

978-1-77306-597-7

40 pp.

Ages 3-6

March 2022

 

Why is Sydney not Sydney? It's because he's a sloth. And while his tree looks like a deciduous tree of Canada, the child imagines himself in the lushness of a tropical forest. As a sloth, he is happy to smile, sleep and daydream his days away, though his companion, Sami, scampering up the tree, sees herself as a spider monkey.

From I'm Not Sydney! by Marie-Louise Gay

As sloth and spider monkey enjoy their new personas, little Edward, ready for baseball, responds with the most charming of answers when they tell him of their exploits.

"Well, well," said Edward. "How about that?"

With that, he's down on all fours, his elephantine form disappearing into the tall grass of the savanna, feeling the sun, hearing the grasshoppers and smelling the grass and earth.

From I'm Not Sydney! by Marie-Louise Gay

Anamaria becomes an anteater and quiet Brigitte a bat and the quintet of friends play at make-believe animals until the elephant's trunk–or was that a water hose?–drenches them with water and laughter. They may return home when called for dinner by their parents but their imaginings carry them through their meals, bath time and sleep, with Brigitte even staying up, anticipating her flight into the night.

From I'm Not Sydney! by Marie-Louise Gay

Oh, to be a child with the freedom of play and imagination. For Sydney, Sami, Edward, Anamaria and Brigitte, a tree and meadow become the ground for creating a new world or two, and allows them the abandonment to visualize themselves as different in body and behaviour. They don't just pretend. They become. And Marie-Louise Gay lets us peek at them at their play, turning their realities into new worlds, as true as those in which they are called for dinner and given baths. Marie-Louise Gay, creator of the popular Stella and Sam and Princess Pistachio series, always, always, takes us to the heart of children's play of imagination, revealing both their innocence and sophistication in visualizing that which may not be there. In both words and art, she makes worlds resplendent in butterflies, caterpillars and birds among overgrown flora profuse with flowers with the children as stars in their own worlds, created or not. They are the gardeners of those daydreams, cultivating and nurturing life from whatever seeds are present. Whether those worlds last but a day or are ones they will revisit regularly is all up to them as well as the pen and watercolours of Marie-Louise Gay.

From I'm Not Sydney! by Marie-Louise Gay

Peter & Ernesto: Sloths in the Night

Written and illustrated by Graham Annable

First Second

978-1-250-21130-9

128 pp.

Ages 6-10

April 2020

Peter and Ernesto, the two sloths from Graham Annable's first two books, A Tale of Two Sloths and The Lost Sloths, return to bring us another wonderfully heart-warming tale of friendship from deep in the tropical jungle.

From Peter & Ernesto: Sloths in the Night by Graham Annable

Peter, the more cautious of the two sloths, is trying out his new wind sock, made from fabric their sloth tree mate Bernard had found. Sadly there is no wind but Ernesto, always up for an adventure, wants to go check out a dragon that the motmots assure him has been seen at the spooky old temple by the river.  Not surprising that when the sloths discover Bernard is missing, Ernesto is convinced their friend has gone to see the dragon because, of course, that's what Ernesto wants to do.

From Peter & Ernesto: Sloths in the Night by Graham Annable

Even though the cautious Peter isn't convinced, he and the other three sloths (Stu, Rodrigo and Lola) follow Ernesto, meeting a swooping bat who warns them to be careful in the Dark Glades on the way to the temple. Though an owl, who thinks the sloths are very large mice, causes some consternation for the five sloths, a meeting with a polka-dot tree frog becomes a magical experience when he and his friends light the way for the sloths through the blackness of the Dark Glades.

From Peter & Ernesto: Sloths in the Night by Graham Annable

But getting through the Dark Glades is but one step in their search for Bernardo and/or the dragon at the temple, and it takes a turn when Peter falls from a broken zip line.  As Ernesto and the three sloths find their way to the temple and make the acquaintance of a different kind of dragon, Peter is meeting a river otter who is rebuilding a boat.  When everyone finally comes together, with new friends made, new alliances forged, and songs sung to ease their journeys, Peter and Ernesto and friends discover Bernard had found shelter and comfort far closer to home than anticipated.

Because the text is very light and much of the story is carried by the illustrations, Sloths in the Night is a great reading bridge between early reader and middle grade. Regardless of the austerity of his words, animator and cartoonist Graham Annable approaches the big issue of fears–of the darkness, of the unknown and even the known–with sensitivity, acknowledging that fears are very personal and cannot be disregarded just because another finds them unbelievable. As different as Peter and Ernesto are, they recognize the strengths and weaknesses in each other, appreciating attributes they themselves do not possess and accepting these differences as strengths. Even more endearing is the empathy they show to others, whether it be a homesick dragon or an otter with wanderlust, as well as to each other.

From Peter & Ernesto: Sloths in the Night by Graham Annable

Graham Annable has created another modest story in Peter & Ernesto: Sloths in the Night. It's modest in its messaging and matrix of story i.e. words and art. But it's also bold and assured in addressing the nature of fear and the power of friends to help. Like the polka-dot tree frog, Sloths in the Night illuminates the way through.

• • • • •

 

Peter & Ernesto: A Tale of Two Sloths (2018)

Peter & Ernesto: The Lost Sloths (2019)

Peter & Ernesto: Sloths in the Night (2020)

• • • • •

Peter & Ernesto: The Lost Sloths

Written and illustrated by Graham Annable

First Second

978-1-62672-572-0

128 pp.

Ages 6-10

April 2019

The sloths from Graham Annable's first graphic novel in this charming series, Peter & Ernesto: A Tale of Two Sloths (First Second, 2018), have returned with a greater problem than managing their differences. Ernesto, the beige-coloured sloth, is filled with

From Peter & Ernesto: The Lost Sloths by Graham Annable

music and joie de vivre and lots of optimism compared to his friend Peter, the grey sloth who is more cautious and realistic and certainly a homebody. But when a hurricane hits and their home tree, along with many in the area, is destroyed, the two and their sloth friends must search beyond their comfort zone and familiar grounds for a new home. Of course, Ernesto leads the way.

From Peter & Ernesto: The Lost Sloths by Graham Annable

But the world outside of their own area has many unknowns and the group of six come across peccaries shouting about a jaguar, tree vines that are actually snakes, biting ants, a cave full of bats, and a river of crocodiles. But they also make friends of some armadillos, have a fun mud fight with an anteater and find a new home and roommate.

From Peter & Ernesto: The Lost Sloths by Graham Annable

I was captivated by these two unlikely friends and their search for a new home. They might handle each new set of circumstances differently, one ready to plunge right in and sing his way through while the other focuses on logistics and making good choices, but they are together all the way.  And, as they find that new tree and tree-mate, everyone is reminded that communities are built with unity and support.

From Peter & Ernesto: The Lost Sloths by Graham Annable

While animation and film fans may be more familiar with Graham Annable as one of the directors of the Academy Award-nominated animated film The Boxtrolls, I think the Peter & Ernesto graphic novel series will win him new fans, middle grade ones, who will appreciate the humour, the graphics and the relationship between the two lovable sloths. Peter & Ernesto: The Lost Sloths has the right blend of those important story elements for this age group: uncluttered artwork, unambiguous dialogue, and a linear story line with the perfect balance of surprise bumps and hilarity along the journey. (The jaguar is not what is expected!) There are life lessons about friendship and acceptance and finding strength from others. Enjoy to your new home, Peter & Ernesto, and I hope to visit with you again.

Kyle Goes Alone

by Jan Thornhill

Illustrated by Ashley Barron

Owlkids

978-1-77147-075-9

32 pp.

Ages 3-7

August, 2015

Kyle is a three-toed sloth and he’s used to his mother taking him down from the top of the rainforest canopy all the way down to the ground for his once a week toileting.  But his mom decides that he’s old enough to go alone.

“You can do it, “ said his mom.
“I’ll be right here if you need me.”

And slowly, the way sloths always move, Kyle makes his way down , always wondering if he should turn back.  Except he really has to go.  And, even though he can’t always see her, she’s watching him from between the leaves, reassuring him that he’s doing well.

But, Kyle looks around and feels alone in that ominous way that only a child who has always clung to his mother can feel.  “But I’m all alone!” cried Kyle, repeatedly, and surprisingly he is always answered with, “No, you’re not.”  First, it’s a beautiful red-speckled parrot.  Then, further down, it’s a green and yellow whipsnake, and then a tiger-legged monkey tree frog and a leaf-cutting ant.  By the time he reaches the bottom and “goes”, Kyle is smiling, proud of himself for what he has accomplished.  And finds out his mother is still there for him when he needs her, regardless of the fact that Kyle Goes Alone now.

If this was a YA book, it would be considered a coming-of-age story because that’s what it is for Kyle: he’s coming of an age when he needs to become independent of his mother.  It just happens that this independence is related to toileting!  And there’s lots to learn about it from Jan Thornhill, whose wealth of non-fiction attests to her scientific knowledge.  So in addition to this charming story that parents will want to share with their children, especially those who are being toilet-trained, Jan Thornhill provides “The Poop about Three-toed Sloths” as well as about “Camouflage: Hiding in Plain Sight.”  Read, learn, enjoy.

But wait until you take in Ashely Barron’s breath-taking paper-collage illustrations that pop from the page.  I am red-faced that I’d missed including this talented artist in my posts about youngCanLit illustrators. Her ability to create textured rainforests and colourful creatures from cut-paper is astounding.  If you check out Ashley Barron's blog at https://ashleybarron.wordpress.com, you can watch her create Kyle.  While her workmanship is astonishing, her choice and creation of colourful papers is just as dazzling.  You'll see Kyle’s expresssion change from fearful grimaces to proud grins as he travels down the tree, but so too do the colours of the landscape change from the cool colours of fear to the sun-dappled greens and turquoises of hope and success.

Kyle Goes Alone is an triumph of storytelling, blending scientific non-fiction, collage artistry and sloth-pooping, thanks to Jan Thornhill, Ashley Barron and, of course, Kyle.