The Care and Keeping of Grandmas

Written by Jennifer Mook-Sang

Illustrated by Yong Ling Kang

Tundra Books

978-0-‎7352-7134-0

32 pp.

Ages 3-7

April  2023

 

Many children will be spending time with grandparents this summer when their parents are busy working. It'll be a special time for many of them, being nurtured and loved and experiencing new learning. But when a grandparent moves in with a family that nurturing can go both ways, as both child and grandparent spend time together. Jennifer Mook-Sang's story is all about that special and tender relationship that comes when a grandmother comes to live with her granddaughter's family.

From The Care and Keeping of Grandmas, written by Jennifer Mook-Sang, illus. by Yong Ling Kang

Like the plants her grandma brings with her, a little girl tries to make her grandmother comfortable. After all, adapting to new surroundings can be a little tough at first. And this child is all about making her feel at home. She makes sure she knows where everything is and helps her make her room her own. It takes time to adjust to new routines and new surroundings and the child makes sure her grandmother has what she needs. 

From The Care and Keeping of Grandmas, written by Jennifer Mook-Sang, illus. by Yong Ling Kang

As her grandmother tends to her plants, ensuring they have light and food and water, the child  ensures her grandmother gets what she needs too. It might be noise-cancelling headphones or a playful water fight, but the child watches out for her. Sometimes both grandma and plant struggle, whether wilting from the stresses of the environment or their new circumstances. But love and attention can make it all better. Then the new place becomes home where they belong and fit in and even thrive.

From The Care and Keeping of Grandmas, written by Jennifer Mook-Sang, illus. by Yong Ling Kang

Not all young children are fortunate enough to have an elder move in with them but, though it may be a difficult transition for all concerned, just as it is with transplanting a plant to a new pot or flower bed, it can be incredibly rewarding. I don't know if Jennifer Mook-Sang has ever had a grandmother move in with her family but the openness of her story to the fullness of that intergenerational relationship and the richness of the new circumstances is certainly revealing. Told with much affection and patience, The Care and Keeping of Grandmas is all about making it right for the grandmother, not expecting her to just fit into their situation. The child's understanding of the difficulties and challenges of adapting to a new situation is filled with compassion, and I suspect it is the reason that her grandma eventually finds her place with them. 

Even though there are challenges, illustrator Yong Ling Kang keeps the lightness of Jennifer Mook-Sang's story with her watercolour and pencil artwork. Whether it's the freshness of the plants growing inside or out, or the colourful clothes which they wear, or the scenes of markets and kitchens and bedrooms, Yong Ling Kang keeps everything lively, even if subdued, and bright without being too bold. Her artwork is so reflective of an elder whose life is slowing down a bit and a child who is keeping pace with her to help her fit in.

Transitioning to a new living situation is difficult at the best of times but imagine how difficult it might be when giving up your own home to share one with your younger family. The adjustment would be great and not always successful, as one plant discovers, but with love and time much can be resolved. Ultimately, Jennifer Mook-Sang and Yong Ling Kang show us that this grandma, like many of her plants, will be just fine, perhaps even flourishing.

The Midnight Club

Written by Shane Goth

Illustrated by Yong Ling Kang

Owlkids Books

978-1-77147-394-1

40 pp.

Ages 3-7

October 2021

 

The darkness of the night doesn't stand a chance when two sisters, and a cat, head out on a secret adventure, unbeknownst to their sleeping parents. With a secret hand sign and a quiet step, the Midnight Club is in session.

From The Midnight Club by Shane Goth, illus. by Yong Ling Kang

After Milly wakes up her older sister Becca and they give the secret sign of the Midnight Club–one finger on one hand and two on the other–the two girls sneak out of their bedroom and guardedly past their parents' room. In a game, following the club's rule of not touching the shadows, the pair cautiously make their way down the creaky stairs to the uncharted land of their night-time main floor. They enjoy their dad's forbidden chair and jelly beans, including the use of his back-scratcher, try on their mother's clothes and play with the shadows made by the streetlights.

From The Midnight Club by Shane Goth, illus. by Yong Ling Kang

Always listening for a creak or a scratch, they let in Oliver the cat a.k.a. the President of the Midnight Club, before playing a feline version of Follow the Leader. And even though they are reluctant to admit sleepiness, the two sisters yawn and stretch and return to bed as carefully as they vacated it, determined to keep the secret of the Midnight Club.

From The Midnight Club by Shane Goth, illus. by Yong Ling Kang

Though this is Shane Goth's first picture book, this Vancouver writer has the lightness of touch to charm us with a story of the sisters' night time exploration of their house. It's not just sneaking out of their room at night; it's an opportunity to bond and let their imaginations play while both safe in the familiar and vulnerable with the novelty. There is play and some impulsivity though also caution. Most of all, there is togetherness as Becca and Milly delve into the unknown nature of their home.

From The Midnight Club by Shane Goth, illus. by Yong Ling Kang

Yong Ling Kang's artwork has graced several picture books previously reviewed here (Tanna's Owl and This House is Home) so I know that she has a fluid style that fits the story. As such, her pencil and watercolour art in The Midnight Club gives the story the low-light softness of a late night caper. The blues, greens and purples of the dark house are never scary, only mysterious, compared to the brightness of the occasional light inside or outside the house, illuminating the children with warmth and an etherealness. Yong Ling Kang's delicate touch evokes the fleeting nature of the children's antics, ephemeral in fact, only for that meeting of the Midnight Club.

 

By bringing play into the scariness of the dark, Shane Goth and Yong Ling Kang's The Midnight Club will charm many a young child to new perspectives on their own homes and spur on imaginative play, whether in the night or the day.

This House is Home

Written by Deborah Kerbel

Illustrated by Yong Ling Kang

Owlkids Books

978-1-77147-380-4

32 pp.

Ages 4-8

March 2021

The concept of home has always been an important focus in literature: finding it, establishing it, cultivating it, holding onto it, and sadly even losing it. For some, it's ephemeral, fleeting in its nature, and for others it is the bedrock of life. For the families in This House is Home, it is both.

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

Lily and her rabbit family live in a home that her grandmother says is "old and steady as mountains." But when a pair of suited foxes with clipboards approach Grandma about buying the house, she politely declines.

This house is home, and we'll live here for the rest of forever.

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

Problem is that everyone else around them sells to the developers, and there is much upheaval as friends pack up and goodbyes are shared. And then the diggers arrive, flattening houses and trees, and constructing a road that like a "long gray tongue snaked toward our house, closer and closer, until it had pushed right up to our door. It didn't bother knocking."

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

The construction workers might have placed pylons around their house but their house is now situated in the middle of a wide road of noisy, smelly vehicles racing past their windows. The impact on their garden was evident but also clear was the impact within their home: dirt, noise, irritability, and distress.

From This House is Home by Deborah Kerbel, illus. by Yong Ling Kang

But a solution to their problem comes to Lily, the artist, in a dream in which, "The road had melted into a sea. The cars had shrunken to fish. My house had grown sails." Their house would remain their home, just in a different location.

Having a development threaten your house, your home is a nerve-racking prospect. Undoubtedly it's a frustration of many whose abodes stand in the way of planning projects that look at the big picture and not the individual lives affected. The menace of the foxes' repeated efforts to get Grandma to sell are tangible, though she is always polite and gracious, but Deborah Kerbel's words focus on the calm and love inside the home and leaves the destruction and disquiet outside. Sadly, there comes a time when the outside encroaches on the inner sanctum of home. Still Grandma's strength of conviction that their house would remain steadfastly their home and Lily's problem-solving ensure that home will endure as such.

Illustrator Yong Ling Kang, who illustrated Tanna's Owl (2020), continues to charm with her watercolour art that adds the whimsy of a bunny family living in their home, having picnics, playing, knitting, and growing. She brightens those pages with all colours, saving the greys and browns for the mayhem of the construction, and gives fluidity to the story, indicative of the transitional nature of the house, with her brushstrokes and lines. As such, Yong Ling Kang's art echoes the joys and frustrations of Deborah Kerbel's characters from comfort through distress and back to buoyant.

This House is Home reminds us that home is more than a structure. It has roots that are grown of family, and, though it can change, as necessary, it carries the promise of steadfastness, even if in transition.

Tanna's Owl

Written by Rachel and Sean Qitsualik-Tinsley

Illustrated by Yong Ling Kang

Inhabit Media

978-1-77227-250-5

32 pp.

Ages 5-8

January 2020

In "A Greeting from Rachel" as the preface to the book, Rachel Qitsualik-Tinsley recounts how all animals were important and considered family. When her father brings home an orphaned baby snowy owl, she learns an important lesson about caring and ownership.

I don't think you can really own an animal. Or a piece of Land. Or anything, actually. You can only bring things together. Learn to help. To care.

The little grey and brown owl with the big eyes that Tanna thought to be ugly at first needs lots of care. They house the little bird whom they called Ukpik (Inuktut for owl) in her father's workshop. It needs to eat several times a day and that means Tanna and her siblings must go out to catch lemmings. When Ukpik does not get her food right away, she stomps and sways and chomps in her demanding way.

From Tanna's Owl by Rachel and Sean Qitsualik-Tinsley, illus. by Yong Ling Kang

As Ukpik grows, becoming both bigger, less cute and more dangerous with her sharp beak, Tanna continues to feed her, now giving her any kind of meat or fish. When Tanna takes her outside, Ukpik looks interested in flying, flapping her wings, but she is too young to fly yet. After Tanna goes away to school and returns the following summer, she learns that Ukpik is gone.

"It was grown," Father told her. "The owl didn't belong to us. It had to fly free."

From Tanna's Owl by Rachel and Sean Qitsualik-Tinsley, illus. by Yong Ling Kang

Though the child had felt burdened taking care of the little owl, she missed Ukpik. So when she spots a fully grown snowy owl, Tanna hopes that maybe it was the owl she'd cared for.

From Tanna's Owl by Rachel and Sean Qitsualik-Tinsley, illus. by Yong Ling Kang

Though many a child will bring home an animal for which to care, Tanna's Owl is a unique tale of the far north and embedded in a culture and heritage that respects its animals as part of the Land or Water or Sky. Tanna's father is very matter-of-fact about her need to care for the orphaned bird but also for its need to leave when ready. Staying as a family pet was not respectable nor natural. Tanna knows this in her heart but she obviously comes to care for the animal who may not have seen the little girl as more than a food source. Fortunately, her father's wisdom is subtly shared with the child about what she needs to do, positive or sad.

Nunavut's Rachel and Sean Qitsualik-Tinsley's stories always bring readers to an Inuit world of place, people and experience. I've reviewed a variety of their tales from origin stories in How Things Came To Be: Inuit Stories of Creation (Inhabit Media, 2016) to history in Tuniit: Mysterious Folk of the Arctic (Inhabit Media, 2015) or picture books like Lesson for the Wolf (Inhabit Media, 2015). They provide a real glimpse into life in the Arctic for the Inuit people and a reminder that they reside in a natural world that is vast and complex. With their stories, we learn more each time. Accompanied by the simple and informative illustrations by Toronto's Yong Ling Kang, children will see what a baby owl and a full-grown snowy look like as well as how an Inuit family may live. The art depicts a modesty of life with a practicality of wisdom and pleasures while still representing familial and natural connections.

Inviting us in to learn the story of Tanna's Owl, Rachel and Sean Qitsualik-Tinsley with Yong Ling Kang have taught us more bout compassion, responsibility and respect, as well as cultural experience, than any school lesson might.

From Tanna's Owl by Rachel and Sean Qitsualik-Tinsley, illus. by Yong Ling Kang