The Friendship Blanket

Written by Leonarda Carranza

Illustrated by Erika Rodriguez Medina

North Winds Press

978-1-0397-0346-9

32 pp.

Ages 4–8

July 2025

 

There's a reason blankets show up so often in children's literature. They offer warmth, comfort, and security. They are more than a covering. They are a sanctuary. And for this child, it's also a connection to her former life and that of her future.

From The Friendship Blanket, written by Leonarda Carranza, illustrated by Erika Rodriguez Medina

When the little girl and her Mami move far away from her Abuelita and the home she has known, her grandmother gifts her with a blanket so that she can always have a piece of home with her. Though Mami tries to reassure the child by offering to paint her new room orange and pink like the sunsets at home and by telling her she'll make new friends, the little girl still experiences some trepidation and much longing for her old home.

...I miss Abuelita so much my chest burns.

 

From The Friendship Blanket, written by Leonarda Carranza, illustrated by Erika Rodriguez Medina

When she attends her new school for the first time, she does not feel welcome. Some children laugh and point, and, even when she tries to connect, they don't seem to understand her.  Her mother tries to reassure her as does her family in her dreams. But it's not until the girl notices that "Lonely is everywhere," that she sees a way to connect with a classmate in a meaningful way and use her Abuelita's blanket to bolster that connection.

 

Brampton's Leonarda Carranza was born in El Salvador and has used her experiences to fuel her writing. (Her first book was Abuelita and Me, a Blue Spruce-award nominee.) While The Friendship Blanket has a distinct Latino flavour to it, it is a story of any child who is uprooted from family or from the home they'd always enjoyed. Her Abuelita and her mother do the right stuff to ease the move and transition to a new place but it's a process that is dependent on so many factors, from the school and the kids there, to the opportunity to stay connected with those left behind, and even the understanding of the adults in her life. Leonarda Carranza makes the mother sympathetic and loving but she can only do so much. The little girl has to step up, which she does, by finding a way to facilitate those new connections. Thankfully, she has that blanket from her Abuelita. It's bright and beautiful and it's a wonderful device for sharing with and relating to others.

 

Erika Rodriguez Medina, also of Latina heritage (Mexico), ensures that this is a story of a child from a Spanish-speaking community. From the way the child's hair is braided to the depth of her skin tone, and the bold colours and patterns of her blanket, Erika Rodriguez Medina makes sure that we see this as a child who has moved to a very different community. Most of her classmates, perhaps even her teacher, cannot appreciate her heritage and the richness of her experiences; instead, they make her feel invisible. Erika Rodriguez Medina helps us feel her hurt through her expressive face and body language, but we can also appreciate the power of her family connections. 

From The Friendship Blanket, written by Leonarda Carranza, illustrated by Erika Rodriguez Medina

Most parents and caregivers know the value of a special blanket for a child or a senior, and for everyone in between. It can help provide the comforts of place and people in a way that very few things can. And if you're lucky enough to have blanket that does double-duty as a friendship spark, all the better,

Seeking Draven

Written by Michael F. Stewart

Red Deer Press

978-0-88995-738-1

204 pp.

Ages 9–12

April 2024

 

The cover of Michael F. Stewart's latest novel, and his first in free verse, is subtle and deceivingly simple. It's not unlike the fungi that ten-year-old Teagan loves to study and draw. But, like the mushrooms and other fungi, what you see is just a fraction of what is there, most hidden and complex. Seeking Draven is a story of such depth of feeling and craft, masquerading as a short novel about a little girl who likes mushrooms and playing with her phone.

 

Teagan's 18-year-old brother Draven has always been there to support her: to find her when she gets lost in the woods, to defend her to their dad, to play basketball bump with her, and more. But when their dad accuses Draven of theft in front of his friends, Draven takes off and everything changes.

But when the smoke clears Dad falls silent,

Draven leaves us in his exhaust and everyone else goes

Home. (p. 13)

Devastated by Draven's absence and Dad's reluctance to tell her anything or to search for her brother, Teagan decides to look for him herself. It's almost impossible–though she breaks into Draven's bedroom to look for clues–until her dad gives her his old cell phone, hoping that it will make her less sad and quiet. (He doesn't realize that she's angry.) Now with a cell phone, which she calls Tab, Teagan goes on the hunt for Draven and tries to reconnect.

 

But that cell phone becomes something more for Teagan as she tries to find Draven, looking for him on social media. Now she sees herself through others' comments and she feels the pressure to share, and to be liked, and even laugh at others' misfortunes. She's taking selfies and listening to the comments. Like the zombie fungus which will alter the behaviour of ants which ingest it, Teagan's cell phone is taking over her life. As her father recognizes her addiction to it, Teagan has a revelation about Draven, piecing together clues from his computer searches and expensive stuff she found in his room, and suspects a gambling addiction.

Addictions make us lie.

     They make us falsify.

     If addiction made Draven a thief

     What is it doing to me? (p. 108)

So begins a new leg of Teagan's search for Draven, and a mission for understanding.

Michael F. Stewart has given us some compelling young adult novels, from his Assured Destruction tech trilogy or Counting Wolves and Heart Sister in which characters deal with mental health issues but, with Seeking Draven, he steps into a whole new genre of writing. The power of the writing is still there but, in its novel in verse form, Michael F. Stewart gives a story of addictions, both gambling and tech, a weightiness to which they are entitled. These are significant issues of chronic mental health, stealing relationships and lives from those afflicted. If they are fortunate enough to acknowledge their addictions, and accept help, and seek treatment, they may be able to break that dependence. The issue is important, and Michael F. Stewart treats it as such but, by juxtaposing Teagan's obsession with her cell and Draven's gambling, and enveloping it all in their close brother-sister relationship, he also manifests it as a family issue. Teagan's insight into what both she and her brother are experiencing is profound, especially for a ten-year-old child. But, if it shows us anything, there is no age limit on compassion and a willingness to help.

I've always been a huge fan of novels in verse and know that those who endeavour to write in this form are challenged with choices that limit text to words and phrases that have impact. Michael F. Stewart has just demonstrated his proficiency with this form, distilling important ideas into fewer words and phrasing that has intensity. 

If anyone's a thief, it's Dad,

Stealing

Hope. (p. 16)

I wish I could tell you how Teagan's story and that of Draven resolve but that will be the story you will need to read for yourselves. Fortunately, good or bad, Michael F. Stewart has the skill and heart to tell their stories from multiple perspectives and with sensitivity to their difficulties and to tell them with an eloquence of verse that makes us understand and empathize.

If You See a Bluebird

Written by Bahram Rahman

Illustrated by Gabrielle Grimard

Pajama Press

978-1-77278-284-4

32 pp.

Ages 5-8

October 2023

 

When families are displaced, whether from war, natural disasters, persecution, or something else, making a new home is not always easy, especially for children. And the good memories of that original home may make one long for what once was. But home is not just a place. It is the family too, as an Afghan boy learns from his grandmother and a visiting bluebird.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

Ali and his parents and Nana had to flee Kabul, Afghanistan after war broke out. They travelled by foot, bus, and eventually escaped via plane, taking very little from their home. Now, in Canada, they live near an ocean, and Ali and Nana ride bikes to collect blackberries. But Ali misses Kabul, noting that the blackberries are not as deliciously sweet as the mulberries back home. Nana points out to him that though they are different they are not bad.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

When they take a break from their berry-picking, they see a bluebird, and Nana reminds him that if you see a bluebird and make a wish before it flies away, your wish will come true. Her wish, for their family to be together and safe, had already come true. But his wish is for the fighting to stop in Kabul so that they might return home. It is then that Nana reminds him that home "is the love we have for each other."

 

It would be tough for a child to give up the familiar and the sweetness of his life in Kabul, with his mother playing her ghichak, his toys on a swing, gathering mulberries, and sitting on the tree's branch to look out over his neighbourhood. But,when he is reminded by his Nana of what home really is, he sees his new situation in a different light. There are now blackberries, his mother has a new instrument, spruce trees line the driveway, and they are safe. He finally appreciates this, shouting out to his parents when they arrive back that, "I am home!"

Bahram Rahman, himself a refugee from Afghanistan, gives us a different perspective of war and escape from war and adjustment to a new living situation in If You See a Bluebird. He has already shared stories in The Library Bus (2020) and A Sky-Blue Bench (2021) but in his latest picture book story, Bahram Rahman demonstrates that escape from a dangerous conflict does not always translate into a rejection of that insecurity. Because there has been loss, of place, people, objects and connection, the substitution of a new home in safety is not necessarily embraced immediately or wholeheartedly. So, Bahram Rahman shows us that a little boy can miss the wonderful things he remembers of his Afghan home but learn to lean towards something different and new that is nonetheless home.

From If You See a Bluebird, written by Bahram Rahman, illustrated by Gabrielle Grimard

Gabrielle Grimard, who also illustrated The Library Bus, has such a sensitive touch for making us feel Ali's hesitation at embracing the new place as home, holding such strong positive memories of Kabul. She gives us the bleakness of the danger when the soldiers come and the family flees but Gabrielle Grimard brings in the birghtness and colour when Ali and his family are safe and happy, whether in a Kabul without war or in Canada.

If You See a Bluebird offers the hope one needs when going through change and especially when challenged with hardships. It's a reminder that with love and family, all can be endured. And making a wish when a bluebird lingers might just help as well.

Burt the Beetle Lives Here!

Written and illustrated by Ashley Spires

Kids Can Press

978-1-5256-1011-9

64 pp.

Ages 5-8

June 2023

Author-illustrator Ashley Spires introduced her readers to Burt the ten-lined June beetle (also known as a watermelon beetle) in Burt the Beetle Doesn't Bite! (Kids Can Press, 2021) and charmed us with his story as well as educating us on the natural habits of a variety of other insects. This time, Ashley Spires takes us into insect real estate to look at the nests and habitats of Burt and his insect friends as they seek shelter for short stints and longer periods.

From Burt the Beetle Lives Here! by Ashley Spires

Burt likes to spend short periods of time "snug as a bug" under a leaf. But when he realizes that it would be nice to have a place to call home, he looks at the homes of other insects. He considers the chrysalis of the monarch butterfly, the foam of the spittlebugs, and the silk web nests of tent caterpillars, but each doesn't work for him. So, he considers what materials he might use to build his own, taking his cues from wasps, bees, and weaver ants. Again, none work for him. 

Though he's ready to give up on finding a home within sight of his beloved porch light, Burt realizes soon enough that he needs shelter from weather and predators, and finds that protection, and even camaraderie, in a most familiar location. 

From Burt the Beetle Lives Here! by Ashley Spires

Kids love learning about science and living things, but it must be taught in a way that entertains through the inquiry process. As in all her Burt books, Ashley Spires has given young students, and their teachers, an easy source of relevant scientific information, here about insects and their habitats using Burt as an insightful guide. Through his very small eyes, readers are shown a bug's-eye view of a variety of different insect nests, with explanations for how the animals live in them or create them. And with her trademark humour, Ashley Spires will make kids chuckle at Burt's antics, as the adults in their lives will laugh at the analogies to human home-buying with places with stunning views, lots of potential, open floor plans and advertised as architectural masterpieces and those that are perfect for entertaining or impeccably renovated.

From Burt the Beetle Lives Here! by Ashley Spires

Ashley Spires, creator of Binky the Space Cat, consistently uses a clean illustrative style that is digitally rendered, never cluttering her illustrations with superfluous details that, while accurate, may detract from the key information about where the insects live and why. Because of the organic nature of the story, Ashley Spires's palette is primarily one of greens and browns, but she gives us enough shades and tints and tones to make it appear rich and varied, much like nature itself.

Whether you're a teacher of younger students who need to understand local habitats or how communities create nests, or you're a school librarian who loves providing quality creative non-fiction for the many children who prefer non-fiction or fiction, or a reader to appreciates fabulously illustrated books with a side helping of humour, Burt the Beetle Lives Here! has got you covered, perhaps even better than Burt's leaf!

 

🐛 🐞 🐜 🐝 🐛 🐞 🐜 🐝 🐛

 

Burt the Beetle Doesn't Bite! (2021)

Burt the Beetle Lives Here! (2023)

Malaika, Carnival Queen

Written by Nadia L. Hohn

Illustrated by Irene Luxbacher

Groundwood Books

978-1-77306-850-3

32 pp.

Ages 4-8

May 2023

 

Malaika, whom Nadia L. Hohn introduced us to in Malaika's Costume (and revisited with Malaika's Winter Carnival and Malaika's Surprise), is always joyous with colour and exuberance. But it's family that brings her the most happiness. In Malaika, Carnival Queen, family is no less important but there is an element of grief that is wrapped in that familial warmth.

From Malaika, Carnival Queen by Nadia L. Hohn, illus. by Irene Luxbacher

Malaika lives with her Mummy, her new father Papa Fred, her Grandma, her new sister Adèle and new baby brother. But she's dreaming of a man carrying a basket of fruit, handing her a mango. Malaika believes it a dream about her father and her mother confirms it. Grandma gives Malaika a photo of her daddy working on a fruit farm with a message "To Malaika, my likkle one." He'd come to Canada before them to work on a farm, but he'd become ill and passed away without them.

From Malaika, Carnival Queen by Nadia L. Hohn, illus. by Irene Luxbacher

They decide it's important for Malaika to learn more about her father, so they take a trip to the farm where he'd worked, meeting some men who'd worked with him. They speak of his love for his daughter and his dream to make a carnival like back home. Malaika is invited to be the Carnival Queen for their upcoming harvest festival to which she agrees.

Malaika is ready with her carnival peacock dress, but she has a plan to make the parade extra special and ensure that "home" is at the heart of the event.

 

Malaika, Carnival Queen is an involved story but at its heart it's about family and home. Malaika has a family, but she has lost her birth father and needed to know more about him. With him showing up in her dreams, it was time to learn more. Nadia L. Hohn gives us the Malaika whom we've grown to love through her earlier books but in Malaika, Carnival Queen we are introduced to another side of her, that which has experienced loss. With Malaika's father as a migrant worker, Nadia L. Hohn opens the discussion with children about families who are separated through immigration, particularly because of farm work. Though the story of migrant farm workers is one of hardships, that's not the story that Malaika, as the daughter of one, needed to hear. She needed to connect with her father through his coworkers and through a carnival, and Nadia L. Hohn does that for the little girl. 

From Malaika, Carnival Queen by Nadia L. Hohn, illus. by Irene Luxbacher

That connection of family and place comes through Malaika's creation of a carnival flag of home. It's a banner of colour and heart and memory, and all those are depicted in Irene Luxbacher's illustrations. The artwork, created in gouache, soft pastels and found papers, gives the story both a softness of purpose and a quilting of connection. Those media are perfect for a story of loss and finding connection but also making connection. Irene Luxbacher, who has illustrated all four of the Malaika books, gives the colour and the boldness of a child with high spirits, but she also gives us tenderness for the loss felt by Malaika and others as well as a collage-feel that comes from kinship.

As Malaika grows older, Nadia L. Hohn shows us more sides to the little girl and her family, but she always keeps her as one with sensitivity. She may be a carnival queen but she's also a daughter, a granddaughter, a sister, and a friend, all which make her truly impressive and inclusive.

• • • • • • •

Malaika's Costume (2016)

Malaika's Winter Carnival (2017)

Malaika's Surprise (2021)

Malaika, Carnival Queen (2023)

Apartment 713

Written by Kevin Sylvester

HarperCollins

978-1-4434-6094-1

240 pp.

Ages 8-12

September 2022

 

That's what buildings do, Jake. They are like us, constrained by an arc. By time. They–and we–age and decay. They–and we–die. But how do we live while we live? That's the important question. (pg. 122) 

When Jake Simmons and his mom move into the Regency, it's because they've hit rock bottom. Mom has split from her partner Janice and lost her job as a legal secretary. To get back on their feet, the two move into the Regency, which Jake sees as a dump with its peeling paint, curling wallpaper, dust, grimy windows and worse. But, when he becomes acquainted with the original Regency, he recognizes that it is a true home.

Exploring the shambles that is the Regency, Jake makes the acquaintance of Danny, the superintendent, who knows all the residents and what they need. He introduces Jake to the elderly Lily in Apartment 405 whose cats are fed by Danny. Then there's the brilliant Professor who is so focused on her work that Danny cleans up her garbage and the elusive, baseball-loving Gus who won't leave his home. Danny is good about delivering and picking up Gus's mail as well as that of others like the piano-playing Theo in 501 and the enigmatic Delaney who lives somewhere on the seventh floor. These are just some of the odd assortment of residents of the Regency and Jake is happy to agree to be Danny's assistant and help with all his clients' needs. But then Danny gets a letter from a lawyer indicating that the long-term lease between the Regency and the city is set to expire and the residents will need to find another place to live. 

 

Soon after, the purportedly-broken call light for Apartment 713 goes off and Jake heads to the apartment he'd been told was off limits. Sure that someone inside is calling for help, Jake plunges into the apartment and into another world, one in which the Regency is in its infancy, hosting musicians, artists and other famous people while being a home to others. Believing that he was sent back to the 1920s to help save the Regency, Jake and his new-found friend, Beth, explore the mysteries that are hidden in the exclusive building, revealing more about its secrets, its history, and even its future.

Kevin Sylvester can illustrate (e.g., Super-Duper Monster Viewer), tell us sports stories (e.g., Hockey Super Six), entice us with food (e.g., Neil Flambé series) and inform with non-fiction (e.g., Gold Medal for Weird and Follow Your Money with Michael Hlinka) so it's no wonder that he can also write speculative fiction with a time-slip element.  Still Kevin Sylvester includes all those elements in Apartment 713. His artwork peppers the story and there are elements of baseball, food, and history that build on the basic premise of a child dealing with upheaval and trying to find home where it would appear there is none. While there is a very cool time-slip element to Apartment 713, the story is really about looking a little deeper: into a new place, into new friends, and into one's self. It's finding the wonders within and recognizing them for what they are. It's being the solution rather than complaining about the problem. It's finding home by making a home.

While Kevin Sylvester will always give us a good story, well-written and illustrated, often with humour and a light touch, there will always be more. He gently manifests important issues like LGBTQ (e.g., The Fabulous Zed Watson co-authored with Basil Sylvester) and resource monopolization (e.g., Minrs) and, with Apartment 713, there's a message about superficiality.  Hopefully young readers will see beyond the obvious, that old buildings may look like dumps and eccentric people appear to be odd but both are built on histories that make them unique and enrich lives with their presence.

The Fort

Written by Gordon Korman

Scholastic Press

978-1-338-62914-9

256 pp.

Ages 8-12

June 2022

 

When is a shelter not a shelter? When it's a secret that is in danger of being exposed. And when four friends and their unexpected tag-a-long discover the ultimate shelter, it becomes their fort and they'll do anything to keep it safe.

The day after a hurricane rolls through the town of Canaan, thirteen-year-old Evan Donnelly is tasked with looking after newcomer Ricky Molina while their families deal with the aftermath of the storm. The boys meet up with Evan's friends C. J. Sciutto, Mitchell Worth and Jason Brax to check out their man-made shower-curtain and plywood fort in the woods but discover that it has been demolished by the storm. But clever Ricky–he may be a year younger than the boys but he's gifted and has come from a magnet school–unearths a newly-exposed trapdoor into a massive underground bomb shelter, fully stocked with furniture, food, chemical toilet, lights, music records, and VCR and videos. A video reveals the shelter was constructed by the now-deceased Bennett Delamere, founder of one of the town's key industries, now closed, in anticipation of an attack during the Cold War. The boys realize quickly the enormity of their find and vow to keep it secret.

But each of the boys has a complex life going on outside the fort. Evan and his seventeen-year-old brother Luke live with their grandparents ever since the boys were abandoned by their parents for their addictions. Mitchell has always struggled with OCD and now cannot get help from his psychiatrist since his mom lost her job, and benefits, at DelaCraft Auto Parts, and has had to take on three jobs to make ends meet. While Jason is enjoying his first relationship with Janelle, daughter of police Officer Jaworski, he's caught in a nasty divorce in which his parents use him as a pawn. Even C. J., who seems to have everything he wants courtesy of his stepdad Marcus, keeps getting into scrape after scrape on his skateboard or hoverboard or pogo stick, calling his exploits "death-defiers." As for Ricky, who is reluctantly allowed to enjoy the fort he found, is determined to study hard and get into the local magnet school and make the best of things until he does.

The fort becomes a refuge for them, to watch classic movies like Jaws and Star Wars, to eat 40-year-old canned food, listen to records and play games like Fort Olympics. It's even a source of funds as the boys learn the blackened cutlery is solid silver and can be pawned for money. But, their fort is in danger of discovery from scary local teen Jaeger Devlin and his sidekick, Evan's brother Luke, who threaten, steal, coerce and worse and would do the same to the boys if they thought there was something in it for them.

The Fort is Gordon Korman's 100th book, an astounding feat. And it's as fresh and meaningful to young readers as his first, This Can't Be Happening at Macdonald Hall!, was in 1978. Think of the movie Stand By Me without the dead body and you'll have The Fort. Gordon Korman has given us a coming of age story about a group of boys with different backgrounds and home situations and personal issues who find a way to come together for each other and become something stronger and cohesive. Because The Fort is told in the alternating voices of the five boys, their perspectives on their friendships, school, families and the fort are unique and relevant. The boys make the story because it is their story. In fact, it's all their stories. Like the fort, it's one thing but it's so many different things too. It's acceptance and anonymity, protection and vulnerability, and it's solidarity and individuality. Gordon Korman has made the fort a foundation for the boys to learn more about themselves and each other and build new bonds of friendship and support. And like a fort, their friendships will be a stronghold against life's inevitable challenges and foibles.

Over the Top

 

Written by Alison Hughes

RP Kids

978-0-7624-7312-0

192 pp.

Ages 8-12

August 2021

 

Diva is anything but. She's a quiet eleven-year-old who would prefer to read and write and dream up new feelings that need their own vocabulary, like "That feeling where you desperately want to be in your bed, with the covers pulled tight over your head..." (pg. 72) or "That awful, guilty feeling of helplessly almost hating your parent and knowing they don't have a clue at all" (pg. 112). What she doesn't like is over-the-top...anything. And now her effervescent, always over-the-top mother has fallen in love with a monstrosity of a pink castle, as has her nine-year-old brother Hero, and the family is moving.

 

Though Hero fits in and makes friends easily at their new school, it's so much harder for Diva, especially when her mother, thinking she's helping, tries to force a friendship with another sixth grader and their neighbour, Miranda Clay. But Diva knows Miranda's kind of bully: she's the mean girl who thinks she's better than others. Though it's often an under-the-breath comment or an eye roll, Diva knows that, "Silent bullies are still bullies"(pg. 70). Worse yet, Diva's mom doesn't see how she keeps embarrassing Diva when her over-the-top enthusiasm for everything, including her party-planning business with which Hero and Diva often help out. Though her dad understands how hard it may be for Diva, especially at school, he encourages her to get involved with some extracurricular activity. And so Diva auditions for the school production of The Wizard of Oz in which she gets an unconventional but noteworthy part.

As Diva navigates the newness of her school and meeting other kids in her own way, she is overwhelmed by new feelings she'd love to define, including how to be herself, in the face of a mother (and brother) who are kind but just don't understand her low-key approach.

Books are wonderful vehicles for connecting young readers with characters who are like them. As such, many introverts will appreciate Diva's predicaments, including being true to herself and her own social needs and appeasing her mother and her brother who think that the bigger the party the better and being funny and loud and sociable is the only way to be. Fortunately, Alison Hughes who has handled many tough issues like anxiety, serious illness and abandonment in her picture books (e.g., The Cold Little Voice, 2019), middle grade novels (e.g., Kasey & Ivy, 2018) and young adult books (e.g., Hit the Ground Running, 2017) tells Diva's story as an exemplar for finding your own voice without shouting over others, thereby accepting others' differences as valid, just distinct. She also learns how to handle a bully, finally, and recognize a friend when presented with one or two.

I hope that young people like Diva who don't insist on being in the limelight always and who are able to spend energy on introspection rather than just on sociability will see themselves in Over the Top, especially if it helps them accept themselves as they are. Diva has got a pretty good handle on that herself and her dictionary of complicated and yet familiar feelings was undoubtedly valuable to that end. Over the Top will leave young introverts with the sigh of relief that they can be their understated selves and occasionally endure an over-the-top anything, perhaps even to their own benefit.

This House is Home

Written by Deborah Kerbel

Illustrated by Yong Ling Kang

Owlkids Books

978-1-77147-380-4

32 pp.

Ages 4-8

March 2021

The concept of home has always been an important focus in literature: finding it, establishing it, cultivating it, holding onto it, and sadly even losing it. For some, it's ephemeral, fleeting in its nature, and for others it is the bedrock of life. For the families in This House is Home, it is both.

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

Lily and her rabbit family live in a home that her grandmother says is "old and steady as mountains." But when a pair of suited foxes with clipboards approach Grandma about buying the house, she politely declines.

This house is home, and we'll live here for the rest of forever.

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

Problem is that everyone else around them sells to the developers, and there is much upheaval as friends pack up and goodbyes are shared. And then the diggers arrive, flattening houses and trees, and constructing a road that like a "long gray tongue snaked toward our house, closer and closer, until it had pushed right up to our door. It didn't bother knocking."

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

The construction workers might have placed pylons around their house but their house is now situated in the middle of a wide road of noisy, smelly vehicles racing past their windows. The impact on their garden was evident but also clear was the impact within their home: dirt, noise, irritability, and distress.

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

But a solution to their problem comes to Lily, the artist, in a dream in which, "The road had melted into a sea. The cars had shrunken to fish. My house had grown sails." Their house would remain their home, just in a different location.

Having a development threaten your house, your home is a nerve-racking prospect. Undoubtedly it's a frustration of many whose abodes stand in the way of planning projects that look at the big picture and not the individual lives affected. The menace of the foxes' repeated efforts to get Grandma to sell are tangible, though she is always polite and gracious, but Deborah Kerbel's words focus on the calm and love inside the home and leaves the destruction and disquiet outside. Sadly, there comes a time when the outside encroaches on the inner sanctum of home. Still Grandma's strength of conviction that their house would remain steadfastly their home and Lily's problem-solving ensure that home will endure as such.

Illustrator Yong Ling Kang, who illustrated Tanna's Owl (2020), continues to charm with her watercolour art that adds the whimsy of a bunny family living in their home, having picnics, playing, knitting, and growing. She brightens those pages with all colours, saving the greys and browns for the mayhem of the construction, and gives fluidity to the story, indicative of the transitional nature of the house, with her brushstrokes and lines. As such, Yong Ling Kang's art echoes the joys and frustrations of Deborah Kerbel's characters from comfort through distress and back to buoyant.

This House is Home reminds us that home is more than a structure. It has roots that are grown of family, and, though it can change, as necessary, it carries the promise of steadfastness, even if in transition.

Your House, My House

Written and illustrated by Marianne Dubuc

Kids Can Press

978-1-55253-0490-3

24 pp.

Ages 3-7

October, 2020

 

Now, when our homes are more important than ever, being our places of safety and comfort, sometimes our schools and our workplaces, our gyms and our doctors' offices, Your House, My House from the incomparable Marianne Dubuc reminds us how much our homes really mean to us.

 

This is 3 Maple Street and there is so much life here. The text may be focusing on Little Rabbit whose birthday it is but it's what's going on in and around the apartment of four floors that makes for a bigger celebration of life. So while Little Rabbit prepares invitations and bakes his cake with Mama Rabbit and little sister Lily, multiple stories evolve in and around the homes at 3 Maple Street.

From Your House, My House by Marianne Dubuc

There's a phone call from Mr. Fox asking if Mama Rabbit can watch Little Fox but it's Marianne Dubuc's intricate illustration, with an empty nursery and a very pregnant Mrs. Fox, that hints at what is really going on with that family. Then there's the Cat family moving in and everyone–Rabbits, Mice, Hedgehogs–helping. There's Mr. Bear who is sick in bed, but who pops downstairs to drop off his gift, while Mr. Owl returns from his nightly ventures and heads to bed. And there's a trio of mice up to no good while their parents help their neighbours. (Did I mention a golden-haired little girl making herself at home at the Foxes while a wolf searches for a red-caped little one, and three little pigs come visiting too? Seems there's a fairy tale or three making themselves at home in the neighbourhood as well.)

From Your House, My House by Marianne Dubuc

I was especially looking forward to what was happening with the Hedgehogs as Little Hedgehog crosses off dates on a calendar labelled "Papa," anticipating the return of his father. And there's even a little drama in the tree above the moving van as parents seek worms and a little one leaves the nest for the first time.

From Your House, My House by Marianne Dubuc

Ah, but there's so much happening at 3 Maple Street and most of the fun of Your House, My House is looking into each apartment and on the street and on the stairs and in the trees to see everything. (It's like looking into the homes of Zoom meeting participants.) The details on characters' faces and in the apartment decors tell more of the story and become a treasure hunt for young readers (and perhaps a lesson in visual literacy for their teachers). From the little bird covering its ears from squawking parents, the ear plugs used by the sleeping owl, or the little attic ghost that grabs the postal worker's hat, there is so much to see and about which to smile. Marianne Dubuc's words tell a story of community, most coming together for a party, but each with their own lives of joys and troubles, normalcy and the unusual. But it's always her illustrations that will charm. Every double-page spread (which I could sadly not reproduce from the large book of 28 x 35 cm size) is essentially the same in scope, encompassing the four-storied building with trees on either side and a portion of street in front. But, and it's a big but, every spread is different in detail of action, content, expression and story. It reminds us that there may be one story upon which we all focus but there are many more that may never be seen. Thankfully Marianne Dubuc has invited us in to this city of homes, where your home is my home, and shared with us glimpses of lives and the abodes of foxes, cats, mice, rabbits, hedgehogs, birds, a bear, an owl, and a ghost and those who might venture into their community intermittently.

From Your House, My House by Marianne Dubuc

On this one day, there are at least a dozen stories playing out, and Little Rabbit's is but one of them, but together they make a world of complexity and community.

Story Boat

Written by Kyo Maclear

Illustrated by Rashin Kheiriyeh

Tundra

978-0-7352-6359-8

40 pp.

Ages 3-7

February 2020

A young girl and her little brother begin a journey with family and others, travelling from one "here" to another "here" and finding comfort where they may in a cup, a blanket, and especially in a story of hope.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

As they travel, the girl tries to explain the concept of "here" to her little brother. The concept can be a difficult one for very young children to grasp, especially as "here" is constantly changing for the travellers. But here becomes whatever is on hand that creates a permanency of people and emotion. It's the cup "Old and fine, warm as a hug" or a "song that every can sing." And, always, that cup or song, or blanket or lamp, or flower, becomes part of a story boat that takes the two children and their cat to see hope amidst a turbulent sea.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Kyo Maclear, author of my favourite Virginia Wolf (2012), consistently tackles big issues by making them personal and intimate. Leaving one's home for something safer, travelling into uncertainty, and looking for hope wherever it may reside will sadly be familiar to most refugees looking for new homes after violence, persecution, and instability compels them to leave the homes they've always known.

Here is our journey
That holds the warmth of a cup,
The softness of a blanket,
The brightness of a lamp,
The strength of a flower
And the openness of a story.

Imagine what it must be like for young children for whom the destination is a grey hole of nothingness, unable to anticipate where home may be or who will be there or what it will look like. Kyo Maclear's wonderful child's storytelling transports them to a new here.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Award-winning Iranian-born illustrator Rashin Kheiriyeh, who currently lives in Washington D.C., fuses the gravity of the refugees' lives with their comforts from home and hope for something good. She does this primarily through her palette of backgrounds of muted blue green and splashes of brightness in the oranges, though much is still black and white, not unlike their circumstances. However, Rashin Kheiriyeh's art, created with coloured pencil and watercolour, oil and acrylic paint, along with some cut paper and other media, also uses shape to infuse the story with the activity of movement, whether it is the travellers' journey on foot or on water or the children's jaunts by story boat. Thankfully, it's all forward from an old here to a new one.

Kyo Maclear and Rashin Kheiriyeh's Story Boat may be a story of those seeking refuge and children finding ways to cope with uncertainty but this story transports and guides just like their story boat. For them and for us, stories can save and illuminate new ways.

From Story Boat by Kyo Maclear, illus. by Rashin Kheiriyeh

Weekend Dad

Written by Naseem Hrab

Illustrated by Frank Viva

Groundwood Books

978-1-77306-108-5

36 pp.

Ages 4-7

May 2020

My dad says I have two homes now.

Though TV and movies may play up the drama involved with parental separation, Weekend Dad tells how bittersweet it may be for children who live between households. It's not the joy of double houses and playing off one parent against the other. It can be hard and it can be sad. From Naseem Hrab's poignant words to Frank Viva's affective artwork, Weekend Dad is the real story behind a separation within a family.

From Weekend Dad by Naseem Hrab, illus. by Frank Viva

The story starts on a Monday morning when "my dad moved out  of our house and into an apartment." Each day that follows the child is reminded of his dad, whether it's the colour of his hair or his tears at a hamster's death or that he hates tuna fish.

From Weekend Dad by Naseem Hrab, illus. by Frank Viva

But when Friday night comes and it's time for the weekend with his dad, a new reality begins. It's taking a bus to an apartment which is home but not home. And though he has his hedgehog stuffie Wendell, it's different and things makes him feel scared.

From Weekend Dad by Naseem Hrab, illus. by Frank Viva

Their Saturday is filled with new routines from eating eggs for breakfast, playing cards and going to the park, all repeated Sunday. But when it's time to leave, the child is mindful of each parent being alone without him. Still this child must reconcile that his father will not be coming in when dropping him off and to that end, Dad hands him a touching letter about how much he loves him and is always with him.

...you will hear your dad's heart beat, and with each beat, you will hear the words: "You are loved." No instrument can pick this tiny pulse up except for your own heart and imagination.

This is a story of reality but with heart. Mom and Dad aren't going to find their way back to each other. (And Naseem Hrab makes sure not to place blame on either parent or make the story about their relationship. This is all about the child.) Dad's apartment is rather sparse but he's working to make it more for his son.  Naseem Hrab's text from the child's perspective is similarly stark as the situation probably is for any child experiencing a separation within the family. It is what it is. The boy doesn't overthink but he does take it for what it is right now: complex, confusing, and harsh. The only relief is in the dad's words, words that he undoubtedly took time to compose, and which touch with their affection and concern.

From Weekend Dad by Naseem Hrab, illus. by Frank Viva

Between the muted tones of olive drab, rose brown, grey and yellow and the ever-present scribbles of cloud and smoke, Frank Viva's artwork does not divert from Naseem Hrab's text. The upheaval and the austerity of the circumstances are reflected in Frank Viva's ink and digitally coloured illustrations. With few colours and an economy of shape, Frank Viva conveys what this child sees and feels, and it is bleak. But things will change, and Naseem Hrab's final words, having father and son heading off to buy a bed, and Frank Viva's last double spread, a little brighter in colour and alive with activity, indicate things are going to be okay.

Peter & Ernesto: The Lost Sloths

Written and illustrated by Graham Annable

First Second

978-1-62672-572-0

128 pp.

Ages 6-10

April 2019

The sloths from Graham Annable's first graphic novel in this charming series, Peter & Ernesto: A Tale of Two Sloths (First Second, 2018), have returned with a greater problem than managing their differences. Ernesto, the beige-coloured sloth, is filled with

From Peter & Ernesto: The Lost Sloths by Graham Annable

music and joie de vivre and lots of optimism compared to his friend Peter, the grey sloth who is more cautious and realistic and certainly a homebody. But when a hurricane hits and their home tree, along with many in the area, is destroyed, the two and their sloth friends must search beyond their comfort zone and familiar grounds for a new home. Of course, Ernesto leads the way.

From Peter & Ernesto: The Lost Sloths by Graham Annable

But the world outside of their own area has many unknowns and the group of six come across peccaries shouting about a jaguar, tree vines that are actually snakes, biting ants, a cave full of bats, and a river of crocodiles. But they also make friends of some armadillos, have a fun mud fight with an anteater and find a new home and roommate.

From Peter & Ernesto: The Lost Sloths by Graham Annable

I was captivated by these two unlikely friends and their search for a new home. They might handle each new set of circumstances differently, one ready to plunge right in and sing his way through while the other focuses on logistics and making good choices, but they are together all the way.  And, as they find that new tree and tree-mate, everyone is reminded that communities are built with unity and support.

From Peter & Ernesto: The Lost Sloths by Graham Annable

While animation and film fans may be more familiar with Graham Annable as one of the directors of the Academy Award-nominated animated film The Boxtrolls, I think the Peter & Ernesto graphic novel series will win him new fans, middle grade ones, who will appreciate the humour, the graphics and the relationship between the two lovable sloths. Peter & Ernesto: The Lost Sloths has the right blend of those important story elements for this age group: uncluttered artwork, unambiguous dialogue, and a linear story line with the perfect balance of surprise bumps and hilarity along the journey. (The jaguar is not what is expected!) There are life lessons about friendship and acceptance and finding strength from others. Enjoy to your new home, Peter & Ernesto, and I hope to visit with you again.